UK Commercial fiction Literary Agents

Commercial fiction, upmarket fiction, book club fiction, crime, thrillers, historical fiction, psychological suspense, women's fiction, speculative fiction, non-fiction, lifestyle, pop culture, humour

Commercial and upmarket fiction: book club/accessibly literary, crime/thrillers, upmarket historical, psychological suspense, women's fiction, speculative/high-concept, lightly magical edge. Non-fiction: innovative lifestyle, pop culture, unique personal stories, humour

Email jemimasubmissions@davidhigham.co.uk with your name and title in the subject line, and attach a cover letter, synopsis, and the first three chapters.

Literary fiction, commercial fiction, graphic novels, general non-fiction

Original page-turning adult fiction and non-fiction across genres (agency notes it does not currently represent Children's/YA or Science Fiction/Fantasy)

Email representme@rockingchairbooks.com with a whole manuscript or just a few chapters. A covering letter is welcome but not essential — the agency typically reads the work first.

Fiction, literary memoir, narrative nonfiction

Actively seeking wide-ranging fiction: excellent writing, compelling plots, diverse/unexpected voices, engrossing reads, especially literary/commercial crossover, romantasy, psychological thrillers/suspense, family dramas, savvy love stories, ambitious crime/thriller, smart historical/speculative/magical realism. Not looking for children's/YA/MG, short story collections, poetry or drama, no straight sci-fi or high fantasy that is not romantasy

Email nelle@rmliterary.co.uk with a one-page outline, the first 3 chapters or 50 pages, and a covering letter.

Non-fiction

Commercial and upmarket non-fiction, psychology, popular science, wellbeing, narrative non-fiction, biography, food, sustainability, health, expert-led projects with international/screen potential

Email rachel@rmliterary.co.uk with as much detail about yourself and the project as possible, ideally including at least one sample chapter. No reply within one month means the project was not a fit.

Non-fiction and select fiction

Non-fiction: compelling narrative history, ideas books on urgent questions, absorbing biography and memoir, pop culture, humour, and entertainment. Fiction: memorable characters on gripping journeys, principally crime or literary-commercial crossover. Not considering children's, YA, sci-fi/fantasy, or screenplays

Send your work and a covering letter to wiseofficesubmissions@curtisbrown.co.uk. Gordon Wise and his team are taking on only a couple of fiction writers a year. They are not considering submissions for Children's, Young Adult, Science Fiction, Fantasy, or screenplays. If you have not heard back within four to six weeks, this means they are unable to offer representation.

Fantasy, romantasy, rom-coms, book club romance, female-focused psychological thrillers, historical fiction, commercial non-fiction

Dark fantasy, romantasy (commercial and upmarket), dark academia, political intrigue, genre-blending (horror/romance, fantasy/horror), psychological thrillers with a dark edge, unhinged female protagonists, stories from underrepresented backgrounds. Interested in previously self-published authors within these genres and fanfiction authors writing original fiction

Send your cover letter, synopsis, and first three chapters or 10,000 words for fiction, or a proposal for non-fiction, to ciara.finan@curtisbrown.co.uk. Due to the volume of submissions received, a response to every query is not guaranteed. Writers should keep the agent updated if they receive a full manuscript request or an offer of representation from another agent.

Literary fiction, commercial fiction, women's fiction, crime fiction, non-fiction

Well-written commercial and literary fiction (incl women's fiction, award-winning crime, upmarket), interested in dysfunctional families, outsiders, messiness, working-class/regional voices (Irish/Scottish), diverse perspectives. Non-fiction: housing, class, feminism, social change, globalisation, sexuality and similar areas

Email - submissions@ryeliterary.com

Fiction and narrative non-fiction

Commercial and literary fiction (excluding SFF), narrative non-fiction; currently seeking voicy character-driven book club fiction, fresh crime, upmarket horror, and accessible eye-opening non-fiction

Email - mhoskins@unitedagents.co.uk

Fiction and select non-fiction

Commercial and book-club fiction, selective romance, thrillers/mystery, different-feeling historical fiction, selective YA, selective non-fiction (popular history/untaught areas, cultural deep-dives, narrative non-fiction). Not children's, not sci-fi, not grisly horror

Submit via the online form on Hannah Schofield's agent page at https://lbabooks.com or agents or hannah-schofield

Crime fiction, thriller, mystery, book club fiction

Adult commercial fiction paired with punchy concepts and irresistible voice. Particularly drawn to psychological thrillers where nothing is as it seems, groundbreaking mysteries that blur genres, and literary crime writing that crosses boundaries. Also actively looking for book club novels with exceptional writing that create emotional resonance, as well as imaginative cross-genre works that blend mystery with horror, romance, or other unexpected combinations.

Send your submission to EdSubmissions@theblairpartnership.com. Include your manuscript or sample pages along with a cover letter outlining your concept and voice.

Fiction and non-fiction

Adult crime, thrillers and suspense, contemporary romance, women's fiction (commercial/literary/historical/humour). Adult non-fiction: mental health advocates, adventurers, entertainers

Email - submission@bell-lomax.co.uk

Commercial fiction, literary fiction, non-fiction

Commercial and literary fiction (saga, romance, historical, book club, uplit, quirky to experimental), narrative non-fiction and big ideas; keen on LGBTQ voices and stories. Currently seeking epic family sagas, compelling love stories, ENM/poly relationships, historical fiction, friendships and sisters, and form-playing literary fiction. No SFF, fantasy, horror, YA, children's, mind-body-spirit or cookery.

Email (to agent, copy assistant) - lmacdougall@unitedagents.co.uk (cc EHorn@unitedagents.co.uk)

Literary fiction, commercial fiction, crime, thrillers, historical fiction, children's, young adult, non-fiction

Literary and commercial fiction, crime, thrillers, and historical fiction. Particularly excited by debut authors and actively welcomes submissions of the highest standard. Not currently considering science fiction and fantasy.

Submit by email to sam@rcwlitagency.com. Due to the volume of submissions received, you should assume no response within eight weeks indicates a rejection.

Fiction and non-fiction

Commercial and upmarket fiction (book club, crime and thriller, historical, contemporary), commercial women's/romantic fiction, some lifestyle/personal development non-fiction

Email hattiesubmissions@theblairpartnership.com

Literary fiction, reading group fiction, commercial fiction, narrative non-fiction, nature writing, memoir, politics, social issues

Fiction and non-fiction that stimulates debate, comments on the world around us, and evokes an emotional response; especially literary and reading group fiction and stories with commercial cross-over appeal; in non-fiction, most interested in narrative non-fiction, nature writing, memoir, politics, and social issues

For fiction, email a cover letter and the first three chapters to submissions@robertcaskie.com. For non-fiction, email a detailed outline, a sample chapter, and an introductory email to submissions@robertcaskie.com. Do not send children's, crime and thriller, YA, horror, or SF. Responses are only sent to those from whom more material is requested.

Commercial fiction, crime, thriller, suspense, bookclub fiction, historical fiction, romance, non-fiction

Commercial fiction across crime, thriller, suspense, bookclub, historical, and romance, as well as select non-fiction. Wants books that entertain from first page to last — the kind you can't wait to talk to someone about, like a new film or a must-watch series.

Submit via the online submissions form at https://www.greenstoneliterary.com or submissions. Attach a query letter (including short author bio, elevator pitch, blurb, comparative titles, and any relevant information), a detailed synopsis with spoilers, and the opening three chapters or 50 pages of your manuscript, whichever is longer. Do not submit by email.

Fiction and non-fiction

Fiction: book club, psychological suspense, crime, speculative, historical, commercial and upmarket women's with unique hook/voice/characters. Non-fiction: history (with platform) and memoir

Email - kate@khla.co.uk

Fiction and non-fiction

Fiction: literary prize-winners to upmarket reading group, well-written crime, ambitious/surprising, messy family stories, longing/relationships. Non-fiction: art, culture, music, food, nature, mental health

Submit via the online portal at https://felicitybryan.com or submissions or submit-your-work/ — upload a synopsis or proposal and the first 3–4 chapters.

