UK Commercial fiction Literary Agents

Fiction

Character-driven speculative fiction, female-led literary and crossover, book club fiction, contemporary rom-coms, sweeping love stories (historical/contemporary), crime and psychological thrillers, female-led fantasy, romantasy, retellings. Not: children/YA, police procedurals, cosy crime, epic sci-fi, poetry, plays, screenplays, any non-fiction

Elena is currently open for submissions. Send your cover letter, one-page synopsis, and first three chapters as attachments, not in the body of the email. Submit to submission@dhhliteraryagency.com. Only submit to one agent at DHH Literary Agency

Fiction, non-fiction, ya, children's

Big, expansive, emotionally powerful 'game-changing' stories, commercial fiction and non-fiction and children's titles (priority focus on under-represented groups and lower socio-economic backgrounds), stories with cross-media potential

Email a covering letter, synopsis, and first three chapters to originatesubmissions@originateliterary.co.uk. For illustrated fiction or non-fiction, include sample spreads instead of chapters. A completed manuscript is not required for fiction queries.

Literary fiction, commercial fiction, book club fiction, contemporary fiction, commercial women's fiction, crime, mystery, thrillers, fantasy, genre romance, historical fiction, horror, ghost stories, sagas, science fiction, biography, memoir, cookery, gardening, gift books, humour, history, military history, lifestyle, mind-body-spirit, self-improvement, politics, popular science, psychology, travel, children's, ya

SF/fantasy, sweeping historical fiction, character-driven sci-fi, action/adventure, crime. Non-fiction: history, biography, music

Email submissions@sheilland.co.uk with a cover letter, a one-page synopsis (fiction) or brief outline (non-fiction), a short CV, and the first three chapters or around fifty pages. Submissions should be 1.5 line spaced with margins and page numbers, and must include a word count. Only one work at a time. No AI-generated content accepted.

Children's fiction, middle grade, ya, adult fiction

Children: singular/underrepresented voices, powerful ideas. Adult: commercial women's fiction, uplit, sagas, romance (contemporary, romcom, historical)

Email catherine@marjacq.com with a covering letter in the body of the email, the first fifty pages of the manuscript and a synopsis (for fiction) attached as Word or PDF documents, with total file size not exceeding 2MB.

Commercial fiction, romance, saga, crime, thriller, book club fiction, children's fiction, ya, non-fiction, business, finance, self-help, wellbeing, lifestyle, cookery

Commercial fiction (romance/saga, crime/thriller, book club), children's novels 9+ to YA, non-fiction including business/finance, self-help/wellbeing, lifestyle/cookery. Not sci-fi, short stories, or poetry

Email submissions@susanyearwoodagency.com with your name and title or genre in the subject line (e.g. Joe Bloggs, The Title, Book Club fiction). Attach the first 30 pages and a separately titled synopsis or outline. Include a cover email with a pitch sentence, a brief description of the submission, comparative authors published in the last three years, your writing background, and a paragraph on why you wrote the book. Attachments should be Word or PDF, 1.5 or double-spaced, with page numbers. Let the agent know if you are also submitting to other agents.

Fiction, nonfiction, commercial fiction, literary fiction, international authors

Wants: Cover letter, synopsis, first three chapters, proposal

Carole Delmon is listed on the official Susanna Lea Associates Paris team page. The Paris office says its taste is eclectic and that it is interested in works of both fiction and nonfiction, commercial and literary, with projects that have international potential beyond the French market.

For submissions in France, email paris@susannalea.com. SLA asks for a concise and thoughtful cover letter, a brief synopsis, and either the first three chapters or a detailed proposal. Do not submit to more than one SLA office, and do not send post or fax queries.

Literary and upmarket or book club fiction

Character-driven, emotionally resonant, culturally insightful literary/upmarket fiction, sweeping narratives, complex family dynamics, intergenerational sagas, sociopolitical/postcolonial/global themes, speculative or magical realism grounded in human experience, literary thrillers with psychological nuance

Online form - https://www.madeleinemilburn.co.uk or submissions/

Fiction and non-fiction

Commercial and book club fiction across genres, high-concept thrillers/suspense, atmospheric reads, women's fiction, uplifting speculative edge, female-led historical, romantic fiction, underrepresented voices

Submit by email via the PFD submissions page at https://petersfraserdunlop.com or submissions or books/. Include a cover letter, synopsis, and the first three chapters or approximately 50 pages for fiction, or a detailed proposal for non-fiction.

Commercial non-fiction (sport, lifestyle, self-help, leadership)

Commercial non-fiction, especially sport, lifestyle, self-help and leadership.

