UK Commercial fiction Literary Agents

Commercial fiction, upmarket fiction, book club fiction, crime, thrillers, historical fiction, psychological suspense, women's fiction, speculative fiction, non-fiction, lifestyle, pop culture, humour

Commercial and upmarket fiction: book club/accessibly literary, crime/thrillers, upmarket historical, psychological suspense, women's fiction, speculative/high-concept, lightly magical edge. Non-fiction: innovative lifestyle, pop culture, unique personal stories, humour

Email jemimasubmissions@davidhigham.co.uk with your name and title in the subject line, and attach a cover letter, synopsis, and the first three chapters.

Literary fiction, commercial fiction, graphic novels, general non-fiction

Original page-turning adult fiction and non-fiction across genres (agency notes it does not currently represent Children's/YA or Science Fiction/Fantasy)

Email representme@rockingchairbooks.com with a whole manuscript or just a few chapters. A covering letter is welcome but not essential — the agency typically reads the work first.

Crime fiction, thriller, mystery, book club fiction

Adult commercial fiction paired with punchy concepts and irresistible voice. Particularly drawn to psychological thrillers where nothing is as it seems, groundbreaking mysteries that blur genres, and literary crime writing that crosses boundaries. Also actively looking for book club novels with exceptional writing that create emotional resonance, as well as imaginative cross-genre works that blend mystery with horror, romance, or other unexpected combinations.

Send your submission to EdSubmissions@theblairpartnership.com. Include your manuscript or sample pages along with a cover letter outlining your concept and voice.

Fiction and select non-fiction

Commercial and book-club fiction, selective romance, thrillers/mystery, different-feeling historical fiction, selective YA, selective non-fiction (popular history/untaught areas, cultural deep-dives, narrative non-fiction). Not children's, not sci-fi, not grisly horror

Submit via the online form on Hannah Schofield's agent page at https://lbabooks.com or agents or hannah-schofield

Fiction and narrative non-fiction

Commercial and literary fiction (excluding SFF), narrative non-fiction; currently seeking voicy character-driven book club fiction, fresh crime, upmarket horror, and accessible eye-opening non-fiction

Email - mhoskins@unitedagents.co.uk

Fiction and non-fiction

Commercial and upmarket fiction (book club, crime and thriller, historical, contemporary), commercial women's/romantic fiction, some lifestyle/personal development non-fiction

Email hattiesubmissions@theblairpartnership.com

Literary fiction, commercial fiction, literary non-fiction, commercial non-fiction, ya, children's books, biography, memoir, history, popular culture, humour

Quality women's fiction including romantasy and love stories, smart contemporary thrillers with a difference, a great northern novel set in the north east or midlands, biography, memoir, history, popular culture, humour

Email synopsis and three sample chapters as a Word attachment, plus author biography, to info@sarah-such.com. No unsolicited manuscripts or telephone enquiries.

Fiction

Character-driven speculative fiction, female-led literary and crossover, book club fiction, contemporary rom-coms, sweeping love stories (historical/contemporary), crime and psychological thrillers, female-led fantasy, romantasy, retellings. Not: children/YA, police procedurals, cosy crime, epic sci-fi, poetry, plays, screenplays, any non-fiction

Elena is currently open for submissions. Send your cover letter, one-page synopsis, and first three chapters as attachments, not in the body of the email. Submit to submission@dhhliteraryagency.com. Only submit to one agent at DHH Literary Agency

Literary fiction, upmarket commercial fiction, historical fiction, romantic comedy, gothic, horror, crime, psychological thriller, speculative fiction, ya, middle grade, memoir, narrative non-fiction, true crime

