UK Literary fiction Literary Agents

Commercial fiction, upmarket fiction, book club fiction, crime, thrillers, historical fiction, psychological suspense, women's fiction, speculative fiction, non-fiction, lifestyle, pop culture, humour

Commercial and upmarket fiction: book club/accessibly literary, crime/thrillers, upmarket historical, psychological suspense, women's fiction, speculative/high-concept, lightly magical edge. Non-fiction: innovative lifestyle, pop culture, unique personal stories, humour

Email jemimasubmissions@davidhigham.co.uk with your name and title in the subject line, and attach a cover letter, synopsis, and the first three chapters.

Literary fiction, commercial fiction, graphic novels, general non-fiction

Original page-turning adult fiction and non-fiction across genres (agency notes it does not currently represent Children's/YA or Science Fiction/Fantasy)

Email representme@rockingchairbooks.com with a whole manuscript or just a few chapters. A covering letter is welcome but not essential — the agency typically reads the work first.

Fiction, children's, non-fiction

Literary and genre fiction (incl historical, horror, speculative), multi-generational, high-concept book club, domestic dramas, crime/thrillers with a twist, non-fiction including history/true crime/current affairs/travel/food/psychology/feminism/memoir, children's high-concept with humour/heart

Email veroniquemanuscripts@davidhigham.co.uk with a covering letter, a 1-2 page synopsis, and the first 3 chapters.

Literary fiction

Email submissions@paperliterary.com with the agent's name, manuscript title, and your full name in the subject line. Include your query letter in the body of the email, and attach a one-page synopsis and the first three chapters (approximately 10,000 words) as Word documents. Address the email to Catherine Cho specifically.

Fiction, literary memoir, narrative nonfiction

Actively seeking wide-ranging fiction: excellent writing, compelling plots, diverse/unexpected voices, engrossing reads, especially literary/commercial crossover, romantasy, psychological thrillers/suspense, family dramas, savvy love stories, ambitious crime/thriller, smart historical/speculative/magical realism. Not looking for children's/YA/MG, short story collections, poetry or drama, no straight sci-fi or high fantasy that is not romantasy

Email nelle@rmliterary.co.uk with a one-page outline, the first 3 chapters or 50 pages, and a covering letter.

Fiction and narrative non-fiction

General fiction, book club, literary fiction, smart clean or lyrical prose, interesting form/structure, character-driven with unusual protagonists, stories exploring gender/race/class/sexuality, selective memoir/nature/social commentary

Email a concise cover letter with contact details and relevant background, a brief synopsis, and either the first three chapters or a detailed proposal to london@susannalea.com. Do not submit to more than one office.

Non-fiction and select fiction

Non-fiction: compelling narrative history, ideas books on urgent questions, absorbing biography and memoir, pop culture, humour, and entertainment. Fiction: memorable characters on gripping journeys, principally crime or literary-commercial crossover. Not considering children's, YA, sci-fi/fantasy, or screenplays

Send your work and a covering letter to wiseofficesubmissions@curtisbrown.co.uk. Gordon Wise and his team are taking on only a couple of fiction writers a year. They are not considering submissions for Children's, Young Adult, Science Fiction, Fantasy, or screenplays. If you have not heard back within four to six weeks, this means they are unable to offer representation.

Literary fiction, commercial fiction, women's fiction, crime fiction, non-fiction

Well-written commercial and literary fiction (incl women's fiction, award-winning crime, upmarket), interested in dysfunctional families, outsiders, messiness, working-class/regional voices (Irish/Scottish), diverse perspectives. Non-fiction: housing, class, feminism, social change, globalisation, sexuality and similar areas

Email - submissions@ryeliterary.com

Fiction and narrative non-fiction

Commercial and literary fiction (excluding SFF), narrative non-fiction; currently seeking voicy character-driven book club fiction, fresh crime, upmarket horror, and accessible eye-opening non-fiction

Email - mhoskins@unitedagents.co.uk

Nonfiction, sport, memoir, autobiography, literary fiction

Sport and a broad range of nonfiction, including journalism, sports figures, actors, TV personalities, doctors, business figures, and military history. Also novelists, and memoir and autobiography from public figures with a distinctive story to tell.

Email submissions@mbalit.co.uk with first three chapters and synopsis as Word, PDF, or Final Draft attachments, covering letter in the email body, and the email marked for the attention of David Riding.

Fiction and non-fiction

Adult crime, thrillers and suspense, contemporary romance, women's fiction (commercial/literary/historical/humour). Adult non-fiction: mental health advocates, adventurers, entertainers

Email - submission@bell-lomax.co.uk

Fiction and non-fiction

Non-fiction: memoir/autobiography, subject-led expert non-fiction (economics, history, food, fashion, relationships), some thrillers/horror. Fiction: exceptional literary voices, ambitious storytelling, Irish writing, genre with depth

Submit via QueryManager. For non-fiction, prepare a proposal of up to 20 pages including an overview or hook (query letter), chapter outline (synopsis), one to two sample chapters as an attachment, and an author bio with platform. For fiction, prepare a cover letter with a short pitch and author bio, a one-page synopsis, and the first 1,200 words or first two chapters (whichever is shortest) as an attachment. Visit https://www.internationalcreative.agency or submissions to access the QueryManager link.

Commercial fiction, literary fiction, non-fiction

Commercial and literary fiction (saga, romance, historical, book club, uplit, quirky to experimental), narrative non-fiction and big ideas; keen on LGBTQ voices and stories. Currently seeking epic family sagas, compelling love stories, ENM/poly relationships, historical fiction, friendships and sisters, and form-playing literary fiction. No SFF, fantasy, horror, YA, children's, mind-body-spirit or cookery.

Email (to agent, copy assistant) - lmacdougall@unitedagents.co.uk (cc EHorn@unitedagents.co.uk)

Literary fiction, commercial fiction, crime, thrillers, historical fiction, children's, young adult, non-fiction

Literary and commercial fiction, crime, thrillers, and historical fiction. Particularly excited by debut authors and actively welcomes submissions of the highest standard. Not currently considering science fiction and fantasy.

Submit by email to sam@rcwlitagency.com. Due to the volume of submissions received, you should assume no response within eight weeks indicates a rejection.

Literary fiction, reading group fiction, commercial fiction, narrative non-fiction, nature writing, memoir, politics, social issues

Fiction and non-fiction that stimulates debate, comments on the world around us, and evokes an emotional response; especially literary and reading group fiction and stories with commercial cross-over appeal; in non-fiction, most interested in narrative non-fiction, nature writing, memoir, politics, and social issues

For fiction, email a cover letter and the first three chapters to submissions@robertcaskie.com. For non-fiction, email a detailed outline, a sample chapter, and an introductory email to submissions@robertcaskie.com. Do not send children's, crime and thriller, YA, horror, or SF. Responses are only sent to those from whom more material is requested.

Nonfiction, literary fiction, science fiction, fantasy

Nonfiction that illuminates the past and present across arts, pop culture, education, politics, sociology, and technology, with a vision toward more just and equitable futures; also select genre fiction with literary merit, particularly science fiction and fantasy stories that explore new worlds while revealing something essential about our own.

Submit through Aevitas Creative Management's contact and submissions form.

Fiction and non-fiction

Fiction: literary prize-winners to upmarket reading group, well-written crime, ambitious/surprising, messy family stories, longing/relationships. Non-fiction: art, culture, music, food, nature, mental health

Submit via the online portal at https://felicitybryan.com or submissions or submit-your-work/ — upload a synopsis or proposal and the first 3–4 chapters.

Fiction and narrative non-fiction

Fiction: literary and genre including historical/speculative/crime/romance, distinctive voice/worldbuilding, moral dilemmas, families/relationships, darkness and humour. Non-fiction: history/memoir/current affairs/cultural criticism/popular science/travel/food, experts with surprising takes

Email anna@johnsonandalcock.co.uk with a short covering letter including a blurb and author info. For fiction, include a synopsis of no more than two pages and the opening 50 pages. For non-fiction, include a proposal with introduction, chapter breakdown, and sample material totalling around 50 pages. Attachments in Word .doc or .docx format, at least 1.5 line spaced, page-numbered, A4. Submit to one agent only, do not blind-copy.

Science fiction (primarily)

Speculative/SF with social commentary, dystopia/utopia, apocalypse, AI/other intelligences, first contact, big ideas, literary-leaning

QueryManager - https://querymanager.com or jackmozley

Literary fiction, commercial fiction, literary non-fiction, commercial non-fiction, ya, children's books, biography, memoir, history, popular culture, humour

Quality women's fiction including romantasy and love stories, smart contemporary thrillers with a difference, a great northern novel set in the north east or midlands, biography, memoir, history, popular culture, humour

Email synopsis and three sample chapters as a Word attachment, plus author biography, to info@sarah-such.com. No unsolicited manuscripts or telephone enquiries.

Fiction and non-fiction, journalism or serialisation

Literary/book club/upmarket commercial fiction, historical and women's fiction, open to speculative and romance crossovers, non-fiction that surprises/challenges, cookery/food writing, feminist narratives, underrepresented voices. Not seeking children's/YA, crime, thriller or horror

Email one agent or assistant only, include a cover letter, full synopsis, and first 3 chapters or approximately 50 pages for fiction, or a detailed proposal for non-fiction. Find contact details at https://petersfraserdunlop.com or our-team/

Fiction

Character-driven speculative fiction, female-led literary and crossover, book club fiction, contemporary rom-coms, sweeping love stories (historical/contemporary), crime and psychological thrillers, female-led fantasy, romantasy, retellings. Not: children/YA, police procedurals, cosy crime, epic sci-fi, poetry, plays, screenplays, any non-fiction

Elena is currently open for submissions. Send your cover letter, one-page synopsis, and first three chapters as attachments, not in the body of the email. Submit to submission@dhhliteraryagency.com. Only submit to one agent at DHH Literary Agency

Literary fiction, narrative non-fiction

Unusual stories grounded in the real world but with strange and surreal elements, with a focus on human relationships, queer characters and alternative culture. Diverse and unexpected perspectives that offer new ways of seeing and have something urgent to say about the contemporary world. Particularly interested in debut writers.