Email admin@davidluxtonassociates.co.uk with an approximately 300-word synopsis, a note on who the book appeals to and why you are qualified to write it, a chapter breakdown, a sample chapter, and a short bio or credits.

Literary fiction, commercial fiction, crime, thrillers, historical fiction, children's, young adult, non-fiction

Literary and commercial fiction, crime, thrillers, and historical fiction. Particularly excited by debut authors and actively welcomes submissions of the highest standard. Not currently considering science fiction and fantasy.

Submit by email to sam@rcwlitagency.com. Due to the volume of submissions received, you should assume no response within eight weeks indicates a rejection.

Commercial fiction, women's fiction, romance, romantasy, narrative non-fiction

Love stories with a cool edge — rom-coms, sweeping romances, and stories where friendship is as central as romance. Open to all kinds of love stories including romantasy with strong world-building, star-crossed lovers, and opposites-attract dynamics. Characters who are coming into their own, discovering something new about themselves, who pull at your heartstrings and bring joy. Strong women's fiction where characters navigate the complexities of relationships and the non-linearity of life. Fiction that is transporting and atmospheric in the vein of Lucinda Riley and Kristin Hannah, and upmarket commercial fiction tackling universal themes of love, loss, friendship, and family. Also interested in stories that explore recent history or illuminate the world through fiction, research, or reportage.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email. Include Kate Rizzo's name in the subject line. Attach the first three chapters or around fifty pages plus a one-to-two page synopsis as Word documents (not PDFs). The synopsis should reveal the ending. Do not submit until the full manuscript is complete.

Crime, thrillers, literary thriller, commercial thriller, fantasy, dystopian, literary speculative fiction, dark academia, horror, high-concept book club fiction

Wants: Cover letter, synopsis, first three chapters

Characters with dark pasts, tragic futures or buried trauma. Crime and thrillers across the literary and commercial spectrum, fantasy, dystopian fiction, literary speculative fiction, dark academia, horror, and high-concept book club fiction.

Email submissions@mushens-entertainment.com with the subject line 'Fiction Submission: TITLE OF YOUR WORK', addressed to Rachel Neely. Include a cover letter in the body of the email, a synopsis as an attachment, and a PDF or Word document of your first three chapters, first 10–15,000 words, or first 50 pages. Manuscript must be complete at time of submission.

Crime, commercial fiction, non-fiction

Horror fiction, non-fiction relating to education, politics, and feminism

Email submissions@cmm.agency

Fiction and narrative non-fiction

Commercial and literary fiction (excluding SFF), narrative non-fiction; currently seeking voicy character-driven book club fiction, fresh crime, upmarket horror, and accessible eye-opening non-fiction

Email - mhoskins@unitedagents.co.uk

Reading group fiction, women's fiction, speculative fiction, memoir, narrative-led non-fiction, nature writing, media tie-in, pop-science, big ideas

Wants: Quality and commercial fiction and non-fiction (no children's books)

Fiction with original, well-drawn characters, unusual plots, and writing that extends the margins of genre expectations; novels with unique voices and subtle humour that feel different and unexpected. Non-fiction where an expert voice is married to a new, exciting idea that offers the reader some form of utility; also memoir, narrative-led non-fiction, nature writing, media tie-in projects, pop-science, and big ideas. Does not represent children's books.

Online form - https://dunnfogg.co.uk or submissions/

Fiction

Crime and thriller, dark commercial/book-club-leaning fiction, high-concept psychological suspense, clever mysteries, propulsive thrillers, smart genre blends

Email - stephanieglencross@davidhigham.co.uk

Fiction and non-fiction

Prioritising MG/YA and new adult/adult commercial fiction, romance including romcom/dark/epic, romantasy, YA contemporary with humour/romance, YA thrillers/horror, MG funny contemporary

Email - submissions@watsonlittle.com

Fiction and non-fiction

Commercial women's fiction with strong hook/twisty plots/emotion/drama, eclectic list. Agency also considers crime/mystery/suspense/thrillers, horror, historical, commercial and literary, non-fiction including politics/current affairs, environment, lifestyle, popular science, self-help/how-to, true crime

Email submissions@cmm.agency with a one-paragraph author biography, a one-paragraph blurb or hook including genre and audience, a short synopsis covering plot, setting, theme and characters, and the first three chapters as an attachment. Manuscript must be double or 1.5 line-spaced, with wide margins, in a font no smaller than 12-point (preferably Times New Roman), fully page-numbered, with your name, address, contact number and email on the first page.

