UK Commercial fiction Literary Agents

Fiction, non-fiction

Wide taste, currently especially women's commercial fiction/romance, funny books, untold/queer histories, and diverse voices in narrative food/travel/nature writing

Email submissions@lutyensrubinstein.co.uk with a cover letter, short synopsis, and the first three chapters or approximately 5,000 words.

Commercial fiction, literary fiction, romance, crime, thriller, historical fiction, narrative non-fiction, true crime, cookery and food writing

Wants: Commercial to accessible literary fiction; plot-driven stories exploring big emotions; romance; family/friendship sagas; twisty crime/thrillers; grounded dystopian; narrative-led non-fiction (true crime/untold histories etc.)

Plot-driven fiction from commercial to the accessible end of the literary spectrum, including romance and rom-coms (particularly with queer love or interesting backdrops), sweeping family and friendship sagas, unputdownable crime and thriller standalones, upmarket psychological crime, contemporary and historical fiction (especially based on real events, with gothic elements, or focusing on underrepresented lives), narrative non-fiction that reads like fiction, literary true crime, untold histories, accessible books on complex topics, and cookery and food writing with uncomplicated recipes. Keen to hear from authors whose voices are underrepresented in publishing. Not currently taking YA, children's, poetry, fantasy, romantasy, science fiction, diet, or business projects.

Email sian@blakefriedmann.co.uk

Fiction and non-fiction

Crime fiction, unputdownable literary and commercial fiction, non-fiction that makes you think/question the world

Email submissions@lutyensrubinstein.co.uk with a covering letter, a short synopsis, and the first three chapters or up to 5,000 words. If you have a particular agent in mind, note this for Susannah Godman. No scripts, no postal submissions.

Fiction and non-fiction

Literary and commercial fiction, children's and YA, non-fiction including memoir/biography, cookery, gardening, humour, history, lifestyle, mind-body-spirit, politics, popular science, psychology, travel

Email - submissions@sheilland.co.uk

Literary fiction, book club fiction, memoir, narrative non-fiction

Distinctive voices, strong writing, literary-to-commercial sweet spot, short powerful novels, ambitious intergenerational stories, gothic, historical, some fantasy, experts writing popular science/health/social history

Email a covering letter, a short synopsis, and the first three chapters (or up to 5,000 words) to submissions@lutyensrubinstein.co.uk. If you have a particular agent in mind, let the reader Susannah Godman know. No plays or scripts, do not post unsolicited manuscripts.

Fiction and non-fiction

Commercial and upmarket fiction (book club, crime and thriller, historical, contemporary), commercial women's/romantic fiction, some lifestyle/personal development non-fiction

Email hattiesubmissions@theblairpartnership.com

Literary fiction, upmarket commercial fiction, historical fiction, romantic comedy, gothic, horror, crime, psychological thriller, speculative fiction, ya, middle grade, memoir, narrative non-fiction, true crime

Literary and upmarket commercial fiction of all kinds, especially meditative or moving novels about modern life with warmth and heart alongside sharpness. Historical and period fiction that sheds light on untold stories, ambitious cross-centuries narratives, and historical mysteries. High-concept love stories and romantic comedies with depth. Gothic, horror, murder mysteries, ghost stories, psychological thrillers, speculative and magical realist fiction, and novels with a true-crime feel. A small list of YA and middle grade that feels current and contemporary with a real conversation at its core — not currently seeking fantasy or anything younger than middle grade. On the non-fiction side: memoirs of extraordinary people, narrative non-fiction on subjects the author is passionate about, books on mental health, untold stories across popular science, history and popular culture, and a brilliant true crime book. Particularly keen on LGBTQI+ stories and diverse voices from across the globe. Not currently looking for cookery, wellness, or lifestyle.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email. Include the agent's name in the subject line. Fiction: attach the first three chapters or around fifty pages plus a one-to-two page synopsis that reveals the ending, as Word documents. Non-fiction: attach three sample chapters or around fifty pages plus a chapter summary or synopsis, and explain why you are best placed to write the book and who the intended readership is. AI-generated or AI-edited content is not accepted. No postal submissions.