Literary and upmarket commercial fiction of all kinds, especially meditative or moving novels about modern life with warmth and heart alongside sharpness. Historical and period fiction that sheds light on untold stories, ambitious cross-centuries narratives, and historical mysteries. High-concept love stories and romantic comedies with depth. Gothic, horror, murder mysteries, ghost stories, psychological thrillers, speculative and magical realist fiction, and novels with a true-crime feel. A small list of YA and middle grade that feels current and contemporary with a real conversation at its core — not currently seeking fantasy or anything younger than middle grade. On the non-fiction side: memoirs of extraordinary people, narrative non-fiction on subjects the author is passionate about, books on mental health, untold stories across popular science, history and popular culture, and a brilliant true crime book. Particularly keen on LGBTQI+ stories and diverse voices from across the globe. Not currently looking for cookery, wellness, or lifestyle.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email. Include the agent's name in the subject line. Fiction: attach the first three chapters or around fifty pages plus a one-to-two page synopsis that reveals the ending, as Word documents. Non-fiction: attach three sample chapters or around fifty pages plus a chapter summary or synopsis, and explain why you are best placed to write the book and who the intended readership is. AI-generated or AI-edited content is not accepted. No postal submissions.

Fiction, non-fiction, ya, children's

Big, expansive, emotionally powerful 'game-changing' stories, commercial fiction and non-fiction and children's titles (priority focus on under-represented groups and lower socio-economic backgrounds), stories with cross-media potential

Email a covering letter, synopsis, and first three chapters to originatesubmissions@originateliterary.co.uk. For illustrated fiction or non-fiction, include sample spreads instead of chapters. A completed manuscript is not required for fiction queries.

Fiction (adult)

Commercial and literary, crime/thriller, historical

Email - enquiries@aforauthors.co.uk

Fiction, nonfiction, commercial fiction, literary fiction, international authors

Wants: Cover letter, synopsis, first three chapters, proposal

Carole Delmon is listed on the official Susanna Lea Associates Paris team page. The Paris office says its taste is eclectic and that it is interested in works of both fiction and nonfiction, commercial and literary, with projects that have international potential beyond the French market.

For submissions in France, email paris@susannalea.com. SLA asks for a concise and thoughtful cover letter, a brief synopsis, and either the first three chapters or a detailed proposal. Do not submit to more than one SLA office, and do not send post or fax queries.

Fiction and non-fiction

Fiction: literary, upmarket commercial, book club, historical, crime, thrillers (no sci-fi/fantasy/children's). Non-fiction: serious/pop science, psychology, feminism, big ideas/current affairs, health/body/mind, personal development, selective lifestyle, narrative/memoir

Email submissions@hardmanswainson.com. Name your chosen agent in the cover email. For fiction, attach a one-page synopsis and the full manuscript. For non-fiction, attach a proposal and a sample chapter, or the whole work if complete. Submit to one agent only.

Fiction and non-fiction

Fiction: literary prize-winners to upmarket reading group, well-written crime, ambitious/surprising, messy family stories, longing/relationships. Non-fiction: art, culture, music, food, nature, mental health

Submit via the online portal at https://felicitybryan.com or submissions or submit-your-work/ — upload a synopsis or proposal and the first 3–4 chapters.

Literary fiction, contemporary fiction, upmarket fiction, book club fiction, fantasy, horror, young adult, crossover

Wants: Query letter, synopsis, first three chapters

Clara Foster wants intelligent, original fiction with deep emotion, strong line-level writing, and voice-led characters. She is looking for adult literary contemporary fiction with a strong female focus, upmarket and book club novels that are cleverly conceived, beautifully written, and accessible, fantasy and horror that explore the real world or the self, historical romantasy, urban fantasy, academic settings, body horror, lightly speculative fiction, and YA/crossover stories that are political while providing a strong story. She is not a likely fit for commercial women's fiction, science fiction, World War II or Holocaust stories, or narratives driven primarily by sexual assault, eating disorders, a great lie, or death of a child. She is not accepting nonfiction except by referral.

Submit via Clara Foster's official QueryTracker link from her submissions page. Send a query letter, synopsis, and first three chapters. All queries will receive a response.