Children's (mg or ya or crossover), adult commercial fiction, narrative non-fiction

Genre fiction and crossover children's, boy-led MG, teen fiction, graphic novel/illustrated MG or younger YA, quirky fantasy, dark/off-beat romantic comedy, domestic noir, cultural history/narrative non-fiction with strong voice

Email submissions@nurnberg.co.uk with a cover letter in the body of the email, a one-page synopsis and first three chapters or up to 50 pages as attachments. Mark the subject line FAO Gyamfia Osei. For non-fiction, send an overview, chapter outlines, and three sample chapters.

Fiction and non-fiction

Fiction: literary prize-winners to upmarket reading group, well-written crime, ambitious/surprising, messy family stories, longing/relationships. Non-fiction: art, culture, music, food, nature, mental health

Submit via the online portal at https://felicitybryan.com or submissions or submit-your-work/ — upload a synopsis or proposal and the first 3–4 chapters.

Commercial women's fiction, psychological thrillers, popular science, true crime

Fresh commercial women's fiction with big hooks/diverse characters, pacy psychological thrillers, cutting-edge non-fiction (popular science to true crime)

Email submissions@cmm.agency with: a one-paragraph author biography (including whether the manuscript has been sent to other agents or publishers), a one-paragraph blurb with hook, genre and audience, a short synopsis covering plot, setting, theme and characters, and the first three chapters as an attachment. The manuscript must be double or 1.5 line-spaced, with wide margins, in at least 12-point font (preferably Times New Roman), fully paginated, and with name, address, contact number and email on the first page.

Commercial fiction, women's fiction, intelligent crime, thrillers, historical fiction, history, nature, science, self-development, biography, memoir, lifestyle, food

Quality commercial and popular literary fiction with emotional heft, original voices and broad appeal, including twisty thrillers, ghost stories, and epic romantic stories. For non-fiction, experts in their fields writing about history, nature, science, self-development, biography, memoir, original thinking, lifestyle and food — particularly books that educate and illuminate worlds readers don't know, strong women's voices, and food writers with fresh perspectives or a built community.

Email submissions@hhbagency.com with the genre in the subject line. Put your covering letter in the body of the email including a brief pitch, relevant background, and comparison titles. Attach the first three chapters or around 50 pages as a Word document, plus a synopsis. Fiction writers must have completed the manuscript before submitting. Non-fiction writers may submit before completion.

Fiction and non-fiction

Fiction: literary/well-written including pacey thrillers. Non-fiction: accessible, estimable writing with commercial potential (journalists/experts/scholars/public figures, fascinating true stories)

Email - submissions@jonathanpegg.com

Literary fiction, commercial fiction, crime, sci-fi, short story collections, poetry, narrative non-fiction, history, travel, food, nature writing, investigative journalism, popular science, popular psychology, children's, ya

Wants: Cover letter and ~500-word synopsis and first 3 chapters; include contact details

Literary, book club, and commercial fiction including thrillers and YA; short story collections and poetry; narrative non-fiction with strong style; well-crafted crime and sci-fi; history, politics, science, psychology, true crime, travel, food, nature writing, investigative journalism, and popular psychology. Writers for children and young adults are also welcome.

Submit by email or post. The postal address is 29 Wardour Street, London W1D 6PS. For email, visit georginacapel.com or contact to find the address.

Fiction and narrative non-fiction

Fiction (adult and YA), literary and commercial, narrative non-fiction; strong voices and stories with narrative drive. Not: children's, genre sci-fi/fantasy, poetry, scripts

Email a short covering letter, a one or two page synopsis, and the first three chapters of your completed manuscript to info@christinegreen.co.uk. Exclusive submissions preferred, if submitting to multiple agents and you receive an offer before hearing back, notify them promptly.

Fiction and non-fiction

Story-led commercial/literary: romantic or suspense fiction, compelling memoir, iconic history, edgy humour, 'gleam in the author's eye'

Email - sohoagencysubmissions@gmail.com

Fiction and non-fiction

Upmarket commercial to literary fiction, distinctive voice/character-driven with strong hook/unusual perspective, multigenerational novels, gripping love stories, funny fiction, feminist/revisionary, experimental/form. Non-fiction: memoir and narrative, history, food writing/food system, nature/planet, popular science, genre-melding cultural writing

Email submissions@janklow.co.uk with your full name, the title of your work, and Claire Paterson Conrad's name in the subject line. For fiction: include a covering letter (in the email body), synopsis, and the first three chapters or first fifty pages as attachments. For non-fiction: include a covering letter, a full chapter-by-chapter outline, and a sample chapter. All documents should be double-spaced, size 12, in a reasonable font, and submitted as Word or PDF attachments — no external links. Responses are sent within 8 weeks if the agency wishes to read more.

