Science fiction (primarily)
Speculative/SF with social commentary, dystopia/utopia, apocalypse, AI/other intelligences, first contact, big ideas, literary-leaning
QueryManager - https://querymanager.com or jackmozley
82 agents · 59 currently open to submissions
UK sci-fi is a smaller corner than fantasy, with a few specialists and plenty of generalists who take it selectively. Agents want a clear high-concept hook, sharp worldbuilding, and a speculative element doing actual plot work. Window dressing does not survive the covering letter.
This UK page shows agents who explicitly represent science fiction. The broad search toggle catches more who'd consider it under fantasy, speculative fiction, dystopian literary fiction, or techno-thriller.
Science fiction (primarily)
Speculative/SF with social commentary, dystopia/utopia, apocalypse, AI/other intelligences, first contact, big ideas, literary-leaning
QueryManager - https://querymanager.com or jackmozley
Literary fiction, upmarket commercial fiction, historical fiction, romantic comedy, gothic, horror, crime, psychological thriller, speculative fiction, ya, middle grade, memoir, narrative non-fiction, true crime
Literary and upmarket commercial fiction of all kinds, especially meditative or moving novels about modern life with warmth and heart alongside sharpness. Historical and period fiction that sheds light on untold stories, ambitious cross-centuries narratives, and historical mysteries. High-concept love stories and romantic comedies with depth. Gothic, horror, murder mysteries, ghost stories, psychological thrillers, speculative and magical realist fiction, and novels with a true-crime feel. A small list of YA and middle grade that feels current and contemporary with a real conversation at its core — not currently seeking fantasy or anything younger than middle grade. On the non-fiction side: memoirs of extraordinary people, narrative non-fiction on subjects the author is passionate about, books on mental health, untold stories across popular science, history and popular culture, and a brilliant true crime book. Particularly keen on LGBTQI+ stories and diverse voices from across the globe. Not currently looking for cookery, wellness, or lifestyle.
Email submissions@greeneheaton.co.uk with your covering letter in the body of the email. Include the agent's name in the subject line. Fiction: attach the first three chapters or around fifty pages plus a one-to-two page synopsis that reveals the ending, as Word documents. Non-fiction: attach three sample chapters or around fifty pages plus a chapter summary or synopsis, and explain why you are best placed to write the book and who the intended readership is. AI-generated or AI-edited content is not accepted. No postal submissions.
Fiction
Character-driven speculative fiction, female-led literary and crossover, book club fiction, contemporary rom-coms, sweeping love stories (historical/contemporary), crime and psychological thrillers, female-led fantasy, romantasy, retellings. Not: children/YA, police procedurals, cosy crime, epic sci-fi, poetry, plays, screenplays, any non-fiction
Elena is currently open for submissions. Send your cover letter, one-page synopsis, and first three chapters as attachments, not in the body of the email. Submit to submission@dhhliteraryagency.com. Only submit to one agent at DHH Literary Agency
DunnFogg
Reading group fiction, women's fiction, speculative fiction, memoir, narrative-led non-fiction, nature writing, media tie-in, pop-science, big ideas
Wants: Quality and commercial fiction and non-fiction (no children's books)
Fiction with original, well-drawn characters, unusual plots, and writing that extends the margins of genre expectations; novels with unique voices and subtle humour that feel different and unexpected. Non-fiction where an expert voice is married to a new, exciting idea that offers the reader some form of utility; also memoir, narrative-led non-fiction, nature writing, media tie-in projects, pop-science, and big ideas. Does not represent children's books.
Online form - https://dunnfogg.co.uk or submissions/
Nonfiction, literary fiction, science fiction, fantasy
Nonfiction that illuminates the past and present across arts, pop culture, education, politics, sociology, and technology, with a vision toward more just and equitable futures; also select genre fiction with literary merit, particularly science fiction and fantasy stories that explore new worlds while revealing something essential about our own.
Submit through Aevitas Creative Management's contact and submissions form.
Fiction, non-fiction, poetry
Fiction: love/loyalty/relationships, family drama/secrets, moral dilemmas, thrillers including legal, dystopian/speculative with mainstream crossover appeal. Non-fiction: original thinkers, personal growth, philosophy/insight
Email submissions@janklow.co.uk with your name, the title of your work, and the name of the agent in the subject line. Include a covering letter in the body of the email. For fiction, attach a synopsis and first three chapters or first 50 pages. For non-fiction, attach a full chapter outline and a sample chapter if possible. For poetry, attach a short pitch and 3-5 sample poems. Attachments should be in Word or PDF format.