Commercial fiction, romance, saga, crime, thriller, book club fiction, children's fiction, ya, non-fiction, business, finance, self-help, wellbeing, lifestyle, cookery

Commercial fiction (romance/saga, crime/thriller, book club), children's novels 9+ to YA, non-fiction including business/finance, self-help/wellbeing, lifestyle/cookery. Not sci-fi, short stories, or poetry

Email submissions@susanyearwoodagency.com with your name and title or genre in the subject line (e.g. Joe Bloggs, The Title, Book Club fiction). Attach the first 30 pages and a separately titled synopsis or outline. Include a cover email with a pitch sentence, a brief description of the submission, comparative authors published in the last three years, your writing background, and a paragraph on why you wrote the book. Attachments should be Word or PDF, 1.5 or double-spaced, with page numbers. Let the agent know if you are also submitting to other agents.

Commercial non-fiction (sport, lifestyle, self-help, leadership)

Commercial non-fiction, especially sport, lifestyle, self-help and leadership.

Email admin@davidluxtonassociates.co.uk with an approximately 300-word synopsis, a note on who the book appeals to and why you are qualified to write it, a chapter breakdown, a sample chapter, and a short bio or credits.

Literary fiction, commercial fiction, literary non-fiction, commercial non-fiction, ya, children's books, biography, memoir, history, popular culture, humour

Quality women's fiction including romantasy and love stories, smart contemporary thrillers with a difference, a great northern novel set in the north east or midlands, biography, memoir, history, popular culture, humour

Email synopsis and three sample chapters as a Word attachment, plus author biography, to info@sarah-such.com. No unsolicited manuscripts or telephone enquiries.

Fiction and non-fiction, journalism or serialisation

Literary/book club/upmarket commercial fiction, historical and women's fiction, open to speculative and romance crossovers, non-fiction that surprises/challenges, cookery/food writing, feminist narratives, underrepresented voices. Not seeking children's/YA, crime, thriller or horror

Email one agent or assistant only, include a cover letter, full synopsis, and first 3 chapters or approximately 50 pages for fiction, or a detailed proposal for non-fiction. Find contact details at https://petersfraserdunlop.com or our-team/

Fiction

Commercial/genre fiction: romance/romcom, adult and YA fantasy (romance/spice, trials), crime/thrillers/mysteries, hooky pitches and page-turning drama

Email - maddalenacavaciuti@davidhigham.co.uk

Fiction

Character-driven speculative fiction, female-led literary and crossover, book club fiction, contemporary rom-coms, sweeping love stories (historical/contemporary), crime and psychological thrillers, female-led fantasy, romantasy, retellings. Not: children/YA, police procedurals, cosy crime, epic sci-fi, poetry, plays, screenplays, any non-fiction

Elena is currently open for submissions. Send your cover letter, one-page synopsis, and first three chapters as attachments, not in the body of the email. Submit to submission@dhhliteraryagency.com. Only submit to one agent at DHH Literary Agency

Non-fiction, book club fiction, fantasy, historical fiction, speculative fiction, crime fiction

Non-fiction across a broad range of subjects, particularly from authors who are authoritative and accessible, including activists, psychologists, creatives and thought leaders. Also growing a fiction list focused on book club, fantasy, historical, speculative and crime fiction. Actively champions marginalised and underrepresented voices.

For non-fiction, email nonfiction@grahammawchristie.com with a one-page topic summary, detailed chapter-by-chapter outline, author credentials, online profiles, market overview, promotional plan, and 1-2 sample chapters. For fiction, email fiction@grahammawchristie.com with a completed manuscript, including genre in the subject line, a one-to-two line elevator pitch, a 500-800 word synopsis (including spoilers), up to five comparative titles, author bio, promotional notes, and the first three chapters or approximately 10,000 words. Attach documents in Word, Pages or PDF format. Do not submit directly to individual agents. No postal submissions accepted.

Fiction and non-fiction

Fiction: literary, upmarket commercial, book club, historical, crime, thrillers (no sci-fi/fantasy/children's). Non-fiction: serious/pop science, psychology, feminism, big ideas/current affairs, health/body/mind, personal development, selective lifestyle, narrative/memoir

Email submissions@hardmanswainson.com. Name your chosen agent in the cover email. For fiction, attach a one-page synopsis and the full manuscript. For non-fiction, attach a proposal and a sample chapter, or the whole work if complete. Submit to one agent only.

Fiction and non-fiction

Fiction: literary/well-written including pacey thrillers. Non-fiction: accessible, estimable writing with commercial potential (journalists/experts/scholars/public figures, fascinating true stories)

Email - submissions@jonathanpegg.com

Historical fiction, crime, thrillers, book club fiction, science fiction, fantasy, children's

Historical fiction, crime/thrillers, book club, science fiction and fantasy (actively building list)

Email julieacrisp@gmail.com. The contact page also hosts a form and notes responses within one week.

Fiction (primarily)

Commercial and book club fiction with a strong hook, genre-crossing, dystopia, elevated sci-fi, big love stories, domestic suspense, horror (incl social commentary)

Email submissions@janklow.co.uk with your full name, the title of your work, and Hayley Steed's name in the subject line. Include a covering letter in the body of the email. Attach a synopsis and either the first three chapters or the first fifty pages (Word or PDF). All documents should be double-spaced, size 12, in a reasonable font. Do not include external links, attach all materials directly.

Commercial fiction, women's fiction, intelligent crime, thrillers, historical fiction, history, nature, science, self-development, biography, memoir, lifestyle, food

Quality commercial and popular literary fiction with emotional heft, original voices and broad appeal, including twisty thrillers, ghost stories, and epic romantic stories. For non-fiction, experts in their fields writing about history, nature, science, self-development, biography, memoir, original thinking, lifestyle and food — particularly books that educate and illuminate worlds readers don't know, strong women's voices, and food writers with fresh perspectives or a built community.

Email submissions@hhbagency.com with the genre in the subject line. Put your covering letter in the body of the email including a brief pitch, relevant background, and comparison titles. Attach the first three chapters or around 50 pages as a Word document, plus a synopsis. Fiction writers must have completed the manuscript before submitting. Non-fiction writers may submit before completion.

Literary fiction, crime fiction, thriller, historical fiction, science fiction, fantasy, commercial fiction, book club fiction, upmarket fiction, history, sport, popular science

Entertaining and diverse fiction with well-told stories, big ideas, emotional hooks and gripping plots. In commercial fiction, particularly interested in crime, thriller, book group and upmarket titles, as well as historical fiction, science fiction and fantasy. In non-fiction, looks for expertise, fresh ideas and genuine passion for the subject, working across history, sport and popular science.

Direct queries about submissions to Isobel@rcwlitagency.com.

Fiction and non-fiction

Commercial and book club fiction across genres, high-concept thrillers/suspense, atmospheric reads, women's fiction, uplifting speculative edge, female-led historical, romantic fiction, underrepresented voices

Submit by email via the PFD submissions page at https://petersfraserdunlop.com or submissions or books/. Include a cover letter, synopsis, and the first three chapters or approximately 50 pages for fiction, or a detailed proposal for non-fiction.

Literary fiction, upmarket commercial fiction, historical fiction, romantic comedy, gothic, horror, crime, psychological thriller, speculative fiction, ya, middle grade, memoir, narrative non-fiction, true crime

Literary and upmarket commercial fiction of all kinds, especially meditative or moving novels about modern life with warmth and heart alongside sharpness. Historical and period fiction that sheds light on untold stories, ambitious cross-centuries narratives, and historical mysteries. High-concept love stories and romantic comedies with depth. Gothic, horror, murder mysteries, ghost stories, psychological thrillers, speculative and magical realist fiction, and novels with a true-crime feel. A small list of YA and middle grade that feels current and contemporary with a real conversation at its core — not currently seeking fantasy or anything younger than middle grade. On the non-fiction side: memoirs of extraordinary people, narrative non-fiction on subjects the author is passionate about, books on mental health, untold stories across popular science, history and popular culture, and a brilliant true crime book. Particularly keen on LGBTQI+ stories and diverse voices from across the globe. Not currently looking for cookery, wellness, or lifestyle.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email. Include the agent's name in the subject line. Fiction: attach the first three chapters or around fifty pages plus a one-to-two page synopsis that reveals the ending, as Word documents. Non-fiction: attach three sample chapters or around fifty pages plus a chapter summary or synopsis, and explain why you are best placed to write the book and who the intended readership is. AI-generated or AI-edited content is not accepted. No postal submissions.