Email submissions@rebeccacarterliterary.com with the subject line 'Submission: [your name] [TITLE OF SUBMISSION]'. Address the submission to Tilda (not both Tilda and Rebecca). Include a covering letter in the body of the email. For fiction, attach the first three chapters or up to 10,000 words plus a short synopsis. For non-fiction, attach a detailed proposal and, if possible, a sample chapter. Attach files as Word documents or PDFs, do not include external links. Typescript should be 1.5 or double spaced with page numbers. Files should be saved as '[your name] [TITLE OF SUBMISSION] [document type]'.

Literary fiction, crime, thriller, narrative non-fiction, history, politics, culture, psychology, science, nature

Fiction: literary fiction (broadly including book-club) and crime and thriller, excited by risks with voice/form/storytelling, compulsive, ideaful, humane. Non-fiction: original thinkers/writers in history, politics, culture, psychology, science, nature/environment (not straightforward memoir or academic monographs)

Email - submissions@rebeccacarterliterary.com

Fiction and non-fiction

Fiction: literary, upmarket commercial, book club, historical, crime, thrillers (no sci-fi/fantasy/children's). Non-fiction: serious/pop science, psychology, feminism, big ideas/current affairs, health/body/mind, personal development, selective lifestyle, narrative/memoir

Email submissions@hardmanswainson.com. Name your chosen agent in the cover email. For fiction, attach a one-page synopsis and the full manuscript. For non-fiction, attach a proposal and a sample chapter, or the whole work if complete. Submit to one agent only.

Fiction and non-fiction

Fiction: literary/well-written including pacey thrillers. Non-fiction: accessible, estimable writing with commercial potential (journalists/experts/scholars/public figures, fascinating true stories)

Email - submissions@jonathanpegg.com

Memoir, geography, economics, politics, history, nature writing, biography, science, travel, literary fiction

Wants: Genres include memoir; geography; economics; politics; history; nature writing; biography; science; travel; and literary fiction.

Email james@jameslockhartagency.com with a covering letter in the body of the email and the first 30 pages attached as a Word doc or PDF.

Fiction and non-fiction

Fiction: literary/upmarket with escapism and page-turning readability, big high-stakes love stories from original angles. Non-fiction: writers shifting public discourse, health, medicine, history, politics, biographies/memoirs, cookery, art, music, lifestyle with a strong angle

Email submissions@aitkenalexander.co.uk with subject line marked FAO Monica MacSwan. For fiction, attach the first three chapters or fifty pages plus a short synopsis. For narrative non-fiction, attach a short overview and up to 10,000 words of sample writing. For subject-led non-fiction, attach a proposal of approximately 5,000 words and no less than 5,000 words of sample writing. Include a cover letter with a brief description of the book, any writing credits or qualifications, and a short biographical note. All attachments should be Microsoft Word compatible.

Literary fiction, historical fiction, psychological suspense, crime, thrillers, non-fiction

Multi-generational domestic novels that follow characters over a significant time frame, particularly those exploring the intricacies of female familial relationships. Pre-twentieth century historical fiction. Big, pacy standalone crime and thriller novels, preferably with surprising twists. Non-fiction with an element of mystery and discovery, especially books that challenge readers to re-examine previously held conceptions of history.

Email submissions@hardmanswainson.com naming Lucy Malone in your cover email. For fiction, attach a one-page synopsis and the full manuscript. For non-fiction, include a covering email outlining the book, why it has a place on the bookshelf, and why you are qualified to write it, along with a proposal and a sample chapter or the whole work if completed. Submit to one agent only, do not email individual agent addresses.

Literary fiction, crime fiction, thriller, historical fiction, science fiction, fantasy, commercial fiction, book club fiction, upmarket fiction, history, sport, popular science

Entertaining and diverse fiction with well-told stories, big ideas, emotional hooks and gripping plots. In commercial fiction, particularly interested in crime, thriller, book group and upmarket titles, as well as historical fiction, science fiction and fantasy. In non-fiction, looks for expertise, fresh ideas and genuine passion for the subject, working across history, sport and popular science.

Direct queries about submissions to Isobel@rcwlitagency.com.

Literary fiction, upmarket commercial fiction, historical fiction, romantic comedy, gothic, horror, crime, psychological thriller, speculative fiction, ya, middle grade, memoir, narrative non-fiction, true crime

Literary and upmarket commercial fiction of all kinds, especially meditative or moving novels about modern life with warmth and heart alongside sharpness. Historical and period fiction that sheds light on untold stories, ambitious cross-centuries narratives, and historical mysteries. High-concept love stories and romantic comedies with depth. Gothic, horror, murder mysteries, ghost stories, psychological thrillers, speculative and magical realist fiction, and novels with a true-crime feel. A small list of YA and middle grade that feels current and contemporary with a real conversation at its core — not currently seeking fantasy or anything younger than middle grade. On the non-fiction side: memoirs of extraordinary people, narrative non-fiction on subjects the author is passionate about, books on mental health, untold stories across popular science, history and popular culture, and a brilliant true crime book. Particularly keen on LGBTQI+ stories and diverse voices from across the globe. Not currently looking for cookery, wellness, or lifestyle.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email. Include the agent's name in the subject line. Fiction: attach the first three chapters or around fifty pages plus a one-to-two page synopsis that reveals the ending, as Word documents. Non-fiction: attach three sample chapters or around fifty pages plus a chapter summary or synopsis, and explain why you are best placed to write the book and who the intended readership is. AI-generated or AI-edited content is not accepted. No postal submissions.

Literary fiction, upmarket fiction, personal development, narrative non-fiction, memoir

Literary and upmarket fiction, and in non-fiction expert voices in personal development, narrative non-fiction, emotive memoir, and books that engage with politics, culture and the status quo with intellectual depth. Passionate about bringing undiscovered ideas and fresh conversations to the mainstream.

Email a synopsis and sample material to hello@bergstromstudio.co.uk

Fiction and non-fiction, literary estates

Broad/omnivorous tastes, excited by new literary voices, sprawling literary fiction, ambitious/speculative, would like a well-characterised, genuinely thrilling thriller, narrative non-fiction that reads like fiction, food writing, fresh takes on cookery

Online form - https://amheath.com or submissions

Crime, thrillers, literary thriller, commercial thriller, fantasy, dystopian, literary speculative fiction, dark academia, horror, high-concept book club fiction

Wants: Cover letter, synopsis, first three chapters

Characters with dark pasts, tragic futures or buried trauma. Crime and thrillers across the literary and commercial spectrum, fantasy, dystopian fiction, literary speculative fiction, dark academia, horror, and high-concept book club fiction.

Email submissions@mushens-entertainment.com with the subject line 'Fiction Submission: TITLE OF YOUR WORK', addressed to Rachel Neely. Include a cover letter in the body of the email, a synopsis as an attachment, and a PDF or Word document of your first three chapters, first 10–15,000 words, or first 50 pages. Manuscript must be complete at time of submission.

Fiction and non-fiction

Commercial women's fiction with strong hook/twisty plots/emotion/drama, eclectic list. Agency also considers crime/mystery/suspense/thrillers, horror, historical, commercial and literary, non-fiction including politics/current affairs, environment, lifestyle, popular science, self-help/how-to, true crime

Email submissions@cmm.agency with a one-paragraph author biography, a one-paragraph blurb or hook including genre and audience, a short synopsis covering plot, setting, theme and characters, and the first three chapters as an attachment. Manuscript must be double or 1.5 line-spaced, with wide margins, in a font no smaller than 12-point (preferably Times New Roman), fully page-numbered, with your name, address, contact number and email on the first page.

Fiction and non-fiction

Literary/book club/romantic fiction, character-led "gentler" crime in communities, non-fiction including relationships, pop culture, social history, food, some cookery/illustrated. Not currently considering memoir

Email juliet@blakefriedmann.co.uk with your cover letter as the body of the email. Attach a full synopsis of 250-300 words and the first three chapters or first 10,000 words as Word documents (.doc or .docx). Name each attachment with the book title and your name. Include your title and name in the subject line. Do not send PDFs or external links.

Fiction and non-fiction

Contemporary, historical and literary fiction, crime and thrillers, memoir, biography, narrative history

Email isobel@blakefriedmann.co.uk with a cover letter in the body of the email. Attach a synopsis of 250-300 words and the first three chapters or first 10,000 words as Word documents (.doc or .docx). Include the book title and your name in the subject line. For non-fiction, attach a synopsis of up to 500 words, a chapter plan, and two sample chapters.

Fiction, nonfiction, commercial fiction, literary fiction, international authors

Wants: Cover letter, synopsis, first three chapters, proposal

Carole Delmon is listed on the official Susanna Lea Associates Paris team page. The Paris office says its taste is eclectic and that it is interested in works of both fiction and nonfiction, commercial and literary, with projects that have international potential beyond the French market.

