UK Romance Literary Agents

Middle grade, ya, adult fiction

MG adventures (fresh), funny MG with series potential, contemporary and mythology for MG, YA romance with strong hook. Adult: women's fiction, dark psychological thrillers, contemporary funny romantic adventure

Email - jo@antonyharwood.com

Fiction and select non-fiction

Commercial and book-club fiction, selective romance, thrillers/mystery, different-feeling historical fiction, selective YA, selective non-fiction (popular history/untaught areas, cultural deep-dives, narrative non-fiction). Not children's, not sci-fi, not grisly horror

Submit via the online form on Hannah Schofield's agent page at https://lbabooks.com or agents or hannah-schofield

Book-club fiction, crime, thrillers, women's fiction, romance

Adult fiction across genres, with a particular interest in book-club reads, crime and thrillers, and women's fiction and romance of all kinds. Loves high-concept hooks, page-turning plots, and books that pose compelling questions. Does not want children's fiction, SFF, or short stories.

Email abigail@theampersandagency.co.uk with the first three chapters or approximately 50 pages, a brief synopsis, and some biographical details. Attach chapters and synopsis as Word documents — do not paste text into the email body and do not send PDFs. Do not send material via WeTransfer, Dropbox, or similar file-transfer services.

Ya, new adult, contemporary romance, romantasy, fantasy, paranormal romance

Wants: Query letter, first ten pages

Kristina represents authors and publishers across many genres and categories. She is actively seeking Horror, particularly folk horror, Gothic with a fresh twist, horror fantasy, social horror, feminist horror, queer horror, and dark comedies that bleed into horror territory. She is also looking for crossover YA/NA Fantasy with strong romantic elements and well-considered world building, Paranormal Romance, Urban Fantasy, and Non-Fiction focused on neuroscience, narrative popular science, smart thinking, and lesser-known female historical figures.

Kristina is currently closed to queries. When open, all queries must be submitted through Query Manager. Writers should upload a query letter and the first ten pages of their novel or the first ten pages of a non-fiction sample chapter. Submissions received by email or other methods will not be considered or read. Exclusive queries are not accepted.

Fiction and non-fiction

Commercial and upmarket fiction (book club, crime and thriller, historical, contemporary), commercial women's/romantic fiction, some lifestyle/personal development non-fiction

Email hattiesubmissions@theblairpartnership.com

Literary fiction, upmarket commercial fiction, historical fiction, romantic comedy, gothic, horror, crime, psychological thriller, speculative fiction, ya, middle grade, memoir, narrative non-fiction, true crime

Literary and upmarket commercial fiction of all kinds, especially meditative or moving novels about modern life with warmth and heart alongside sharpness. Historical and period fiction that sheds light on untold stories, ambitious cross-centuries narratives, and historical mysteries. High-concept love stories and romantic comedies with depth. Gothic, horror, murder mysteries, ghost stories, psychological thrillers, speculative and magical realist fiction, and novels with a true-crime feel. A small list of YA and middle grade that feels current and contemporary with a real conversation at its core — not currently seeking fantasy or anything younger than middle grade. On the non-fiction side: memoirs of extraordinary people, narrative non-fiction on subjects the author is passionate about, books on mental health, untold stories across popular science, history and popular culture, and a brilliant true crime book. Particularly keen on LGBTQI+ stories and diverse voices from across the globe. Not currently looking for cookery, wellness, or lifestyle.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email. Include the agent's name in the subject line. Fiction: attach the first three chapters or around fifty pages plus a one-to-two page synopsis that reveals the ending, as Word documents. Non-fiction: attach three sample chapters or around fifty pages plus a chapter summary or synopsis, and explain why you are best placed to write the book and who the intended readership is. AI-generated or AI-edited content is not accepted. No postal submissions.

Young adult, new adult, contemporary romance, romantasy, fantasy, paranormal romance

Wants: Query letter, first ten pages

Isabel Lineberry is Junior Agent and Rights Administrator at Perez Literary & Entertainment and is building a client list focused on YA, New Adult, and romance. She represents YA and New Adult and is particularly interested in contemporary romance, romantasy, fantasy, paranormal romance, queer and underrepresented voices, strong character and voice, romantic tension, charming villains, banter, morally grey characters, kick-ass heroines, believable worldbuilding, fairytale retellings, dark fantasy, alternate histories, historical fantasy, and occasional steampunk or dystopia. She is not interested in cheating storylines, accidental pregnancy, step-sibling romance, unnecessary miscommunication tropes, or Tolkien-esque hard worldbuilding with 100k+ quests.