Commercial fiction, saga, romance, historical fiction, book club fiction, up-lit, literary fiction, lgbtq fiction, lgbtq nonfiction, narrative nonfiction, popular science, psychology, history, sport

Wants: Covering letter, first three chapters, synopsis, detailed proposal

Laura MacDougall is a literary agent at United Agents with a broad and eclectic list across adult fiction and non-fiction. She represents commercial fiction including saga, romance, historical, book club and up-lit, and literary fiction ranging from the quirky to the daring and experimental, with a particular love of historical fiction and novels about relationships and family life. As a queer woman she represents many LGBTQ writers and is keen to hear from LGBTQ authors across fiction and non-fiction. In non-fiction she wants big ideas books and narrative non-fiction across popular science, psychology and culture, sport, history, and race, class, gender, sexuality and identity. She does not represent young adult or children's books, science fiction, fantasy or horror, Mind Body Spirit non-fiction, or cookery and food writing.

Submit through United Agents naming Laura MacDougall. For fiction send the first three chapters and a synopsis. For non-fiction send a detailed proposal.

General fiction, thrillers, crime, historical fiction, suspense, mystery, women's commercial fiction, non-fiction, arts and crafts, cookery, biography and autobiography, popular science, business, natural history, sport, travel, health

Wants: See submissions page; requires synopsis and first 3 chapters.

General fiction including thrillers, crime, historical fiction, suspense, mystery, and women's commercial fiction. On the nonfiction side, illustrated books covering arts and crafts, cookery, biography and autobiography, popular science, business, natural history, sport, travel, and health. Open to submissions from new authors.

Email a brief synopsis and the first three chapters as Word or Open Document attachments to mail@limelightmanagement.com. Include 'Submission' in the subject line and the title of your work in the attachment filename. Also include a note about your professional life and writing ambitions.

Middle grade, ya, sff, children's

Wants: Per fba new voices bio: YA and commercial adult fiction; romance and fantasy for all ages; smart/engaging/bold with international appeal. note: agency submissions page currently not accepting fantasy/romantasy/SFF or children's/YA.

Actively building a list spanning middle grade, YA and crossover fiction across all genres, and selective adult fiction in the SFF space. Drawn to immersive world-building, complex characters, twisty plots, and stories exploring identity, belonging and transformation.

Submit via the PFD submissions page. Include a covering letter, one-page synopsis, and first three chapters or approximately 10,000 words.

Narrative and commercial non-fiction, literary fiction

Strong new voices in non-fiction across musical, visual, dramatic, cultural and culinary arts, history, memoir, biography, essays and humour, select fiction and literary-quality short stories

Email - natalie@greyhoundliterary.co.uk

Science fiction, fantasy, horror, crime, thriller, sport non-fiction

Commercial fiction, especially science fiction, fantasy, horror, crime and thrillers. Also looking for sport-related non-fiction and keen to see submissions from under-represented voices and LGBTQ writers.

Email jamie@theampersandagency.co.uk

Commercial non-fiction, self-help, memoir, literary non-fiction

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Building a list of fiction and non-fiction authors with a particular focus on digital-first writers. Specialises in commercial, self-help and literary non-fiction across memoir, mindfulness, interior design and lifestyle. A committed advocate for emerging and diverse writers.

Email - hello@bergstromstudio.co.uk

Crime fiction, thriller, mystery, book club fiction

Adult commercial fiction paired with punchy concepts and irresistible voice. Particularly drawn to psychological thrillers where nothing is as it seems, groundbreaking mysteries that blur genres, and literary crime writing that crosses boundaries. Also actively looking for book club novels with exceptional writing that create emotional resonance, as well as imaginative cross-genre works that blend mystery with horror, romance, or other unexpected combinations.

Send your submission to EdSubmissions@theblairpartnership.com. Include your manuscript or sample pages along with a cover letter outlining your concept and voice.

Fiction and select non-fiction

Commercial and book-club fiction, selective romance, thrillers/mystery, different-feeling historical fiction, selective YA, selective non-fiction (popular history/untaught areas, cultural deep-dives, narrative non-fiction). Not children's, not sci-fi, not grisly horror

Submit via the online form on Hannah Schofield's agent page at https://lbabooks.com or agents or hannah-schofield

Fiction, non-fiction

Fiction: crime/thrillers across commercial-literary, atmospheric/setting-as-character, accessible speculative, ghost stories, folk horror, originality and distinctive voice, humour threaded. Non-fiction: narrative history/prehistory, memoir, nature/landscape, folklore

Email submissions@hardmanswainson.com. For fiction, attach a one-page synopsis and the full manuscript. For non-fiction, attach a proposal and a sample chapter (or the full work if completed). Name your chosen agent in the cover email. Submit to one agent only, do not email individual agent addresses.