UK Commercial fiction Literary Agents

Commercial fiction, literary fiction, commercial non-fiction, children's fiction, ya

Wants: Agency is building its list and welcomes unsolicited submissions (see remit on site)

Commercial and literary fiction across all genres, commercial non-fiction, and children's and young adult fiction, with a particular interest in projects with book-to-screen adaptation potential

Email info@whisperingbuffalo.com marked for the attention of the Submissions Department. For fiction include a brief biography, one-page synopsis, and first three chapters (double-spaced) as a Word document attachment. For non-fiction include a proposal and sample chapter.

Fiction and non-fiction

Prioritising MG/YA and new adult/adult commercial fiction, romance including romcom/dark/epic, romantasy, YA contemporary with humour/romance, YA thrillers/horror, MG funny contemporary

Email - submissions@watsonlittle.com

Fiction and non-fiction

Non-fiction: history, popular science, social issues, nature, money/life management, music, sport, film, technology, memoir, true crime, experts with wide appeal. Fiction: literary and well-written commercial, boundary-pushing style with emotional heart and plot, upmarket with satisfying arc, historical or contemporary, genre-mixing

Email submissions@watsonlittle.com with a cover letter in the body of the email, a synopsis, and approximately 10,000 words from the beginning of the manuscript for fiction, or a proposal including a sample chapter and chapter summaries for non-fiction. Address one agent only. No AI-originated or AI-edited material.

Fiction and narrative non-fiction

Commercial genre fiction (romcom, crime, thrillers), accessible literary/reading group, narrative non-fiction (often by women), emotional family drama, multigenerational stories, female-led crime, social-issue thrillers

Email - sohoagencysubmissions@gmail.com

Fiction and non-fiction

Commercial fiction with pace/plot/character and clear hook, crime/suspense/thrillers, high-concept speculative (not SFF-only shelf), social-mirror horror, uplifting commercial fiction with emotional heart, non-fiction: sports writing and narrative non-fiction exploring contemporary social issues

Online form - https://amheath.com or submissions

Fiction and non-fiction

Upmarket commercial to literary fiction, distinctive voice/character-driven with strong hook/unusual perspective, multigenerational novels, gripping love stories, funny fiction, feminist/revisionary, experimental/form. Non-fiction: memoir and narrative, history, food writing/food system, nature/planet, popular science, genre-melding cultural writing

Email submissions@janklow.co.uk with your full name, the title of your work, and Claire Paterson Conrad's name in the subject line. For fiction: include a covering letter (in the email body), synopsis, and the first three chapters or first fifty pages as attachments. For non-fiction: include a covering letter, a full chapter-by-chapter outline, and a sample chapter. All documents should be double-spaced, size 12, in a reasonable font, and submitted as Word or PDF attachments — no external links. Responses are sent within 8 weeks if the agency wishes to read more.

Commercial fiction, commercial non-fiction, food writing, cookery, memoir, biography, true crime, lifestyle, health, parenting

Wants: Commercial non-fiction and fiction, with focus on health and cookery (agency focus). submissions start with a brief email explaining book and target audience; no attachments.

Commercial non-fiction, food writing and cookery, memoir, biography, true crime, lifestyle, health, parenting, and commercial fiction

Brief email explaining book and target audience, no attachments initially

Fiction and non-fiction

Literary and commercial fiction and non-fiction (good writing, great literature)

Submit via the RCW submissions page at https://rcwlitagency.com or submissions or with a cover letter, synopsis, and first 3 chapters or 50 pages for fiction, or a proposal of up to 20 pages for non-fiction. Submit to one agent or assistant only.

Non-fiction writers and presenters

Bold voices from untraditional spaces, broad non-fiction with particular interest in politics, parenting, activism and memoir; clients across media including writing, broadcasting, live events and commercial opportunities

Email - nlucas@unitedagents.co.uk

Fiction, literary memoir, narrative nonfiction

Actively seeking wide-ranging fiction: excellent writing, compelling plots, diverse/unexpected voices, engrossing reads, especially literary/commercial crossover, romantasy, psychological thrillers/suspense, family dramas, savvy love stories, ambitious crime/thriller, smart historical/speculative/magical realism. Not looking for children's/YA/MG, short story collections, poetry or drama, no straight sci-fi or high fantasy that is not romantasy

Email nelle@rmliterary.co.uk with a one-page outline, the first 3 chapters or 50 pages, and a covering letter.

