UK Literary fiction Literary Agents

Fiction and non-fiction

Fiction: literary/upmarket with escapism and page-turning readability, big high-stakes love stories from original angles. Non-fiction: writers shifting public discourse, health, medicine, history, politics, biographies/memoirs, cookery, art, music, lifestyle with a strong angle

Email submissions@aitkenalexander.co.uk with subject line marked FAO Monica MacSwan. For fiction, attach the first three chapters or fifty pages plus a short synopsis. For narrative non-fiction, attach a short overview and up to 10,000 words of sample writing. For subject-led non-fiction, attach a proposal of approximately 5,000 words and no less than 5,000 words of sample writing. Include a cover letter with a brief description of the book, any writing credits or qualifications, and a short biographical note. All attachments should be Microsoft Word compatible.

Literary fiction and narrative non-fiction

Fiction: stunning sentences, convincing narratives, on-the-page magic. Non-fiction: narrative, personal accounts with political context, transporting/teaching. Original voices and captivating storytelling

Email submissions@aitkenalexander.co.uk with the subject line marked FAO Lisa Baker. For fiction, attach the first three chapters or up to fifty pages plus a short synopsis as Word-compatible files. For narrative non-fiction, include a short overview and up to 10,000 words of sample writing, for subject-led non-fiction, a proposal of approximately 5,000 words and at least 5,000 words of sample writing. Include a cover letter with a brief book description, any writing credits or qualifications, and a short biographical note. Submit to one agent only, do not contact agents' assistants directly.

Fiction and narrative non-fiction

Fiction (adult and YA), literary and commercial, narrative non-fiction; strong voices and stories with narrative drive. Not: children's, genre sci-fi/fantasy, poetry, scripts

Email a short covering letter, a one or two page synopsis, and the first three chapters of your completed manuscript to info@christinegreen.co.uk. Exclusive submissions preferred, if submitting to multiple agents and you receive an offer before hearing back, notify them promptly.

Fiction, non-fiction, literary estates

Non-fiction: history, current affairs, biography, geopolitics, intelligence studies, history of war. Fiction: international thrillers and espionage

Email submissions@nurnberg.co.uk with a covering letter in the body of the email, a one-page synopsis and first three chapters or 50 pages as attachments (for non-fiction: an overview, chapter outlines, and three sample chapters). Address the email for the attention of Michael Dean in the subject line.

Fiction and non-fiction

Story-led commercial/literary: romantic or suspense fiction, compelling memoir, iconic history, edgy humour, 'gleam in the author's eye'

Email - sohoagencysubmissions@gmail.com

Literary fiction, general fiction, epic fantasy, history, memoir, reportage, narrative nonfiction, art, music, nature writing

Beautiful, ambitious, and unusual literary fiction, epic fantasy, and upmarket general fiction that is emotionally engaging and compulsively readable. In nonfiction, interested in history, memoir, reportage, and big ideas, as well as writing on art, music, literature, and nature.

Submit via the button on John Ash's agent profile page at https://www.caa.com or entertainmenttalent or books or agent or john-ash/. For fiction, include a cover letter, synopsis, and the first three chapters or opening 50 pages. For nonfiction, include a cover letter and proposal.

Fiction and non-fiction

Upmarket commercial to literary fiction, distinctive voice/character-driven with strong hook/unusual perspective, multigenerational novels, gripping love stories, funny fiction, feminist/revisionary, experimental/form. Non-fiction: memoir and narrative, history, food writing/food system, nature/planet, popular science, genre-melding cultural writing

Email submissions@janklow.co.uk with your full name, the title of your work, and Claire Paterson Conrad's name in the subject line. For fiction: include a covering letter (in the email body), synopsis, and the first three chapters or first fifty pages as attachments. For non-fiction: include a covering letter, a full chapter-by-chapter outline, and a sample chapter. All documents should be double-spaced, size 12, in a reasonable font, and submitted as Word or PDF attachments — no external links. Responses are sent within 8 weeks if the agency wishes to read more.