Speculative fiction, historical fiction, upmarket crime and thriller, memoir, narrative-led non-fiction, nature, food, sport, psychology, business, craft and design, social sciences, investigative journalism

Wants: Quality and commercial fiction and non-fiction (no children's). fiction: first 3 chapters/50pp and synopsis. non-fiction: pitch and sample chapter

In fiction, books combining compelling storytelling, engaging characters and strong plotting, especially novels of ambition and scope with big-hearted characters. Particularly interested in speculative fiction with a real-world edge or near-future settings. In non-fiction, broad tastes including memoir, narrative non-fiction with deep focus that expands outward to explain a culture or subculture, immersive journalism, and books where subject-matter expertise meets great writing. Does not represent children's books.

Fiction: first 3 chapters or 50 pages and synopsis. Non-fiction: pitch and sample chapter

Crime, thrillers, literary thriller, commercial thriller, fantasy, dystopian, literary speculative fiction, dark academia, horror, high-concept book club fiction

Wants: Cover letter, synopsis, first three chapters

Characters with dark pasts, tragic futures or buried trauma. Crime and thrillers across the literary and commercial spectrum, fantasy, dystopian fiction, literary speculative fiction, dark academia, horror, and high-concept book club fiction.

Email submissions@mushens-entertainment.com with the subject line 'Fiction Submission: TITLE OF YOUR WORK', addressed to Rachel Neely. Include a cover letter in the body of the email, a synopsis as an attachment, and a PDF or Word document of your first three chapters, first 10–15,000 words, or first 50 pages. Manuscript must be complete at time of submission.

Fiction and non-fiction

Commercial women's fiction with strong hook/twisty plots/emotion/drama, eclectic list. Agency also considers crime/mystery/suspense/thrillers, horror, historical, commercial and literary, non-fiction including politics/current affairs, environment, lifestyle, popular science, self-help/how-to, true crime

Email submissions@cmm.agency with a one-paragraph author biography, a one-paragraph blurb or hook including genre and audience, a short synopsis covering plot, setting, theme and characters, and the first three chapters as an attachment. Manuscript must be double or 1.5 line-spaced, with wide margins, in a font no smaller than 12-point (preferably Times New Roman), fully page-numbered, with your name, address, contact number and email on the first page.

Commercial women's fiction, psychological thrillers, popular science, true crime

Fresh commercial women's fiction with big hooks/diverse characters, pacy psychological thrillers, cutting-edge non-fiction (popular science to true crime)

Email submissions@cmm.agency with: a one-paragraph author biography (including whether the manuscript has been sent to other agents or publishers), a one-paragraph blurb with hook, genre and audience, a short synopsis covering plot, setting, theme and characters, and the first three chapters as an attachment. The manuscript must be double or 1.5 line-spaced, with wide margins, in at least 12-point font (preferably Times New Roman), fully paginated, and with name, address, contact number and email on the first page.

Fiction, nonfiction, commercial fiction, literary fiction, international authors

Wants: Cover letter, synopsis, first three chapters, proposal

Carole Delmon is listed on the official Susanna Lea Associates Paris team page. The Paris office says its taste is eclectic and that it is interested in works of both fiction and nonfiction, commercial and literary, with projects that have international potential beyond the French market.

For submissions in France, email paris@susannalea.com. SLA asks for a concise and thoughtful cover letter, a brief synopsis, and either the first three chapters or a detailed proposal. Do not submit to more than one SLA office, and do not send post or fax queries.

Literary fiction, contemporary fiction, upmarket fiction, book club fiction, fantasy, horror, young adult, crossover

Wants: Query letter, synopsis, first three chapters

Clara Foster wants intelligent, original fiction with deep emotion, strong line-level writing, and voice-led characters. She is looking for adult literary contemporary fiction with a strong female focus, upmarket and book club novels that are cleverly conceived, beautifully written, and accessible, fantasy and horror that explore the real world or the self, historical romantasy, urban fantasy, academic settings, body horror, lightly speculative fiction, and YA/crossover stories that are political while providing a strong story. She is not a likely fit for commercial women's fiction, science fiction, World War II or Holocaust stories, or narratives driven primarily by sexual assault, eating disorders, a great lie, or death of a child. She is not accepting nonfiction except by referral.

Submit via Clara Foster's official QueryTracker link from her submissions page. Send a query letter, synopsis, and first three chapters. All queries will receive a response.

Fiction, children's books, nonfiction, thriller, suspense, historical fiction, literary fiction, book club fiction, young adult, middle grade, romantasy, memoir, cookery, lifestyle, narrative nonfiction

Wants: Covering letter, synopsis, first three chapters, first fifty pages, outline, sample chapter, bio

Hellie Ogden is co-head of WME UK Books and represents fiction, children's books, and nonfiction. She is actively taking on new clients and wants bold storytelling, moving prose, vivid thought-provoking characters, standout debut work, high-concept thrillers and suspense with fresh hooks and daring twists, historical fiction with original courageous ideas, page-turning literary fiction about millennial experience, nostalgia, sexuality and family complexities, upmarket book club fiction with commercial hooks, female-led mysteries, emotionally deep fiction, YA with big heart and voice, romantasy, middle grade adventure with magic, memoir, standout cookery, lifestyle writers, moving narrative nonfiction, and work with social following and cross-media potential.

Submit through Hellie Ogden's official WME profile or query button. Include the author full name and work title in the email subject line. Fiction submissions should include a covering letter, synopsis, and either the first three chapters or first fifty pages. Nonfiction submissions should include a covering letter, full chapter outline, and if possible a sample chapter. Include a bio with all submissions. Query one WME agent at a time.

Nonfiction, lifestyle, current affairs, health, sport, true crime, family issues, crime, thriller, book club fiction, historical fiction, romance

Wants: Synopsis, first three chapters, covering letter, detailed outline, sample material

Katie Fulford is looking for authors in both nonfiction and fiction. In nonfiction she wants experts and journalists with something new to say, especially in lifestyle, current affairs, health, sport, smart true crime, and books about female and family issues that put women at the heart of things. In fiction she wants high-concept and hooky crime and thriller, commercial locked-room thrillers, emotional uplit, book club books with big issues, memorable characters and immersive settings, historical fiction about forgotten real people or people connected to more famous figures, and romance. She does not want fantasy, science fiction, children's fiction, or picture books.

Email submissions@belllomaxmoreton.co.uk. For fiction, children's and young adult fiction, or narrative nonfiction, send a short synopsis including the full plot for fiction, the first three chapters or no more than 50 pages double spaced, and a covering letter with any previous publications. For illustrated nonfiction send a detailed outline, sample material if available, and previous publication information. Query one Bell Lomax Moreton agent at a time.

Literary fiction, upmarket fiction, book club fiction, narrative memoir, family saga, high society fiction, speculative fiction, magical realism, contemporary fiction, upmarket suspense, psychological thriller, postcolonial fiction, translated fiction, classical retellings

Wants: Cover letter, synopsis, first three chapters, first ten thousand words, proposal, writing sample

Rachel Yeoh is a literary agent building a list in literary, upmarket, and book club fiction, as well as select narrative nonfiction. She is actively looking for literary, upmarket, book club, global stories, human experience, social critique, class conflict, speculative fiction, family sagas, contemporary fiction, upmarket suspense, psychological thriller, postcolonial literature, translated fiction, classical retellings, and narrative memoir.

Submit through the relevant Madeleine Milburn online form and select Rachel Yeoh where available. Adult fiction submissions require a cover letter pasted into the form and one attachment containing a one-page synopsis plus the first three chapters or first 10,000 words. Nonfiction submissions require a cover letter and one document containing a 5,000 to 10,000 word sample and proposal. Do not submit by post or directly to email addresses.

