UK Literary fiction Literary Agents

Literary agency (rights in all media)

See source page for more info

Email - info@lorellabelliagency.com

Fiction and narrative non-fiction

Upmarket and literary fiction in English and Spanish, character-driven, heart-wrenching fiction, modern love stories, genre-bending upmarket crime, narrative non-fiction about women's experiences

QueryManager (via site form) - https://www.aevitascreative.com or contact

Fiction and non-fiction, children's

Adult: literary fiction, commercial women's, psychological suspense, gothic thrillers, ghost stories, historical including alternate histories, creeping-horror edge (not high fantasy). Children's: 7+/MG/YA, originality/depth, underrepresented voices welcome

Email submissions@nurnberg.co.uk

Literary fiction, commercial fiction, narrative nonfiction, food writing, memoir, arts and culture, music, journalism

Charlie Brotherstone represents an eclectic range of authors working across both fiction and nonfiction. He is interested in Commercial Fiction and Literary Fiction, as well as nonfiction from academics, journalists, musicians, online creators, and food writers. He has a strong track record with Food and Cookbooks alongside narrative nonfiction and cultural writing.

Submit via the Aevitas Creative Management submissions form at https://www.aevitascreative.com or contact

Fiction, non-fiction, poetry

Fiction: novels, short stories, novellas with heart and intellect, protagonists on the margins, fresh subversions, class conflict, formally challenging work. Non-fiction: oral/narrative histories, contemporary political/philosophical issues, investigative journalism, literary/cultural criticism, biography

Online portal - https://felicitybryan.com or submissions or submit-your-work/

Women's commercial fiction, literary fiction, crime, thriller, upmarket book club fiction, quirky non-fiction, nature writing, history

Women's commercial fiction, literary fiction, crime/thriller, uplifting/book club, quirky non-fiction (nature/crime/history)

Email bd.submission@dhhliteraryagency.com with a cover letter and first 3 chapters (approximately 10,000 words) and a synopsis for fiction, or a cover letter and full proposal (covering overview, themes, story, and sources) for non-fiction.

Literary fiction, autofiction, graphic novels, picture books

Seoyeon Park represents Korean authors and publishers, introducing distinctive, boundary-pushing voices to readers around the world. She has a particular love for graphic novels, picture books, and intimate, journal-like narratives that feel personal and sincere. She is especially drawn to autofiction and literary fiction that challenge convention while staying emotionally true, and is passionate about uncovering Korean stories the world has yet to see.

Submit via QueryManager. For fiction: include a cover letter (query letter) with a short pitch and author bio, a one-page synopsis, and the first 1,200 words or first two chapters (whichever is shortest) uploaded as an attachment. For non-fiction: include a proposal of up to 20 pages covering an overview or hook, chapter outline, 1–2 sample chapters as an attachment, and an author bio with platform. Submit to one ICA agent at a time.

Fiction and non-fiction

Literary and general fiction and non-fiction, especially autobiography and memoir, international writing

Submit via email to the agent directly or send to the general submissions address if unsure which agent to approach. Full submission guidelines are at https://davidhigham.co.uk or submissions/

Science fiction, fantasy, literary horror, non-fiction

Sam represents science fiction, fantasy, literary horror, and non-fiction for a general audience. He is looking for fantasy with wit and deep world-building, hard SF and cyberpunk exploring big questions about humanity, and work that pushes SFF genre boundaries. He is also interested in upmarket folkloric horror-tinged fiction, fiction and non-fiction engaging with landscape or the sea, books about jazz and classical music with an unconventional approach, and writing by experts who relay complex ideas with verve. He is keen to work with writers whose background, identity, sexuality, cultural experience, or ethnicity have historically been under-represented on publishers' lists in the UK. He does not accept children's or young adult submissions.

Email: sam@greyhoundliterary.co.uk

Literary fiction, contemporary fiction, memoir, history, non-fiction

Sarah Ballard seeks work with a sense of urgency and an attempt to make change in the world. She is drawn to fiction with compelling plot or structure overlaying big ideas, memoir-style non-fiction with obsession that unfolds hidden agendas, and meticulously researched history that changes worldviews. She has particular interest in feminism and feminist approaches but enjoys exploring completely new ideas and angles.

Send the full manuscript for novels plus a one-page synopsis giving the complete story arc, or a proposal including sample text for non-fiction. Include information about your writing experience and explain why you think you would be a good match. Email submissions to ballardofficesubmissions@cwagency.co.uk for the attention of Sarah Ballard and her assistant Liv Bignold.

Literary fiction, commercial women's fiction, contemporary fiction, family drama, historical fiction, crime fiction, thrillers, suspense, magical realism, speculative fiction, sff, horror, gothic fiction, romantasy, fantasy, science fiction

Susan Armstrong seeks strong prose, compelling storytelling, vivid characters, and originality of vision. She welcomes novels that blend genres, feature unusual settings or circumstances, contain unexpected twists, possess some darkness, and present moral dilemmas. Books that evoke laughter are particularly appreciated.

Send all submissions to susan.submissions@cwagency.co.uk.

Literary fiction, non-fiction

See source page for more info

Email submissions to the agency. Include a covering letter in the body of the email and attach sample pages as a Word or PDF document. For fiction, include a synopsis and the first three chapters (or approximately 50 pages). For non-fiction, include a detailed outline and at least one sample chapter. Submit to one agent only.