Fiction and non-fiction, estates

Fiction: originality/style, literary to commercial, imaginative setting, strong voice, compelling premise, active SFF list, high concept, intelligent crime/thrillers, genre-transcending. Not taking new YA/children's, no plays/film scripts. Non-fiction: politics, narrative history, sport, natural history, quirky memoir, popular culture, inventive angles

Email - ed@johnsonandalcock.co.uk

Fiction, non-fiction, literary fiction, commercial fiction

Wants: Query letter, synopsis, CV, first 3 chapters or 50 pages

Fiction and non-fiction, literary and commercial. He enjoys unexpected stories that transport him somewhere strange and wonderful. Specific fiction interests include strong commercial genre fiction, noir-ish thrillers, spy fiction, gritty crime, saga, romance and romantic comedy, alongside original reading-group fiction. In non-fiction, he seeks strong narrative voices in memoir and history, and big ideas or smart thinking that reveal the world or suggest how it could be different.

Email submissions@sheilland.co.uk with Piers Blofeld, the book's genre and title in the subject line. Submit one work at a time, mention other works in the cover letter and send your strongest. Include a concise typed cover letter with a short synopsis and a brief introduction explaining why and how long you have written and whether you write in other genres or categories. For non-fiction, explain your choice of subject and suitability to write it. For fiction, include a one-page synopsis covering the full story, significant twists and ending, for non-fiction, a brief outline covering the subject, market position and your qualifications. Include a short CV of relevant qualifications and previous publications, plus the first three chapters OR around 50 typed pages. Wait for a request before sending the full manuscript. Use at least 1.5 line spacing, margins and pagination. Give the actual word count for completed works or an estimated word count for proposals. For self-published work, state availability, copies sold and remaining rights or territories. Do not post original artwork or photographs. Submissions that have used AI technology are not accepted.

Literary fiction, contemporary fiction, upmarket fiction, book club fiction, fantasy, horror, young adult, crossover

Wants: Query letter, synopsis, first three chapters

Clara Foster wants intelligent, original fiction with deep emotion, strong line-level writing, and voice-led characters. She is looking for adult literary contemporary fiction with a strong female focus, upmarket and book club novels that are cleverly conceived, beautifully written, and accessible, fantasy and horror that explore the real world or the self, historical romantasy, urban fantasy, academic settings, body horror, lightly speculative fiction, and YA/crossover stories that are political while providing a strong story. She is not a likely fit for commercial women's fiction, science fiction, World War II or Holocaust stories, or narratives driven primarily by sexual assault, eating disorders, a great lie, or death of a child. She is not accepting nonfiction except by referral.

Submit via Clara Foster's official QueryTracker link from her submissions page. Send a query letter, synopsis, and first three chapters. All queries will receive a response.

Fiction (primarily)

Commercial and book club fiction with a strong hook, genre-crossing, dystopia, elevated sci-fi, big love stories, domestic suspense, horror (incl social commentary)

Email submissions@janklow.co.uk with your full name, the title of your work, and Hayley Steed's name in the subject line. Include a covering letter in the body of the email. Attach a synopsis and either the first three chapters or the first fifty pages (Word or PDF). All documents should be double-spaced, size 12, in a reasonable font. Do not include external links, attach all materials directly.

Fiction

Commercial/genre fiction: romance/romcom, adult and YA fantasy (romance/spice, trials), crime/thrillers/mysteries, hooky pitches and page-turning drama

Email - maddalenacavaciuti@davidhigham.co.uk

Literary fiction, crime fiction, thriller, historical fiction, science fiction, fantasy, commercial fiction, book club fiction, upmarket fiction, history, sport, popular science

Entertaining and diverse fiction with well-told stories, big ideas, emotional hooks and gripping plots. In commercial fiction, particularly interested in crime, thriller, book group and upmarket titles, as well as historical fiction, science fiction and fantasy. In non-fiction, looks for expertise, fresh ideas and genuine passion for the subject, working across history, sport and popular science.

Direct queries about submissions to Isobel@rcwlitagency.com.

Commercial fiction, literary fiction, commercial non-fiction, children's fiction, ya

Wants: Agency is building its list and welcomes unsolicited submissions (see remit on site)

Commercial and literary fiction across all genres, commercial non-fiction, and children's and young adult fiction, with a particular interest in projects with book-to-screen adaptation potential

Email info@whisperingbuffalo.com marked for the attention of the Submissions Department. For fiction include a brief biography, one-page synopsis, and first three chapters (double-spaced) as a Word document attachment. For non-fiction include a proposal and sample chapter.

