UK Fantasy Literary Agents

Ya, new adult, contemporary romance, romantasy, fantasy, paranormal romance

Wants: Query letter, first ten pages

Kristina represents authors and publishers across many genres and categories. She is actively seeking Horror, particularly folk horror, Gothic with a fresh twist, horror fantasy, social horror, feminist horror, queer horror, and dark comedies that bleed into horror territory. She is also looking for crossover YA/NA Fantasy with strong romantic elements and well-considered world building, Paranormal Romance, Urban Fantasy, and Non-Fiction focused on neuroscience, narrative popular science, smart thinking, and lesser-known female historical figures.

Kristina is currently closed to queries. When open, all queries must be submitted through Query Manager. Writers should upload a query letter and the first ten pages of their novel or the first ten pages of a non-fiction sample chapter. Submissions received by email or other methods will not be considered or read. Exclusive queries are not accepted.

Fiction

Character-driven speculative fiction, female-led literary and crossover, book club fiction, contemporary rom-coms, sweeping love stories (historical/contemporary), crime and psychological thrillers, female-led fantasy, romantasy, retellings. Not: children/YA, police procedurals, cosy crime, epic sci-fi, poetry, plays, screenplays, any non-fiction

Elena is currently open for submissions. Send your cover letter, one-page synopsis, and first three chapters as attachments, not in the body of the email. Submit to submission@dhhliteraryagency.com. Only submit to one agent at DHH Literary Agency

Young adult, new adult, contemporary romance, romantasy, fantasy, paranormal romance

Wants: Query letter, first ten pages

Isabel Lineberry is Junior Agent and Rights Administrator at Perez Literary & Entertainment and is building a client list focused on YA, New Adult, and romance. She represents YA and New Adult and is particularly interested in contemporary romance, romantasy, fantasy, paranormal romance, queer and underrepresented voices, strong character and voice, romantic tension, charming villains, banter, morally grey characters, kick-ass heroines, believable worldbuilding, fairytale retellings, dark fantasy, alternate histories, historical fantasy, and occasional steampunk or dystopia. She is not interested in cheating storylines, accidental pregnancy, step-sibling romance, unnecessary miscommunication tropes, or Tolkien-esque hard worldbuilding with 100k+ quests.

Submit only through QueryManager at http:// queryManager.com or IsabelLineberry. PLE asks for a query letter and the first ten pages of a novel or the first ten pages of a nonfiction sample chapter. Submissions received by email or other methods will not be considered or read. Do not send an exclusive query.

Fiction and non-fiction

Non-fiction across many areas (narrative, prescriptive, self-help, illustrated, cookery/history/philosophy/economics/memoir/tech/science/business/nature). Fiction: science fiction, horror, fantasy (incl upmarket body horror, book-club friendly SFF, time travel, inventive fantasy epic, underrepresented voices)

Email - sohoagencysubmissions@gmail.com

Literary fiction, contemporary fiction, upmarket fiction, book club fiction, fantasy, horror, young adult, crossover

Wants: Query letter, synopsis, first three chapters

Clara Foster wants intelligent, original fiction with deep emotion, strong line-level writing, and voice-led characters. She is looking for adult literary contemporary fiction with a strong female focus, upmarket and book club novels that are cleverly conceived, beautifully written, and accessible, fantasy and horror that explore the real world or the self, historical romantasy, urban fantasy, academic settings, body horror, lightly speculative fiction, and YA/crossover stories that are political while providing a strong story. She is not a likely fit for commercial women's fiction, science fiction, World War II or Holocaust stories, or narratives driven primarily by sexual assault, eating disorders, a great lie, or death of a child. She is not accepting nonfiction except by referral.

Submit via Clara Foster's official QueryTracker link from her submissions page. Send a query letter, synopsis, and first three chapters. All queries will receive a response.