For submissions in France, email paris@susannalea.com. SLA asks for a concise and thoughtful cover letter, a brief synopsis, and either the first three chapters or a detailed proposal. Do not submit to more than one SLA office, and do not send post or fax queries.

Literary fiction, contemporary fiction, upmarket fiction, book club fiction, fantasy, horror, young adult, crossover

Wants: Query letter, synopsis, first three chapters

Clara Foster wants intelligent, original fiction with deep emotion, strong line-level writing, and voice-led characters. She is looking for adult literary contemporary fiction with a strong female focus, upmarket and book club novels that are cleverly conceived, beautifully written, and accessible, fantasy and horror that explore the real world or the self, historical romantasy, urban fantasy, academic settings, body horror, lightly speculative fiction, and YA/crossover stories that are political while providing a strong story. She is not a likely fit for commercial women's fiction, science fiction, World War II or Holocaust stories, or narratives driven primarily by sexual assault, eating disorders, a great lie, or death of a child. She is not accepting nonfiction except by referral.

Submit via Clara Foster's official QueryTracker link from her submissions page. Send a query letter, synopsis, and first three chapters. All queries will receive a response.

Fiction, children's books, nonfiction, thriller, suspense, historical fiction, literary fiction, book club fiction, young adult, middle grade, romantasy, memoir, cookery, lifestyle, narrative nonfiction

Wants: Covering letter, synopsis, first three chapters, first fifty pages, outline, sample chapter, bio

Hellie Ogden is co-head of WME UK Books and represents fiction, children's books, and nonfiction. She is actively taking on new clients and wants bold storytelling, moving prose, vivid thought-provoking characters, standout debut work, high-concept thrillers and suspense with fresh hooks and daring twists, historical fiction with original courageous ideas, page-turning literary fiction about millennial experience, nostalgia, sexuality and family complexities, upmarket book club fiction with commercial hooks, female-led mysteries, emotionally deep fiction, YA with big heart and voice, romantasy, middle grade adventure with magic, memoir, standout cookery, lifestyle writers, moving narrative nonfiction, and work with social following and cross-media potential.

Submit through Hellie Ogden's official WME profile or query button. Include the author full name and work title in the email subject line. Fiction submissions should include a covering letter, synopsis, and either the first three chapters or first fifty pages. Nonfiction submissions should include a covering letter, full chapter outline, and if possible a sample chapter. Include a bio with all submissions. Query one WME agent at a time.

Literary fiction, upmarket fiction, book club fiction, narrative memoir, family saga, high society fiction, speculative fiction, magical realism, contemporary fiction, upmarket suspense, psychological thriller, postcolonial fiction, translated fiction, classical retellings

Wants: Cover letter, synopsis, first three chapters, first ten thousand words, proposal, writing sample

Rachel Yeoh is a literary agent building a list in literary, upmarket, and book club fiction, as well as select narrative nonfiction. She is actively looking for literary, upmarket, book club, global stories, human experience, social critique, class conflict, speculative fiction, family sagas, contemporary fiction, upmarket suspense, psychological thriller, postcolonial literature, translated fiction, classical retellings, and narrative memoir.

Submit through the relevant Madeleine Milburn online form and select Rachel Yeoh where available. Adult fiction submissions require a cover letter pasted into the form and one attachment containing a one-page synopsis plus the first three chapters or first 10,000 words. Nonfiction submissions require a cover letter and one document containing a 5,000 to 10,000 word sample and proposal. Do not submit by post or directly to email addresses.

Literary fiction, speculative fiction, gothic fiction, thriller, psychological horror, noir, non-fiction, history, popular science, political writing, investigative journalism, cultural criticism, memoir, biography, nature, food

Provocative, morally ambiguous fiction charged with darkness and desire — exploring themes of shame, obsession, and power — often blending literary fiction with thriller, noir, or psychological horror. Speculative and gothic novels haunted by grief, repressed desire, climate, technological dread, colonialism, or history. Voice-driven, humorous fiction with emotional heft, including messy family dramas, campy queer tragedies, and rural romances with a self-aware take on identity and community. In non-fiction, academics and journalists writing on history, popular science, politics, investigative journalism, cultural criticism, memoir, biography, nature, and food — particularly writers who can marry vivid narrative with deep research. Also political and cultural commentary, mind-bending science writing, narrative biography, landscape and history memoir, insider accounts, and obsessive literary true crime.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email and submission materials as Word Document attachments. Include Imogen Morrell's name in the subject line. Fiction: first three chapters or around fifty pages, plus a one-to-two page synopsis that reveals the ending. Non-fiction: three sample chapters or around fifty pages, plus a proposed chapter summary or synopsis — a completed manuscript is not required. No postal submissions accepted. AI-generated or AI-edited submissions will not be considered.

Fiction and non-fiction

Crime, thriller, general fiction, literary fiction, non-fiction proposals (case-by-case)

Email - bill@billgoodall.co.uk

Literary fiction, innovative fiction, humor, nonfiction, history, art, social commentary, political commentary, nature writing

Wants: Cover letter, writing sample, synopsis, proposal

Cora MacGregor is Associate Agent and Assistant to Patrick Walsh at PEW Literary. She is drawn to generically and formally innovative literary fiction that speaks to the present moment, or anything that makes her laugh. Her nonfiction interests are diverse and include history, art, social and political commentary, and nature writing.

Submit to PEW Literary by email at submissions@pewliterary.com or by post. Email submissions should be in Word or PDF format, 1.5 or double-spaced, with a cover letter. Fiction submissions should follow PEW's fiction guidelines, and nonfiction submissions should follow PEW's nonfiction guidelines. Do not send a stamped addressed envelope for postal submissions, include an email address for response.

Fiction and non-fiction

Fiction: literary/upmarket with edge, romance (incl dark academia, paranormals, grounded romantasy), mysteries with fresh angle, some literary speculative (not hard SFF). Non-fiction: science/nature, art/culture, social issues/politics, love/relationships, illustrated non-fiction, food/drink

Email (to one agent) - dchandley@pfd.co.uk

Fiction and non-fiction

Story-led commercial/literary: romantic or suspense fiction, compelling memoir, iconic history, edgy humour, 'gleam in the author's eye'

Email - sohoagencysubmissions@gmail.com

Literary fiction, narrative non-fiction, poetry

Literary fiction with clarity, energy and intention, ambitious structure/craft, tactile/idiosyncratic sentences, strange/spooked books, big family novels and love stories, literary genre-bending. Non-fiction: literary biography, social/cultural/oral history, creative scholarship, memoir/essay, interests include art, design, psychoanalysis, food, women's lives

Email submissions@aitkenalexander.co.uk with subject line marked FAO Harriet Moore. Include a cover letter with a short book description, any writing credits or qualifications, and a brief bio. For fiction, attach the first three chapters or 50 pages plus a short synopsis. For narrative non-fiction, attach a short overview and up to 10,000 words of sample writing. For subject-led non-fiction, attach a proposal of approximately 5,000 words and at least 5,000 words of sample writing. Attachments should be Microsoft Word compatible. Submit to one agent only, no postal submissions. If you have not heard back within three months, treat this as a pass.

Fiction and non-fiction

Fiction: book club/literary, character- and voice-driven crime/thriller/suspense, dark/gothic/uncanny, love stories, family sagas, historical from a slant, Highsmithian thrillers. Non-fiction: accessible social/cultural history, biography/memoir, reportage, popular science, nature, arts, food/cookery, experts, journalists, lived experience

Email charlotte@johnsonandalcock.co.uk with a short covering letter (including a book blurb and brief author bio), a synopsis of no more than two pages, and the opening 50 pages of the manuscript (fiction), or a book proposal of approximately 50 pages (non-fiction). Submissions must be in Word Doc format, at least 1.5 line spaced, page-numbered, on A4. Submit to one agent only, do not blind-copy. Attachments must be under 5MB.

Literary fiction, thriller, non-fiction, cultural commentary, history, science, politics, psychoanalysis, poetry

Wants: Cover letter, biographical note, first three chapters (fiction) or proposal (non-fiction)

Extraordinary and precisely crafted literary fiction in the vein of Anita Brookner, Jenny Offill, and Gwendoline Riley—work that transforms everyday experience into elegant prose. She is also drawn to literary fiction that plays with genre, including political and erotic thrillers with astute characterization and propulsive pacing, as well as narratives exploring obsession, infatuation, longing, and belonging. In contemporary prose, she looks for playful, innovative writing with sharp observation and wit—novels that assess humanity with shrewdness, clarity, and humour. For non-fiction: stylish writing and fresh perspectives on history, science, politics, and cultural commentary from experts, academics, journalists, and critics writing for trade audiences, as well as experimental, genre-defying work and thought-provoking writing on psychoanalysis and therapy.

Send a brief cover letter along with a biographical note and either the first three chapters of your work (if fiction) or a proposal (if non-fiction) to kat@lexingtonliterary.co.uk.

Adult fiction and select non-fiction

Horror (literary to commercial, gothic, dark academia), literary/book-club, high-concept/time-slip, romcom/cozy romance, cosy fantasy, dystopian, non-fiction from experts (nature/climate/psychology/self-help/health/neurodiversity/science etc.)

Online form - https://hs-la.com or submissions/

Fiction and non-fiction

Pacy romcoms, dark literary, historical forgotten perspectives, under-represented voices, non-fiction provoking discussion (memoir/polemic/recovered histories/culture studies/self-help)

Email af.submission@dhhliteraryagency.com with cover letter, one-page synopsis, and first three chapters for fiction. For non-fiction, send a proposal including an overview, author bio, chapter breakdown, sources, sample chapter, comparable titles, media links, and any praise.