Commercial fiction, crime, thriller, suspense, bookclub fiction, historical fiction, romance, non-fiction

Commercial fiction across crime, thriller, suspense, bookclub, historical, and romance, as well as select non-fiction. Wants books that entertain from first page to last — the kind you can't wait to talk to someone about, like a new film or a must-watch series.

Submit via the online submissions form at https://www.greenstoneliterary.com or submissions. Attach a query letter (including short author bio, elevator pitch, blurb, comparative titles, and any relevant information), a detailed synopsis with spoilers, and the opening three chapters or 50 pages of your manuscript, whichever is longer. Do not submit by email.

Fiction and non-fiction

Accessible literary and book club fiction with strong voice, historical fiction (e.g., like Sarah Waters), subversive/funny non-fiction, art or food (fiction or non-fiction)

Email - sabhbh.curran@curtisbrown.co.uk

Fiction

Mystery, suspense, thrillers, crime, book club fiction, grounded speculative/high-concept (no high fantasy), stories with escapism, strong series characters, ensemble casts, nature-as-character settings

Online form - https://darleyanderson.com or submissions/

Children's fiction, ya, graphic novels, illustrated fiction

Bold, commercial, zeitgeisty children's/YA, prioritises under-represented voices, not currently taking on new picture book clients

Email sohoagencychildrenssubmissions@gmail.com with first 3 chapters or first 30 pages, a synopsis, and a covering letter, addressed FAO Lydia Silver.

Literary fiction, commercial fiction, illustrated non-fiction, serious non-fiction

Novels across the literary-commercial scale and non-fiction from highly illustrated to serious non-fiction, with diversity within the list as an ever-present priority. Does not represent scriptwriting, high fantasy, or, in non-fiction, business, self-help or parenting books. Represents poetry and children's books (including MG and YA) only where she already represents the author.

Email submissions@philippasitters.co.uk with a cover letter in the email body. For fiction, attach the first 30 pages (double spaced) and a 1-2 page synopsis (single spaced) as Word documents or PDFs. For non-fiction, attach a proposal with a detailed chapter outline and up to three sample chapters (double spaced), information on target market and comparable titles is helpful but not required.

Commercial fiction, nonfiction, historical fiction

Giles Milburn is Managing Director of the Madeleine Milburn Literary, TV & Film Agency. His official profile says he has worked with bestselling authors in commercial fiction, nonfiction, and historical fiction, but it does not list him as an open literary agent or provide a current public query route.

Madeleine Milburn submissions are via official forms and the current submissions page lists the agents available in each form. Giles Milburn is not listed in the current submission agent options, so treat him as closed to unsolicited submissions.

Commercial fiction, non-fiction, screenwriters

Rory represents clients across commercial fiction and non-fiction, as well as screenwriters and brands. With valuable experience working as a senior publisher, he has a deep and pragmatic understanding of what discerning editors want to see from clients' manuscripts.

Rory is currently closed to submissions. Please direct your submission to Hattie, Rachel, Emily, or Ed instead.

Fiction and non-fiction

Commercial fiction (upmarket women's, book club, romantic suspense, crime series, thrillers), non-fiction (business, feminism, health, cookery, environment, memoir, narrative non-fiction)

Email - sohoagencysubmissions@gmail.com

Crime, thrillers, reading group fiction, upmarket commercial fiction, historical fiction, literary fiction, narrative memoir, nature writing, cookery, voice-led non-fiction

Crime and thrillers, reading group fiction, high-concept hooks, upmarket commercial fiction, narrative memoir, nature writing, cookery and other voice-led non-fiction

Email a synopsis and either the first three chapters of a novel or a non-fiction proposal to afeiner@unitedagents.co.uk. Let the agent know if another agent has requested your full manuscript or offered representation.

Fiction and non-fiction

Fiction: book club, psychological suspense, crime, speculative, historical, commercial and upmarket women's with unique hook/voice/characters. Non-fiction: history (with platform) and memoir

Email - kate@khla.co.uk

Literary fiction, commercial fiction, book club fiction, romance, romantasy, fantasy, gothic fiction, horror, historical fiction, crime, thriller, speculative fiction

Wants: Covering letter, one-page outline, first three chapters, first fifty pages

Actively seeking wide-ranging fiction: excellent writing, compelling plots, diverse/unexpected voices, engrossing reads, especially literary/commercial crossover, romantasy, psychological thrillers/suspense, family dramas, savvy love stories, ambitious crime/thriller, smart historical/speculative/magical realism. Not looking for children's/YA/MG, short story collections, poetry or drama, no straight sci-fi or high fantasy that is not romantasy

Email nelle@rmliterary.co.uk with a one-page outline, the first 3 chapters or 50 pages, and a covering letter.

