UK Commercial fiction Literary Agents

Commercial fiction, women's fiction, romance, romantasy, narrative non-fiction

Love stories with a cool edge — rom-coms, sweeping romances, and stories where friendship is as central as romance. Open to all kinds of love stories including romantasy with strong world-building, star-crossed lovers, and opposites-attract dynamics. Characters who are coming into their own, discovering something new about themselves, who pull at your heartstrings and bring joy. Strong women's fiction where characters navigate the complexities of relationships and the non-linearity of life. Fiction that is transporting and atmospheric in the vein of Lucinda Riley and Kristin Hannah, and upmarket commercial fiction tackling universal themes of love, loss, friendship, and family. Also interested in stories that explore recent history or illuminate the world through fiction, research, or reportage.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email. Include Kate Rizzo's name in the subject line. Attach the first three chapters or around fifty pages plus a one-to-two page synopsis as Word documents (not PDFs). The synopsis should reveal the ending. Do not submit until the full manuscript is complete.

Literary fiction, commercial fiction, crime, sci-fi, short story collections, poetry, narrative non-fiction, history, travel, food, nature writing, investigative journalism, popular science, popular psychology, children's, ya

Wants: Cover letter and ~500-word synopsis and first 3 chapters; include contact details

Literary, book club, and commercial fiction including thrillers and YA; short story collections and poetry; narrative non-fiction with strong style; well-crafted crime and sci-fi; history, politics, science, psychology, true crime, travel, food, nature writing, investigative journalism, and popular psychology. Writers for children and young adults are also welcome.

Submit by email or post. The postal address is 29 Wardour Street, London W1D 6PS. For email, visit georginacapel.com or contact to find the address.

Literary fiction, commercial fiction, short story collections

Literary, book club, and commercial fiction, and short story collections.

Email: polly@georginacapel.com

Fiction

Mystery, suspense, thrillers, crime, book club fiction, grounded speculative/high-concept (no high fantasy), stories with escapism, strong series characters, ensemble casts, nature-as-character settings

Online form - https://darleyanderson.com or submissions/

Fiction and non-fiction

Commercial/book club fiction (edging literary), thrillers with unusual location or speculative edge, historical with real figures, gothic/magical/haunted, speculative love stories, romcoms, fantasy with unique magic/folklore. Non-fiction from experts/creators including food writing, women's health, maternal/sport/mental health. Not sci-fi, erotica, graphic novels, children's/MG/YA, or poetry

Online form - https://www.greenstoneliterary.com or submissions

Adult fiction and select non-fiction

Horror (literary to commercial, gothic, dark academia), literary/book-club, high-concept/time-slip, romcom/cozy romance, cosy fantasy, dystopian, non-fiction from experts (nature/climate/psychology/self-help/health/neurodiversity/science etc.)

Online form - https://hs-la.com or submissions/

Fiction and non-fiction

Story-led commercial/literary: romantic or suspense fiction, compelling memoir, iconic history, edgy humour, 'gleam in the author's eye'

Email - sohoagencysubmissions@gmail.com

Literary fiction, commercial fiction, romance, book club fiction, culture and society non-fiction, cookery

Literary and commercial fiction alongside romance novels with strong book club appeal. In non-fiction, writing that explores culture and modern society, as well as cookery in all its forms, from narrative food writing to practical cookbooks.

Submissions can be sent by email to honor@rcwlitagency.com.

Literary fiction, upmarket fiction, book club fiction, narrative non-fiction, memoir, essay collections, food writing, cookbooks

Fiction and non-fiction from underrepresented voices. In fiction, drawn to literary, upmarket and book club novels exploring family and relationship dynamics, sexuality, identity, and vulnerability — particularly stories about polyamory and ethical non-monogamy, epic multi-generational narratives, intelligent romantic comedies, relationship drama, coming-of-age tales centred on girlhood, and intimate formally inventive prose. In non-fiction, interested in narrative, memoir and essay collections from experts, academics, critics and journalists writing about society and culture, especially writers seeking to reshape conversations in their field. Particularly keen to add cookbooks and food writing to her list. Does not represent children's, YA or fantasy.

Email submissions@watsonlittle.com with Ciara's name specified. Include a cover letter in the body of the email with genre, word count, one-line pitch and a brief author bio. For fiction, attach approximately 10,000 words from the beginning of the manuscript and a separate synopsis as Word documents. For non-fiction, attach a full proposal as a single Word document. Do not submit to more than one Watson, Little agent at once. No AI-generated material accepted.

Fiction, non-fiction

Speculative fiction, commercial fiction, literary fiction, crime and thriller, serious non-fiction (big ideas/subversive assumptions, serious histories, narrative non-fiction re contemporary events/issues)

Email alexander@greyhoundliterary.co.uk with a cover letter pitch in the body of the email. For fiction, attach the first three chapters and a synopsis. For non-fiction, attach a proposal and sample writing. Do not submit by post. Do not submit to more than one agent at the agency.