Literary fiction, speculative fiction, gothic fiction, thriller, psychological horror, noir, non-fiction, history, popular science, political writing, investigative journalism, cultural criticism, memoir, biography, nature, food
Provocative, morally ambiguous fiction charged with darkness and desire — exploring themes of shame, obsession, and power — often blending literary fiction with thriller, noir, or psychological horror. Speculative and gothic novels haunted by grief, repressed desire, climate, technological dread, colonialism, or history. Voice-driven, humorous fiction with emotional heft, including messy family dramas, campy queer tragedies, and rural romances with a self-aware take on identity and community. In non-fiction, academics and journalists writing on history, popular science, politics, investigative journalism, cultural criticism, memoir, biography, nature, and food — particularly writers who can marry vivid narrative with deep research. Also political and cultural commentary, mind-bending science writing, narrative biography, landscape and history memoir, insider accounts, and obsessive literary true crime.
Email submissions@greeneheaton.co.uk with your covering letter in the body of the email and submission materials as Word Document attachments. Include Imogen Morrell's name in the subject line. Fiction: first three chapters or around fifty pages, plus a one-to-two page synopsis that reveals the ending. Non-fiction: three sample chapters or around fifty pages, plus a proposed chapter summary or synopsis — a completed manuscript is not required. No postal submissions accepted. AI-generated or AI-edited submissions will not be considered.
Fiction and narrative non-fiction
Fiction: literary and genre including historical/speculative/crime/romance, distinctive voice/worldbuilding, moral dilemmas, families/relationships, darkness and humour. Non-fiction: history/memoir/current affairs/cultural criticism/popular science/travel/food, experts with surprising takes
Email anna@johnsonandalcock.co.uk with a short covering letter including a blurb and author info. For fiction, include a synopsis of no more than two pages and the opening 50 pages. For non-fiction, include a proposal with introduction, chapter breakdown, and sample material totalling around 50 pages. Attachments in Word .doc or .docx format, at least 1.5 line spaced, page-numbered, A4. Submit to one agent only, do not blind-copy.
Adult science fiction, adult fantasy, adult horror
Wants: First six chapters, genre comparisons, project paragraph
John Jarrold acts as a literary agent for over forty authors. The agency specialises in representing science fiction, fantasy, and horror novelists for the adult market. It is not taking on clients in other fiction or nonfiction areas, YA, children's fiction, or screenwriting.
Email the first six chapters as a Word document attachment using the address shown on the official John Jarrold site. Include one paragraph about the work and comparisons with two or three recently successful authors in the same genre. The agency charges no reading fee and is always open for submissions. Follow up by email if the submission is not dealt with in two weeks.
Fiction (primarily)
Commercial and book club fiction with a strong hook, genre-crossing, dystopia, elevated sci-fi, big love stories, domestic suspense, horror (incl social commentary)
Email submissions@janklow.co.uk with your full name, the title of your work, and Hayley Steed's name in the subject line. Include a covering letter in the body of the email. Attach a synopsis and either the first three chapters or the first fifty pages (Word or PDF). All documents should be double-spaced, size 12, in a reasonable font. Do not include external links, attach all materials directly.
Fiction and non-fiction, literary estates
Broad/omnivorous tastes, excited by new literary voices, sprawling literary fiction, ambitious/speculative, would like a well-characterised, genuinely thrilling thriller, narrative non-fiction that reads like fiction, food writing, fresh takes on cookery
Online form - https://amheath.com or submissions
Literary fiction, upmarket fiction, book club fiction, narrative memoir, family saga, high society fiction, speculative fiction, magical realism, contemporary fiction, upmarket suspense, psychological thriller, postcolonial fiction, translated fiction, classical retellings
Wants: Cover letter, synopsis, first three chapters, first ten thousand words, proposal, writing sample
Rachel Yeoh is a literary agent building a list in literary, upmarket, and book club fiction, as well as select narrative nonfiction. She is actively looking for literary, upmarket, book club, global stories, human experience, social critique, class conflict, speculative fiction, family sagas, contemporary fiction, upmarket suspense, psychological thriller, postcolonial literature, translated fiction, classical retellings, and narrative memoir.
Submit through the relevant Madeleine Milburn online form and select Rachel Yeoh where available. Adult fiction submissions require a cover letter pasted into the form and one attachment containing a one-page synopsis plus the first three chapters or first 10,000 words. Nonfiction submissions require a cover letter and one document containing a 5,000 to 10,000 word sample and proposal. Do not submit by post or directly to email addresses.