Submit only through QueryManager at http:// queryManager.com or IsabelLineberry. PLE asks for a query letter and the first ten pages of a novel or the first ten pages of a nonfiction sample chapter. Submissions received by email or other methods will not be considered or read. Do not send an exclusive query.

Fiction and narrative non-fiction

Fiction: literary and genre including historical/speculative/crime/romance, distinctive voice/worldbuilding, moral dilemmas, families/relationships, darkness and humour. Non-fiction: history/memoir/current affairs/cultural criticism/popular science/travel/food, experts with surprising takes

Email anna@johnsonandalcock.co.uk with a short covering letter including a blurb and author info. For fiction, include a synopsis of no more than two pages and the opening 50 pages. For non-fiction, include a proposal with introduction, chapter breakdown, and sample material totalling around 50 pages. Attachments in Word .doc or .docx format, at least 1.5 line spaced, page-numbered, A4. Submit to one agent only, do not blind-copy.

Crime fiction, thriller, mystery, psychological thriller, supernatural suspense, ghost stories, romantic suspense, historical fiction, women's fiction, middle grade, ya, horror, non-fiction, self-help, narrative non-fiction, memoir

Crime fiction encompassing thriller, mystery, and psychological thriller; supernatural suspense; ghost stories; romantic suspense; historical fiction; women's fiction; children's fiction at middle grade and YA level; horror; and non-fiction including topical, accessible works such as self-help, narrative non-fiction, and memoir. Does not represent science fiction, fantasy, short stories, poetry collections, erotica, or picture books.

Submit by email only. Fiction submissions should include a cover letter in the body of the email, a short bio, a synopsis, and three sample chapters as separate attachments. Non-fiction submissions should include a cover letter in the body of the email, a short bio, a proposal with chapter breakdown, and three sample chapters as separate attachments. Use the submissions page at https://shesto-literary.com or submissions or to send your materials.

Fiction and non-fiction, children's

Projects with wide international appeal. Fiction: general, mystery, romance, suspense-thriller, fantasy/SF, own voices, children's. Non-fiction: biography, history, mind-body-spirit, health, lifestyle, science

Email - submissions@sheilland.co.uk

Fiction and non-fiction

Literary/book club/romantic fiction, character-led "gentler" crime in communities, non-fiction including relationships, pop culture, social history, food, some cookery/illustrated. Not currently considering memoir

Email juliet@blakefriedmann.co.uk with your cover letter as the body of the email. Attach a full synopsis of 250-300 words and the first three chapters or first 10,000 words as Word documents (.doc or .docx). Name each attachment with the book title and your name. Include your title and name in the subject line. Do not send PDFs or external links.

Fiction, non-fiction

Horror (especially folk/social/feminist/queer, not heavy body horror), crossover YA/NA fantasy with romance, paranormal romance/urban fantasy, narrative pop science (neuroscience) and smart-thinking, lesser-known female historical figures

Submit via QueryManager at https://www.perezliterary.com or submit or submit-to-kristina/

Commercial fiction, crime, thriller, suspense, bookclub fiction, historical fiction, romance, non-fiction

Commercial fiction across crime, thriller, suspense, bookclub, historical, and romance, as well as select non-fiction. Wants books that entertain from first page to last — the kind you can't wait to talk to someone about, like a new film or a must-watch series.

Submit via the online submissions form at https://www.greenstoneliterary.com or submissions. Attach a query letter (including short author bio, elevator pitch, blurb, comparative titles, and any relevant information), a detailed synopsis with spoilers, and the opening three chapters or 50 pages of your manuscript, whichever is longer. Do not submit by email.

Children's and ya fiction, na or crossover, commercial women's fiction, narrative non-fiction

MG: voice-driven with heart/humour, contemporary or MG fantasy series. YA: friendships/firsts/feels, high-concept/speculative romance or thriller. NA and commercial women's: romance-forward with unusual circumstances, romcom (college/university), darkly comic new-parenthood, also speculative/historical romance. Romantasy: romance-forward, grounded magic, morally grey. Non-fiction: extraordinary challenges/adventures, experts in STEM/history/pop culture/mental health. Not sci-fi, crime fiction, picture books

Email submission@bell-lomax.co.uk with a covering letter in the email body, a short synopsis (including full plot details), and the first three chapters (no more than 50 pages, double spaced) as a Word document or PDF. Do not address the submission to more than one agent.