Non-fiction

Commercial and upmarket non-fiction, psychology, popular science, wellbeing, narrative non-fiction, biography, food, sustainability, health, expert-led projects with international/screen potential

Email rachel@rmliterary.co.uk with as much detail about yourself and the project as possible, ideally including at least one sample chapter. No reply within one month means the project was not a fit.

Non-fiction and select fiction

Non-fiction: compelling narrative history, ideas books on urgent questions, absorbing biography and memoir, pop culture, humour, and entertainment. Fiction: memorable characters on gripping journeys, principally crime or literary-commercial crossover. Not considering children's, YA, sci-fi/fantasy, or screenplays

Send your work and a covering letter to wiseofficesubmissions@curtisbrown.co.uk. Gordon Wise and his team are taking on only a couple of fiction writers a year. They are not considering submissions for Children's, Young Adult, Science Fiction, Fantasy, or screenplays. If you have not heard back within four to six weeks, this means they are unable to offer representation.

Fantasy, romantasy, rom-coms, book club romance, female-focused psychological thrillers, historical fiction, commercial non-fiction

Dark fantasy, romantasy (commercial and upmarket), dark academia, political intrigue, genre-blending (horror/romance, fantasy/horror), psychological thrillers with a dark edge, unhinged female protagonists, stories from underrepresented backgrounds. Interested in previously self-published authors within these genres and fanfiction authors writing original fiction

Send your cover letter, synopsis, and first three chapters or 10,000 words for fiction, or a proposal for non-fiction, to ciara.finan@curtisbrown.co.uk. Due to the volume of submissions received, a response to every query is not guaranteed. Writers should keep the agent updated if they receive a full manuscript request or an offer of representation from another agent.

Literary fiction, commercial fiction, women's fiction, crime fiction, non-fiction

Well-written commercial and literary fiction (incl women's fiction, award-winning crime, upmarket), interested in dysfunctional families, outsiders, messiness, working-class/regional voices (Irish/Scottish), diverse perspectives. Non-fiction: housing, class, feminism, social change, globalisation, sexuality and similar areas

Email - submissions@ryeliterary.com

Fiction and non-fiction

Adult crime, thrillers and suspense, contemporary romance, women's fiction (commercial/literary/historical/humour). Adult non-fiction: mental health advocates, adventurers, entertainers

Email - submission@bell-lomax.co.uk

Fiction and non-fiction

Fiction: book club, psychological suspense, crime, speculative, historical, commercial and upmarket women's with unique hook/voice/characters. Non-fiction: history (with platform) and memoir

Email - kate@khla.co.uk

Non-fiction, book club fiction, fantasy, historical fiction, speculative fiction, crime fiction

Non-fiction across a broad range of subjects, particularly from authors who are authoritative and accessible, including activists, psychologists, creatives and thought leaders. Also growing a fiction list focused on book club, fantasy, historical, speculative and crime fiction. Actively champions marginalised and underrepresented voices.

For non-fiction, email nonfiction@grahammawchristie.com with a one-page topic summary, detailed chapter-by-chapter outline, author credentials, online profiles, market overview, promotional plan, and 1-2 sample chapters. For fiction, email fiction@grahammawchristie.com with a completed manuscript, including genre in the subject line, a one-to-two line elevator pitch, a 500-800 word synopsis (including spoilers), up to five comparative titles, author bio, promotional notes, and the first three chapters or approximately 10,000 words. Attach documents in Word, Pages or PDF format. Do not submit directly to individual agents. No postal submissions accepted.