Children's fiction and non-fiction (to ya or crossover)
Ambitious storytelling, bold structure/voice, fresh takes on genre, author/illustrators, underrepresented/marginalised voices, high-concept contemporary YA romance, horror/thrillers, hooky YA fantasy/speculative, hilarious MG, screen potential
Email - rachelsubmissions@theblairpartnership.com
Literary fiction, crime fiction, thriller, historical fiction, science fiction, fantasy, commercial fiction, book club fiction, upmarket fiction, history, sport, popular science
Entertaining and diverse fiction with well-told stories, big ideas, emotional hooks and gripping plots. In commercial fiction, particularly interested in crime, thriller, book group and upmarket titles, as well as historical fiction, science fiction and fantasy. In non-fiction, looks for expertise, fresh ideas and genuine passion for the subject, working across history, sport and popular science.
Direct queries about submissions to Isobel@rcwlitagency.com.
Fiction and non-fiction
Commercial and book club fiction across genres, high-concept thrillers/suspense, atmospheric reads, women's fiction, uplifting speculative edge, female-led historical, romantic fiction, underrepresented voices
Submit by email via the PFD submissions page at https://petersfraserdunlop.com or submissions or books/. Include a cover letter, synopsis, and the first three chapters or approximately 50 pages for fiction, or a detailed proposal for non-fiction.
Children's and ya fiction, na or crossover, commercial women's fiction, narrative non-fiction
MG: voice-driven with heart/humour, contemporary or MG fantasy series. YA: friendships/firsts/feels, high-concept/speculative romance or thriller. NA and commercial women's: romance-forward with unusual circumstances, romcom (college/university), darkly comic new-parenthood, also speculative/historical romance. Romantasy: romance-forward, grounded magic, morally grey. Non-fiction: extraordinary challenges/adventures, experts in STEM/history/pop culture/mental health. Not sci-fi, crime fiction, picture books
Email submission@bell-lomax.co.uk with a covering letter in the email body, a short synopsis (including full plot details), and the first three chapters (no more than 50 pages, double spaced) as a Word document or PDF. Do not address the submission to more than one agent.
Fiction and non-fiction
Non-fiction across many areas (narrative, prescriptive, self-help, illustrated, cookery/history/philosophy/economics/memoir/tech/science/business/nature). Fiction: science fiction, horror, fantasy (incl upmarket body horror, book-club friendly SFF, time travel, inventive fantasy epic, underrepresented voices)
Email - sohoagencysubmissions@gmail.com
Crime, thrillers, literary thriller, commercial thriller, fantasy, dystopian, literary speculative fiction, dark academia, horror, high-concept book club fiction
Wants: Cover letter, synopsis, first three chapters
Characters with dark pasts, tragic futures or buried trauma. Crime and thrillers across the literary and commercial spectrum, fantasy, dystopian fiction, literary speculative fiction, dark academia, horror, and high-concept book club fiction.
Email submissions@mushens-entertainment.com with the subject line 'Fiction Submission: TITLE OF YOUR WORK', addressed to Rachel Neely. Include a cover letter in the body of the email, a synopsis as an attachment, and a PDF or Word document of your first three chapters, first 10–15,000 words, or first 50 pages. Manuscript must be complete at time of submission.
Adult fiction and select non-fiction
Horror (literary to commercial, gothic, dark academia), literary/book-club, high-concept/time-slip, romcom/cozy romance, cosy fantasy, dystopian, non-fiction from experts (nature/climate/psychology/self-help/health/neurodiversity/science etc.)
Online form - https://hs-la.com or submissions/
Fiction and non-fiction
Commercial/book club fiction (edging literary), thrillers with unusual location or speculative edge, historical with real figures, gothic/magical/haunted, speculative love stories, romcoms, fantasy with unique magic/folklore. Non-fiction from experts/creators including food writing, women's health, maternal/sport/mental health. Not sci-fi, erotica, graphic novels, children's/MG/YA, or poetry
Online form - https://www.greenstoneliterary.com or submissions
Fiction, non-fiction, poetry
Story-led and character-driven novels, rich worldbuilding (realist/speculative, contemporary/historical). Non-fiction: history, politics, philosophy, psychology, true crime, narrative sports writing, literary biography, academics, journalists, critics
Email submissions@aitkenalexander.co.uk with the subject line marked FAO Emma Paterson. For fiction, attach the first three chapters or fifty pages plus a short synopsis as Word-compatible files. For narrative non-fiction, send a short overview and up to 10,000 words of sample writing, for subject-led non-fiction, send a proposal of approximately 5,000 words outlining the book and your credentials, plus at least 5,000 words of sample writing. Include a cover letter with a brief book description, any writing credits or relevant qualifications, and a short biographical note. Note whether you are submitting simultaneously to other agencies.