Fiction

Commercial/genre fiction: romance/romcom, adult and YA fantasy (romance/spice, trials), crime/thrillers/mysteries, hooky pitches and page-turning drama

Email - maddalenacavaciuti@davidhigham.co.uk

Fiction, non-fiction

All genres with 'wow' factor, voice-driven/emotional, currently seeking an exquisitely written love story, not accepting children's/YA at present

Email submissions@mariannegunnoconnor.com with your name and book title in the subject line. For fiction, include a brief bio, three chapters or fifty pages if chapters are short, a synopsis, and a one-line summary. For non-fiction, send a full proposal and a sample chapter. Simultaneous submissions are acceptable but notify the agency if you receive interest elsewhere.

Fantasy, speculative fiction, romantic fantasy, romantic fiction, general fiction, literary fiction, narrative non-fiction, memoir, cookery

Grounded fantasy with light magical elements edging toward speculative or dystopic, with exceptionally strong world-building. Romantic fantasy with compelling protagonists, particularly a queer male lead or a non-binary/gender-neutral vampire story. Romantic fiction with a strong USP, enemies-to-lovers dynamics, competitive settings, and crossover with horror or crime. General fiction exploring friendship over time, sibling relationships, ensemble casts, and modern loose retellings of classics or plays — especially an own-voices retelling of The Crucible from Abigail Williams' perspective. In non-fiction: narrative memoir with a fresh angle, pop and fan culture exploring why topics trend online, and cookbooks from authors with strong social media platforms.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email and attachments as Word Documents. Include Mia Dakin's name in the subject line. Fiction: first three chapters or around fifty pages plus a one-to-two page synopsis that reveals the ending. Non-fiction: three sample chapters or around fifty pages plus a proposed chapter summary, your reasons for writing the book, and your intended readership. AI-generated or AI-edited submissions are not accepted.

Children's fiction and non-fiction (to ya or crossover)

Ambitious storytelling, bold structure/voice, fresh takes on genre, author/illustrators, underrepresented/marginalised voices, high-concept contemporary YA romance, horror/thrillers, hooky YA fantasy/speculative, hilarious MG, screen potential

Email - rachelsubmissions@theblairpartnership.com

Fiction and non-fiction

Commercial and book club fiction across genres, high-concept thrillers/suspense, atmospheric reads, women's fiction, uplifting speculative edge, female-led historical, romantic fiction, underrepresented voices

Submit by email via the PFD submissions page at https://petersfraserdunlop.com or submissions or books/. Include a cover letter, synopsis, and the first three chapters or approximately 50 pages for fiction, or a detailed proposal for non-fiction.

Commercial fiction, romance, saga, crime, thriller, book club fiction, children's fiction, ya, non-fiction, business, finance, self-help, wellbeing, lifestyle, cookery

Commercial fiction (romance/saga, crime/thriller, book club), children's novels 9+ to YA, non-fiction including business/finance, self-help/wellbeing, lifestyle/cookery. Not sci-fi, short stories, or poetry

Email submissions@susanyearwoodagency.com with your name and title or genre in the subject line (e.g. Joe Bloggs, The Title, Book Club fiction). Attach the first 30 pages and a separately titled synopsis or outline. Include a cover email with a pitch sentence, a brief description of the submission, comparative authors published in the last three years, your writing background, and a paragraph on why you wrote the book. Attachments should be Word or PDF, 1.5 or double-spaced, with page numbers. Let the agent know if you are also submitting to other agents.