Commercial fiction, saga, romance, historical fiction, book club fiction, up-lit, literary fiction, lgbtq fiction, lgbtq nonfiction, narrative nonfiction, popular science, psychology, history, sport

Wants: Covering letter, first three chapters, synopsis, detailed proposal

Laura MacDougall is a literary agent at United Agents with a broad and eclectic list across adult fiction and non-fiction. She represents commercial fiction including saga, romance, historical, book club and up-lit, and literary fiction ranging from the quirky to the daring and experimental, with a particular love of historical fiction and novels about relationships and family life. As a queer woman she represents many LGBTQ writers and is keen to hear from LGBTQ authors across fiction and non-fiction. In non-fiction she wants big ideas books and narrative non-fiction across popular science, psychology and culture, sport, history, and race, class, gender, sexuality and identity. She does not represent young adult or children's books, science fiction, fantasy or horror, Mind Body Spirit non-fiction, or cookery and food writing.

Submit through United Agents naming Laura MacDougall. For fiction send the first three chapters and a synopsis. For non-fiction send a detailed proposal.

Fantasy, speculative fiction, romantic fantasy, romantic fiction, general fiction, literary fiction, narrative non-fiction, memoir, cookery

Grounded fantasy with light magical elements edging toward speculative or dystopic, with exceptionally strong world-building. Romantic fantasy with compelling protagonists, particularly a queer male lead or a non-binary/gender-neutral vampire story. Romantic fiction with a strong USP, enemies-to-lovers dynamics, competitive settings, and crossover with horror or crime. General fiction exploring friendship over time, sibling relationships, ensemble casts, and modern loose retellings of classics or plays — especially an own-voices retelling of The Crucible from Abigail Williams' perspective. In non-fiction: narrative memoir with a fresh angle, pop and fan culture exploring why topics trend online, and cookbooks from authors with strong social media platforms.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email and attachments as Word Documents. Include Mia Dakin's name in the subject line. Fiction: first three chapters or around fifty pages plus a one-to-two page synopsis that reveals the ending. Non-fiction: three sample chapters or around fifty pages plus a proposed chapter summary, your reasons for writing the book, and your intended readership. AI-generated or AI-edited submissions are not accepted.

Fiction and narrative non-fiction

General fiction, book club, literary fiction, smart clean or lyrical prose, interesting form/structure, character-driven with unusual protagonists, stories exploring gender/race/class/sexuality, selective memoir/nature/social commentary

Email a concise cover letter with contact details and relevant background, a brief synopsis, and either the first three chapters or a detailed proposal to london@susannalea.com. Do not submit to more than one office.

Children's and ya (and some adult)

Middle grade and YA fiction across genres (pref voice/character-driven, contemporary/realistic settings, magical realism, original psychological thrillers, atmospheric horror, light fantasy). Also open to original children/YA non-fiction, selectively adult literary projects

Submit by email via the PFD books submission page at https://petersfraserdunlop.com or submissions or books/, including a cover letter, synopsis, and the first three chapters or approximately 50 pages for fiction, or a detailed proposal for non-fiction.

Fiction and non-fiction

Strong POVs (especially women), intelligent, witty, emotionally affecting literary/genre fiction and non-fiction, feminist/provocative voices, twists

Email - lizzymanuscripts@davidhigham.co.uk

Fiction and non-fiction

Non-fiction: narrative, political writing, popular science/psychology, history, big ideas, nature, travel, essays, memoir. Fiction: literary to book club, emotionally complex, families/friendship, vivid historical fiction

Online portal - https://felicitybryan.com or submissions or submit-your-work/

Narrative and commercial non-fiction, literary fiction

Strong new voices in non-fiction across musical, visual, dramatic, cultural and culinary arts, history, memoir, biography, essays and humour, select fiction and literary-quality short stories

Email - natalie@greyhoundliterary.co.uk

Commercial non-fiction, self-help, memoir, literary non-fiction

Wants: Profile content appears js-rendered; unable to extract detailed wishlist/submissions from accessible html; use general contact email

Building a list of fiction and non-fiction authors with a particular focus on digital-first writers. Specialises in commercial, self-help and literary non-fiction across memoir, mindfulness, interior design and lifestyle. A committed advocate for emerging and diverse writers.

Email - hello@bergstromstudio.co.uk

Literary fiction, non-fiction

Wants: Literary fiction and non-fiction; does not represent science fiction or fantasy (per agent page)

Represents literary fiction and non-fiction. Clients include Sarah Bakewell, Heston Blumenthal, Frank Cottrell Boyce and A.S. Byatt. Also represents the literary estates of Angela Carter, Alasdair Gray and Nancy Mitford.