Fiction and non-fiction, children's

Projects with wide international appeal. Fiction: general, mystery, romance, suspense-thriller, fantasy/SF, own voices, children's. Non-fiction: biography, history, mind-body-spirit, health, lifestyle, science

Email - submissions@sheilland.co.uk

Adult science fiction, adult fantasy, adult horror

Wants: First six chapters, genre comparisons, project paragraph

John Jarrold acts as a literary agent for over forty authors. The agency specialises in representing science fiction, fantasy, and horror novelists for the adult market. It is not taking on clients in other fiction or nonfiction areas, YA, children's fiction, or screenwriting.

Email the first six chapters as a Word document attachment using the address shown on the official John Jarrold site. Include one paragraph about the work and comparisons with two or three recently successful authors in the same genre. The agency charges no reading fee and is always open for submissions. Follow up by email if the submission is not dealt with in two weeks.

Literary fiction, crime fiction, thriller, historical fiction, science fiction, fantasy, commercial fiction, book club fiction, upmarket fiction, history, sport, popular science

Entertaining and diverse fiction with well-told stories, big ideas, emotional hooks and gripping plots. In commercial fiction, particularly interested in crime, thriller, book group and upmarket titles, as well as historical fiction, science fiction and fantasy. In non-fiction, looks for expertise, fresh ideas and genuine passion for the subject, working across history, sport and popular science.

Direct queries about submissions to Isobel@rcwlitagency.com.

Historical fiction, crime, thrillers, book club fiction, science fiction, fantasy, children's

Historical fiction, crime/thrillers, book club, science fiction and fantasy (actively building list)

Email julieacrisp@gmail.com. The contact page also hosts a form and notes responses within one week.

Fiction, non-fiction

Horror (especially folk/social/feminist/queer, not heavy body horror), crossover YA/NA fantasy with romance, paranormal romance/urban fantasy, narrative pop science (neuroscience) and smart-thinking, lesser-known female historical figures

Submit via QueryManager at https://www.perezliterary.com or submit or submit-to-kristina/

Children's and ya fiction, na or crossover, commercial women's fiction, narrative non-fiction

MG: voice-driven with heart/humour, contemporary or MG fantasy series. YA: friendships/firsts/feels, high-concept/speculative romance or thriller. NA and commercial women's: romance-forward with unusual circumstances, romcom (college/university), darkly comic new-parenthood, also speculative/historical romance. Romantasy: romance-forward, grounded magic, morally grey. Non-fiction: extraordinary challenges/adventures, experts in STEM/history/pop culture/mental health. Not sci-fi, crime fiction, picture books

Email submission@bell-lomax.co.uk with a covering letter in the email body, a short synopsis (including full plot details), and the first three chapters (no more than 50 pages, double spaced) as a Word document or PDF. Do not address the submission to more than one agent.

Fiction

Commercial/genre fiction: romance/romcom, adult and YA fantasy (romance/spice, trials), crime/thrillers/mysteries, hooky pitches and page-turning drama

Email - maddalenacavaciuti@davidhigham.co.uk

Fantasy, speculative fiction, romantic fantasy, romantic fiction, general fiction, literary fiction, narrative non-fiction, memoir, cookery

Grounded fantasy with light magical elements edging toward speculative or dystopic, with exceptionally strong world-building. Romantic fantasy with compelling protagonists, particularly a queer male lead or a non-binary/gender-neutral vampire story. Romantic fiction with a strong USP, enemies-to-lovers dynamics, competitive settings, and crossover with horror or crime. General fiction exploring friendship over time, sibling relationships, ensemble casts, and modern loose retellings of classics or plays — especially an own-voices retelling of The Crucible from Abigail Williams' perspective. In non-fiction: narrative memoir with a fresh angle, pop and fan culture exploring why topics trend online, and cookbooks from authors with strong social media platforms.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email and attachments as Word Documents. Include Mia Dakin's name in the subject line. Fiction: first three chapters or around fifty pages plus a one-to-two page synopsis that reveals the ending. Non-fiction: three sample chapters or around fifty pages plus a proposed chapter summary, your reasons for writing the book, and your intended readership. AI-generated or AI-edited submissions are not accepted.