Fiction and non-fiction

Commercial/book club fiction (edging literary), thrillers with unusual location or speculative edge, historical with real figures, gothic/magical/haunted, speculative love stories, romcoms, fantasy with unique magic/folklore. Non-fiction from experts/creators including food writing, women's health, maternal/sport/mental health. Not sci-fi, erotica, graphic novels, children's/MG/YA, or poetry

Online form - https://www.greenstoneliterary.com or submissions

Literary fiction, narrative nonfiction, current affairs, politics, pop culture, popular science, history, journalism, memoir, biography

David Kuhn is co-CEO of Aevitas Creative Management. His official Aevitas profile says he represents literary fiction, narrative nonfiction, current affairs, politics, pop culture, popular science, history, journalism, memoir, and biography.

Submit through the official Aevitas contact or submissions page if David Kuhn is available in the agent dropdown. Aevitas asks writers to include a query letter and, for nonfiction, a proposal if available, for fiction, include sample pages as directed by the form. Do not send unsolicited material outside the official route.

Fantasy, speculative fiction, romantic fantasy, romantic fiction, general fiction, literary fiction, narrative non-fiction, memoir, cookery

Grounded fantasy with light magical elements edging toward speculative or dystopic, with exceptionally strong world-building. Romantic fantasy with compelling protagonists, particularly a queer male lead or a non-binary/gender-neutral vampire story. Romantic fiction with a strong USP, enemies-to-lovers dynamics, competitive settings, and crossover with horror or crime. General fiction exploring friendship over time, sibling relationships, ensemble casts, and modern loose retellings of classics or plays — especially an own-voices retelling of The Crucible from Abigail Williams' perspective. In non-fiction: narrative memoir with a fresh angle, pop and fan culture exploring why topics trend online, and cookbooks from authors with strong social media platforms.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email and attachments as Word Documents. Include Mia Dakin's name in the subject line. Fiction: first three chapters or around fifty pages plus a one-to-two page synopsis that reveals the ending. Non-fiction: three sample chapters or around fifty pages plus a proposed chapter summary, your reasons for writing the book, and your intended readership. AI-generated or AI-edited submissions are not accepted.

Literary fiction, speculative fiction, narrative nonfiction, subject-led nonfiction, poetry

Wants: Literary-spectrum fiction (incl speculative); narrative-forward nonfiction with original idea/voice; not currently taking on new poets

Literary novels that prioritise plot and find fun, surprising ways to explore ideas or a moment in time — entertaining, thought-provoking, and ideally moving. Open to work that plays with and elevates genre. In nonfiction, drawn to original ideas with unique, narrative-driven telling, whether from journalists, memoirists, thought leaders, academics, or cultural figures. Not currently taking on new poets.

Email submissions@aitkenalexander.co.uk with the agent's name in the subject line. For fiction, attach the first three chapters or fifty pages plus a short synopsis as Word-compatible files. For narrative nonfiction, attach a short overview and up to 10,000 words of sample writing. For subject-led nonfiction, attach a proposal of around 5,000 words and at least 5,000 words of sample writing. Include a cover letter with a book description, any writing credits or qualifications, and a brief bio. Do not submit directly to the agent's assistant.

Literary fiction, commercial fiction, book club fiction, contemporary fiction, commercial women's fiction, crime, mystery, thrillers, fantasy, genre romance, historical fiction, horror, ghost stories, sagas, science fiction, biography, memoir, cookery, gardening, gift books, humour, history, military history, lifestyle, mind-body-spirit, self-improvement, politics, popular science, psychology, travel, children's, ya

SF/fantasy, sweeping historical fiction, character-driven sci-fi, action/adventure, crime. Non-fiction: history, biography, music

Email submissions@sheilland.co.uk with a cover letter, a one-page synopsis (fiction) or brief outline (non-fiction), a short CV, and the first three chapters or around fifty pages. Submissions should be 1.5 line spaced with margins and page numbers, and must include a word count. Only one work at a time. No AI-generated content accepted.

Fiction, non-fiction, poetry

Story-led and character-driven novels, rich worldbuilding (realist/speculative, contemporary/historical). Non-fiction: history, politics, philosophy, psychology, true crime, narrative sports writing, literary biography, academics, journalists, critics

Email submissions@aitkenalexander.co.uk with the subject line marked FAO Emma Paterson. For fiction, attach the first three chapters or fifty pages plus a short synopsis as Word-compatible files. For narrative non-fiction, send a short overview and up to 10,000 words of sample writing, for subject-led non-fiction, send a proposal of approximately 5,000 words outlining the book and your credentials, plus at least 5,000 words of sample writing. Include a cover letter with a brief book description, any writing credits or relevant qualifications, and a short biographical note. Note whether you are submitting simultaneously to other agencies.

Fiction, non-fiction

Speculative fiction, commercial fiction, literary fiction, crime and thriller, serious non-fiction (big ideas/subversive assumptions, serious histories, narrative non-fiction re contemporary events/issues)

Email alexander@greyhoundliterary.co.uk with a cover letter pitch in the body of the email. For fiction, attach the first three chapters and a synopsis. For non-fiction, attach a proposal and sample writing. Do not submit by post. Do not submit to more than one agent at the agency.

Literary fiction, general fiction, epic fantasy, history, memoir, reportage, narrative nonfiction, art, music, nature writing

Beautiful, ambitious, and unusual literary fiction, epic fantasy, and upmarket general fiction that is emotionally engaging and compulsively readable. In nonfiction, interested in history, memoir, reportage, and big ideas, as well as writing on art, music, literature, and nature.

Submit via the button on John Ash's agent profile page at https://www.caa.com or entertainmenttalent or books or agent or john-ash/. For fiction, include a cover letter, synopsis, and the first three chapters or opening 50 pages. For nonfiction, include a cover letter and proposal.

Literary fiction, commercial fiction, romance, book club fiction, culture and society non-fiction, cookery

Literary and commercial fiction alongside romance novels with strong book club appeal. In non-fiction, writing that explores culture and modern society, as well as cookery in all its forms, from narrative food writing to practical cookbooks.

Submissions can be sent by email to honor@rcwlitagency.com.

Literary fiction, upmarket fiction, book club fiction, narrative non-fiction, memoir, essay collections, food writing, cookbooks

Fiction and non-fiction from underrepresented voices. In fiction, drawn to literary, upmarket and book club novels exploring family and relationship dynamics, sexuality, identity, and vulnerability — particularly stories about polyamory and ethical non-monogamy, epic multi-generational narratives, intelligent romantic comedies, relationship drama, coming-of-age tales centred on girlhood, and intimate formally inventive prose. In non-fiction, interested in narrative, memoir and essay collections from experts, academics, critics and journalists writing about society and culture, especially writers seeking to reshape conversations in their field. Particularly keen to add cookbooks and food writing to her list. Does not represent children's, YA or fantasy.

Email submissions@watsonlittle.com with Ciara's name specified. Include a cover letter in the body of the email with genre, word count, one-line pitch and a brief author bio. For fiction, attach approximately 10,000 words from the beginning of the manuscript and a separate synopsis as Word documents. For non-fiction, attach a full proposal as a single Word document. Do not submit to more than one Watson, Little agent at once. No AI-generated material accepted.

Non-fiction, literary fiction, memoir, cookery, biography, thriller

Wants: Non-fiction that informs understanding of world/society; life writing; topical/essayistic; cookery/food; experts writing accessibly. fiction: 'what if' novels; incisive/witty; moral dilemmas; fun romantic reads. not children/YA; not historical fiction; not adult sf/fantasy

Building a list with a particular focus on perspectives that have been historically excluded from the mainstream. Interested in cookery, literary memoir, historical biography, zeitgeisty fiction and thrillers.

Email submissions@nurnberg.co.uk with a covering letter in the body of the email, a one-page synopsis and first three chapters or 50 pages as attachments. Address the email FAO Silé Edwards and make this clear in the subject line. For non-fiction, send an overview, chapter outlines and three sample chapters instead.

Fiction and non-fiction

Romance, upmarket crime/thrillers, uncanny/eerie/weird literary, gothic/supernatural elements, voiced historical, memoir and narrative non-fiction, health/wellbeing proposals from experts

Email submissions@greeneheaton.co.uk with the full manuscript, synopsis, and a cover letter naming Judith Murray as the preferred agent in the subject line

Historical thrillers, literary fiction, upmarket genre fiction, book club fiction, science writing, food writing, history, nature writing, music journalism, memoir, cultural criticism

Wants: Contemporary crime and thrillers; historical fiction (esp historical crime); books with a fresh angle/clear identity; non-fiction on any subject with a strong angle and page-turning storytelling

Contemporary crime and thrillers, historical fiction and historical crime, upmarket and literary fiction with a fresh or distinctive angle, voices from marginalised or underrepresented communities, and non-fiction on any subject where the author has found the right angle and can make the material a page-turning story

Email submissions@greeneheaton.co.uk with covering letter in the body of the email. Fiction: attach first three chapters or around fifty pages plus a one-to-two page synopsis that reveals the ending. Non-fiction: attach three sample chapters or around fifty pages plus a chapter breakdown or synopsis. Attach files as Word documents, not PDFs. Include preferred agent name in the subject line.

Literary fiction, commercial fiction, thrillers, non-fiction

Wants: Query letter, synopsis, first three chapters

Literary and well-written novels including pacey thrillers, and accessible non-fiction with commercial potential from journalists, experts, scholars, public figures, and anyone with a fascinating well-written story.

