UK Commercial fiction Literary Agents

Literary fiction, contemporary fiction, upmarket fiction, book club fiction, fantasy, horror, young adult, crossover

Wants: Query letter, synopsis, first three chapters

Clara Foster wants intelligent, original fiction with deep emotion, strong line-level writing, and voice-led characters. She is looking for adult literary contemporary fiction with a strong female focus, upmarket and book club novels that are cleverly conceived, beautifully written, and accessible, fantasy and horror that explore the real world or the self, historical romantasy, urban fantasy, academic settings, body horror, lightly speculative fiction, and YA/crossover stories that are political while providing a strong story. She is not a likely fit for commercial women's fiction, science fiction, World War II or Holocaust stories, or narratives driven primarily by sexual assault, eating disorders, a great lie, or death of a child. She is not accepting nonfiction except by referral.

Submit via Clara Foster's official QueryTracker link from her submissions page. Send a query letter, synopsis, and first three chapters. All queries will receive a response.

Commercial fiction, romance, saga, crime, thriller, book club fiction, children's fiction, ya, non-fiction, business, finance, self-help, wellbeing, lifestyle, cookery

Commercial fiction (romance/saga, crime/thriller, book club), children's novels 9+ to YA, non-fiction including business/finance, self-help/wellbeing, lifestyle/cookery. Not sci-fi, short stories, or poetry

Email submissions@susanyearwoodagency.com with your name and title or genre in the subject line (e.g. Joe Bloggs, The Title, Book Club fiction). Attach the first 30 pages and a separately titled synopsis or outline. Include a cover email with a pitch sentence, a brief description of the submission, comparative authors published in the last three years, your writing background, and a paragraph on why you wrote the book. Attachments should be Word or PDF, 1.5 or double-spaced, with page numbers. Let the agent know if you are also submitting to other agents.

Fiction, nonfiction, commercial fiction, literary fiction, international authors

Wants: Cover letter, synopsis, first three chapters, proposal

Carole Delmon is listed on the official Susanna Lea Associates Paris team page. The Paris office says its taste is eclectic and that it is interested in works of both fiction and nonfiction, commercial and literary, with projects that have international potential beyond the French market.

For submissions in France, email paris@susannalea.com. SLA asks for a concise and thoughtful cover letter, a brief synopsis, and either the first three chapters or a detailed proposal. Do not submit to more than one SLA office, and do not send post or fax queries.

Fiction (primarily)

Commercial and book club fiction with a strong hook, genre-crossing, dystopia, elevated sci-fi, big love stories, domestic suspense, horror (incl social commentary)

Email submissions@janklow.co.uk with your full name, the title of your work, and Hayley Steed's name in the subject line. Include a covering letter in the body of the email. Attach a synopsis and either the first three chapters or the first fifty pages (Word or PDF). All documents should be double-spaced, size 12, in a reasonable font. Do not include external links, attach all materials directly.

Literary fiction, upmarket fiction, book club fiction, narrative memoir, family saga, high society fiction, speculative fiction, magical realism, contemporary fiction, upmarket suspense, psychological thriller, postcolonial fiction, translated fiction, classical retellings

Wants: Cover letter, synopsis, first three chapters, first ten thousand words, proposal, writing sample

Rachel Yeoh is a literary agent building a list in literary, upmarket, and book club fiction, as well as select narrative nonfiction. She is actively looking for literary, upmarket, book club, global stories, human experience, social critique, class conflict, speculative fiction, family sagas, contemporary fiction, upmarket suspense, psychological thriller, postcolonial literature, translated fiction, classical retellings, and narrative memoir.

Submit through the relevant Madeleine Milburn online form and select Rachel Yeoh where available. Adult fiction submissions require a cover letter pasted into the form and one attachment containing a one-page synopsis plus the first three chapters or first 10,000 words. Nonfiction submissions require a cover letter and one document containing a 5,000 to 10,000 word sample and proposal. Do not submit by post or directly to email addresses.

Fiction, children's books, nonfiction, thriller, suspense, historical fiction, literary fiction, book club fiction, young adult, middle grade, romantasy, memoir, cookery, lifestyle, narrative nonfiction

Wants: Covering letter, synopsis, first three chapters, first fifty pages, outline, sample chapter, bio

Hellie Ogden is co-head of WME UK Books and represents fiction, children's books, and nonfiction. She is actively taking on new clients and wants bold storytelling, moving prose, vivid thought-provoking characters, standout debut work, high-concept thrillers and suspense with fresh hooks and daring twists, historical fiction with original courageous ideas, page-turning literary fiction about millennial experience, nostalgia, sexuality and family complexities, upmarket book club fiction with commercial hooks, female-led mysteries, emotionally deep fiction, YA with big heart and voice, romantasy, middle grade adventure with magic, memoir, standout cookery, lifestyle writers, moving narrative nonfiction, and work with social following and cross-media potential.