Email phoebe@rcwlitagency.com

Fiction and non-fiction

Non-fiction: memoir/autobiography, subject-led expert non-fiction (economics, history, food, fashion, relationships), some thrillers/horror. Fiction: exceptional literary voices, ambitious storytelling, Irish writing, genre with depth

Submit via QueryManager. For non-fiction, prepare a proposal of up to 20 pages including an overview or hook (query letter), chapter outline (synopsis), one to two sample chapters as an attachment, and an author bio with platform. For fiction, prepare a cover letter with a short pitch and author bio, a one-page synopsis, and the first 1,200 words or first two chapters (whichever is shortest) as an attachment. Visit https://www.internationalcreative.agency or submissions to access the QueryManager link.

Fiction, non-fiction

Fiction: crime/thrillers across commercial-literary, atmospheric/setting-as-character, accessible speculative, ghost stories, folk horror, originality and distinctive voice, humour threaded. Non-fiction: narrative history/prehistory, memoir, nature/landscape, folklore

Email submissions@hardmanswainson.com. For fiction, attach a one-page synopsis and the full manuscript. For non-fiction, attach a proposal and a sample chapter (or the full work if completed). Name your chosen agent in the cover email. Submit to one agent only, do not email individual agent addresses.

Commercial fiction, literary fiction, romance, crime, thriller, historical fiction, narrative non-fiction, true crime, cookery and food writing

Wants: Commercial to accessible literary fiction; plot-driven stories exploring big emotions; romance; family/friendship sagas; twisty crime/thrillers; grounded dystopian; narrative-led non-fiction (true crime/untold histories etc.)

Plot-driven fiction from commercial to the accessible end of the literary spectrum, including romance and rom-coms (particularly with queer love or interesting backdrops), sweeping family and friendship sagas, unputdownable crime and thriller standalones, upmarket psychological crime, contemporary and historical fiction (especially based on real events, with gothic elements, or focusing on underrepresented lives), narrative non-fiction that reads like fiction, literary true crime, untold histories, accessible books on complex topics, and cookery and food writing with uncomplicated recipes. Keen to hear from authors whose voices are underrepresented in publishing. Not currently taking YA, children's, poetry, fantasy, romantasy, science fiction, diet, or business projects.

Email sian@blakefriedmann.co.uk

Fiction and non-fiction

Crime fiction, unputdownable literary and commercial fiction, non-fiction that makes you think/question the world

Email submissions@lutyensrubinstein.co.uk with a covering letter, a short synopsis, and the first three chapters or up to 5,000 words. If you have a particular agent in mind, note this for Susannah Godman. No scripts, no postal submissions.

Fiction and non-fiction

Literary and commercial fiction, children's and YA, non-fiction including memoir/biography, cookery, gardening, humour, history, lifestyle, mind-body-spirit, politics, popular science, psychology, travel

Email - submissions@sheilland.co.uk

Literary fiction, book club fiction, memoir, narrative non-fiction

Distinctive voices, strong writing, literary-to-commercial sweet spot, short powerful novels, ambitious intergenerational stories, gothic, historical, some fantasy, experts writing popular science/health/social history

Email a covering letter, a short synopsis, and the first three chapters (or up to 5,000 words) to submissions@lutyensrubinstein.co.uk. If you have a particular agent in mind, let the reader Susannah Godman know. No plays or scripts, do not post unsolicited manuscripts.

Literary fiction, upmarket commercial fiction, historical fiction, romantic comedy, gothic, horror, crime, psychological thriller, speculative fiction, ya, middle grade, memoir, narrative non-fiction, true crime