Fiction and non-fiction

Fiction: literary/well-written including pacey thrillers. Non-fiction: accessible, estimable writing with commercial potential (journalists/experts/scholars/public figures, fascinating true stories)

Email - submissions@jonathanpegg.com

Commercial fiction, women's fiction, intelligent crime, thrillers, historical fiction, history, nature, science, self-development, biography, memoir, lifestyle, food

Quality commercial and popular literary fiction with emotional heft, original voices and broad appeal, including twisty thrillers, ghost stories, and epic romantic stories. For non-fiction, experts in their fields writing about history, nature, science, self-development, biography, memoir, original thinking, lifestyle and food — particularly books that educate and illuminate worlds readers don't know, strong women's voices, and food writers with fresh perspectives or a built community.

Email submissions@hhbagency.com with the genre in the subject line. Put your covering letter in the body of the email including a brief pitch, relevant background, and comparison titles. Attach the first three chapters or around 50 pages as a Word document, plus a synopsis. Fiction writers must have completed the manuscript before submitting. Non-fiction writers may submit before completion.

Nonfiction, lifestyle, current affairs, health, sport, true crime, family issues, crime, thriller, book club fiction, historical fiction, romance

Wants: Synopsis, first three chapters, covering letter, detailed outline, sample material

Katie Fulford is looking for authors in both nonfiction and fiction. In nonfiction she wants experts and journalists with something new to say, especially in lifestyle, current affairs, health, sport, smart true crime, and books about female and family issues that put women at the heart of things. In fiction she wants high-concept and hooky crime and thriller, commercial locked-room thrillers, emotional uplit, book club books with big issues, memorable characters and immersive settings, historical fiction about forgotten real people or people connected to more famous figures, and romance. She does not want fantasy, science fiction, children's fiction, or picture books.

Email submissions@belllomaxmoreton.co.uk. For fiction, children's and young adult fiction, or narrative nonfiction, send a short synopsis including the full plot for fiction, the first three chapters or no more than 50 pages double spaced, and a covering letter with any previous publications. For illustrated nonfiction send a detailed outline, sample material if available, and previous publication information. Query one Bell Lomax Moreton agent at a time.

Fiction, non-fiction, ya

Character-driven, high-concept fiction with commercial hook, genre esp fantasy/horror, high-concept thrillers, voice-led contemporary, sweeping historical, romance/romcom, select narrative non-fiction (memoir/history/nature/science)

Email maria@greyhoundliterary.co.uk with a cover letter and pitch in the body of the email. For fiction, attach the first three chapters and a synopsis. For non-fiction, attach a proposal and sample writing.

Literary fiction, commercial fiction, book club fiction, contemporary fiction, commercial women's fiction, crime, mystery, thrillers, fantasy, genre romance, historical fiction, horror, ghost stories, sagas, science fiction, biography, memoir, cookery, gardening, gift books, humour, history, military history, lifestyle, mind-body-spirit, self-improvement, politics, popular science, psychology, travel, children's, ya

SF/fantasy, sweeping historical fiction, character-driven sci-fi, action/adventure, crime. Non-fiction: history, biography, music

Email submissions@sheilland.co.uk with a cover letter, a one-page synopsis (fiction) or brief outline (non-fiction), a short CV, and the first three chapters or around fifty pages. Submissions should be 1.5 line spaced with margins and page numbers, and must include a word count. Only one work at a time. No AI-generated content accepted.

Humorous fiction, action fiction, commercial fiction

Books with humour, particularly when it is edgy, smart, and driven by characters' own actions, flaws, and foibles. Strong-voiced action stories that create genuine connection with a character before placing them in peril, with premises that explore "what if" scenarios to their extremes. Narratives that deliver surprises in a satisfying, inevitable way.

Other submissions

Literary fiction, non-fiction

Science, psychology, cultural history, environmental issues, gripping adventure, speculative fiction, emotionally driven commercial fiction

Refer to United Agents submission guidelines at https://www.unitedagents.co.uk or submission-guidelines

Adult fiction, children's fiction, mg, ya

Children's: MG and YA fiction (all genres), esp YA fantasy with unusual settings/magic systems, YA spec fic/horror/thrillers. Adult: commercial fantasy and sci-fi, horror (social conscience), high-concept/general fiction with speculative/gothic edge, murder mysteries

Email - plantqueries@thebentagency.com

Commercial or crossover fiction, memoir

Distinctive storytelling with emotional heart, predominantly commercial/crossover fiction and memoir. Does not represent sci-fi/fantasy/horror/true crime. Currently closed for submissions

Email lisa@jennybrownassociates.com directly. Currently closed for submissions.