Submit through Hellie Ogden's official WME profile or query button. Include the author full name and work title in the email subject line. Fiction submissions should include a covering letter, synopsis, and either the first three chapters or first fifty pages. Nonfiction submissions should include a covering letter, full chapter outline, and if possible a sample chapter. Include a bio with all submissions. Query one WME agent at a time.

Fiction

Commercial/genre fiction: romance/romcom, adult and YA fantasy (romance/spice, trials), crime/thrillers/mysteries, hooky pitches and page-turning drama

Email - maddalenacavaciuti@davidhigham.co.uk

Literary fiction, crime fiction, thriller, historical fiction, science fiction, fantasy, commercial fiction, book club fiction, upmarket fiction, history, sport, popular science

Entertaining and diverse fiction with well-told stories, big ideas, emotional hooks and gripping plots. In commercial fiction, particularly interested in crime, thriller, book group and upmarket titles, as well as historical fiction, science fiction and fantasy. In non-fiction, looks for expertise, fresh ideas and genuine passion for the subject, working across history, sport and popular science.

Direct queries about submissions to Isobel@rcwlitagency.com.

Commercial fiction, crime, thriller, suspense, bookclub fiction, historical fiction, romance, non-fiction

Commercial fiction across crime, thriller, suspense, bookclub, historical, and romance, as well as select non-fiction. Wants books that entertain from first page to last — the kind you can't wait to talk to someone about, like a new film or a must-watch series.

Submit via the online submissions form at https://www.greenstoneliterary.com or submissions. Attach a query letter (including short author bio, elevator pitch, blurb, comparative titles, and any relevant information), a detailed synopsis with spoilers, and the opening three chapters or 50 pages of your manuscript, whichever is longer. Do not submit by email.

Fiction and non-fiction

Accessible literary and book club fiction with strong voice, historical fiction (e.g., like Sarah Waters), subversive/funny non-fiction, art or food (fiction or non-fiction)

Email - sabhbh.curran@curtisbrown.co.uk

Fiction and non-fiction

Commercial and book club fiction across genres, high-concept thrillers/suspense, atmospheric reads, women's fiction, uplifting speculative edge, female-led historical, romantic fiction, underrepresented voices

Submit by email via the PFD submissions page at https://petersfraserdunlop.com or submissions or books/. Include a cover letter, synopsis, and the first three chapters or approximately 50 pages for fiction, or a detailed proposal for non-fiction.

Children's and ya fiction, na or crossover, commercial women's fiction, narrative non-fiction

MG: voice-driven with heart/humour, contemporary or MG fantasy series. YA: friendships/firsts/feels, high-concept/speculative romance or thriller. NA and commercial women's: romance-forward with unusual circumstances, romcom (college/university), darkly comic new-parenthood, also speculative/historical romance. Romantasy: romance-forward, grounded magic, morally grey. Non-fiction: extraordinary challenges/adventures, experts in STEM/history/pop culture/mental health. Not sci-fi, crime fiction, picture books

Email submission@bell-lomax.co.uk with a covering letter in the email body, a short synopsis (including full plot details), and the first three chapters (no more than 50 pages, double spaced) as a Word document or PDF. Do not address the submission to more than one agent.

Commercial non-fiction (sport, lifestyle, self-help, leadership)

Commercial non-fiction, especially sport, lifestyle, self-help and leadership.

Email admin@davidluxtonassociates.co.uk with an approximately 300-word synopsis, a note on who the book appeals to and why you are qualified to write it, a chapter breakdown, a sample chapter, and a short bio or credits.

Literary fiction, reading group fiction, commercial fiction, narrative non-fiction, nature writing, memoir, politics, social issues

Fiction and non-fiction that stimulates debate, comments on the world around us, and evokes an emotional response; especially literary and reading group fiction and stories with commercial cross-over appeal; in non-fiction, most interested in narrative non-fiction, nature writing, memoir, politics, and social issues

For fiction, email a cover letter and the first three chapters to submissions@robertcaskie.com. For non-fiction, email a detailed outline, a sample chapter, and an introductory email to submissions@robertcaskie.com. Do not send children's, crime and thriller, YA, horror, or SF. Responses are only sent to those from whom more material is requested.