Literary and upmarket or book club fiction

Character-driven, emotionally resonant, culturally insightful literary/upmarket fiction, sweeping narratives, complex family dynamics, intergenerational sagas, sociopolitical/postcolonial/global themes, speculative or magical realism grounded in human experience, literary thrillers with psychological nuance

Online form - https://www.madeleinemilburn.co.uk or submissions/

Fiction, non-fiction

Wide taste, currently especially women's commercial fiction/romance, funny books, untold/queer histories, and diverse voices in narrative food/travel/nature writing

Email submissions@lutyensrubinstein.co.uk with a cover letter, short synopsis, and the first three chapters or approximately 5,000 words.

Commercial fiction, saga, romance, historical fiction, book club fiction, up-lit, literary fiction, lgbtq fiction, lgbtq nonfiction, narrative nonfiction, popular science, psychology, history, sport

Wants: Covering letter, first three chapters, synopsis, detailed proposal

Laura MacDougall is a literary agent at United Agents with a broad and eclectic list across adult fiction and non-fiction. She represents commercial fiction including saga, romance, historical, book club and up-lit, and literary fiction ranging from the quirky to the daring and experimental, with a particular love of historical fiction and novels about relationships and family life. As a queer woman she represents many LGBTQ writers and is keen to hear from LGBTQ authors across fiction and non-fiction. In non-fiction she wants big ideas books and narrative non-fiction across popular science, psychology and culture, sport, history, and race, class, gender, sexuality and identity. She does not represent young adult or children's books, science fiction, fantasy or horror, Mind Body Spirit non-fiction, or cookery and food writing.

Submit through United Agents naming Laura MacDougall. For fiction send the first three chapters and a synopsis. For non-fiction send a detailed proposal.

Literary fiction, book club fiction, upmarket commercial fiction, narrative nonfiction, cookery, feminist fiction, feminist nonfiction

Wants: Literary/book club/upmarket commercial fiction; historical and women's fiction; open to speculative and romance crossovers; non-fiction that surprises/challenges; cookery/food writing; feminist narratives; underrepresented voices. not seeking children's/YA, crime, thriller or horror.

Laurie Robertson is an agent at Peters Fraser and Dunlop building a list of adult fiction and non-fiction. She is actively looking for literary, book club and upmarket commercial fiction with strong original voices, uplifting narratives, clever storytelling, strong emotional hooks and complex characters. On non-fiction she wants stories that surprise and challenge, narrative non-fiction that reads like fiction, and cookery from food writers who can transport the reader. She is always keen on feminist narratives across fiction and non-fiction and on voices from underrepresented backgrounds. She is not currently looking for children's or young adult, crime, thriller or horror.

Email one agent or assistant only, include a cover letter, full synopsis, and first 3 chapters or approximately 50 pages for fiction, or a detailed proposal for non-fiction. Find contact details at https://petersfraserdunlop.com or our-team/

Fiction, nonfiction, commercial fiction, book club fiction, thriller, literary memoir, narrative nonfiction, commercial nonfiction, cookery, food writing

Wants: Non-fiction that informs understanding of world/society; life writing; topical/essayistic; cookery/food; experts writing accessibly. fiction: 'what if' novels; incisive/witty; moral dilemmas; fun romantic reads. not children/YA; not historical fiction; not adult sf/fantasy

Sile Edwards is a literary agent at Andrew Nurnberg Associates building a list across adult fiction and non-fiction, with a focus on perspectives that have historically been excluded from the mainstream. She has worked on cookery and food writing, literary memoir, historical biography, commercial non-fiction, contemporary and commercial fiction, and thriller. She is not the right agent for children's or young adult writing, or for adult historical fiction, science fiction or fantasy.

Submit through the Andrew Nurnberg Associates submissions page and follow the agency guidelines, naming Sile Edwards as your chosen agent. Do not approach the agency generally.

Historical thrillers, literary fiction, upmarket genre fiction, book club fiction, science writing, food writing, history, nature writing, music journalism, memoir, cultural criticism

Wants: Contemporary crime and thrillers; historical fiction (esp historical crime); books with a fresh angle/clear identity; non-fiction on any subject with a strong angle and page-turning storytelling

Contemporary crime and thrillers, historical fiction and historical crime, upmarket and literary fiction with a fresh or distinctive angle, voices from marginalised or underrepresented communities, and non-fiction on any subject where the author has found the right angle and can make the material a page-turning story

Email submissions@greeneheaton.co.uk with covering letter in the body of the email. Fiction: attach first three chapters or around fifty pages plus a one-to-two page synopsis that reveals the ending. Non-fiction: attach three sample chapters or around fifty pages plus a chapter breakdown or synopsis. Attach files as Word documents, not PDFs. Include preferred agent name in the subject line.