Fiction and non-fiction, estates

Fiction: originality/style, literary to commercial, imaginative setting, strong voice, compelling premise, active SFF list, high concept, intelligent crime/thrillers, genre-transcending. Not taking new YA/children's, no plays/film scripts. Non-fiction: politics, narrative history, sport, natural history, quirky memoir, popular culture, inventive angles

Email - ed@johnsonandalcock.co.uk

Commercial women's fiction, psychological thrillers, popular science, true crime

Fresh commercial women's fiction with big hooks/diverse characters, pacy psychological thrillers, cutting-edge non-fiction (popular science to true crime)

Email submissions@cmm.agency with: a one-paragraph author biography (including whether the manuscript has been sent to other agents or publishers), a one-paragraph blurb with hook, genre and audience, a short synopsis covering plot, setting, theme and characters, and the first three chapters as an attachment. The manuscript must be double or 1.5 line-spaced, with wide margins, in at least 12-point font (preferably Times New Roman), fully paginated, and with name, address, contact number and email on the first page.

Fiction (primarily)

Commercial and book club fiction with a strong hook, genre-crossing, dystopia, elevated sci-fi, big love stories, domestic suspense, horror (incl social commentary)

Email submissions@janklow.co.uk with your full name, the title of your work, and Hayley Steed's name in the subject line. Include a covering letter in the body of the email. Attach a synopsis and either the first three chapters or the first fifty pages (Word or PDF). All documents should be double-spaced, size 12, in a reasonable font. Do not include external links, attach all materials directly.

Fiction, children's books, nonfiction, thriller, suspense, historical fiction, literary fiction, book club fiction, young adult, middle grade, romantasy, memoir, cookery, lifestyle, narrative nonfiction

Wants: Covering letter, synopsis, first three chapters, first fifty pages, outline, sample chapter, bio

Hellie Ogden is co-head of WME UK Books and represents fiction, children's books, and nonfiction. She is actively taking on new clients and wants bold storytelling, moving prose, vivid thought-provoking characters, standout debut work, high-concept thrillers and suspense with fresh hooks and daring twists, historical fiction with original courageous ideas, page-turning literary fiction about millennial experience, nostalgia, sexuality and family complexities, upmarket book club fiction with commercial hooks, female-led mysteries, emotionally deep fiction, YA with big heart and voice, romantasy, middle grade adventure with magic, memoir, standout cookery, lifestyle writers, moving narrative nonfiction, and work with social following and cross-media potential.

Submit through Hellie Ogden's official WME profile or query button. Include the author full name and work title in the email subject line. Fiction submissions should include a covering letter, synopsis, and either the first three chapters or first fifty pages. Nonfiction submissions should include a covering letter, full chapter outline, and if possible a sample chapter. Include a bio with all submissions. Query one WME agent at a time.

Speculative fiction, historical fiction, upmarket crime and thriller, memoir, narrative-led non-fiction, nature, food, sport, psychology, business, craft and design, social sciences, investigative journalism

Wants: Quality and commercial fiction and non-fiction (no children's). fiction: first 3 chapters/50pp and synopsis. non-fiction: pitch and sample chapter

In fiction, books combining compelling storytelling, engaging characters and strong plotting, especially novels of ambition and scope with big-hearted characters. Particularly interested in speculative fiction with a real-world edge or near-future settings. In non-fiction, broad tastes including memoir, narrative non-fiction with deep focus that expands outward to explain a culture or subculture, immersive journalism, and books where subject-matter expertise meets great writing. Does not represent children's books.

Fiction: first 3 chapters or 50 pages and synopsis. Non-fiction: pitch and sample chapter

Literary fiction, crime fiction, thriller, historical fiction, science fiction, fantasy, commercial fiction, book club fiction, upmarket fiction, history, sport, popular science

Entertaining and diverse fiction with well-told stories, big ideas, emotional hooks and gripping plots. In commercial fiction, particularly interested in crime, thriller, book group and upmarket titles, as well as historical fiction, science fiction and fantasy. In non-fiction, looks for expertise, fresh ideas and genuine passion for the subject, working across history, sport and popular science.