Literary and upmarket commercial fiction of all kinds, especially meditative or moving novels about modern life with warmth and heart alongside sharpness. Historical and period fiction that sheds light on untold stories, ambitious cross-centuries narratives, and historical mysteries. High-concept love stories and romantic comedies with depth. Gothic, horror, murder mysteries, ghost stories, psychological thrillers, speculative and magical realist fiction, and novels with a true-crime feel. A small list of YA and middle grade that feels current and contemporary with a real conversation at its core — not currently seeking fantasy or anything younger than middle grade. On the non-fiction side: memoirs of extraordinary people, narrative non-fiction on subjects the author is passionate about, books on mental health, untold stories across popular science, history and popular culture, and a brilliant true crime book. Particularly keen on LGBTQI+ stories and diverse voices from across the globe. Not currently looking for cookery, wellness, or lifestyle.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email. Include the agent's name in the subject line. Fiction: attach the first three chapters or around fifty pages plus a one-to-two page synopsis that reveals the ending, as Word documents. Non-fiction: attach three sample chapters or around fifty pages plus a chapter summary or synopsis, and explain why you are best placed to write the book and who the intended readership is. AI-generated or AI-edited content is not accepted. No postal submissions.

Literary fiction, narrative non-fiction

Unusual stories grounded in the real world but with strange and surreal elements, with a focus on human relationships, queer characters and alternative culture. Diverse and unexpected perspectives that offer new ways of seeing and have something urgent to say about the contemporary world. Particularly interested in debut writers.

Email submissions@rebeccacarterliterary.com with the subject line 'Submission: [your name] [TITLE OF SUBMISSION]'. Address the submission to Tilda (not both Tilda and Rebecca). Include a covering letter in the body of the email. For fiction, attach the first three chapters or up to 10,000 words plus a short synopsis. For non-fiction, attach a detailed proposal and, if possible, a sample chapter. Attach files as Word documents or PDFs, do not include external links. Typescript should be 1.5 or double spaced with page numbers. Files should be saved as '[your name] [TITLE OF SUBMISSION] [document type]'.

Fiction and non-fiction, estates

Fiction: originality/style, literary to commercial, imaginative setting, strong voice, compelling premise, active SFF list, high concept, intelligent crime/thrillers, genre-transcending. Not taking new YA/children's, no plays/film scripts. Non-fiction: politics, narrative history, sport, natural history, quirky memoir, popular culture, inventive angles

Email - ed@johnsonandalcock.co.uk

Fiction, non-fiction, literary fiction, commercial fiction

Wants: Query letter, synopsis, CV, first 3 chapters or 50 pages

Fiction and non-fiction, literary and commercial. He enjoys unexpected stories that transport him somewhere strange and wonderful. Specific fiction interests include strong commercial genre fiction, noir-ish thrillers, spy fiction, gritty crime, saga, romance and romantic comedy, alongside original reading-group fiction. In non-fiction, he seeks strong narrative voices in memoir and history, and big ideas or smart thinking that reveal the world or suggest how it could be different.

Email submissions@sheilland.co.uk with Piers Blofeld, the book's genre and title in the subject line. Submit one work at a time, mention other works in the cover letter and send your strongest. Include a concise typed cover letter with a short synopsis and a brief introduction explaining why and how long you have written and whether you write in other genres or categories. For non-fiction, explain your choice of subject and suitability to write it. For fiction, include a one-page synopsis covering the full story, significant twists and ending, for non-fiction, a brief outline covering the subject, market position and your qualifications. Include a short CV of relevant qualifications and previous publications, plus the first three chapters OR around 50 typed pages. Wait for a request before sending the full manuscript. Use at least 1.5 line spacing, margins and pagination. Give the actual word count for completed works or an estimated word count for proposals. For self-published work, state availability, copies sold and remaining rights or territories. Do not post original artwork or photographs. Submissions that have used AI technology are not accepted.

Literary fiction, contemporary fiction, upmarket fiction, book club fiction, fantasy, horror, young adult, crossover

Wants: Query letter, synopsis, first three chapters

Clara Foster wants intelligent, original fiction with deep emotion, strong line-level writing, and voice-led characters. She is looking for adult literary contemporary fiction with a strong female focus, upmarket and book club novels that are cleverly conceived, beautifully written, and accessible, fantasy and horror that explore the real world or the self, historical romantasy, urban fantasy, academic settings, body horror, lightly speculative fiction, and YA/crossover stories that are political while providing a strong story. She is not a likely fit for commercial women's fiction, science fiction, World War II or Holocaust stories, or narratives driven primarily by sexual assault, eating disorders, a great lie, or death of a child. She is not accepting nonfiction except by referral.

Submit via Clara Foster's official QueryTracker link from her submissions page. Send a query letter, synopsis, and first three chapters. All queries will receive a response.