Nonfiction, literary fiction, science fiction, fantasy

Nonfiction that illuminates the past and present across arts, pop culture, education, politics, sociology, and technology, with a vision toward more just and equitable futures; also select genre fiction with literary merit, particularly science fiction and fantasy stories that explore new worlds while revealing something essential about our own.

Submit through Aevitas Creative Management's contact and submissions form.

Crime, thrillers, literary thriller, commercial thriller, fantasy, dystopian, literary speculative fiction, dark academia, horror, high-concept book club fiction

Wants: Cover letter, synopsis, first three chapters

Characters with dark pasts, tragic futures or buried trauma. Crime and thrillers across the literary and commercial spectrum, fantasy, dystopian fiction, literary speculative fiction, dark academia, horror, and high-concept book club fiction.

Email submissions@mushens-entertainment.com with the subject line 'Fiction Submission: TITLE OF YOUR WORK', addressed to Rachel Neely. Include a cover letter in the body of the email, a synopsis as an attachment, and a PDF or Word document of your first three chapters, first 10–15,000 words, or first 50 pages. Manuscript must be complete at time of submission.

Children's fiction and non-fiction (to ya or crossover)

Ambitious storytelling, bold structure/voice, fresh takes on genre, author/illustrators, underrepresented/marginalised voices, high-concept contemporary YA romance, horror/thrillers, hooky YA fantasy/speculative, hilarious MG, screen potential

Email - rachelsubmissions@theblairpartnership.com

Literary fiction, upmarket fiction, book club fiction, narrative memoir, family saga, high society fiction, speculative fiction, magical realism, contemporary fiction, upmarket suspense, psychological thriller, postcolonial fiction, translated fiction, classical retellings

Wants: Cover letter, synopsis, first three chapters, first ten thousand words, proposal, writing sample

Rachel Yeoh is a literary agent building a list in literary, upmarket, and book club fiction, as well as select narrative nonfiction. She is actively looking for literary, upmarket, book club, global stories, human experience, social critique, class conflict, speculative fiction, family sagas, contemporary fiction, upmarket suspense, psychological thriller, postcolonial literature, translated fiction, classical retellings, and narrative memoir.

Submit through the relevant Madeleine Milburn online form and select Rachel Yeoh where available. Adult fiction submissions require a cover letter pasted into the form and one attachment containing a one-page synopsis plus the first three chapters or first 10,000 words. Nonfiction submissions require a cover letter and one document containing a 5,000 to 10,000 word sample and proposal. Do not submit by post or directly to email addresses.

Fiction (and adult graphic novels)

Strong hook/high concept and unforgettable characters, underrepresented voices. Genres include contemporary/book club fiction, women's fiction, romance/romcom, accessible fantasy, historical fiction with a fresh perspective, and adult graphic novels

Online form - https://darleyanderson.com or submissions/

Fiction and non-fiction

Commercial/book club fiction (edging literary), thrillers with unusual location or speculative edge, historical with real figures, gothic/magical/haunted, speculative love stories, romcoms, fantasy with unique magic/folklore. Non-fiction from experts/creators including food writing, women's health, maternal/sport/mental health. Not sci-fi, erotica, graphic novels, children's/MG/YA, or poetry

Online form - https://www.greenstoneliterary.com or submissions

Adult fiction and select non-fiction

Horror (literary to commercial, gothic, dark academia), literary/book-club, high-concept/time-slip, romcom/cozy romance, cosy fantasy, dystopian, non-fiction from experts (nature/climate/psychology/self-help/health/neurodiversity/science etc.)

Online form - https://hs-la.com or submissions/

Literary fiction, general fiction, epic fantasy, history, memoir, reportage, narrative nonfiction, art, music, nature writing

Beautiful, ambitious, and unusual literary fiction, epic fantasy, and upmarket general fiction that is emotionally engaging and compulsively readable. In nonfiction, interested in history, memoir, reportage, and big ideas, as well as writing on art, music, literature, and nature.