Direct queries about submissions to Isobel@rcwlitagency.com.

Historical fiction, crime, thrillers, book club fiction, science fiction, fantasy, children's

Historical fiction, crime/thrillers, book club, science fiction and fantasy (actively building list)

Email julieacrisp@gmail.com. The contact page also hosts a form and notes responses within one week.

Fiction

Thought-provoking and intelligent fiction (commercial or literary)

Email submissions@thenorthlitagency.com

Commercial fiction, crime, thriller, suspense, bookclub fiction, historical fiction, romance, non-fiction

Commercial fiction across crime, thriller, suspense, bookclub, historical, and romance, as well as select non-fiction. Wants books that entertain from first page to last — the kind you can't wait to talk to someone about, like a new film or a must-watch series.

Submit via the online submissions form at https://www.greenstoneliterary.com or submissions. Attach a query letter (including short author bio, elevator pitch, blurb, comparative titles, and any relevant information), a detailed synopsis with spoilers, and the opening three chapters or 50 pages of your manuscript, whichever is longer. Do not submit by email.

Children's and ya fiction, na or crossover, commercial women's fiction, narrative non-fiction

MG: voice-driven with heart/humour, contemporary or MG fantasy series. YA: friendships/firsts/feels, high-concept/speculative romance or thriller. NA and commercial women's: romance-forward with unusual circumstances, romcom (college/university), darkly comic new-parenthood, also speculative/historical romance. Romantasy: romance-forward, grounded magic, morally grey. Non-fiction: extraordinary challenges/adventures, experts in STEM/history/pop culture/mental health. Not sci-fi, crime fiction, picture books

Email submission@bell-lomax.co.uk with a covering letter in the email body, a short synopsis (including full plot details), and the first three chapters (no more than 50 pages, double spaced) as a Word document or PDF. Do not address the submission to more than one agent.

Fiction and non-fiction

Commercial women's fiction with strong hook/twisty plots/emotion/drama, eclectic list. Agency also considers crime/mystery/suspense/thrillers, horror, historical, commercial and literary, non-fiction including politics/current affairs, environment, lifestyle, popular science, self-help/how-to, true crime

Email submissions@cmm.agency with a one-paragraph author biography, a one-paragraph blurb or hook including genre and audience, a short synopsis covering plot, setting, theme and characters, and the first three chapters as an attachment. Manuscript must be double or 1.5 line-spaced, with wide margins, in a font no smaller than 12-point (preferably Times New Roman), fully page-numbered, with your name, address, contact number and email on the first page.

Fiction

Commercial/genre fiction: romance/romcom, adult and YA fantasy (romance/spice, trials), crime/thrillers/mysteries, hooky pitches and page-turning drama

Email - maddalenacavaciuti@davidhigham.co.uk

Commercial non-fiction (sport, lifestyle, self-help, leadership)

Commercial non-fiction, especially sport, lifestyle, self-help and leadership.

Email admin@davidluxtonassociates.co.uk with an approximately 300-word synopsis, a note on who the book appeals to and why you are qualified to write it, a chapter breakdown, a sample chapter, and a short bio or credits.

Fiction and non-fiction

Thrillers, commercial fiction, historical and literary fiction, narrative non-fiction (history, natural history, politics, military)

Email - philip@marjacq.com

Crime, thrillers, literary thriller, commercial thriller, fantasy, dystopian, literary speculative fiction, dark academia, horror, high-concept book club fiction

Wants: Cover letter, synopsis, first three chapters

Characters with dark pasts, tragic futures or buried trauma. Crime and thrillers across the literary and commercial spectrum, fantasy, dystopian fiction, literary speculative fiction, dark academia, horror, and high-concept book club fiction.