Fiction, non-fiction, ya, children's

Big, expansive, emotionally powerful 'game-changing' stories, commercial fiction and non-fiction and children's titles (priority focus on under-represented groups and lower socio-economic backgrounds), stories with cross-media potential

Email a covering letter, synopsis, and first three chapters to originatesubmissions@originateliterary.co.uk. For illustrated fiction or non-fiction, include sample spreads instead of chapters. A completed manuscript is not required for fiction queries.

Fiction

Mystery, suspense, thrillers, crime, book club fiction, grounded speculative/high-concept (no high fantasy), stories with escapism, strong series characters, ensemble casts, nature-as-character settings

Online form - https://darleyanderson.com or submissions/

Fiction and non-fiction

Story-led commercial/literary: romantic or suspense fiction, compelling memoir, iconic history, edgy humour, 'gleam in the author's eye'

Email - sohoagencysubmissions@gmail.com

Fiction, non-fiction, ya

Character-driven, high-concept fiction with commercial hook, genre esp fantasy/horror, high-concept thrillers, voice-led contemporary, sweeping historical, romance/romcom, select narrative non-fiction (memoir/history/nature/science)

Email maria@greyhoundliterary.co.uk with a cover letter and pitch in the body of the email. For fiction, attach the first three chapters and a synopsis. For non-fiction, attach a proposal and sample writing.

Commercial fiction, women's fiction, romance, romantasy, narrative non-fiction

Love stories with a cool edge — rom-coms, sweeping romances, and stories where friendship is as central as romance. Open to all kinds of love stories including romantasy with strong world-building, star-crossed lovers, and opposites-attract dynamics. Characters who are coming into their own, discovering something new about themselves, who pull at your heartstrings and bring joy. Strong women's fiction where characters navigate the complexities of relationships and the non-linearity of life. Fiction that is transporting and atmospheric in the vein of Lucinda Riley and Kristin Hannah, and upmarket commercial fiction tackling universal themes of love, loss, friendship, and family. Also interested in stories that explore recent history or illuminate the world through fiction, research, or reportage.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email. Include Kate Rizzo's name in the subject line. Attach the first three chapters or around fifty pages plus a one-to-two page synopsis as Word documents (not PDFs). The synopsis should reveal the ending. Do not submit until the full manuscript is complete.

Adult fiction and select non-fiction

Horror (literary to commercial, gothic, dark academia), literary/book-club, high-concept/time-slip, romcom/cozy romance, cosy fantasy, dystopian, non-fiction from experts (nature/climate/psychology/self-help/health/neurodiversity/science etc.)

Online form - https://hs-la.com or submissions/

Fiction and non-fiction

Commercial/book club fiction (edging literary), thrillers with unusual location or speculative edge, historical with real figures, gothic/magical/haunted, speculative love stories, romcoms, fantasy with unique magic/folklore. Non-fiction from experts/creators including food writing, women's health, maternal/sport/mental health. Not sci-fi, erotica, graphic novels, children's/MG/YA, or poetry

Online form - https://www.greenstoneliterary.com or submissions

Literary fiction, commercial fiction, book club fiction, contemporary fiction, commercial women's fiction, crime, mystery, thrillers, fantasy, genre romance, historical fiction, horror, ghost stories, sagas, science fiction, biography, memoir, cookery, gardening, gift books, humour, history, military history, lifestyle, mind-body-spirit, self-improvement, politics, popular science, psychology, travel, children's, ya

SF/fantasy, sweeping historical fiction, character-driven sci-fi, action/adventure, crime. Non-fiction: history, biography, music

Email submissions@sheilland.co.uk with a cover letter, a one-page synopsis (fiction) or brief outline (non-fiction), a short CV, and the first three chapters or around fifty pages. Submissions should be 1.5 line spaced with margins and page numbers, and must include a word count. Only one work at a time. No AI-generated content accepted.

Humorous fiction, action fiction, commercial fiction

Books with humour, particularly when it is edgy, smart, and driven by characters' own actions, flaws, and foibles. Strong-voiced action stories that create genuine connection with a character before placing them in peril, with premises that explore "what if" scenarios to their extremes. Narratives that deliver surprises in a satisfying, inevitable way.

Other submissions

Fiction, non-fiction

Speculative fiction, commercial fiction, literary fiction, crime and thriller, serious non-fiction (big ideas/subversive assumptions, serious histories, narrative non-fiction re contemporary events/issues)

Email alexander@greyhoundliterary.co.uk with a cover letter pitch in the body of the email. For fiction, attach the first three chapters and a synopsis. For non-fiction, attach a proposal and sample writing. Do not submit by post. Do not submit to more than one agent at the agency.

Literary fiction, commercial fiction, romance, book club fiction, culture and society non-fiction, cookery

Literary and commercial fiction alongside romance novels with strong book club appeal. In non-fiction, writing that explores culture and modern society, as well as cookery in all its forms, from narrative food writing to practical cookbooks.

Submissions can be sent by email to honor@rcwlitagency.com.

Literary fiction, upmarket fiction, book club fiction, narrative non-fiction, memoir, essay collections, food writing, cookbooks

Fiction and non-fiction from underrepresented voices. In fiction, drawn to literary, upmarket and book club novels exploring family and relationship dynamics, sexuality, identity, and vulnerability — particularly stories about polyamory and ethical non-monogamy, epic multi-generational narratives, intelligent romantic comedies, relationship drama, coming-of-age tales centred on girlhood, and intimate formally inventive prose. In non-fiction, interested in narrative, memoir and essay collections from experts, academics, critics and journalists writing about society and culture, especially writers seeking to reshape conversations in their field. Particularly keen to add cookbooks and food writing to her list. Does not represent children's, YA or fantasy.

Email submissions@watsonlittle.com with Ciara's name specified. Include a cover letter in the body of the email with genre, word count, one-line pitch and a brief author bio. For fiction, attach approximately 10,000 words from the beginning of the manuscript and a separate synopsis as Word documents. For non-fiction, attach a full proposal as a single Word document. Do not submit to more than one Watson, Little agent at once. No AI-generated material accepted.

Fiction

Genre fiction, crime and thriller hooks, high concept, science fiction, fantasy, dystopian/post-apocalyptic, speculative/supernatural, horror, spy stories, genre-bending with clear commercial appeal

Email hi.submission@dhhliteraryagency.com with a cover letter, first 3 chapters, and a 1-page synopsis as Word attachments

Historical thrillers, literary fiction, upmarket genre fiction, book club fiction, science writing, food writing, history, nature writing, music journalism, memoir, cultural criticism

Wants: Contemporary crime and thrillers; historical fiction (esp historical crime); books with a fresh angle/clear identity; non-fiction on any subject with a strong angle and page-turning storytelling

Contemporary crime and thrillers, historical fiction and historical crime, upmarket and literary fiction with a fresh or distinctive angle, voices from marginalised or underrepresented communities, and non-fiction on any subject where the author has found the right angle and can make the material a page-turning story

Email submissions@greeneheaton.co.uk with covering letter in the body of the email. Fiction: attach first three chapters or around fifty pages plus a one-to-two page synopsis that reveals the ending. Non-fiction: attach three sample chapters or around fifty pages plus a chapter breakdown or synopsis. Attach files as Word documents, not PDFs. Include preferred agent name in the subject line.

Literary fiction, commercial fiction, thrillers, non-fiction

Wants: Query letter, synopsis, first three chapters

Literary and well-written novels including pacey thrillers, and accessible non-fiction with commercial potential from journalists, experts, scholars, public figures, and anyone with a fascinating well-written story.

Email submissions@jonathanpegg.com. Keep the covering email brief (a few lines of highlights only) and attach a single document containing: for fiction — a synopsis of up to 300 words, relevant personal background and publishing history, and the first three chapters or approximately fifty pages to a natural break, for non-fiction — a synopsis of up to 300 words, publishing history and credentials, a proposal of 5–20 pages including market analysis, an optional chapter plan, and ideally one sample chapter.