Email submissions@jonathanpegg.com. Keep the covering email brief (a few lines of highlights only) and attach a single document containing: for fiction — a synopsis of up to 300 words, relevant personal background and publishing history, and the first three chapters or approximately fifty pages to a natural break, for non-fiction — a synopsis of up to 300 words, publishing history and credentials, a proposal of 5–20 pages including market analysis, an optional chapter plan, and ideally one sample chapter.

Narrative non-fiction, literary fiction

Narrative non-fiction with strong writing (science/nature/landscape/anthropology/history/politics/philosophy/gender/health/myth, environmentally aware). Internationally relevant literary fiction, character-led, warm/life-affirming or dark, lasting impression

Email jessicawoollard@davidhigham.co.uk and esmebright@davidhigham.co.uk — submissions should be sent to both the agent and her assistant Esme Bright

Literary fiction, upmarket fiction, historical fiction, literary thrillers, crime, gothic horror, speculative fiction, non-fiction, graphic novels

Literary and upmarket fiction/non-fiction, genre-bending/speculative-adjacent literary, literary historical, family novels, literary thrillers/crime, gothic horror edges, non-fiction art/music/aging/neurodiversity/psychotherapy/sport/science, graphic novels

Submit by email following DHA's submissions guidelines at https://davidhigham.co.uk or submissions/

Literary fiction, upmarket fiction, speculative fiction, horror, magical realism, mythology reimaginings, fairy tale reimaginings, folklore reimaginings, cultural criticism, narrative nonfiction, nonfiction, cookbooks, food writing, short story collections, novellas

Wants: Cover letter, synopsis, first three chapters

Literary and upmarket fiction, speculative fiction, horror, magical realism, and reimaginings of myths, fairy tales, and folklore. Also cultural criticism, narrative nonfiction, big-idea nonfiction, and select cookbooks and food writing. Maria is the only agent at the agency who accepts novellas and short story collections.

Email submissions@mushens-entertainment.com with your submission addressed to Maria. For fiction, include a clear subject line (e.g. Fiction Submission: TITLE), a cover letter in the body of the email, an attached synopsis, and a PDF or Word document containing either the first three chapters, the first 10,000–15,000 words, or the first 50 pages. For non-fiction, include a proposal or the first 10,000–15,000 words of a completed manuscript. For short story collections (40,000–75,000 words total), include a synopsis and the full collection. For novellas (17,000–40,000 words), include a synopsis. Do not use AI to write or edit any part of your submission. Notify the agency if another agent requests your full manuscript or offers representation.

Fiction and narrative non-fiction

Fiction (adult and YA), literary and commercial, narrative non-fiction; strong voices and stories with narrative drive. Not: children's, genre sci-fi/fantasy, poetry, scripts

Email a short covering letter, a one or two page synopsis, and the first three chapters of your completed manuscript to info@christinegreen.co.uk. Exclusive submissions preferred, if submitting to multiple agents and you receive an offer before hearing back, notify them promptly.

Children's and ya (and some adult)

Middle grade and YA fiction across genres (pref voice/character-driven, contemporary/realistic settings, magical realism, original psychological thrillers, atmospheric horror, light fantasy). Also open to original children/YA non-fiction, selectively adult literary projects

Submit by email via the PFD books submission page at https://petersfraserdunlop.com or submissions or books/, including a cover letter, synopsis, and the first three chapters or approximately 50 pages for fiction, or a detailed proposal for non-fiction.

Fiction and non-fiction

Strong POVs (especially women), intelligent, witty, emotionally affecting literary/genre fiction and non-fiction, feminist/provocative voices, twists

Email - lizzymanuscripts@davidhigham.co.uk

Commercial non-fiction, self-help, memoir, literary non-fiction

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Building a list of fiction and non-fiction authors with a particular focus on digital-first writers. Specialises in commercial, self-help and literary non-fiction across memoir, mindfulness, interior design and lifestyle. A committed advocate for emerging and diverse writers.

Email - hello@bergstromstudio.co.uk

Literary fiction, non-fiction

Wants: Literary fiction and non-fiction; does not represent science fiction or fantasy (per agent page)

Represents literary fiction and non-fiction. Clients include Sarah Bakewell, Heston Blumenthal, Frank Cottrell Boyce and A.S. Byatt. Also represents the literary estates of Angela Carter, Alasdair Gray and Nancy Mitford.

Email phoebe@rcwlitagency.com

Fiction, non-fiction, literary fiction, commercial fiction

Wants: Strong commercial genre fiction (noir-ish thrillers/spy/gritty crime; also saga/romance/romcom) and surprising reading-group fiction; non-fiction with strong narrative voice in memoir/history and big ideas/smart thinking

Wide range of fiction and non-fiction, literary and commercial. Has a taste for the unlikely, likes to be surprised and transported. In fiction, loves stories that take him somewhere strange and wonderful. For non-fiction, loves books that reveal something new or inspire readers to imagine the world differently.

Email - submissions@sheilland.co.uk

Non-fiction

History, current affairs/politics/economics, biography and memoir, narrative/literary non-fiction, sport/adventure, pop culture/film/music, popular science/psychology, ideas ('smart thinking'), narrative-led business

Email - andrewgordon@davidhigham.co.uk

Literary and general fiction, non-fiction, poetry (select)

Original, distinctive voices, literary and general fiction including short stories, non-fiction with persuasive perspectives and interplay between personal/political (power, class, culture), literary memoir/auto-fiction borderlands, selective cookery/food writing and cookbooks

Email - nicolasubmissions@davidhigham.co.uk

Literary fiction and narrative non-fiction

Literary fiction with distinctive/off-kilter voice, high-concept literary, realist novels exploring moral/philosophical/political questions, non-fiction bold voices, investigative/essayistic work, cultural histories, literary true crime

Email - seren@lexingtonliterary.co.uk

Literary fiction, non-fiction, estates

Wants: Synopsis, three chapters, covering letter

Nemonie Craven Roderick is a director of Jonathan Clowes Ltd. Her clients include the Estate of Doris Lessing, the Estate of Elizabeth Jane Howard, the Estate of David Nobbs, Maureen Duffy, Miles Gibson, Simon Critchley, Toby Vieira, Delyth Badder, David Llewellyn, and Gruff Rhys.

Email - nemonie@jonathanclowes.co.uk

Fiction, literary non-fiction, memoir, biography, nature, history

Small list: fiction and literary non-fiction, memoir, biography, nature, history

Email - submissions@nurnberg.co.uk

Commercial fiction, literary fiction, commercial non-fiction, children's fiction, ya

Wants: Agency is building its list and welcomes unsolicited submissions (see remit on site)

Commercial and literary fiction across all genres, commercial non-fiction, and children's and young adult fiction, with a particular interest in projects with book-to-screen adaptation potential

Email info@whisperingbuffalo.com marked for the attention of the Submissions Department. For fiction include a brief biography, one-page synopsis, and first three chapters (double-spaced) as a Word document attachment. For non-fiction include a proposal and sample chapter.

Literary fiction, upmarket fiction, non-fiction

Literary and upmarket fiction and non-fiction (incl lifestyle/wellbeing), stand-out stories with strong leading idea and emotional depth, humour/charm. Currently not looking for crime fiction

Email submissions@watsonlittle.com with a cover letter in the body of the email, a synopsis, and approximately 10,000 words from the beginning of the manuscript as a Word document. For non-fiction, send a proposal as a single document including a sample chapter and chapter list with summaries.

Fiction and non-fiction

Non-fiction: history, popular science, social issues, nature, money/life management, music, sport, film, technology, memoir, true crime, experts with wide appeal. Fiction: literary and well-written commercial, boundary-pushing style with emotional heart and plot, upmarket with satisfying arc, historical or contemporary, genre-mixing

Email submissions@watsonlittle.com with a cover letter in the body of the email, a synopsis, and approximately 10,000 words from the beginning of the manuscript for fiction, or a proposal including a sample chapter and chapter summaries for non-fiction. Address one agent only. No AI-originated or AI-edited material.

Fiction, narrative non-fiction

Crime, thrillers, epic family sagas, book club literary fiction, memoir

Email sohoagencysubmissions@gmail.com with a covering letter, synopsis, and the first 3 chapters or first 30 pages. No postal submissions.

Fiction and narrative non-fiction

Commercial genre fiction (romcom, crime, thrillers), accessible literary/reading group, narrative non-fiction (often by women), emotional family drama, multigenerational stories, female-led crime, social-issue thrillers

Email - sohoagencysubmissions@gmail.com

Fiction, non-fiction, literary estates

Non-fiction: history, current affairs, biography, geopolitics, intelligence studies, history of war. Fiction: international thrillers and espionage

Email submissions@nurnberg.co.uk with a covering letter in the body of the email, a one-page synopsis and first three chapters or 50 pages as attachments (for non-fiction: an overview, chapter outlines, and three sample chapters). Address the email for the attention of Michael Dean in the subject line.

Fiction and non-fiction

Literary and upmarket fiction, literary thrillers, smart women's fiction. Non-fiction on serious subjects in innovative ways (history, science, memoir, cookery, cultural criticism, social issues, psychology)

Email imogen@marjacq.com

Fiction and non-fiction

Upmarket commercial to literary fiction, distinctive voice/character-driven with strong hook/unusual perspective, multigenerational novels, gripping love stories, funny fiction, feminist/revisionary, experimental/form. Non-fiction: memoir and narrative, history, food writing/food system, nature/planet, popular science, genre-melding cultural writing

Email submissions@janklow.co.uk with your full name, the title of your work, and Claire Paterson Conrad's name in the subject line. For fiction: include a covering letter (in the email body), synopsis, and the first three chapters or first fifty pages as attachments. For non-fiction: include a covering letter, a full chapter-by-chapter outline, and a sample chapter. All documents should be double-spaced, size 12, in a reasonable font, and submitted as Word or PDF attachments — no external links. Responses are sent within 8 weeks if the agency wishes to read more.