Email submissions@mushens-entertainment.com with the subject line 'Fiction Submission: TITLE OF YOUR WORK', addressed to Rachel Neely. Include a cover letter in the body of the email, a synopsis as an attachment, and a PDF or Word document of your first three chapters, first 10–15,000 words, or first 50 pages. Manuscript must be complete at time of submission.

Literary fiction, upmarket fiction, book club fiction, narrative memoir, family saga, high society fiction, speculative fiction, magical realism, contemporary fiction, upmarket suspense, psychological thriller, postcolonial fiction, translated fiction, classical retellings

Wants: Cover letter, synopsis, first three chapters, first ten thousand words, proposal, writing sample

Rachel Yeoh is a literary agent building a list in literary, upmarket, and book club fiction, as well as select narrative nonfiction. She is actively looking for literary, upmarket, book club, global stories, human experience, social critique, class conflict, speculative fiction, family sagas, contemporary fiction, upmarket suspense, psychological thriller, postcolonial literature, translated fiction, classical retellings, and narrative memoir.

Submit through the relevant Madeleine Milburn online form and select Rachel Yeoh where available. Adult fiction submissions require a cover letter pasted into the form and one attachment containing a one-page synopsis plus the first three chapters or first 10,000 words. Nonfiction submissions require a cover letter and one document containing a 5,000 to 10,000 word sample and proposal. Do not submit by post or directly to email addresses.

Literary fiction, reading group fiction, commercial fiction, narrative non-fiction, nature writing, memoir, politics, social issues

Fiction and non-fiction that stimulates debate, comments on the world around us, and evokes an emotional response; especially literary and reading group fiction and stories with commercial cross-over appeal; in non-fiction, most interested in narrative non-fiction, nature writing, memoir, politics, and social issues

For fiction, email a cover letter and the first three chapters to submissions@robertcaskie.com. For non-fiction, email a detailed outline, a sample chapter, and an introductory email to submissions@robertcaskie.com. Do not send children's, crime and thriller, YA, horror, or SF. Responses are only sent to those from whom more material is requested.

Fiction and non-fiction

Accessible literary and book club fiction with strong voice, historical fiction (e.g., like Sarah Waters), subversive/funny non-fiction, art or food (fiction or non-fiction)

Email - sabhbh.curran@curtisbrown.co.uk

Literary fiction, commercial fiction, crime, thrillers, historical fiction, children's, young adult, non-fiction

Literary and commercial fiction, crime, thrillers, and historical fiction. Particularly excited by debut authors and actively welcomes submissions of the highest standard. Not currently considering science fiction and fantasy.

Submit by email to sam@rcwlitagency.com. Due to the volume of submissions received, you should assume no response within eight weeks indicates a rejection.

Fiction and non-fiction

Commercial and book club fiction across genres, high-concept thrillers/suspense, atmospheric reads, women's fiction, uplifting speculative edge, female-led historical, romantic fiction, underrepresented voices

Submit by email via the PFD submissions page at https://petersfraserdunlop.com or submissions or books/. Include a cover letter, synopsis, and the first three chapters or approximately 50 pages for fiction, or a detailed proposal for non-fiction.

Commercial fiction, romance, saga, crime, thriller, book club fiction, children's fiction, ya, non-fiction, business, finance, self-help, wellbeing, lifestyle, cookery

Commercial fiction (romance/saga, crime/thriller, book club), children's novels 9+ to YA, non-fiction including business/finance, self-help/wellbeing, lifestyle/cookery. Not sci-fi, short stories, or poetry

Email submissions@susanyearwoodagency.com with your name and title or genre in the subject line (e.g. Joe Bloggs, The Title, Book Club fiction). Attach the first 30 pages and a separately titled synopsis or outline. Include a cover email with a pitch sentence, a brief description of the submission, comparative authors published in the last three years, your writing background, and a paragraph on why you wrote the book. Attachments should be Word or PDF, 1.5 or double-spaced, with page numbers. Let the agent know if you are also submitting to other agents.