Children's (mg or ya or crossover), adult commercial fiction, narrative non-fiction

Genre fiction and crossover children's, boy-led MG, teen fiction, graphic novel/illustrated MG or younger YA, quirky fantasy, dark/off-beat romantic comedy, domestic noir, cultural history/narrative non-fiction with strong voice

Email submissions@nurnberg.co.uk with a cover letter in the body of the email, a one-page synopsis and first three chapters or up to 50 pages as attachments. Mark the subject line FAO Gyamfia Osei. For non-fiction, send an overview, chapter outlines, and three sample chapters.

Fiction and narrative non-fiction

Fiction (adult and YA), literary and commercial, narrative non-fiction; strong voices and stories with narrative drive. Not: children's, genre sci-fi/fantasy, poetry, scripts

Email a short covering letter, a one or two page synopsis, and the first three chapters of your completed manuscript to info@christinegreen.co.uk. Exclusive submissions preferred, if submitting to multiple agents and you receive an offer before hearing back, notify them promptly.

Children's fiction, middle grade, ya, adult fiction

Children: singular/underrepresented voices, powerful ideas. Adult: commercial women's fiction, uplit, sagas, romance (contemporary, romcom, historical)

Email catherine@marjacq.com with a covering letter in the body of the email, the first fifty pages of the manuscript and a synopsis (for fiction) attached as Word or PDF documents, with total file size not exceeding 2MB.

General fiction, thrillers, crime, historical fiction, suspense, mystery, women's commercial fiction, non-fiction, arts and crafts, cookery, biography and autobiography, popular science, business, natural history, sport, travel, health

Wants: See submissions page; requires synopsis and first 3 chapters.

General fiction including thrillers, crime, historical fiction, suspense, mystery, and women's commercial fiction. On the nonfiction side, illustrated books covering arts and crafts, cookery, biography and autobiography, popular science, business, natural history, sport, travel, and health. Open to submissions from new authors.

Email a brief synopsis and the first three chapters as Word or Open Document attachments to mail@limelightmanagement.com. Include 'Submission' in the subject line and the title of your work in the attachment filename. Also include a note about your professional life and writing ambitions.

Middle grade, ya, sff, children's

Wants: Per fba new voices bio: YA and commercial adult fiction; romance and fantasy for all ages; smart/engaging/bold with international appeal. note: agency submissions page currently not accepting fantasy/romantasy/SFF or children's/YA.

Actively building a list spanning middle grade, YA and crossover fiction across all genres, and selective adult fiction in the SFF space. Drawn to immersive world-building, complex characters, twisty plots, and stories exploring identity, belonging and transformation.

Submit via the PFD submissions page. Include a covering letter, one-page synopsis, and first three chapters or approximately 10,000 words.

Science fiction, fantasy, horror, crime, thriller, sport non-fiction

Commercial fiction, especially science fiction, fantasy, horror, crime and thrillers. Also looking for sport-related non-fiction and keen to see submissions from under-represented voices and LGBTQ writers.

Email jamie@theampersandagency.co.uk

Commercial non-fiction, self-help, memoir, literary non-fiction

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Building a list of fiction and non-fiction authors with a particular focus on digital-first writers. Specialises in commercial, self-help and literary non-fiction across memoir, mindfulness, interior design and lifestyle. A committed advocate for emerging and diverse writers.

Email - hello@bergstromstudio.co.uk

Fiction, non-fiction, literary fiction, commercial fiction

Wants: Strong commercial genre fiction (noir-ish thrillers/spy/gritty crime; also saga/romance/romcom) and surprising reading-group fiction; non-fiction with strong narrative voice in memoir/history and big ideas/smart thinking

Wide range of fiction and non-fiction, literary and commercial. Has a taste for the unlikely, likes to be surprised and transported. In fiction, loves stories that take him somewhere strange and wonderful. For non-fiction, loves books that reveal something new or inspire readers to imagine the world differently.

Email - submissions@sheilland.co.uk

Fiction

Crime and thriller, dark commercial/book-club-leaning fiction, high-concept psychological suspense, clever mysteries, propulsive thrillers, smart genre blends

Email - stephanieglencross@davidhigham.co.uk

Commercial fiction, literary fiction, commercial non-fiction, children's fiction, ya

Wants: Agency is building its list and welcomes unsolicited submissions (see remit on site)

Commercial and literary fiction across all genres, commercial non-fiction, and children's and young adult fiction, with a particular interest in projects with book-to-screen adaptation potential

Email info@whisperingbuffalo.com marked for the attention of the Submissions Department. For fiction include a brief biography, one-page synopsis, and first three chapters (double-spaced) as a Word document attachment. For non-fiction include a proposal and sample chapter.

Fiction and non-fiction

Prioritising MG/YA and new adult/adult commercial fiction, romance including romcom/dark/epic, romantasy, YA contemporary with humour/romance, YA thrillers/horror, MG funny contemporary

Email - submissions@watsonlittle.com

Fiction and non-fiction

Fiction: high-concept crime/thrillers, female-led commercial, upmarket commercial, book club, contemporary women's stories, romance, underrepresented voices, fresh-take historical, funny smart romcoms, sagas, gothic, sweeping love stories. Non-fiction: humour, memoir, lifestyle, social justice/polemic, cookery. Not horror/ghosts, not SFF, not YA/children, not sport/true crime, no short stories/novellas, no poetry/screenplay

Email db.submission@dhhliteraryagency.com with a cover letter, first 3 chapters, and a 1-page synopsis as Word attachments.

Fiction and non-fiction

Non-fiction: history, popular science, social issues, nature, money/life management, music, sport, film, technology, memoir, true crime, experts with wide appeal. Fiction: literary and well-written commercial, boundary-pushing style with emotional heart and plot, upmarket with satisfying arc, historical or contemporary, genre-mixing

Email submissions@watsonlittle.com with a cover letter in the body of the email, a synopsis, and approximately 10,000 words from the beginning of the manuscript for fiction, or a proposal including a sample chapter and chapter summaries for non-fiction. Address one agent only. No AI-originated or AI-edited material.

Fiction and narrative non-fiction

Commercial genre fiction (romcom, crime, thrillers), accessible literary/reading group, narrative non-fiction (often by women), emotional family drama, multigenerational stories, female-led crime, social-issue thrillers

Email - sohoagencysubmissions@gmail.com

Commercial fiction, commercial non-fiction, food writing, cookery, memoir, biography, true crime, lifestyle, health, parenting

Wants: Commercial non-fiction and fiction, with focus on health and cookery (agency focus). submissions start with a brief email explaining book and target audience; no attachments.

Commercial non-fiction, food writing and cookery, memoir, biography, true crime, lifestyle, health, parenting, and commercial fiction

Brief email explaining book and target audience, no attachments initially

Fiction and non-fiction

Upmarket commercial to literary fiction, distinctive voice/character-driven with strong hook/unusual perspective, multigenerational novels, gripping love stories, funny fiction, feminist/revisionary, experimental/form. Non-fiction: memoir and narrative, history, food writing/food system, nature/planet, popular science, genre-melding cultural writing

Email submissions@janklow.co.uk with your full name, the title of your work, and Claire Paterson Conrad's name in the subject line. For fiction: include a covering letter (in the email body), synopsis, and the first three chapters or first fifty pages as attachments. For non-fiction: include a covering letter, a full chapter-by-chapter outline, and a sample chapter. All documents should be double-spaced, size 12, in a reasonable font, and submitted as Word or PDF attachments — no external links. Responses are sent within 8 weeks if the agency wishes to read more.

Fiction and non-fiction

Commercial fiction with pace/plot/character and clear hook, crime/suspense/thrillers, high-concept speculative (not SFF-only shelf), social-mirror horror, uplifting commercial fiction with emotional heart, non-fiction: sports writing and narrative non-fiction exploring contemporary social issues

Online form - https://amheath.com or submissions

Fiction and non-fiction

Literary and commercial fiction and non-fiction (good writing, great literature)

Submit via the RCW submissions page at https://rcwlitagency.com or submissions or with a cover letter, synopsis, and first 3 chapters or 50 pages for fiction, or a proposal of up to 20 pages for non-fiction. Submit to one agent or assistant only.