Commercial fiction, literary fiction, romance, crime, thriller, historical fiction, narrative non-fiction, true crime, cookery and food writing

Wants: Commercial to accessible literary fiction; plot-driven stories exploring big emotions; romance; family/friendship sagas; twisty crime/thrillers; grounded dystopian; narrative-led non-fiction (true crime/untold histories etc.)

Plot-driven fiction from commercial to the accessible end of the literary spectrum, including romance and rom-coms (particularly with queer love or interesting backdrops), sweeping family and friendship sagas, unputdownable crime and thriller standalones, upmarket psychological crime, contemporary and historical fiction (especially based on real events, with gothic elements, or focusing on underrepresented lives), narrative non-fiction that reads like fiction, literary true crime, untold histories, accessible books on complex topics, and cookery and food writing with uncomplicated recipes. Keen to hear from authors whose voices are underrepresented in publishing. Not currently taking YA, children's, poetry, fantasy, romantasy, science fiction, diet, or business projects.

Email sian@blakefriedmann.co.uk

Children's (mg or ya or crossover), adult commercial fiction, narrative non-fiction

Genre fiction and crossover children's, boy-led MG, teen fiction, graphic novel/illustrated MG or younger YA, quirky fantasy, dark/off-beat romantic comedy, domestic noir, cultural history/narrative non-fiction with strong voice

Email submissions@nurnberg.co.uk with a cover letter in the body of the email, a one-page synopsis and first three chapters or up to 50 pages as attachments. Mark the subject line FAO Gyamfia Osei. For non-fiction, send an overview, chapter outlines, and three sample chapters.

Fiction and narrative non-fiction

Fiction (adult and YA), literary and commercial, narrative non-fiction; strong voices and stories with narrative drive. Not: children's, genre sci-fi/fantasy, poetry, scripts

Email a short covering letter, a one or two page synopsis, and the first three chapters of your completed manuscript to info@christinegreen.co.uk. Exclusive submissions preferred, if submitting to multiple agents and you receive an offer before hearing back, notify them promptly.

Children's fiction, middle grade, ya, adult fiction

Children: singular/underrepresented voices, powerful ideas. Adult: commercial women's fiction, uplit, sagas, romance (contemporary, romcom, historical)

Email catherine@marjacq.com with a covering letter in the body of the email, the first fifty pages of the manuscript and a synopsis (for fiction) attached as Word or PDF documents, with total file size not exceeding 2MB.

Children's fiction, ya, graphic novels, illustrated fiction

Bold, commercial, zeitgeisty children's/YA, prioritises under-represented voices, not currently taking on new picture book clients

Email sohoagencychildrenssubmissions@gmail.com with first 3 chapters or first 30 pages, a synopsis, and a covering letter, addressed FAO Lydia Silver.

Fiction, non-fiction

Fiction: crime/thrillers across commercial-literary, atmospheric/setting-as-character, accessible speculative, ghost stories, folk horror, originality and distinctive voice, humour threaded. Non-fiction: narrative history/prehistory, memoir, nature/landscape, folklore

Email submissions@hardmanswainson.com. For fiction, attach a one-page synopsis and the full manuscript. For non-fiction, attach a proposal and a sample chapter (or the full work if completed). Name your chosen agent in the cover email. Submit to one agent only, do not email individual agent addresses.

Fiction and non-fiction

Crime fiction, unputdownable literary and commercial fiction, non-fiction that makes you think/question the world

Email submissions@lutyensrubinstein.co.uk with a covering letter, a short synopsis, and the first three chapters or up to 5,000 words. If you have a particular agent in mind, note this for Susannah Godman. No scripts, no postal submissions.

Literary fiction, commercial fiction, illustrated non-fiction, serious non-fiction

Novels across the literary-commercial scale and non-fiction from highly illustrated to serious non-fiction, with diversity within the list as an ever-present priority. Does not represent scriptwriting, high fantasy, or, in non-fiction, business, self-help or parenting books. Represents poetry and children's books (including MG and YA) only where she already represents the author.

Email submissions@philippasitters.co.uk with a cover letter in the email body. For fiction, attach the first 30 pages (double spaced) and a 1-2 page synopsis (single spaced) as Word documents or PDFs. For non-fiction, attach a proposal with a detailed chapter outline and up to three sample chapters (double spaced), information on target market and comparable titles is helpful but not required.