Fiction and non-fiction
Fiction: literary and speculative (and overlap), all adult/YA fiction (not below YA). Non-fiction: untold/unknown stories, expert insights, narrative/serious non-fiction
Email - submissions@appletreeliterary.com
Fiction, non-fiction
Speculative fiction, commercial fiction, literary fiction, crime and thriller, serious non-fiction (big ideas/subversive assumptions, serious histories, narrative non-fiction re contemporary events/issues)
Email alexander@greyhoundliterary.co.uk with a cover letter pitch in the body of the email. For fiction, attach the first three chapters and a synopsis. For non-fiction, attach a proposal and sample writing. Do not submit by post. Do not submit to more than one agent at the agency.
Literary fiction, book club fiction, upmarket commercial fiction, narrative nonfiction, cookery, feminist fiction, feminist nonfiction
Wants: Literary/book club/upmarket commercial fiction; historical and women's fiction; open to speculative and romance crossovers; non-fiction that surprises/challenges; cookery/food writing; feminist narratives; underrepresented voices. not seeking children's/YA, crime, thriller or horror.
Laurie Robertson is an agent at Peters Fraser and Dunlop building a list of adult fiction and non-fiction. She is actively looking for literary, book club and upmarket commercial fiction with strong original voices, uplifting narratives, clever storytelling, strong emotional hooks and complex characters. On non-fiction she wants stories that surprise and challenge, narrative non-fiction that reads like fiction, and cookery from food writers who can transport the reader. She is always keen on feminist narratives across fiction and non-fiction and on voices from underrepresented backgrounds. She is not currently looking for children's or young adult, crime, thriller or horror.
Email one agent or assistant only, include a cover letter, full synopsis, and first 3 chapters or approximately 50 pages for fiction, or a detailed proposal for non-fiction. Find contact details at https://petersfraserdunlop.com or our-team/
Literary fiction, upmarket fiction, historical fiction, literary thrillers, crime, gothic horror, speculative fiction, non-fiction, graphic novels
Literary and upmarket fiction/non-fiction, genre-bending/speculative-adjacent literary, literary historical, family novels, literary thrillers/crime, gothic horror edges, non-fiction art/music/aging/neurodiversity/psychotherapy/sport/science, graphic novels
Submit by email following DHA's submissions guidelines at https://davidhigham.co.uk or submissions/
Literary fiction, historical fiction, science fiction, fantasy
One-Page Outline, First Three Chapters, First Fifty Pages, Author Bio
Email submissions@miccheetham.co.uk with a one-page outline, either the first three chapters or first fifty pages, and a brief author bio. Word attachments are preferred and should be double spaced.
Literary fiction, upmarket fiction, speculative fiction, horror, magical realism, mythology reimaginings, fairy tale reimaginings, folklore reimaginings, cultural criticism, narrative nonfiction, nonfiction, cookbooks, food writing, short story collections, novellas
Wants: Cover letter, synopsis, first three chapters
Literary and upmarket fiction, speculative fiction, horror, magical realism, and reimaginings of myths, fairy tales, and folklore. Also cultural criticism, narrative nonfiction, big-idea nonfiction, and select cookbooks and food writing. Maria is the only agent at the agency who accepts novellas and short story collections.
Email submissions@mushens-entertainment.com with your submission addressed to Maria. For fiction, include a clear subject line (e.g. Fiction Submission: TITLE), a cover letter in the body of the email, an attached synopsis, and a PDF or Word document containing either the first three chapters, the first 10,000–15,000 words, or the first 50 pages. For non-fiction, include a proposal or the first 10,000–15,000 words of a completed manuscript. For short story collections (40,000–75,000 words total), include a synopsis and the full collection. For novellas (17,000–40,000 words), include a synopsis. Do not use AI to write or edit any part of your submission. Notify the agency if another agent requests your full manuscript or offers representation.
Non-fiction and select fiction
Non-fiction: compelling narrative history, ideas books on urgent questions, absorbing biography and memoir, pop culture, humour, and entertainment. Fiction: memorable characters on gripping journeys, principally crime or literary-commercial crossover. Not considering children's, YA, sci-fi/fantasy, or screenplays
Send your work and a covering letter to wiseofficesubmissions@curtisbrown.co.uk. Gordon Wise and his team are taking on only a couple of fiction writers a year. They are not considering submissions for Children's, Young Adult, Science Fiction, Fantasy, or screenplays. If you have not heard back within four to six weeks, this means they are unable to offer representation.
Speculative fiction (sff or fantasy or horror or romantasy etc.)