Commercial fiction, women's fiction, romance, romantasy, narrative non-fiction

Love stories with a cool edge — rom-coms, sweeping romances, and stories where friendship is as central as romance. Open to all kinds of love stories including romantasy with strong world-building, star-crossed lovers, and opposites-attract dynamics. Characters who are coming into their own, discovering something new about themselves, who pull at your heartstrings and bring joy. Strong women's fiction where characters navigate the complexities of relationships and the non-linearity of life. Fiction that is transporting and atmospheric in the vein of Lucinda Riley and Kristin Hannah, and upmarket commercial fiction tackling universal themes of love, loss, friendship, and family. Also interested in stories that explore recent history or illuminate the world through fiction, research, or reportage.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email. Include Kate Rizzo's name in the subject line. Attach the first three chapters or around fifty pages plus a one-to-two page synopsis as Word documents (not PDFs). The synopsis should reveal the ending. Do not submit until the full manuscript is complete.

Fiction (and adult graphic novels)

Strong hook/high concept and unforgettable characters, underrepresented voices. Genres include contemporary/book club fiction, women's fiction, romance/romcom, accessible fantasy, historical fiction with a fresh perspective, and adult graphic novels

Online form - https://darleyanderson.com or submissions/

Adult fiction and select non-fiction

Horror (literary to commercial, gothic, dark academia), literary/book-club, high-concept/time-slip, romcom/cozy romance, cosy fantasy, dystopian, non-fiction from experts (nature/climate/psychology/self-help/health/neurodiversity/science etc.)

Online form - https://hs-la.com or submissions/

Fiction and non-fiction

Story-led commercial/literary: romantic or suspense fiction, compelling memoir, iconic history, edgy humour, 'gleam in the author's eye'

Email - sohoagencysubmissions@gmail.com

Literary fiction, commercial fiction, romance, book club fiction, culture and society non-fiction, cookery

Literary and commercial fiction alongside romance novels with strong book club appeal. In non-fiction, writing that explores culture and modern society, as well as cookery in all its forms, from narrative food writing to practical cookbooks.

Submissions can be sent by email to honor@rcwlitagency.com.

Fiction and non-fiction

Crossover romantasy/romance/dark academia, SFF with strong hook, gothic/horror/thriller, magical MG, adventure, funny books all ages, inspiring non-fiction all ages, diverse authors

Online form - https://www.madeleinemilburn.co.uk or submissions/

Sff, romance

SFF across genres for all ages, romance including romcom/paranormal/romantic suspense/dark/historical/fantasy, wants big worlds, strong hooks and distinctive voice

Online form - https://www.madeleinemilburn.co.uk or submissions/

Fiction, non-fiction

Wide taste, currently especially women's commercial fiction/romance, funny books, untold/queer histories, and diverse voices in narrative food/travel/nature writing

Email submissions@lutyensrubinstein.co.uk with a cover letter, short synopsis, and the first three chapters or approximately 5,000 words.

Commercial fiction, saga, romance, historical fiction, book club fiction, up-lit, literary fiction, lgbtq fiction, lgbtq nonfiction, narrative nonfiction, popular science, psychology, history, sport

Wants: Covering letter, first three chapters, synopsis, detailed proposal

Laura MacDougall is a literary agent at United Agents with a broad and eclectic list across adult fiction and non-fiction. She represents commercial fiction including saga, romance, historical, book club and up-lit, and literary fiction ranging from the quirky to the daring and experimental, with a particular love of historical fiction and novels about relationships and family life. As a queer woman she represents many LGBTQ writers and is keen to hear from LGBTQ authors across fiction and non-fiction. In non-fiction she wants big ideas books and narrative non-fiction across popular science, psychology and culture, sport, history, and race, class, gender, sexuality and identity. She does not represent young adult or children's books, science fiction, fantasy or horror, Mind Body Spirit non-fiction, or cookery and food writing.

Submit through United Agents naming Laura MacDougall. For fiction send the first three chapters and a synopsis. For non-fiction send a detailed proposal.

Literary fiction, book club fiction, upmarket commercial fiction, narrative nonfiction, cookery, feminist fiction, feminist nonfiction

Wants: Literary/book club/upmarket commercial fiction; historical and women's fiction; open to speculative and romance crossovers; non-fiction that surprises/challenges; cookery/food writing; feminist narratives; underrepresented voices. not seeking children's/YA, crime, thriller or horror.

Laurie Robertson is an agent at Peters Fraser and Dunlop building a list of adult fiction and non-fiction. She is actively looking for literary, book club and upmarket commercial fiction with strong original voices, uplifting narratives, clever storytelling, strong emotional hooks and complex characters. On non-fiction she wants stories that surprise and challenge, narrative non-fiction that reads like fiction, and cookery from food writers who can transport the reader. She is always keen on feminist narratives across fiction and non-fiction and on voices from underrepresented backgrounds. She is not currently looking for children's or young adult, crime, thriller or horror.