Literary fiction, commercial fiction, crime, thrillers, historical fiction, children's, young adult, non-fiction

Literary and commercial fiction, crime, thrillers, and historical fiction. Particularly excited by debut authors and actively welcomes submissions of the highest standard. Not currently considering science fiction and fantasy.

Submit by email to sam@rcwlitagency.com. Due to the volume of submissions received, you should assume no response within eight weeks indicates a rejection.

Crime, thrillers, literary thriller, commercial thriller, fantasy, dystopian, literary speculative fiction, dark academia, horror, high-concept book club fiction

Wants: Cover letter, synopsis, first three chapters

Characters with dark pasts, tragic futures or buried trauma. Crime and thrillers across the literary and commercial spectrum, fantasy, dystopian fiction, literary speculative fiction, dark academia, horror, and high-concept book club fiction.

Email submissions@mushens-entertainment.com with the subject line 'Fiction Submission: TITLE OF YOUR WORK', addressed to Rachel Neely. Include a cover letter in the body of the email, a synopsis as an attachment, and a PDF or Word document of your first three chapters, first 10–15,000 words, or first 50 pages. Manuscript must be complete at time of submission.

Commercial fiction, women's fiction, romance, romantasy, narrative non-fiction

Love stories with a cool edge — rom-coms, sweeping romances, and stories where friendship is as central as romance. Open to all kinds of love stories including romantasy with strong world-building, star-crossed lovers, and opposites-attract dynamics. Characters who are coming into their own, discovering something new about themselves, who pull at your heartstrings and bring joy. Strong women's fiction where characters navigate the complexities of relationships and the non-linearity of life. Fiction that is transporting and atmospheric in the vein of Lucinda Riley and Kristin Hannah, and upmarket commercial fiction tackling universal themes of love, loss, friendship, and family. Also interested in stories that explore recent history or illuminate the world through fiction, research, or reportage.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email. Include Kate Rizzo's name in the subject line. Attach the first three chapters or around fifty pages plus a one-to-two page synopsis as Word documents (not PDFs). The synopsis should reveal the ending. Do not submit until the full manuscript is complete.

Literary fiction, commercial fiction, short story collections

Literary, book club, and commercial fiction, and short story collections.

Email: polly@georginacapel.com

Adult fiction and select non-fiction

Horror (literary to commercial, gothic, dark academia), literary/book-club, high-concept/time-slip, romcom/cozy romance, cosy fantasy, dystopian, non-fiction from experts (nature/climate/psychology/self-help/health/neurodiversity/science etc.)

Online form - https://hs-la.com or submissions/

Fiction and non-fiction

Commercial/book club fiction (edging literary), thrillers with unusual location or speculative edge, historical with real figures, gothic/magical/haunted, speculative love stories, romcoms, fantasy with unique magic/folklore. Non-fiction from experts/creators including food writing, women's health, maternal/sport/mental health. Not sci-fi, erotica, graphic novels, children's/MG/YA, or poetry

Online form - https://www.greenstoneliterary.com or submissions

Literary fiction, upmarket fiction, book club fiction, narrative non-fiction, memoir, essay collections, food writing, cookbooks

Fiction and non-fiction from underrepresented voices. In fiction, drawn to literary, upmarket and book club novels exploring family and relationship dynamics, sexuality, identity, and vulnerability — particularly stories about polyamory and ethical non-monogamy, epic multi-generational narratives, intelligent romantic comedies, relationship drama, coming-of-age tales centred on girlhood, and intimate formally inventive prose. In non-fiction, interested in narrative, memoir and essay collections from experts, academics, critics and journalists writing about society and culture, especially writers seeking to reshape conversations in their field. Particularly keen to add cookbooks and food writing to her list. Does not represent children's, YA or fantasy.

Email submissions@watsonlittle.com with Ciara's name specified. Include a cover letter in the body of the email with genre, word count, one-line pitch and a brief author bio. For fiction, attach approximately 10,000 words from the beginning of the manuscript and a separate synopsis as Word documents. For non-fiction, attach a full proposal as a single Word document. Do not submit to more than one Watson, Little agent at once. No AI-generated material accepted.

Literary fiction, commercial fiction, romance, book club fiction, culture and society non-fiction, cookery

Literary and commercial fiction alongside romance novels with strong book club appeal. In non-fiction, writing that explores culture and modern society, as well as cookery in all its forms, from narrative food writing to practical cookbooks.

Submissions can be sent by email to honor@rcwlitagency.com.