Fiction and non-fiction

Literary and commercial fiction and non-fiction (good writing, great literature)

Submit via the RCW submissions page at https://rcwlitagency.com or submissions or with a cover letter, synopsis, and first 3 chapters or 50 pages for fiction, or a proposal of up to 20 pages for non-fiction. Submit to one agent or assistant only.

Literary fiction, narrative non-fiction, thrillers, mysteries

Literary fiction, narrative non-fiction (current affairs etc), and high-quality thrillers and mysteries

Email submissions directly to amd@theampersandagency.co.uk

Book club, crime or thriller, upmarket, literary fiction, narrative non-fiction

Characters that linger, strong setting, book club, high-concept crime/thriller, upmarket/literary, narrative non-fiction with investigative/social commentary. Not children/YA, not SFF

Email - booksubmissions@42mp.com

Fiction (adult)

Commercial and literary, crime/thriller, historical

Email - enquiries@aforauthors.co.uk

Fiction and non-fiction

Thrillers, commercial fiction, historical and literary fiction, narrative non-fiction (history, natural history, politics, military)

Email - philip@marjacq.com

Fiction and non-fiction

Accessible literary and book club fiction with strong voice, historical fiction (e.g., like Sarah Waters), subversive/funny non-fiction, art or food (fiction or non-fiction)

Email - sabhbh.curran@curtisbrown.co.uk

Fiction

Thought-provoking and intelligent fiction (commercial or literary)

Email submissions@thenorthlitagency.com

Fiction and non-fiction, estates

Fiction: originality/style, literary to commercial, imaginative setting, strong voice, compelling premise, active SFF list, high concept, intelligent crime/thrillers, genre-transcending. Not taking new YA/children's, no plays/film scripts. Non-fiction: politics, narrative history, sport, natural history, quirky memoir, popular culture, inventive angles

Email - ed@johnsonandalcock.co.uk

Literary fiction, narrative non-fiction, crime, sci-fi, poetry

Literary fiction, narrative non-fiction, well-crafted crime and sci-fi, building a curated list of poetry

Send a covering letter, a synopsis of approximately 500 words, and the first three chapters by post to Georgina Capel Associates Ltd, 29 Wardour Street, London W1D 6PS (mark envelope 'Submissions Department'), or by email to irene@georginacapel.com. Include your email address and or or telephone number. AI-generated content is not accepted.

Commercial fiction, literary fiction, romance, crime, thriller, historical fiction, narrative non-fiction, true crime, cookery and food writing

Wants: Commercial to accessible literary fiction; plot-driven stories exploring big emotions; romance; family/friendship sagas; twisty crime/thrillers; grounded dystopian; narrative-led non-fiction (true crime/untold histories etc.)

Plot-driven fiction from commercial to the accessible end of the literary spectrum, including romance and rom-coms (particularly with queer love or interesting backdrops), sweeping family and friendship sagas, unputdownable crime and thriller standalones, upmarket psychological crime, contemporary and historical fiction (especially based on real events, with gothic elements, or focusing on underrepresented lives), narrative non-fiction that reads like fiction, literary true crime, untold histories, accessible books on complex topics, and cookery and food writing with uncomplicated recipes. Keen to hear from authors whose voices are underrepresented in publishing. Not currently taking YA, children's, poetry, fantasy, romantasy, science fiction, diet, or business projects.

Email sian@blakefriedmann.co.uk

Literary and upmarket or book club fiction

Character-driven, emotionally resonant, culturally insightful literary/upmarket fiction, sweeping narratives, complex family dynamics, intergenerational sagas, sociopolitical/postcolonial/global themes, speculative or magical realism grounded in human experience, literary thrillers with psychological nuance

Online form - https://www.madeleinemilburn.co.uk or submissions/

Fiction and non-fiction

Crime fiction, unputdownable literary and commercial fiction, non-fiction that makes you think/question the world

Email submissions@lutyensrubinstein.co.uk with a covering letter, a short synopsis, and the first three chapters or up to 5,000 words. If you have a particular agent in mind, note this for Susannah Godman. No scripts, no postal submissions.

Fiction, non-fiction

Fiction: crime/thrillers across commercial-literary, atmospheric/setting-as-character, accessible speculative, ghost stories, folk horror, originality and distinctive voice, humour threaded. Non-fiction: narrative history/prehistory, memoir, nature/landscape, folklore

Email submissions@hardmanswainson.com. For fiction, attach a one-page synopsis and the full manuscript. For non-fiction, attach a proposal and a sample chapter (or the full work if completed). Name your chosen agent in the cover email. Submit to one agent only, do not email individual agent addresses.

Literary fiction, commercial fiction, illustrated non-fiction, serious non-fiction

Novels across the literary-commercial scale and non-fiction from highly illustrated to serious non-fiction, with diversity within the list as an ever-present priority. Does not represent scriptwriting, high fantasy, or, in non-fiction, business, self-help or parenting books. Represents poetry and children's books (including MG and YA) only where she already represents the author.

Email submissions@philippasitters.co.uk with a cover letter in the email body. For fiction, attach the first 30 pages (double spaced) and a 1-2 page synopsis (single spaced) as Word documents or PDFs. For non-fiction, attach a proposal with a detailed chapter outline and up to three sample chapters (double spaced), information on target market and comparable titles is helpful but not required.

Literary fiction and narrative non-fiction

Fiction: stunning sentences, convincing narratives, on-the-page magic. Non-fiction: narrative, personal accounts with political context, transporting/teaching. Original voices and captivating storytelling

Email submissions@aitkenalexander.co.uk with the subject line marked FAO Lisa Baker. For fiction, attach the first three chapters or up to fifty pages plus a short synopsis as Word-compatible files. For narrative non-fiction, include a short overview and up to 10,000 words of sample writing, for subject-led non-fiction, a proposal of approximately 5,000 words and at least 5,000 words of sample writing. Include a cover letter with a brief book description, any writing credits or qualifications, and a short biographical note. Submit to one agent only, do not contact agents' assistants directly.

Fiction and non-fiction

Literary and commercial fiction, children's and YA, non-fiction including memoir/biography, cookery, gardening, humour, history, lifestyle, mind-body-spirit, politics, popular science, psychology, travel

Email - submissions@sheilland.co.uk

Fiction and non-fiction

Non-fiction: narrative, political writing, popular science/psychology, history, big ideas, nature, travel, essays, memoir. Fiction: literary to book club, emotionally complex, families/friendship, vivid historical fiction

Online portal - https://felicitybryan.com or submissions or submit-your-work/

Fiction and non-fiction

Literary fiction, social history, travel and cookery

Email an enquiry, synopsis, and first three chapters to submissions@artellusltd.co.uk. Postal submissions are not accepted.

Narrative and commercial non-fiction, literary fiction

Strong new voices in non-fiction across musical, visual, dramatic, cultural and culinary arts, history, memoir, biography, essays and humour, select fiction and literary-quality short stories

Email - natalie@greyhoundliterary.co.uk

Literary fiction, book club fiction, memoir, narrative non-fiction

Distinctive voices, strong writing, literary-to-commercial sweet spot, short powerful novels, ambitious intergenerational stories, gothic, historical, some fantasy, experts writing popular science/health/social history

Email a covering letter, a short synopsis, and the first three chapters (or up to 5,000 words) to submissions@lutyensrubinstein.co.uk. If you have a particular agent in mind, let the reader Susannah Godman know. No plays or scripts, do not post unsolicited manuscripts.

Literary fiction, commercial fiction, crime, sci-fi, short story collections, poetry, narrative non-fiction, history, travel, food, nature writing, investigative journalism, popular science, popular psychology, children's, ya

Wants: Cover letter and ~500-word synopsis and first 3 chapters; include contact details

Literary, book club, and commercial fiction including thrillers and YA; short story collections and poetry; narrative non-fiction with strong style; well-crafted crime and sci-fi; history, politics, science, psychology, true crime, travel, food, nature writing, investigative journalism, and popular psychology. Writers for children and young adults are also welcome.

Submit by email or post. The postal address is 29 Wardour Street, London W1D 6PS. For email, visit georginacapel.com or contact to find the address.

Literary fiction, narrative non-fiction

Literary fiction and narrative non-fiction, award-winning food writers, academics, stylish prose, sly humour, complex characterisation, challenging ideas and identity

Email zross@unitedagents.co.uk with a one-line elevator pitch, two or three comparable books, and a back-cover blurb. Attach a one-page synopsis and the first three chapters (fiction), or a proposal with a twenty-page writing sample (non-fiction).

Fiction and non-fiction

Fiction: literary and speculative (and overlap), all adult/YA fiction (not below YA). Non-fiction: untold/unknown stories, expert insights, narrative/serious non-fiction

Email - submissions@appletreeliterary.com

Reading group fiction, crime, thriller, psychological fiction, literary fiction, fantasy, historical fiction

Wants: Adult fiction across genres (reading group to SFF etc); high-concept hooks; page-turning plots; crime/thriller, historical, fantasy, reading group (per agent page).