Non-fiction writers and presenters

Bold voices from untraditional spaces, broad non-fiction with particular interest in politics, parenting, activism and memoir; clients across media including writing, broadcasting, live events and commercial opportunities

Email - nlucas@unitedagents.co.uk

Children's and ya fiction, na or crossover, commercial women's fiction, narrative non-fiction

MG: voice-driven with heart/humour, contemporary or MG fantasy series. YA: friendships/firsts/feels, high-concept/speculative romance or thriller. NA and commercial women's: romance-forward with unusual circumstances, romcom (college/university), darkly comic new-parenthood, also speculative/historical romance. Romantasy: romance-forward, grounded magic, morally grey. Non-fiction: extraordinary challenges/adventures, experts in STEM/history/pop culture/mental health. Not sci-fi, crime fiction, picture books

Email submission@bell-lomax.co.uk with a covering letter in the email body, a short synopsis (including full plot details), and the first three chapters (no more than 50 pages, double spaced) as a Word document or PDF. Do not address the submission to more than one agent.

Fiction (adult)

Commercial and literary, crime/thriller, historical

Email - enquiries@aforauthors.co.uk

Fiction and non-fiction

Thrillers, commercial fiction, historical and literary fiction, narrative non-fiction (history, natural history, politics, military)

Email - philip@marjacq.com

Fiction and non-fiction

Accessible literary and book club fiction with strong voice, historical fiction (e.g., like Sarah Waters), subversive/funny non-fiction, art or food (fiction or non-fiction)

Email - sabhbh.curran@curtisbrown.co.uk

Fiction

Thought-provoking and intelligent fiction (commercial or literary)

Email submissions@thenorthlitagency.com

Fiction and non-fiction, estates

Fiction: originality/style, literary to commercial, imaginative setting, strong voice, compelling premise, active SFF list, high concept, intelligent crime/thrillers, genre-transcending. Not taking new YA/children's, no plays/film scripts. Non-fiction: politics, narrative history, sport, natural history, quirky memoir, popular culture, inventive angles

Email - ed@johnsonandalcock.co.uk

Fiction, non-fiction

Wide taste, currently especially women's commercial fiction/romance, funny books, untold/queer histories, and diverse voices in narrative food/travel/nature writing

Email submissions@lutyensrubinstein.co.uk with a cover letter, short synopsis, and the first three chapters or approximately 5,000 words.

Commercial fiction, literary fiction, romance, crime, thriller, historical fiction, narrative non-fiction, true crime, cookery and food writing

Wants: Commercial to accessible literary fiction; plot-driven stories exploring big emotions; romance; family/friendship sagas; twisty crime/thrillers; grounded dystopian; narrative-led non-fiction (true crime/untold histories etc.)

Plot-driven fiction from commercial to the accessible end of the literary spectrum, including romance and rom-coms (particularly with queer love or interesting backdrops), sweeping family and friendship sagas, unputdownable crime and thriller standalones, upmarket psychological crime, contemporary and historical fiction (especially based on real events, with gothic elements, or focusing on underrepresented lives), narrative non-fiction that reads like fiction, literary true crime, untold histories, accessible books on complex topics, and cookery and food writing with uncomplicated recipes. Keen to hear from authors whose voices are underrepresented in publishing. Not currently taking YA, children's, poetry, fantasy, romantasy, science fiction, diet, or business projects.

Email sian@blakefriedmann.co.uk

Literary and upmarket or book club fiction

Character-driven, emotionally resonant, culturally insightful literary/upmarket fiction, sweeping narratives, complex family dynamics, intergenerational sagas, sociopolitical/postcolonial/global themes, speculative or magical realism grounded in human experience, literary thrillers with psychological nuance

Online form - https://www.madeleinemilburn.co.uk or submissions/

Children's fiction, ya, graphic novels, illustrated fiction

Bold, commercial, zeitgeisty children's/YA, prioritises under-represented voices, not currently taking on new picture book clients

Email sohoagencychildrenssubmissions@gmail.com with first 3 chapters or first 30 pages, a synopsis, and a covering letter, addressed FAO Lydia Silver.

Fiction and non-fiction

Crime fiction, unputdownable literary and commercial fiction, non-fiction that makes you think/question the world

Email submissions@lutyensrubinstein.co.uk with a covering letter, a short synopsis, and the first three chapters or up to 5,000 words. If you have a particular agent in mind, note this for Susannah Godman. No scripts, no postal submissions.

Fiction, non-fiction

Fiction: crime/thrillers across commercial-literary, atmospheric/setting-as-character, accessible speculative, ghost stories, folk horror, originality and distinctive voice, humour threaded. Non-fiction: narrative history/prehistory, memoir, nature/landscape, folklore

Email submissions@hardmanswainson.com. For fiction, attach a one-page synopsis and the full manuscript. For non-fiction, attach a proposal and a sample chapter (or the full work if completed). Name your chosen agent in the cover email. Submit to one agent only, do not email individual agent addresses.

Literary fiction, commercial fiction, illustrated non-fiction, serious non-fiction

Novels across the literary-commercial scale and non-fiction from highly illustrated to serious non-fiction, with diversity within the list as an ever-present priority. Does not represent scriptwriting, high fantasy, or, in non-fiction, business, self-help or parenting books. Represents poetry and children's books (including MG and YA) only where she already represents the author.

Email submissions@philippasitters.co.uk with a cover letter in the email body. For fiction, attach the first 30 pages (double spaced) and a 1-2 page synopsis (single spaced) as Word documents or PDFs. For non-fiction, attach a proposal with a detailed chapter outline and up to three sample chapters (double spaced), information on target market and comparable titles is helpful but not required.

Fiction and non-fiction

Literary and commercial fiction, children's and YA, non-fiction including memoir/biography, cookery, gardening, humour, history, lifestyle, mind-body-spirit, politics, popular science, psychology, travel

Email - submissions@sheilland.co.uk

Crime, commercial fiction, non-fiction

Horror fiction, non-fiction relating to education, politics, and feminism

Email submissions@cmm.agency

Narrative and commercial non-fiction, literary fiction

Strong new voices in non-fiction across musical, visual, dramatic, cultural and culinary arts, history, memoir, biography, essays and humour, select fiction and literary-quality short stories

Email - natalie@greyhoundliterary.co.uk

Literary fiction, book club fiction, memoir, narrative non-fiction

Distinctive voices, strong writing, literary-to-commercial sweet spot, short powerful novels, ambitious intergenerational stories, gothic, historical, some fantasy, experts writing popular science/health/social history

Email a covering letter, a short synopsis, and the first three chapters (or up to 5,000 words) to submissions@lutyensrubinstein.co.uk. If you have a particular agent in mind, let the reader Susannah Godman know. No plays or scripts, do not post unsolicited manuscripts.

Literary fiction, commercial fiction, crime, sci-fi, short story collections, poetry, narrative non-fiction, history, travel, food, nature writing, investigative journalism, popular science, popular psychology, children's, ya

Wants: Cover letter and ~500-word synopsis and first 3 chapters; include contact details

Literary, book club, and commercial fiction including thrillers and YA; short story collections and poetry; narrative non-fiction with strong style; well-crafted crime and sci-fi; history, politics, science, psychology, true crime, travel, food, nature writing, investigative journalism, and popular psychology. Writers for children and young adults are also welcome.

Submit by email or post. The postal address is 29 Wardour Street, London W1D 6PS. For email, visit georginacapel.com or contact to find the address.

Reading group fiction, women's fiction, speculative fiction, memoir, narrative-led non-fiction, nature writing, media tie-in, pop-science, big ideas

Wants: Quality and commercial fiction and non-fiction (no children's books)

Fiction with original, well-drawn characters, unusual plots, and writing that extends the margins of genre expectations; novels with unique voices and subtle humour that feel different and unexpected. Non-fiction where an expert voice is married to a new, exciting idea that offers the reader some form of utility; also memoir, narrative-led non-fiction, nature writing, media tie-in projects, pop-science, and big ideas. Does not represent children's books.

Online form - https://dunnfogg.co.uk or submissions/

Reading group fiction, crime, thriller, psychological fiction, literary fiction, fantasy, historical fiction

Wants: Adult fiction across genres (reading group to SFF etc); high-concept hooks; page-turning plots; crime/thriller, historical, fantasy, reading group (per agent page).