Fiction, non-fiction

Speculative fiction, commercial fiction, literary fiction, crime and thriller, serious non-fiction (big ideas/subversive assumptions, serious histories, narrative non-fiction re contemporary events/issues)

Email alexander@greyhoundliterary.co.uk with a cover letter pitch in the body of the email. For fiction, attach the first three chapters and a synopsis. For non-fiction, attach a proposal and sample writing. Do not submit by post. Do not submit to more than one agent at the agency.

Fiction, nonfiction, commercial fiction, book club fiction, thriller, literary memoir, narrative nonfiction, commercial nonfiction, cookery, food writing

Wants: Non-fiction that informs understanding of world/society; life writing; topical/essayistic; cookery/food; experts writing accessibly. fiction: 'what if' novels; incisive/witty; moral dilemmas; fun romantic reads. not children/YA; not historical fiction; not adult sf/fantasy

Sile Edwards is a literary agent at Andrew Nurnberg Associates building a list across adult fiction and non-fiction, with a focus on perspectives that have historically been excluded from the mainstream. She has worked on cookery and food writing, literary memoir, historical biography, commercial non-fiction, contemporary and commercial fiction, and thriller. She is not the right agent for children's or young adult writing, or for adult historical fiction, science fiction or fantasy.

Submit through the Andrew Nurnberg Associates submissions page and follow the agency guidelines, naming Sile Edwards as your chosen agent. Do not approach the agency generally.

Literary fiction, book club fiction, upmarket commercial fiction, narrative nonfiction, cookery, feminist fiction, feminist nonfiction

Wants: Literary/book club/upmarket commercial fiction; historical and women's fiction; open to speculative and romance crossovers; non-fiction that surprises/challenges; cookery/food writing; feminist narratives; underrepresented voices. not seeking children's/YA, crime, thriller or horror.

Laurie Robertson is an agent at Peters Fraser and Dunlop building a list of adult fiction and non-fiction. She is actively looking for literary, book club and upmarket commercial fiction with strong original voices, uplifting narratives, clever storytelling, strong emotional hooks and complex characters. On non-fiction she wants stories that surprise and challenge, narrative non-fiction that reads like fiction, and cookery from food writers who can transport the reader. She is always keen on feminist narratives across fiction and non-fiction and on voices from underrepresented backgrounds. She is not currently looking for children's or young adult, crime, thriller or horror.

Email one agent or assistant only, include a cover letter, full synopsis, and first 3 chapters or approximately 50 pages for fiction, or a detailed proposal for non-fiction. Find contact details at https://petersfraserdunlop.com or our-team/

Commercial fiction, saga, romance, historical fiction, book club fiction, up-lit, literary fiction, lgbtq fiction, lgbtq nonfiction, narrative nonfiction, popular science, psychology, history, sport

Wants: Covering letter, first three chapters, synopsis, detailed proposal

Laura MacDougall is a literary agent at United Agents with a broad and eclectic list across adult fiction and non-fiction. She represents commercial fiction including saga, romance, historical, book club and up-lit, and literary fiction ranging from the quirky to the daring and experimental, with a particular love of historical fiction and novels about relationships and family life. As a queer woman she represents many LGBTQ writers and is keen to hear from LGBTQ authors across fiction and non-fiction. In non-fiction she wants big ideas books and narrative non-fiction across popular science, psychology and culture, sport, history, and race, class, gender, sexuality and identity. She does not represent young adult or children's books, science fiction, fantasy or horror, Mind Body Spirit non-fiction, or cookery and food writing.

Submit through United Agents naming Laura MacDougall. For fiction send the first three chapters and a synopsis. For non-fiction send a detailed proposal.

Historical thrillers, literary fiction, upmarket genre fiction, book club fiction, science writing, food writing, history, nature writing, music journalism, memoir, cultural criticism

Wants: Contemporary crime and thrillers; historical fiction (esp historical crime); books with a fresh angle/clear identity; non-fiction on any subject with a strong angle and page-turning storytelling

Contemporary crime and thrillers, historical fiction and historical crime, upmarket and literary fiction with a fresh or distinctive angle, voices from marginalised or underrepresented communities, and non-fiction on any subject where the author has found the right angle and can make the material a page-turning story

Email submissions@greeneheaton.co.uk with covering letter in the body of the email. Fiction: attach first three chapters or around fifty pages plus a one-to-two page synopsis that reveals the ending. Non-fiction: attach three sample chapters or around fifty pages plus a chapter breakdown or synopsis. Attach files as Word documents, not PDFs. Include preferred agent name in the subject line.