Submit via the button on John Ash's agent profile page at https://www.caa.com or entertainmenttalent or books or agent or john-ash/. For fiction, include a cover letter, synopsis, and the first three chapters or opening 50 pages. For nonfiction, include a cover letter and proposal.

Literary and upmarket or book club fiction

Character-driven, emotionally resonant, culturally insightful literary/upmarket fiction, sweeping narratives, complex family dynamics, intergenerational sagas, sociopolitical/postcolonial/global themes, speculative or magical realism grounded in human experience, literary thrillers with psychological nuance

Online form - https://www.madeleinemilburn.co.uk or submissions/

Sff, romance

SFF across genres for all ages, romance including romcom/paranormal/romantic suspense/dark/historical/fantasy, wants big worlds, strong hooks and distinctive voice

Online form - https://www.madeleinemilburn.co.uk or submissions/

Fiction

Character-driven debuts, sweeping stories with big universal themes, high concepts, thought-provoking, uplifting, original narrative voices, emotional journeys. Not: sci-fi, fantasy, children/YA, poetry, plays, screenplays, short stories/novellas, any non-fiction

Read each agent's profile and only submit to one agent from DHH. Follow the individual agent's submission guidelines. Do not submit via phone or the general enquiries email.

Children's (mg or ya or crossover), adult commercial fiction, narrative non-fiction

Genre fiction and crossover children's, boy-led MG, teen fiction, graphic novel/illustrated MG or younger YA, quirky fantasy, dark/off-beat romantic comedy, domestic noir, cultural history/narrative non-fiction with strong voice

Email submissions@nurnberg.co.uk with a cover letter in the body of the email, a one-page synopsis and first three chapters or up to 50 pages as attachments. Mark the subject line FAO Gyamfia Osei. For non-fiction, send an overview, chapter outlines, and three sample chapters.

Literary fiction, upmarket fiction, speculative fiction, horror, magical realism, mythology reimaginings, fairy tale reimaginings, folklore reimaginings, cultural criticism, narrative nonfiction, nonfiction, cookbooks, food writing, short story collections, novellas

Wants: Cover letter, synopsis, first three chapters

Literary and upmarket fiction, speculative fiction, horror, magical realism, and reimaginings of myths, fairy tales, and folklore. Also cultural criticism, narrative nonfiction, big-idea nonfiction, and select cookbooks and food writing. Maria is the only agent at the agency who accepts novellas and short story collections.

Email submissions@mushens-entertainment.com with your submission addressed to Maria. For fiction, include a clear subject line (e.g. Fiction Submission: TITLE), a cover letter in the body of the email, an attached synopsis, and a PDF or Word document containing either the first three chapters, the first 10,000–15,000 words, or the first 50 pages. For non-fiction, include a proposal or the first 10,000–15,000 words of a completed manuscript. For short story collections (40,000–75,000 words total), include a synopsis and the full collection. For novellas (17,000–40,000 words), include a synopsis. Do not use AI to write or edit any part of your submission. Notify the agency if another agent requests your full manuscript or offers representation.

Picture books, middle grade, ya, adult romance, adult romantasy, adult fantasy

Extraordinary, diverse stories, strong preference for underrepresented voices, see on-site wishlist for specifics (MG/YA, adult romance/romantasy/fantasy etc.)

Submit via QueryManager at http://querymanager.com or aliceashliterary, or by email to submissions@ashliterary.com. Do not submit via both routes simultaneously.

Children's fiction, ya, adult fiction, non-fiction

Eclectic, currently: upmarket contemporary, friendships, thoughtful sci-fi/fantasy, sweeping love stories, darkly magical, humorous, memoir/essays (occasional). Avoids gritty/harrowing crime, no picture books or poetry

Email the first three chapters, a 1-2 page synopsis including the full plot outline and ending, and a covering letter (Word format preferred) to submissions.bryony@bryonywoods.co.uk. The covering letter should describe the book, include a short author biography, and note any previous writing experience.