Literary fiction, non-fiction

Science, psychology, cultural history, environmental issues, gripping adventure, speculative fiction, emotionally driven commercial fiction

Refer to United Agents submission guidelines at https://www.unitedagents.co.uk or submission-guidelines

Commercial fiction

Commercial adult fiction, especially romance, SFF, mystery, seeks strong voice/characterisation and plot, especially keen for fantasy, no children's/MG/YA

Email submissions@janklow.co.uk with the subject line 'Submitting to Hannah Todd'

Commercial fiction, book club fiction, romance, mysteries, thrillers, fantasy

Commercial fiction, book club reads, romance, mysteries and thrillers. In fantasy, immersive worldbuilding and strong female characters are essential. Enjoys compelling dystopian fiction with a political edge. Favoured tropes include love triangles, enemies to lovers, rivals to lovers, and forced proximity. Interested in academia settings, multiple POVs, and stories featuring older protagonists (30+) from ethnically diverse backgrounds.

Ayesha is not open to direct submissions. For Watson Little agents who are open, submit by email to submissions@watsonlittle.com with a cover letter in the body of the email and a synopsis plus approximately 10,000 words (or to the end of the nearest chapter) attached as Word documents. Do not submit to more than one Watson Little agent at a time.

Literary fiction, reading group fiction, commercial fiction, narrative non-fiction, nature writing, memoir, politics, social issues

Fiction and non-fiction that stimulates debate, comments on the world around us, and evokes an emotional response; especially literary and reading group fiction and stories with commercial cross-over appeal; in non-fiction, most interested in narrative non-fiction, nature writing, memoir, politics, and social issues

For fiction, email a cover letter and the first three chapters to submissions@robertcaskie.com. For non-fiction, email a detailed outline, a sample chapter, and an introductory email to submissions@robertcaskie.com. Do not send children's, crime and thriller, YA, horror, or SF. Responses are only sent to those from whom more material is requested.

Commercial fiction, book club fiction, horror, fantasy, young adult, new adult, paranormal romance, urban fantasy, non-fiction

Horror (especially folk/social/feminist/queer, not heavy body horror), crossover YA/NA fantasy with romance, paranormal romance/urban fantasy, narrative pop science (neuroscience) and smart-thinking, lesser-known female historical figures

Submit via QueryManager at https://www.perezliterary.com or submit or submit-to-kristina/

Fiction and non-fiction

Crime/thrillers/mysteries, addictive hooky commercial fiction, grounded speculative, twisty horror, high-concept love story, crime-family epic, big-idea narrative non-fiction (sport/pop science/humour/true crime/memoir)

Email - submissions@watsonlittle.com

Fiction and non-fiction

Commercial/high-concept fiction with hook (romance/crime/thriller/general), accessible literary, speculative/SFF/horror, fun fantastical MG, big-emotion YA. Less keen on political or gangland thrillers

Email submissions@thenorthlitagency.com when open to submissions

Fiction and non-fiction

Commercial fiction across all genres, intelligent non-fiction written for a commercial audience

Luigi Bonomi is not currently receiving submissions.

Fiction

Thought-provoking and intelligent fiction (commercial or literary)

Email submissions@thenorthlitagency.com

Commercial non-fiction

Commercial non-fiction (agency specialises)

Email - enquiries@foxandhoward.co.uk

Fiction and non-fiction

Fiction: literary, upmarket commercial, book club, historical, crime, thrillers (no sci-fi/fantasy/children's). Non-fiction: serious/pop science, psychology, feminism, big ideas/current affairs, health/body/mind, personal development, selective lifestyle, narrative/memoir

Email submissions@hardmanswainson.com. Name your chosen agent in the cover email. For fiction, attach a one-page synopsis and the full manuscript. For non-fiction, attach a proposal and a sample chapter, or the whole work if complete. Submit to one agent only.