Reading group fiction, crime and thriller, psychological novels, high-concept hooks, novels that feel ambitious and international, page-turners with a lot of twists and turns

Email submissions@mushens-entertainment.com with a clear subject line (e.g. Fiction Submission: TITLE), the cover letter in the body of the email, a synopsis as an attachment, and a PDF or Word document containing either the first three chapters, the first 10,000 to 15,000 words, or the first 50 pages. Address the email to Juliet. Note: Juliet is currently closed to submissions.

Literary fiction, non-fiction

Science, psychology, cultural history, environmental issues, gripping adventure, speculative fiction, emotionally driven commercial fiction

Refer to United Agents submission guidelines at https://www.unitedagents.co.uk or submission-guidelines

Commercial non-fiction

Commercial non-fiction (agency specialises)

Email - enquiries@foxandhoward.co.uk

Commercial fiction, book club fiction, romance, mysteries, thrillers, fantasy

Commercial fiction, book club reads, romance, mysteries and thrillers. In fantasy, immersive worldbuilding and strong female characters are essential. Enjoys compelling dystopian fiction with a political edge. Favoured tropes include love triangles, enemies to lovers, rivals to lovers, and forced proximity. Interested in academia settings, multiple POVs, and stories featuring older protagonists (30+) from ethnically diverse backgrounds.

Ayesha is not open to direct submissions. For Watson Little agents who are open, submit by email to submissions@watsonlittle.com with a cover letter in the body of the email and a synopsis plus approximately 10,000 words (or to the end of the nearest chapter) attached as Word documents. Do not submit to more than one Watson Little agent at a time.

Commercial fiction, nonfiction, historical fiction

Giles Milburn is Managing Director of the Madeleine Milburn Literary, TV & Film Agency. His official profile says he has worked with bestselling authors in commercial fiction, nonfiction, and historical fiction, but it does not list him as an open literary agent or provide a current public query route.

Madeleine Milburn submissions are via official forms and the current submissions page lists the agents available in each form. Giles Milburn is not listed in the current submission agent options, so treat him as closed to unsolicited submissions.

Commercial fiction, non-fiction, screenwriters

Rory represents clients across commercial fiction and non-fiction, as well as screenwriters and brands. With valuable experience working as a senior publisher, he has a deep and pragmatic understanding of what discerning editors want to see from clients' manuscripts.

Rory is currently closed to submissions. Please direct your submission to Hattie, Rachel, Emily, or Ed instead.

Commercial fiction

Commercial adult fiction, especially romance, SFF, mystery, seeks strong voice/characterisation and plot, especially keen for fantasy, no children's/MG/YA

Email submissions@janklow.co.uk with the subject line 'Submitting to Hannah Todd'

Fiction (literary to commercial), non-fiction

Varied list, bio notes temporarily closed to submissions due to limited capacity

Email bluntoffice@curtisbrown.co.uk with a cover letter, one-page synopsis (approx. 500 words), and up to 10,000 words of your manuscript. For non-fiction, send 2–3 sample chapters or 10,000 words, a chapter breakdown, and an overview explaining your book's relevance.

Fiction

Upmarket genre (especially thrillers), reading group and accessible literary fiction, powerful page-turners, unique voices

Email submissions@nurnberg.co.uk with the agent's name in the subject line

Commercial fiction, romance, rom-com, historical fiction, book club fiction, romantic fantasy

Commercial fiction across a wide range of genres, including rom-com, love stories, historical fiction, book club, romantic fantasy, and female-driven narratives with a darker edge. Looking for clear hooks, stand-out memorable characters, and stories readers invest in.

Online form - https://airtable.com or embed or appsPGIWpsujYaPta or pagyOsqhGT1gQbS14 or form

Fiction and non-fiction

Crime/thrillers/mysteries, addictive hooky commercial fiction, grounded speculative, twisty horror, high-concept love story, crime-family epic, big-idea narrative non-fiction (sport/pop science/humour/true crime/memoir)

Email - submissions@watsonlittle.com

Literary fiction, commercial fiction, crime, thrillers, narrative nonfiction, nature writing, travel, history, anthropology, art, memoir, environment

Voice-driven fiction that introduces readers to different perspectives and singular narrators, beautifully written literary fiction with a strong sense of place, and commercial crime and thrillers that keep the reader on the edge of their seats. Narrative nonfiction that straddles genre, especially nature writing, travel, history, anthropology, art and the environment. Memoir and books by experts and specialists. Would love to find a compelling all-consuming love story, or a food writer of the calibre of Bill Buford or Anthony Bourdain. Does not represent children's, YA or fantasy fiction.

Submissions are currently closed until 1st April 2026. When open, submit by email to sophie.lambert@cwagency.co.uk.

Crime, thrillers, reading group fiction, upmarket commercial fiction, historical fiction, literary fiction, narrative memoir, nature writing, cookery, voice-led non-fiction

Crime and thrillers, reading group fiction, high-concept hooks, upmarket commercial fiction, narrative memoir, nature writing, cookery and other voice-led non-fiction

Email a synopsis and either the first three chapters of a novel or a non-fiction proposal to afeiner@unitedagents.co.uk. Let the agent know if another agent has requested your full manuscript or offered representation.

Commercial fiction, contemporary fiction, reading group fiction, historical fiction, saga, police procedural, crime, thriller, psychological suspense, narrative non-fiction, cookery, health and wellbeing, parenting, nature, travel

Fiction across contemporary (funny/romantic/moving/high-concept), reading group, historical, saga, police procedural/crime/thriller/psychological suspense, character-led storytelling (incl unreliable narrators). Non-fiction: cookery, health/wellbeing, parenting, nature, travel, female focus, narrative non-fiction with humour and poignance

Submit via the online form at https://amheath.com or submissions — include a covering letter (max 500 words), a synopsis (max 1,500 words), and the first 10,000 words of your manuscript. Rebecca is currently on maternity leave, submit to a colleague instead. Email submissions@amheath.com only if another agent has requested the full manuscript, you have received an offer of representation, you have not heard back within 6 weeks, or you are submitting a cookery proposal or illustrated children's book.

Fiction and non-fiction

Commercial/high-concept fiction with hook (romance/crime/thriller/general), accessible literary, speculative/SFF/horror, fun fantastical MG, big-emotion YA. Less keen on political or gangland thrillers

Email submissions@thenorthlitagency.com when open to submissions

Fiction and non-fiction

Commercial fiction (upmarket women's, book club, romantic suspense, crime series, thrillers), non-fiction (business, feminism, health, cookery, environment, memoir, narrative non-fiction)

Email - sohoagencysubmissions@gmail.com

Fiction and non-fiction

Commercial fiction across all genres, intelligent non-fiction written for a commercial audience

Luigi Bonomi is not currently receiving submissions.

Adult fiction, children's fiction, mg, ya

Children's: MG and YA fiction (all genres), esp YA fantasy with unusual settings/magic systems, YA spec fic/horror/thrillers. Adult: commercial fantasy and sci-fi, horror (social conscience), high-concept/general fiction with speculative/gothic edge, murder mysteries

Email - plantqueries@thebentagency.com

Literary fiction, reading group fiction, memoir, pop culture, narrative non-fiction, essays

Romcoms/relationship dynamics, memoir with strong emotional response, nature and pop culture writing, occasional illustrated books (graphic novels/cookery/photo/gift)

Email queries@lewinsohnliterary.com with your submission. Fiction: include a covering letter, synopsis, and 50 pages (or nearest natural break) in Word format. Non-fiction: include a covering letter, an introduction to the project, a basic chapter breakdown, and a sample chapter, ideally in Word format (PDF accepted where highly illustrated).

Commercial or crossover fiction, memoir

Distinctive storytelling with emotional heart, predominantly commercial/crossover fiction and memoir. Does not represent sci-fi/fantasy/horror/true crime. Currently closed for submissions

Email lisa@jennybrownassociates.com directly. Currently closed for submissions.