Email one agent or assistant only, include a cover letter, full synopsis, and first 3 chapters or approximately 50 pages for fiction, or a detailed proposal for non-fiction. Find contact details at https://petersfraserdunlop.com or our-team/

Fiction, nonfiction, commercial fiction, book club fiction, thriller, literary memoir, narrative nonfiction, commercial nonfiction, cookery, food writing

Wants: Non-fiction that informs understanding of world/society; life writing; topical/essayistic; cookery/food; experts writing accessibly. fiction: 'what if' novels; incisive/witty; moral dilemmas; fun romantic reads. not children/YA; not historical fiction; not adult sf/fantasy

Sile Edwards is a literary agent at Andrew Nurnberg Associates building a list across adult fiction and non-fiction, with a focus on perspectives that have historically been excluded from the mainstream. She has worked on cookery and food writing, literary memoir, historical biography, commercial non-fiction, contemporary and commercial fiction, and thriller. She is not the right agent for children's or young adult writing, or for adult historical fiction, science fiction or fantasy.

Submit through the Andrew Nurnberg Associates submissions page and follow the agency guidelines, naming Sile Edwards as your chosen agent. Do not approach the agency generally.

Fiction and non-fiction

Romance, upmarket crime/thrillers, uncanny/eerie/weird literary, gothic/supernatural elements, voiced historical, memoir and narrative non-fiction, health/wellbeing proposals from experts

Email submissions@greeneheaton.co.uk with the full manuscript, synopsis, and a cover letter naming Judith Murray as the preferred agent in the subject line

Commercial fiction, literary fiction, romance, crime, thriller, historical fiction, narrative non-fiction, true crime, cookery and food writing

Wants: Commercial to accessible literary fiction; plot-driven stories exploring big emotions; romance; family/friendship sagas; twisty crime/thrillers; grounded dystopian; narrative-led non-fiction (true crime/untold histories etc.)

Plot-driven fiction from commercial to the accessible end of the literary spectrum, including romance and rom-coms (particularly with queer love or interesting backdrops), sweeping family and friendship sagas, unputdownable crime and thriller standalones, upmarket psychological crime, contemporary and historical fiction (especially based on real events, with gothic elements, or focusing on underrepresented lives), narrative non-fiction that reads like fiction, literary true crime, untold histories, accessible books on complex topics, and cookery and food writing with uncomplicated recipes. Keen to hear from authors whose voices are underrepresented in publishing. Not currently taking YA, children's, poetry, fantasy, romantasy, science fiction, diet, or business projects.

Email sian@blakefriedmann.co.uk

Children's (mg or ya or crossover), adult commercial fiction, narrative non-fiction

Genre fiction and crossover children's, boy-led MG, teen fiction, graphic novel/illustrated MG or younger YA, quirky fantasy, dark/off-beat romantic comedy, domestic noir, cultural history/narrative non-fiction with strong voice

Email submissions@nurnberg.co.uk with a cover letter in the body of the email, a one-page synopsis and first three chapters or up to 50 pages as attachments. Mark the subject line FAO Gyamfia Osei. For non-fiction, send an overview, chapter outlines, and three sample chapters.

Fiction, dark romance, new adult, women's fiction, romantasy, romance, rom-com

Wants: Cover letter, synopsis, first 3 chapters or 50 pages

Rebeka is building a commercial romance and romantasy list, with romance at the heart of the narrative and a focus on bold, fresh storytelling from underrepresented backgrounds.

Submit via the Darley Anderson online submissions portal. Include a cover letter, one-page synopsis, and the first three chapters or first 50 pages or 10,000 words.

Mystery, romantic suspense, psychological suspense, speculative, crime, thriller, horror, book club

Wants: Cover letter, synopsis, first 3 chapters or 50 pages

Jade represents adult commercial fiction, especially thriller, suspense, horror, book club fiction, romantic suspense and speculative fiction with a darker edge.

Submit via the Darley Anderson online submissions portal. Include a cover letter, one-page synopsis, and the first three chapters or first 50 pages or 10,000 words.