Reading group fiction, crime and thriller, psychological novels, high-concept hooks, novels that feel ambitious and international, page-turners with a lot of twists and turns

Email submissions@mushens-entertainment.com with a clear subject line (e.g. Fiction Submission: TITLE), the cover letter in the body of the email, a synopsis as an attachment, and a PDF or Word document containing either the first three chapters, the first 10,000 to 15,000 words, or the first 50 pages. Address the email to Juliet. Note: Juliet is currently closed to submissions.

Literary fiction, historical fiction, science fiction, fantasy

The agency is currently closed for submissions. Submissions are expected to reopen in the new year, so prospective authors should check the website periodically for updates.

Literary fiction, non-fiction

Science, psychology, cultural history, environmental issues, gripping adventure, speculative fiction, emotionally driven commercial fiction

Refer to United Agents submission guidelines at https://www.unitedagents.co.uk or submission-guidelines

Literary fiction, horror, mysteries, thrillers, suspense, fantasy, romantasy, speculative fiction

James represents high concept literary and genre fiction for adults and young adults, co-repping with his colleague Jenny Bent. Together they are specifically interested in compact horror and mysteries with unique hooks and intricate plotting, atmospheric thrillers and suspense novels with a strong sense of place, and unique fantasy/romantasy. They are particularly interested in authors who have successfully been working in the indie space and are now looking to transition into traditional or hybrid publishing. On his own, James is looking for voice-driven literary fiction (including books with genre elements but literary execution) and grounded speculative fiction with high stakes that touches on contemporary issues. Across all genres, he prizes direct, economical prose, complex characters, building tension, narrative gravity, and a distinct sense of humor.

Email your query to James Mustelier at the address listed on his agent page, or use his QueryManager link if indicated there. Include the title of your project in the subject line. Paste the first ten pages of your manuscript in the body of the email — no attachments. For picture books, include the complete text, for illustrated work, include a link to your website or two to three PDFs or JPEGs. Do not query multiple Bent Agency agents simultaneously, if James passes, you may then query another agent at the agency.

Literary fiction, upmarket fiction, thrillers, nonfiction, speculative fiction, horror

Gabrielle represents literary and upmarket fiction, particularly with queer themes or from unusual and underrepresented perspectives, as well as select upmarket thrillers and nonfiction. In fiction, she is drawn to bold hooks and flawed characters, atmospheric character-led stories about overlooked aspects of history and culture, literary speculative and high-concept fiction from queer, female, or transnational perspectives, and horror. In thrillers, she seeks atmospheric mysteries involving family secrets, small communities, or epic natural settings. In nonfiction, she is looking to work with experts, academics, journalists, or influencers specializing in dating and relationships, personal finance, career guidance, queer family formation, fashion, cultural history, economics, food, or music. She is not the right agent for crime procedurals, hard sci-fi, fantasy, YA, or children's books.

Gabrielle is closed to new submissions until 20 April 2026.

Literary fiction, voice-driven memoir, narrative non-fiction

Literary fiction, voice-driven memoir, topical narrative non-fiction asking challenging questions. Currently not accepting unsolicited submissions

Email - esheinkman@pfd.co.uk

Literary fiction, non-fiction

Wants: Agency page notes milly is closed to submissions (see about/agent list); represents broad non-fiction and select literary fiction (per external bios)

Broad non-fiction including memoir, creative non-fiction, food, art, comedy, the natural world, psychology, health, and the social and political. In fiction, character-driven literary fiction that is brutally honest, exploring inner lives and social dynamics, with darkness and complexity but not without hope, and writing that is playful and poetic. Does not represent children's, YA, sci-fi, fantasy or crime.

Email - submissions@colwillandpeddle.com

Fiction

Upmarket and literary adult/new adult fiction (genre-agnostic within upmarket/literary, sweet spot literary-speculative). Interested in high-concept/hooky work, uncommon voices, strong aesthetic, gothic/grounded fantasy, "weird girl lit", dark academia, select romantasy etc

QueryManager - https://querymanager.com or juliegourinchas

Literary fiction, contemporary fiction, historical fiction, crime fiction, thrillers, cookery, food writing, comedy, travel writing

All types of writing, with particular interests in cooking and food journalism, comedy, and travel writing. Also loves literary fiction, contemporary and historical novels, crime fiction, and thrillers. Also works closely with radio and television production companies, and the speakers and presenters side of the agency.

Claudia is not currently accepting submissions. When open, submissions go to submissions@greeneheaton.co.uk with the agent's name in the subject line. Include a covering letter in the body of the email. Fiction: attach the first three chapters (or around fifty pages) and a one-to-two page synopsis that reveals the ending, as Word documents. Non-fiction: attach three sample chapters and a chapter summary or synopsis. Postal submissions are not accepted.

Fiction (literary to commercial), non-fiction

Varied list, bio notes temporarily closed to submissions due to limited capacity

Email bluntoffice@curtisbrown.co.uk with a cover letter, one-page synopsis (approx. 500 words), and up to 10,000 words of your manuscript. For non-fiction, send 2–3 sample chapters or 10,000 words, a chapter breakdown, and an overview explaining your book's relevance.

Literary fiction

Wants: Synopsis, writing sample

Barrie James accepts work across a broad range of categories including General Fiction, Thrillers, Romance, Short Stories, Non-Fiction, Erotica, Supernatural, Fantasy, Children's, History, Science Fiction, Religion, Guides, Poetry, and Women's Fiction. The agency focuses on unpublished new writers seeking exposure for their work.

Online submissions are preferred. Submissions should be approximately 1,500 words in total, with the first 200 words used as a synopsis and the remainder as a sample of the work. A one-off registration fee of £20.00 is required.

Fiction

Upmarket genre (especially thrillers), reading group and accessible literary fiction, powerful page-turners, unique voices

Email submissions@nurnberg.co.uk with the agent's name in the subject line

Literary fiction, commercial fiction, crime, thrillers, narrative nonfiction, nature writing, travel, history, anthropology, art, memoir, environment

Voice-driven fiction that introduces readers to different perspectives and singular narrators, beautifully written literary fiction with a strong sense of place, and commercial crime and thrillers that keep the reader on the edge of their seats. Narrative nonfiction that straddles genre, especially nature writing, travel, history, anthropology, art and the environment. Memoir and books by experts and specialists. Would love to find a compelling all-consuming love story, or a food writer of the calibre of Bill Buford or Anthony Bourdain. Does not represent children's, YA or fantasy fiction.

Submissions are currently closed until 1st April 2026. When open, submit by email to sophie.lambert@cwagency.co.uk.

Literary fiction, fiction, nonfiction, memoir

An engrossing literary novel, a funny and compelling novel about family dynamics, expert-led nonfiction, and memoir that makes you rethink your place in the world.

Currently closed to submissions. When open, send the first three chapters and a synopsis for fiction, or a draft proposal for non-fiction, to convilleoffice@cwagency.co.uk. Does not represent children's, YA, gift, or humour books. Do not submit directly to Clare or Lizzie — submissions sent that way will not receive a response.

Crime, thrillers, reading group fiction, upmarket commercial fiction, historical fiction, literary fiction, narrative memoir, nature writing, cookery, voice-led non-fiction

Crime and thrillers, reading group fiction, high-concept hooks, upmarket commercial fiction, narrative memoir, nature writing, cookery and other voice-led non-fiction

Email a synopsis and either the first three chapters of a novel or a non-fiction proposal to afeiner@unitedagents.co.uk. Let the agent know if another agent has requested your full manuscript or offered representation.

Fiction and non-fiction

Commercial/high-concept fiction with hook (romance/crime/thriller/general), accessible literary, speculative/SFF/horror, fun fantastical MG, big-emotion YA. Less keen on political or gangland thrillers

Email submissions@thenorthlitagency.com when open to submissions

Literary estates, contracts

Wants: Not applicable (profile focuses on estates and contracts role)

Georgia Glover manages an eclectic list of clients with a strong focus on literary estates, working to keep classic writers' works available for new generations of readers. She actively seeks opportunities to bring lesser-known but deserving works back into print. Her list encompasses both Fiction and Non-Fiction.

Georgia Glover does not accept unsolicited submissions. Writers should use the DHA submissions page at https://davidhigham.co.uk or submissions or to identify and approach an appropriate agent.

Literary fiction, reading group fiction, memoir, pop culture, narrative non-fiction, essays

Romcoms/relationship dynamics, memoir with strong emotional response, nature and pop culture writing, occasional illustrated books (graphic novels/cookery/photo/gift)

Email queries@lewinsohnliterary.com with your submission. Fiction: include a covering letter, synopsis, and 50 pages (or nearest natural break) in Word format. Non-fiction: include a covering letter, an introduction to the project, a basic chapter breakdown, and a sample chapter, ideally in Word format (PDF accepted where highly illustrated).

Literary fiction and narrative non-fiction

Literary fiction and narrative non-fiction with international potential and narrative drive, race/sexuality/identity, immigrant perspectives, strong essay writing/memoir. Not children's/YA/genre fiction

Submissions in any language with extensive synopsis and author bio in English

Literary fiction, crime, women's fiction, narrative non-fiction, children's, picture books, ya

Fiction: literary fiction, crime, women's fiction. Non-fiction: narrative. Children's: picture books to YA

Email submissions to submissions@jennybrownassociates.com for adult work (or directly to jenny@jennybrownassociates.com or lisa@jennybrownassociates.com), or to childrens@jennybrownassociates.com for children's submissions. Write a covering letter in the body of the email. Fiction: attach first three chapters (around 50 pages) and a synopsis in a single document. Non-fiction: attach a proposal and a couple of sample chapters. Picture books: send three complete stories. Illustrators: send samples and a link to your website. Attach text as .doc, .docx, or .pdf, illustrations as .jpeg, .gif, or .pdf. Number your pages.