Fiction and narrative non-fiction

Fiction: literary and genre including historical/speculative/crime/romance, distinctive voice/worldbuilding, moral dilemmas, families/relationships, darkness and humour. Non-fiction: history/memoir/current affairs/cultural criticism/popular science/travel/food, experts with surprising takes

Email anna@johnsonandalcock.co.uk with a short covering letter including a blurb and author info. For fiction, include a synopsis of no more than two pages and the opening 50 pages. For non-fiction, include a proposal with introduction, chapter breakdown, and sample material totalling around 50 pages. Attachments in Word .doc or .docx format, at least 1.5 line spaced, page-numbered, A4. Submit to one agent only, do not blind-copy.

Literary fiction and narrative non-fiction

Literary fiction with distinctive/off-kilter voice, high-concept literary, realist novels exploring moral/philosophical/political questions, non-fiction bold voices, investigative/essayistic work, cultural histories, literary true crime

Email - seren@lexingtonliterary.co.uk

Literary fiction, crime, thriller, narrative non-fiction, history, politics, culture, psychology, science, nature

Fiction: literary fiction (broadly including book-club) and crime and thriller, excited by risks with voice/form/storytelling, compulsive, ideaful, humane. Non-fiction: original thinkers/writers in history, politics, culture, psychology, science, nature/environment (not straightforward memoir or academic monographs)

Email - submissions@rebeccacarterliterary.com

Literary fiction, crime fiction, thriller, historical fiction, science fiction, fantasy, commercial fiction, book club fiction, upmarket fiction, history, sport, popular science

Entertaining and diverse fiction with well-told stories, big ideas, emotional hooks and gripping plots. In commercial fiction, particularly interested in crime, thriller, book group and upmarket titles, as well as historical fiction, science fiction and fantasy. In non-fiction, looks for expertise, fresh ideas and genuine passion for the subject, working across history, sport and popular science.

Direct queries about submissions to Isobel@rcwlitagency.com.

Literary fiction, non-fiction, estates

Wants: Synopsis, three chapters, covering letter

Nemonie Craven Roderick is a director of Jonathan Clowes Ltd. Her clients include the Estate of Doris Lessing, the Estate of Elizabeth Jane Howard, the Estate of David Nobbs, Maureen Duffy, Miles Gibson, Simon Critchley, Toby Vieira, Delyth Badder, David Llewellyn, and Gruff Rhys.

Email - nemonie@jonathanclowes.co.uk

Commercial fiction, literary fiction, commercial non-fiction, children's fiction, ya

Wants: Agency is building its list and welcomes unsolicited submissions (see remit on site)

Commercial and literary fiction across all genres, commercial non-fiction, and children's and young adult fiction, with a particular interest in projects with book-to-screen adaptation potential

Email info@whisperingbuffalo.com marked for the attention of the Submissions Department. For fiction include a brief biography, one-page synopsis, and first three chapters (double-spaced) as a Word document attachment. For non-fiction include a proposal and sample chapter.

Fiction and non-fiction

Accessible literary and book club fiction with strong voice, historical fiction (e.g., like Sarah Waters), subversive/funny non-fiction, art or food (fiction or non-fiction)

Email - sabhbh.curran@curtisbrown.co.uk

Literary fiction

See source page for more info

Email submissions@paperliterary.com with the agent's name, manuscript title, and your full name in the subject line. Include your query letter in the body of the email, and attach a one-page synopsis and the first three chapters (approximately 10,000 words) as Word documents. Address the email to Catherine Cho specifically.

Literary fiction, commercial fiction, illustrated non-fiction, serious non-fiction

Novels across the literary-commercial scale and non-fiction from highly illustrated to serious non-fiction, with diversity within the list as an ever-present priority. Does not represent scriptwriting, high fantasy, or, in non-fiction, business, self-help or parenting books. Represents poetry and children's books (including MG and YA) only where she already represents the author.

Email submissions@philippasitters.co.uk with a cover letter in the email body. For fiction, attach the first 30 pages (double spaced) and a 1-2 page synopsis (single spaced) as Word documents or PDFs. For non-fiction, attach a proposal with a detailed chapter outline and up to three sample chapters (double spaced), information on target market and comparable titles is helpful but not required.