Commercial fiction, book club fiction, romance, mysteries, thrillers, fantasy

Commercial fiction, book club reads, romance, mysteries and thrillers. In fantasy, immersive worldbuilding and strong female characters are essential. Enjoys compelling dystopian fiction with a political edge. Favoured tropes include love triangles, enemies to lovers, rivals to lovers, and forced proximity. Interested in academia settings, multiple POVs, and stories featuring older protagonists (30+) from ethnically diverse backgrounds.

Ayesha is not open to direct submissions. For Watson Little agents who are open, submit by email to submissions@watsonlittle.com with a cover letter in the body of the email and a synopsis plus approximately 10,000 words (or to the end of the nearest chapter) attached as Word documents. Do not submit to more than one Watson Little agent at a time.

Literary fiction, reading group fiction, memoir, pop culture, narrative non-fiction, essays

Romcoms/relationship dynamics, memoir with strong emotional response, nature and pop culture writing, occasional illustrated books (graphic novels/cookery/photo/gift)

Email queries@lewinsohnliterary.com with your submission. Fiction: include a covering letter, synopsis, and 50 pages (or nearest natural break) in Word format. Non-fiction: include a covering letter, an introduction to the project, a basic chapter breakdown, and a sample chapter, ideally in Word format (PDF accepted where highly illustrated).

Commercial non-fiction

Commercial non-fiction (agency specialises)

Email - enquiries@foxandhoward.co.uk

Fiction (literary to commercial), non-fiction

Varied list, bio notes temporarily closed to submissions due to limited capacity

Email bluntoffice@curtisbrown.co.uk with a cover letter, one-page synopsis (approx. 500 words), and up to 10,000 words of your manuscript. For non-fiction, send 2–3 sample chapters or 10,000 words, a chapter breakdown, and an overview explaining your book's relevance.

Commercial fiction, non-fiction, screenwriters

Rory represents clients across commercial fiction and non-fiction, as well as screenwriters and brands. With valuable experience working as a senior publisher, he has a deep and pragmatic understanding of what discerning editors want to see from clients' manuscripts.

Rory is currently closed to submissions. Please direct your submission to Hattie, Rachel, Emily, or Ed instead.

Commercial fiction

Commercial adult fiction, especially romance, SFF, mystery, seeks strong voice/characterisation and plot, especially keen for fantasy, no children's/MG/YA

Email submissions@janklow.co.uk with the subject line 'Submitting to Hannah Todd'

Fiction

Upmarket genre (especially thrillers), reading group and accessible literary fiction, powerful page-turners, unique voices

Email submissions@nurnberg.co.uk with the agent's name in the subject line

Fiction and non-fiction

Story-driven fiction: historical fiction, suspense and crime, contemporary women's fiction, genre and book club fiction. Big-hearted love stories, unputdownable suspense, crime series with returning characters, and immersive historical fiction. Non-fiction: experts in their field, commentators, creators with platforms, and memoir.

Viola Hayden is currently closed to new submissions as of January 2026 and will reopen in January 2027. When open, submissions should be emailed to viola.hayden@curtisbrown.co.uk. Include your query letter in the body of the email, a synopsis or proposal as an attached Word document, and your first 10,000 words as an attached Word document.

Commercial fiction, romance, rom-com, historical fiction, book club fiction, romantic fantasy

Commercial fiction across a wide range of genres, including rom-com, love stories, historical fiction, book club, romantic fantasy, and female-driven narratives with a darker edge. Looking for clear hooks, stand-out memorable characters, and stories readers invest in.

Online form - https://airtable.com or embed or appsPGIWpsujYaPta or pagyOsqhGT1gQbS14 or form

Fiction and non-fiction

Crime/thrillers/mysteries, addictive hooky commercial fiction, grounded speculative, twisty horror, high-concept love story, crime-family epic, big-idea narrative non-fiction (sport/pop science/humour/true crime/memoir)

Email - submissions@watsonlittle.com