Fiction and non-fiction

Non-fiction: craft, cookery, biography, memoir, health, mind body spirit, travel, history, natural history, true crime, pop culture. Fiction: commercial women's, crime, thrillers, literary (not experimental), YA, children's

Agency is currently closed to new clients and not accepting submissions.

Fiction and non-fiction

Women's fiction (commercial to literary), book club reads, crime and thrillers, interesting narrative non-fiction

Email submissions@hardmanswainson.com and specify Hannah Ferguson's name in the cover email.

Fiction and non-fiction, children's

Adult: literary fiction, commercial women's, psychological suspense, gothic thrillers, ghost stories, historical including alternate histories, creeping-horror edge (not high fantasy). Children's: 7+/MG/YA, originality/depth, underrepresented voices welcome

Email submissions@nurnberg.co.uk

Fiction and non-fiction

Literary and general fiction and non-fiction, especially autobiography and memoir, international writing

Submit via email to the agent directly or send to the general submissions address if unsure which agent to approach. Full submission guidelines are at https://davidhigham.co.uk or submissions/

Literary fiction and non-fiction (international or translated)

Voice-led literary fiction and non-fiction that cross borders, plays with form/genre, open to submissions in all languages

Synopsis and bio in English preferred

Literary fiction, non-fiction, poetry

Literary fiction and non-fiction, including novelists, journalists, and academics

Submit via email following the instructions at https://rcwlitagency.com or submissions/

Fiction and narrative non-fiction

Upmarket and literary fiction in English and Spanish, character-driven, heart-wrenching fiction, modern love stories, genre-bending upmarket crime, narrative non-fiction about women's experiences

QueryManager (via site form) - https://www.aevitascreative.com or contact

Literary agency (rights in all media)

Email - info@lorellabelliagency.com

Literary fiction, non-fiction

Literary fiction and non-fiction that combines formal precision with emotional depth. In fiction: character-driven narratives with conceptual freshness, ranging from highly literary to broadly engaging works, including love and family stories that explore human relationships with honesty and nuance, artful hybrid novels, speculative fiction that unsettles conventional modes of being, and historical fiction animated by contemporary sensibility. In non-fiction: writing that balances scholarly rigor with vivid personal narrative, including literary biographies, socially-rooted memoir, and cultural histories.

Jessica Lee is currently closed for submissions until the end of March. After that date, submissions can be sent to the agency email address with details of your project.

Adult fiction, select children's or ya and non-fiction

Upmarket commercial/book club and accessible literary, female-lens storytelling, historical with hook, romcoms, unusual structures, thrillers/crime with point of difference, select children's/YA crime/thrillers and MG adventure

Email - sohoagencysubmissions@gmail.com

Women's commercial fiction, literary fiction, crime, thriller, upmarket book club fiction, quirky non-fiction, nature writing, history

Women's commercial fiction, literary fiction, crime/thriller, uplifting/book club, quirky non-fiction (nature/crime/history)

Email bd.submission@dhhliteraryagency.com with a cover letter and first 3 chapters (approximately 10,000 words) and a synopsis for fiction, or a cover letter and full proposal (covering overview, themes, story, and sources) for non-fiction.

Fiction, non-fiction, poetry

Fiction: novels, short stories, novellas with heart and intellect, protagonists on the margins, fresh subversions, class conflict, formally challenging work. Non-fiction: oral/narrative histories, contemporary political/philosophical issues, investigative journalism, literary/cultural criticism, biography

Online portal - https://felicitybryan.com or submissions or submit-your-work/

Literary fiction, narrative non-fiction, memoir, children's books

Voice-led fiction with literary quality, compelling stories, and books that provoke thought, wonder, and laughter.

Submit by email to Georgia Garrett's assistant Ivy Pottinger-Glass at ivy@rcwlitagency.com. Fiction submissions should include a covering letter, the first three chapters or approximately the first fifty pages to a natural break, and a brief synopsis. Non-fiction should be a proposal of up to twenty pages. Attachments in Word or PDF are acceptable, or paste sample chapters into the email body. Submit to one agent only. Response time is approximately six to eight weeks, no acknowledgement of receipt.

Literary fiction and serious non-fiction

Serious nonfiction and literary fiction

Email EHorn@unitedagents.co.uk with a short cover letter, a biographical note, and the first 10,000 words of your manuscript, with the subject line 'FAO Caroline Dawnay'.

Literary fiction, contemporary fiction, memoir, history, non-fiction

Sarah Ballard seeks work with a sense of urgency and an attempt to make change in the world. She is drawn to fiction with compelling plot or structure overlaying big ideas, memoir-style non-fiction with obsession that unfolds hidden agendas, and meticulously researched history that changes worldviews. She has particular interest in feminism and feminist approaches but enjoys exploring completely new ideas and angles.

Send the full manuscript for novels plus a one-page synopsis giving the complete story arc, or a proposal including sample text for non-fiction. Include information about your writing experience and explain why you think you would be a good match. Email submissions to ballardofficesubmissions@cwagency.co.uk for the attention of Sarah Ballard and her assistant Liv Bignold.

Literary fiction, commercial women's fiction, contemporary fiction, family drama, historical fiction, crime fiction, thrillers, suspense, magical realism, speculative fiction, sff, horror, gothic fiction, romantasy, fantasy, science fiction

Susan Armstrong seeks strong prose, compelling storytelling, vivid characters, and originality of vision. She welcomes novels that blend genres, feature unusual settings or circumstances, contain unexpected twists, possess some darkness, and present moral dilemmas. Books that evoke laughter are particularly appreciated.

Send all submissions to susan.submissions@cwagency.co.uk.

Science fiction, fantasy, literary horror, non-fiction

Sam represents science fiction, fantasy, literary horror, and non-fiction for a general audience. He is looking for fantasy with wit and deep world-building, hard SF and cyberpunk exploring big questions about humanity, and work that pushes SFF genre boundaries. He is also interested in upmarket folkloric horror-tinged fiction, fiction and non-fiction engaging with landscape or the sea, books about jazz and classical music with an unconventional approach, and writing by experts who relay complex ideas with verve. He is keen to work with writers whose background, identity, sexuality, cultural experience, or ethnicity have historically been under-represented on publishers' lists in the UK. He does not accept children's or young adult submissions.

Email: sam@greyhoundliterary.co.uk

Literary fiction, non-fiction

Email submissions to the agency. Include a covering letter in the body of the email and attach sample pages as a Word or PDF document. For fiction, include a synopsis and the first three chapters (or approximately 50 pages). For non-fiction, include a detailed outline and at least one sample chapter. Submit to one agent only.

Literary fiction, upmarket commercial fiction, short story collections, narrative non-fiction, memoir

Sharmaine is actively building a list of fiction and non-fiction with international ambition, seeking distinctive voices, emotional resonance, and stories that broaden how we see the world. She is looking for literary and upmarket commercial fiction — novels and short story collections that are character-driven, emotionally rich, and often international in perspective, including novels of love and relationships that balance commercial reach with literary ambition. She is also seeking fiction that reimagines or disrupts dominant narratives, recasting history, myth, and perspective through fresh voices. In non-fiction, she is interested in expert-led works on culture, politics, and society with narrative drive, as well as bold memoirs that move beyond the personal to spark wider cultural conversations.

Submit via Query Tracker.

Literary fiction, commercial fiction, narrative nonfiction, food writing, memoir, arts and culture, music, journalism

Charlie Brotherstone represents an eclectic range of authors working across both fiction and nonfiction. He is interested in Commercial Fiction and Literary Fiction, as well as nonfiction from academics, journalists, musicians, online creators, and food writers. He has a strong track record with Food and Cookbooks alongside narrative nonfiction and cultural writing.

Submit via the Aevitas Creative Management submissions form at https://www.aevitascreative.com or contact

Fiction and non-fiction

Smart compelling commercial-to-literary, upmarket crime/thrillers, voiced historical, light horror/gothic/supernatural, memoir, narrative non-fiction, health/wellbeing/lifestyle from experts

Email julia@greyhoundliterary.co.uk

Adult and children's books

Eclectic mix of literary and commercial adult and children's

Email a covering note with a one-line elevator pitch, two or three comparable titles, and a back-cover blurb. For fiction, attach a one-page synopsis and the first three chapters. For non-fiction, send a proposal covering the book's subject, why you are best placed to write it, and a twenty-page writing sample. See https://www.unitedagents.co.uk or submission-guidelines for full details.

Fiction and non-fiction

Upmarket and accessible literary/commercial 'sweet spot', thrillers/suspense, book club fiction, epic multi-generational family drama, powerful love story with mystery

Online form - https://www.madeleinemilburn.co.uk or submissions/

Literary fiction, autofiction, graphic novels, picture books

Seoyeon Park represents Korean authors and publishers, introducing distinctive, boundary-pushing voices to readers around the world. She has a particular love for graphic novels, picture books, and intimate, journal-like narratives that feel personal and sincere. She is especially drawn to autofiction and literary fiction that challenge convention while staying emotionally true, and is passionate about uncovering Korean stories the world has yet to see.

Submit via QueryManager. For fiction: include a cover letter (query letter) with a short pitch and author bio, a one-page synopsis, and the first 1,200 words or first two chapters (whichever is shortest) uploaded as an attachment. For non-fiction: include a proposal of up to 20 pages covering an overview or hook, chapter outline, 1–2 sample chapters as an attachment, and an author bio with platform. Submit to one ICA agent at a time.