Fiction and non-fiction

Literary and commercial fiction, children's and YA, non-fiction including memoir/biography, cookery, gardening, humour, history, lifestyle, mind-body-spirit, politics, popular science, psychology, travel

Email - submissions@sheilland.co.uk

Crime, commercial fiction, non-fiction

Horror fiction, non-fiction relating to education, politics, and feminism

Email submissions@cmm.agency

Narrative and commercial non-fiction, literary fiction

Strong new voices in non-fiction across musical, visual, dramatic, cultural and culinary arts, history, memoir, biography, essays and humour, select fiction and literary-quality short stories

Email - natalie@greyhoundliterary.co.uk

General fiction, thrillers, crime, historical fiction, suspense, mystery, women's commercial fiction, non-fiction, arts and crafts, cookery, biography and autobiography, popular science, business, natural history, sport, travel, health

Wants: See submissions page; requires synopsis and first 3 chapters.

General fiction including thrillers, crime, historical fiction, suspense, mystery, and women's commercial fiction. On the nonfiction side, illustrated books covering arts and crafts, cookery, biography and autobiography, popular science, business, natural history, sport, travel, and health. Open to submissions from new authors.

Email a brief synopsis and the first three chapters as Word or Open Document attachments to mail@limelightmanagement.com. Include 'Submission' in the subject line and the title of your work in the attachment filename. Also include a note about your professional life and writing ambitions.

Literary fiction, book club fiction, memoir, narrative non-fiction

Distinctive voices, strong writing, literary-to-commercial sweet spot, short powerful novels, ambitious intergenerational stories, gothic, historical, some fantasy, experts writing popular science/health/social history

Email a covering letter, a short synopsis, and the first three chapters (or up to 5,000 words) to submissions@lutyensrubinstein.co.uk. If you have a particular agent in mind, let the reader Susannah Godman know. No plays or scripts, do not post unsolicited manuscripts.

Middle grade, ya, sff, children's

Wants: Per fba new voices bio: YA and commercial adult fiction; romance and fantasy for all ages; smart/engaging/bold with international appeal. note: agency submissions page currently not accepting fantasy/romantasy/SFF or children's/YA.

Actively building a list spanning middle grade, YA and crossover fiction across all genres, and selective adult fiction in the SFF space. Drawn to immersive world-building, complex characters, twisty plots, and stories exploring identity, belonging and transformation.

Submit via the PFD submissions page. Include a covering letter, one-page synopsis, and first three chapters or approximately 10,000 words.

Science fiction, fantasy, horror, crime, thriller, sport non-fiction

Commercial fiction, especially science fiction, fantasy, horror, crime and thrillers. Also looking for sport-related non-fiction and keen to see submissions from under-represented voices and LGBTQ writers.

Email jamie@theampersandagency.co.uk

Commercial non-fiction, self-help, memoir, literary non-fiction

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Building a list of fiction and non-fiction authors with a particular focus on digital-first writers. Specialises in commercial, self-help and literary non-fiction across memoir, mindfulness, interior design and lifestyle. A committed advocate for emerging and diverse writers.

Email - hello@bergstromstudio.co.uk

Reading group fiction, women's fiction, speculative fiction, memoir, narrative-led non-fiction, nature writing, media tie-in, pop-science, big ideas

Wants: Quality and commercial fiction and non-fiction (no children's books)

Fiction with original, well-drawn characters, unusual plots, and writing that extends the margins of genre expectations; novels with unique voices and subtle humour that feel different and unexpected. Non-fiction where an expert voice is married to a new, exciting idea that offers the reader some form of utility; also memoir, narrative-led non-fiction, nature writing, media tie-in projects, pop-science, and big ideas. Does not represent children's books.

Online form - https://dunnfogg.co.uk or submissions/

Fiction, non-fiction, literary fiction, commercial fiction

Wants: Strong commercial genre fiction (noir-ish thrillers/spy/gritty crime; also saga/romance/romcom) and surprising reading-group fiction; non-fiction with strong narrative voice in memoir/history and big ideas/smart thinking

Wide range of fiction and non-fiction, literary and commercial. Has a taste for the unlikely, likes to be surprised and transported. In fiction, loves stories that take him somewhere strange and wonderful. For non-fiction, loves books that reveal something new or inspire readers to imagine the world differently.

Email - submissions@sheilland.co.uk

Fiction

Crime and thriller, dark commercial/book-club-leaning fiction, high-concept psychological suspense, clever mysteries, propulsive thrillers, smart genre blends

Email - stephanieglencross@davidhigham.co.uk

Fiction and non-fiction

Fiction: high-concept crime/thrillers, female-led commercial, upmarket commercial, book club, contemporary women's stories, romance, underrepresented voices, fresh-take historical, funny smart romcoms, sagas, gothic, sweeping love stories. Non-fiction: humour, memoir, lifestyle, social justice/polemic, cookery. Not horror/ghosts, not SFF, not YA/children, not sport/true crime, no short stories/novellas, no poetry/screenplay

Email db.submission@dhhliteraryagency.com with a cover letter, first 3 chapters, and a 1-page synopsis as Word attachments.