Fiction and non-fiction

Page-turners, clever, gripping stories with complicated/flawed characters, relationship-driven fiction, YA/NA fantasy, millennial and audience, underrepresented voices, environmental/social issues

Submit via the online form at https://amheath.com or submissions. Use submissions@amheath.com only for following up after 6 weeks with no response, notifying of an offer, sending requested full manuscripts, or submitting cookery or illustrated children's titles.

Children's and ya (and some adult)

Middle grade and YA fiction across genres (pref voice/character-driven, contemporary/realistic settings, magical realism, original psychological thrillers, atmospheric horror, light fantasy). Also open to original children/YA non-fiction, selectively adult literary projects

Submit by email via the PFD books submission page at https://petersfraserdunlop.com or submissions or books/, including a cover letter, synopsis, and the first three chapters or approximately 50 pages for fiction, or a detailed proposal for non-fiction.

Literary fiction, book club fiction, memoir, narrative non-fiction

Distinctive voices, strong writing, literary-to-commercial sweet spot, short powerful novels, ambitious intergenerational stories, gothic, historical, some fantasy, experts writing popular science/health/social history

Email a covering letter, a short synopsis, and the first three chapters (or up to 5,000 words) to submissions@lutyensrubinstein.co.uk. If you have a particular agent in mind, let the reader Susannah Godman know. No plays or scripts, do not post unsolicited manuscripts.

Middle grade, ya, sff, children's

Wants: Per fba new voices bio: YA and commercial adult fiction; romance and fantasy for all ages; smart/engaging/bold with international appeal. note: agency submissions page currently not accepting fantasy/romantasy/SFF or children's/YA.

Actively building a list spanning middle grade, YA and crossover fiction across all genres, and selective adult fiction in the SFF space. Drawn to immersive world-building, complex characters, twisty plots, and stories exploring identity, belonging and transformation.

Submit via the PFD submissions page. Include a covering letter, one-page synopsis, and first three chapters or approximately 10,000 words.

Science fiction, fantasy, horror, crime, thriller, sport non-fiction

Commercial fiction, especially science fiction, fantasy, horror, crime and thrillers. Also looking for sport-related non-fiction and keen to see submissions from under-represented voices and LGBTQ writers.

Email jamie@theampersandagency.co.uk

Children's books

Actively seeking new clients, MG adventure/series potential, YA romance and fantasy, horror/monster stories, contemporary teen, queer/found-family, SFF across YA/new adult (not grimdark)

Email - childrens@darleyanderson.com

Fantasy, speculative fiction, romantasy, ya, adult fiction, satire

Safae represents adult, YA, and crossover fiction with a focus on fantasy, speculative fiction, romantasy, and satire. She is drawn to dynamic, voice-driven narratives that carry a sense of urgency—stories that are emotionally impactful with a strong hook and smart-mouthed dialogue. She enjoys both dark, gritty narratives and quirky, offbeat stories, as well as fresh spins on familiar tropes such as enemies-to-lovers, fake relationships, and forbidden love. She also supports translators working from languages of the Global Majority. She is not looking for poetry, short story collections, novellas, picture books, middle grade fiction, or memoirs.

Email: safae@rcwlitagency.com

Children's fiction, children's non-fiction, picture books, graphic novels, ya, middle grade, adult sff, adult fantasy

Wants: Children's: fiction/non-fiction/picture books/graphic novels; not currently taking picture-book-text-only creators. adult: imaginative SFF with thoughtful society/humanity themes; cosy or dark; witches/magicians/werewolves/teashops welcomed

A middle grade or YA standalone reflecting the experience of growing up in a multicultural or multifaith household. A character-led teen series in which the protagonist pursues an exciting career, in the vein of Geek Girl or Alex Rider. Dark academia for YA or adult with detailed worldbuilding and an emphasis on the dark. Palestinian voices in any age group or genre.

Email christabelsubmissions@davidhigham.co.uk with your submission. Note that writers focusing solely on picture book texts are not currently being taken on.