Speculative fiction broadly: epic/urban/historical fantasy, SF (space opera/near future), horror (folklore/gothic), weird/high-concept, action/adventure/espionage, underrepresented voices
Email submission@bell-lomax.co.uk with a short synopsis covering the entire plot, the first three chapters (no more than 50 pages, double spaced), and a covering letter including details of any previously published work. Do not address submissions to more than one agent.
Children's fiction, ya, adult fiction, non-fiction
Eclectic, currently: upmarket contemporary, friendships, thoughtful sci-fi/fantasy, sweeping love stories, darkly magical, humorous, memoir/essays (occasional). Avoids gritty/harrowing crime, no picture books or poetry
Email the first three chapters, a 1-2 page synopsis including the full plot outline and ending, and a covering letter (Word format preferred) to submissions.bryony@bryonywoods.co.uk. The covering letter should describe the book, include a short author biography, and note any previous writing experience.
Fiction and narrative non-fiction
Fiction (adult and YA), literary and commercial, narrative non-fiction; strong voices and stories with narrative drive. Not: children's, genre sci-fi/fantasy, poetry, scripts
Email a short covering letter, a one or two page synopsis, and the first three chapters of your completed manuscript to info@christinegreen.co.uk. Exclusive submissions preferred, if submitting to multiple agents and you receive an offer before hearing back, notify them promptly.
Fantasy, speculative fiction, romantic fantasy, romantic fiction, general fiction, literary fiction, narrative non-fiction, memoir, cookery
Grounded fantasy with light magical elements edging toward speculative or dystopic, with exceptionally strong world-building. Romantic fantasy with compelling protagonists, particularly a queer male lead or a non-binary/gender-neutral vampire story. Romantic fiction with a strong USP, enemies-to-lovers dynamics, competitive settings, and crossover with horror or crime. General fiction exploring friendship over time, sibling relationships, ensemble casts, and modern loose retellings of classics or plays — especially an own-voices retelling of The Crucible from Abigail Williams' perspective. In non-fiction: narrative memoir with a fresh angle, pop and fan culture exploring why topics trend online, and cookbooks from authors with strong social media platforms.
Email submissions@greeneheaton.co.uk with your covering letter in the body of the email and attachments as Word Documents. Include Mia Dakin's name in the subject line. Fiction: first three chapters or around fifty pages plus a one-to-two page synopsis that reveals the ending. Non-fiction: three sample chapters or around fifty pages plus a proposed chapter summary, your reasons for writing the book, and your intended readership. AI-generated or AI-edited submissions are not accepted.
Drama, comedy-drama, thriller, science fiction, horror, genre mashups
Drama and comedy-drama with elevated storytelling, including thrillers, grounded science fiction, horror, and genre mashups. Series that explore social politics and human psychology while remaining highly entertaining with complex, well-rounded characters. A unique perspective and original voice are particularly valued.
Read the submissions guidelines first. Send your submission to cisubmissions@davidhigham.co.uk if you believe you are a good match. Allow up to six weeks for a response, if you do not hear back within that timeframe, assume your submission has been unsuccessful.
Fiction and non-fiction
Fiction: book club, psychological suspense, crime, speculative, historical, commercial and upmarket women's with unique hook/voice/characters. Non-fiction: history (with platform) and memoir
Email - kate@khla.co.uk
Adult fiction, upper na or crossover fantasy, crossover sci-fi, crossover dystopian, crossover steampunk, crossover post-apocalyptic
Adult fiction of all genres and upper NA/Crossover (16+) fantasy (including urban), SF, dystopian, steampunk, and post-apocalyptic fiction. Crossover fiction in these genres is accepted by Laura only.
Email - submissions@liverpool-literary.agency
Non-fiction, book club fiction, fantasy, historical fiction, speculative fiction, crime fiction
Non-fiction across a broad range of subjects, particularly from authors who are authoritative and accessible, including activists, psychologists, creatives and thought leaders. Also growing a fiction list focused on book club, fantasy, historical, speculative and crime fiction. Actively champions marginalised and underrepresented voices.
For non-fiction, email nonfiction@grahammawchristie.com with a one-page topic summary, detailed chapter-by-chapter outline, author credentials, online profiles, market overview, promotional plan, and 1-2 sample chapters. For fiction, email fiction@grahammawchristie.com with a completed manuscript, including genre in the subject line, a one-to-two line elevator pitch, a 500-800 word synopsis (including spoilers), up to five comparative titles, author bio, promotional notes, and the first three chapters or approximately 10,000 words. Attach documents in Word, Pages or PDF format. Do not submit directly to individual agents. No postal submissions accepted.
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