Fiction and non-fiction

Story-driven fiction: historical fiction, suspense and crime, contemporary women's fiction, genre and book club fiction. Big-hearted love stories, unputdownable suspense, crime series with returning characters, and immersive historical fiction. Non-fiction: experts in their field, commentators, creators with platforms, and memoir.

Viola Hayden is currently closed to new submissions as of January 2026 and will reopen in January 2027. When open, submissions should be emailed to viola.hayden@curtisbrown.co.uk. Include your query letter in the body of the email, a synopsis or proposal as an attached Word document, and your first 10,000 words as an attached Word document.

Fiction and non-fiction

Non-fiction: craft, cookery, biography, memoir, health, mind body spirit, travel, history, natural history, true crime, pop culture. Fiction: commercial women's, crime, thrillers, literary (not experimental), YA, children's

Agency is currently closed to new clients and not accepting submissions.

Fiction and non-fiction

Women's fiction (commercial to literary), book club reads, crime and thrillers, interesting narrative non-fiction

Email submissions@hardmanswainson.com and specify Hannah Ferguson's name in the cover email.

Fiction (commercial adult)

Online form - https://darleyanderson.com or submissions/

Commercial fiction and non-fiction, narrative podcast pitches

Strong hook, brilliant pacing, big-picture career thinkers. Not open to children's books, sci-fi/fantasy or YA

Email - https://www.marjacq.com or submissions.html

Fiction and non-fiction, children's

Adult: literary fiction, commercial women's, psychological suspense, gothic thrillers, ghost stories, historical including alternate histories, creeping-horror edge (not high fantasy). Children's: 7+/MG/YA, originality/depth, underrepresented voices welcome

Email submissions@nurnberg.co.uk

Commercial fiction, upmarket commercial fiction, crime or psychological thriller, historical, gothic, magical realism or urban fantasy, selected non-fiction (per wishlist)

Not children's, YA, sci-fi, epic fantasy, or romantasy

Email - eg.submission@dhhliteraryagency.com

Self-help, pop culture, music, memoir, history, science, politics, social justice, narrative food writing, faith, true crime, commercial fiction, psychological thrillers, horror thrillers, children's books, picture books, ya

Rick Richter represents self-help, pop culture and music, memoir, history, science, politics and social justice, narrative food writing, and faith. He is also interested in select true crime, commercial fiction, and psychological/horror thrillers and diverse voices in all categories. He has extensive experience in children's books and represents illustrators and children's authors writing fiction and non-fiction from picture books through YA.

Rick Richter only accepts queries through Query Manager. Please check his Query Manager profile for more information.

Non-fiction (primarily)

Non-fiction (strong list including journalists), off-beat projects with a commercial edge

Email - submissions@mbalit.co.uk (FAO Susan Smith)

Adult fiction, select children's or ya and non-fiction

Upmarket commercial/book club and accessible literary, female-lens storytelling, historical with hook, romcoms, unusual structures, thrillers/crime with point of difference, select children's/YA crime/thrillers and MG adventure

Email - sohoagencysubmissions@gmail.com

Children's and ya, select adult speculative

Exceptional MG and YA fiction with global commercial appeal, graphic novels for children/YA with illustrations in place, very selective adult speculative, not picture books for new clients

Email - mollysubmissions@davidhigham.co.uk

Women's commercial fiction, literary fiction, crime, thriller, upmarket book club fiction, quirky non-fiction, nature writing, history

Women's commercial fiction, literary fiction, crime/thriller, uplifting/book club, quirky non-fiction (nature/crime/history)

Email bd.submission@dhhliteraryagency.com with a cover letter and first 3 chapters (approximately 10,000 words) and a synopsis for fiction, or a cover letter and full proposal (covering overview, themes, story, and sources) for non-fiction.

Commercial non-fiction

Commercial non-fiction (agency specialises)

Email - enquiries@foxandhoward.co.uk

Pop culture, narrative non-fiction, serious non-fiction, food writing, nature, outdoors, sport, commercial non-fiction, fiction

Pop culture, narrative and serious non-fiction, food writing, nature/outdoors, sport, commercial non-fiction, fiction of all forms

Submit via the PFD books submissions page at https://petersfraserdunlop.com or submissions or books/

Literary fiction, commercial women's fiction, contemporary fiction, family drama, historical fiction, crime fiction, thrillers, suspense, magical realism, speculative fiction, sff, horror, gothic fiction, romantasy, fantasy, science fiction

Susan Armstrong seeks strong prose, compelling storytelling, vivid characters, and originality of vision. She welcomes novels that blend genres, feature unusual settings or circumstances, contain unexpected twists, possess some darkness, and present moral dilemmas. Books that evoke laughter are particularly appreciated.

Send all submissions to susan.submissions@cwagency.co.uk.

Thrillers, espionage, book club fiction, romance, gothic fiction, horror, dark humor, politics, smart thinking, big ideas

Thwaites seeks commercial upmarket writing that is powerful and cinematic yet feels different and fresh. She wants stories unlike anything encountered before with gripping plots and strong voices across all genres. She particularly values effortlessly quick-witted and funny writing with memorable characters, and is currently interested in compelling stories with Jewish themes and politics of the US and Middle East.

Email: info@curtisbrown.co.uk

Literary fiction, upmarket commercial fiction, short story collections, narrative non-fiction, memoir

Sharmaine is actively building a list of fiction and non-fiction with international ambition, seeking distinctive voices, emotional resonance, and stories that broaden how we see the world. She is looking for literary and upmarket commercial fiction — novels and short story collections that are character-driven, emotionally rich, and often international in perspective, including novels of love and relationships that balance commercial reach with literary ambition. She is also seeking fiction that reimagines or disrupts dominant narratives, recasting history, myth, and perspective through fresh voices. In non-fiction, she is interested in expert-led works on culture, politics, and society with narrative drive, as well as bold memoirs that move beyond the personal to spark wider cultural conversations.

Submit via Query Tracker.

Literary fiction, commercial fiction, narrative nonfiction, food writing, memoir, arts and culture, music, journalism

Charlie Brotherstone represents an eclectic range of authors working across both fiction and nonfiction. He is interested in Commercial Fiction and Literary Fiction, as well as nonfiction from academics, journalists, musicians, online creators, and food writers. He has a strong track record with Food and Cookbooks alongside narrative nonfiction and cultural writing.

Submit via the Aevitas Creative Management submissions form at https://www.aevitascreative.com or contact

Fiction and non-fiction

Smart compelling commercial-to-literary, upmarket crime/thrillers, voiced historical, light horror/gothic/supernatural, memoir, narrative non-fiction, health/wellbeing/lifestyle from experts

Email julia@greyhoundliterary.co.uk

Fiction and non-fiction

Upmarket-commercial fiction, series crime/thrillers, historical fiction, high-concept fiction, narrative non-fiction, true crime, memoir, popular science/psychology, serious history

Email agauntlett@pfd.co.uk with a cover letter, full synopsis, and first three chapters (approximately 50 pages). Non-fiction submissions should include a detailed proposal and a cover letter with CV.

Adult and children's books

Eclectic mix of literary and commercial adult and children's

Email a covering note with a one-line elevator pitch, two or three comparable titles, and a back-cover blurb. For fiction, attach a one-page synopsis and the first three chapters. For non-fiction, send a proposal covering the book's subject, why you are best placed to write it, and a twenty-page writing sample. See https://www.unitedagents.co.uk or submission-guidelines for full details.

Fiction and non-fiction

Upmarket and accessible literary/commercial 'sweet spot', thrillers/suspense, book club fiction, epic multi-generational family drama, powerful love story with mystery

Online form - https://www.madeleinemilburn.co.uk or submissions/

Fiction and non-fiction

High-concept commercial fiction and non-fiction that transports the reader

Send an empty email to newwriters@simontrewin.co.uk to receive an automated submission form. Do not include a submission letter in your initial email.

Adult fiction

Upmarket and commercial fiction with an interesting narrative voice, a story with heart, and an emotional hook

Send your submission to crowleyofficesubmissions@curtisbrown.co.uk. For fiction submissions, include the first three chapters or 10,000 words of your material, a synopsis, and a biographical note. For non-fiction, send a detailed proposal.