Children's (mg or ya or crossover), adult commercial fiction, narrative non-fiction

Genre fiction and crossover children's, boy-led MG, teen fiction, graphic novel/illustrated MG or younger YA, quirky fantasy, dark/off-beat romantic comedy, domestic noir, cultural history/narrative non-fiction with strong voice

Email submissions@nurnberg.co.uk with a cover letter in the body of the email, a one-page synopsis and first three chapters or up to 50 pages as attachments. Mark the subject line FAO Gyamfia Osei. For non-fiction, send an overview, chapter outlines, and three sample chapters.

Reading group fiction, crime, thriller, psychological fiction, literary fiction, fantasy, historical fiction

Wants: Covering letter, synopsis, first three chapters, first 10, 000-15, 000 words, first fifty pages

Reading group fiction, crime and thriller, psychological novels, high-concept hooks, novels that feel ambitious and international, page-turners with a lot of twists and turns

Email submissions@mushens-entertainment.com with a clear subject line (e.g. Fiction Submission: TITLE), the cover letter in the body of the email, a synopsis as an attachment, and a PDF or Word document containing either the first three chapters, the first 10,000 to 15,000 words, or the first 50 pages. Address the email to Juliet.

Non-fiction

Commercial and upmarket non-fiction, psychology, popular science, wellbeing, narrative non-fiction, biography, food, sustainability, health, expert-led projects with international/screen potential

Email rachel@rmliterary.co.uk with as much detail about yourself and the project as possible, ideally including at least one sample chapter. No reply within one month means the project was not a fit.

Non-fiction and select fiction

Non-fiction: compelling narrative history, ideas books on urgent questions, absorbing biography and memoir, pop culture, humour, and entertainment. Fiction: memorable characters on gripping journeys, principally crime or literary-commercial crossover. Not considering children's, YA, sci-fi/fantasy, or screenplays

Send your work and a covering letter to wiseofficesubmissions@curtisbrown.co.uk. Gordon Wise and his team are taking on only a couple of fiction writers a year. They are not considering submissions for Children's, Young Adult, Science Fiction, Fantasy, or screenplays. If you have not heard back within four to six weeks, this means they are unable to offer representation.

Literary fiction, commercial fiction, women's fiction, crime fiction, non-fiction

Well-written commercial and literary fiction (incl women's fiction, award-winning crime, upmarket), interested in dysfunctional families, outsiders, messiness, working-class/regional voices (Irish/Scottish), diverse perspectives. Non-fiction: housing, class, feminism, social change, globalisation, sexuality and similar areas

Email - submissions@ryeliterary.com

Fiction and non-fiction

Adult crime, thrillers and suspense, contemporary romance, women's fiction (commercial/literary/historical/humour). Adult non-fiction: mental health advocates, adventurers, entertainers

Email - submission@bell-lomax.co.uk

Nonfiction, lifestyle, current affairs, health, sport, true crime, family issues, crime, thriller, book club fiction, historical fiction, romance

Wants: Synopsis, first three chapters, covering letter, detailed outline, sample material

Katie Fulford is looking for authors in both nonfiction and fiction. In nonfiction she wants experts and journalists with something new to say, especially in lifestyle, current affairs, health, sport, smart true crime, and books about female and family issues that put women at the heart of things. In fiction she wants high-concept and hooky crime and thriller, commercial locked-room thrillers, emotional uplit, book club books with big issues, memorable characters and immersive settings, historical fiction about forgotten real people or people connected to more famous figures, and romance. She does not want fantasy, science fiction, children's fiction, or picture books.

Email submissions@belllomaxmoreton.co.uk. For fiction, children's and young adult fiction, or narrative nonfiction, send a short synopsis including the full plot for fiction, the first three chapters or no more than 50 pages double spaced, and a covering letter with any previous publications. For illustrated nonfiction send a detailed outline, sample material if available, and previous publication information. Query one Bell Lomax Moreton agent at a time.

Children's fiction, middle grade, ya, adult fiction

Children: singular/underrepresented voices, powerful ideas. Adult: commercial women's fiction, uplit, sagas, romance (contemporary, romcom, historical)

Email catherine@marjacq.com with a covering letter in the body of the email, the first fifty pages of the manuscript and a synopsis (for fiction) attached as Word or PDF documents, with total file size not exceeding 2MB.

Fiction and narrative non-fiction

Fiction (adult and YA), literary and commercial, narrative non-fiction; strong voices and stories with narrative drive. Not: children's, genre sci-fi/fantasy, poetry, scripts

Email a short covering letter, a one or two page synopsis, and the first three chapters of your completed manuscript to info@christinegreen.co.uk. Exclusive submissions preferred, if submitting to multiple agents and you receive an offer before hearing back, notify them promptly.