UK Narrative non-fiction Literary Agents

Literary fiction, speculative fiction, narrative nonfiction, subject-led nonfiction, poetry

Wants: Literary-spectrum fiction (incl speculative); narrative-forward nonfiction with original idea/voice; not currently taking on new poets

Literary novels that prioritise plot and find fun, surprising ways to explore ideas or a moment in time — entertaining, thought-provoking, and ideally moving. Open to work that plays with and elevates genre. In nonfiction, drawn to original ideas with unique, narrative-driven telling, whether from journalists, memoirists, thought leaders, academics, or cultural figures. Not currently taking on new poets.

Email submissions@aitkenalexander.co.uk with the agent's name in the subject line. For fiction, attach the first three chapters or fifty pages plus a short synopsis as Word-compatible files. For narrative nonfiction, attach a short overview and up to 10,000 words of sample writing. For subject-led nonfiction, attach a proposal of around 5,000 words and at least 5,000 words of sample writing. Include a cover letter with a book description, any writing credits or qualifications, and a brief bio. Do not submit directly to the agent's assistant.

Literary fiction, narrative non-fiction, poetry

Literary fiction with clarity, energy and intention, ambitious structure/craft, tactile/idiosyncratic sentences, strange/spooked books, big family novels and love stories, literary genre-bending. Non-fiction: literary biography, social/cultural/oral history, creative scholarship, memoir/essay, interests include art, design, psychoanalysis, food, women's lives

Email submissions@aitkenalexander.co.uk with subject line marked FAO Harriet Moore. Include a cover letter with a short book description, any writing credits or qualifications, and a brief bio. For fiction, attach the first three chapters or 50 pages plus a short synopsis. For narrative non-fiction, attach a short overview and up to 10,000 words of sample writing. For subject-led non-fiction, attach a proposal of approximately 5,000 words and at least 5,000 words of sample writing. Attachments should be Microsoft Word compatible. Submit to one agent only, no postal submissions. If you have not heard back within three months, treat this as a pass.

Literary fiction and narrative non-fiction

Fiction: stunning sentences, convincing narratives, on-the-page magic. Non-fiction: narrative, personal accounts with political context, transporting/teaching. Original voices and captivating storytelling

Email submissions@aitkenalexander.co.uk with the subject line marked FAO Lisa Baker. For fiction, attach the first three chapters or up to fifty pages plus a short synopsis as Word-compatible files. For narrative non-fiction, include a short overview and up to 10,000 words of sample writing, for subject-led non-fiction, a proposal of approximately 5,000 words and at least 5,000 words of sample writing. Include a cover letter with a brief book description, any writing credits or qualifications, and a short biographical note. Submit to one agent only, do not contact agents' assistants directly.

Fiction and narrative non-fiction

Fiction (adult and YA), literary and commercial, narrative non-fiction; strong voices and stories with narrative drive. Not: children's, genre sci-fi/fantasy, poetry, scripts

Email a short covering letter, a one or two page synopsis, and the first three chapters of your completed manuscript to info@christinegreen.co.uk. Exclusive submissions preferred, if submitting to multiple agents and you receive an offer before hearing back, notify them promptly.

Literary fiction, general fiction, epic fantasy, history, memoir, reportage, narrative nonfiction, art, music, nature writing

Beautiful, ambitious, and unusual literary fiction, epic fantasy, and upmarket general fiction that is emotionally engaging and compulsively readable. In nonfiction, interested in history, memoir, reportage, and big ideas, as well as writing on art, music, literature, and nature.

Submit via the button on John Ash's agent profile page at https://www.caa.com or entertainmenttalent or books or agent or john-ash/. For fiction, include a cover letter, synopsis, and the first three chapters or opening 50 pages. For nonfiction, include a cover letter and proposal.

Commercial fiction, saga, romance, historical fiction, book club fiction, up-lit, literary fiction, lgbtq fiction, lgbtq nonfiction, narrative nonfiction, popular science, psychology, history, sport

Wants: Covering letter, first three chapters, synopsis, detailed proposal

Laura MacDougall is a literary agent at United Agents with a broad and eclectic list across adult fiction and non-fiction. She represents commercial fiction including saga, romance, historical, book club and up-lit, and literary fiction ranging from the quirky to the daring and experimental, with a particular love of historical fiction and novels about relationships and family life. As a queer woman she represents many LGBTQ writers and is keen to hear from LGBTQ authors across fiction and non-fiction. In non-fiction she wants big ideas books and narrative non-fiction across popular science, psychology and culture, sport, history, and race, class, gender, sexuality and identity. She does not represent young adult or children's books, science fiction, fantasy or horror, Mind Body Spirit non-fiction, or cookery and food writing.

Submit through United Agents naming Laura MacDougall. For fiction send the first three chapters and a synopsis. For non-fiction send a detailed proposal.

Fantasy, speculative fiction, romantic fantasy, romantic fiction, general fiction, literary fiction, narrative non-fiction, memoir, cookery

Grounded fantasy with light magical elements edging toward speculative or dystopic, with exceptionally strong world-building. Romantic fantasy with compelling protagonists, particularly a queer male lead or a non-binary/gender-neutral vampire story. Romantic fiction with a strong USP, enemies-to-lovers dynamics, competitive settings, and crossover with horror or crime. General fiction exploring friendship over time, sibling relationships, ensemble casts, and modern loose retellings of classics or plays — especially an own-voices retelling of The Crucible from Abigail Williams' perspective. In non-fiction: narrative memoir with a fresh angle, pop and fan culture exploring why topics trend online, and cookbooks from authors with strong social media platforms.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email and attachments as Word Documents. Include Mia Dakin's name in the subject line. Fiction: first three chapters or around fifty pages plus a one-to-two page synopsis that reveals the ending. Non-fiction: three sample chapters or around fifty pages plus a proposed chapter summary, your reasons for writing the book, and your intended readership. AI-generated or AI-edited submissions are not accepted.

Fiction and narrative non-fiction

General fiction, book club, literary fiction, smart clean or lyrical prose, interesting form/structure, character-driven with unusual protagonists, stories exploring gender/race/class/sexuality, selective memoir/nature/social commentary

Email a concise cover letter with contact details and relevant background, a brief synopsis, and either the first three chapters or a detailed proposal to london@susannalea.com. Do not submit to more than one office.

Commercial non-fiction, self-help, memoir, literary non-fiction

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Building a list of fiction and non-fiction authors with a particular focus on digital-first writers. Specialises in commercial, self-help and literary non-fiction across memoir, mindfulness, interior design and lifestyle. A committed advocate for emerging and diverse writers.

Email - hello@bergstromstudio.co.uk

Picture books, novelty, pre-school, middle grade, narrative non-fiction, general non-fiction, gift, comics, graphic novels, activity books

Exceptional children's book creators, with a particular interest in inventive approaches to familiar themes, passion projects from diverse and exceptional new talents, and innovative formats that push the boundaries of children's publishing. Books that spark curiosity and wonder, especially visually extraordinary objects that reward repeated reading.

Review David Higham's submission guidelines before submitting. Send your work by email to isobelsubmissions@davidhigham.co.uk. If you do not receive a response within twelve weeks, the agent will not be pursuing your work.

Commercial fiction, literary fiction, romance, crime, thriller, historical fiction, narrative non-fiction, true crime, cookery and food writing

Wants: Commercial to accessible literary fiction; plot-driven stories exploring big emotions; romance; family/friendship sagas; twisty crime/thrillers; grounded dystopian; narrative-led non-fiction (true crime/untold histories etc.)

Plot-driven fiction from commercial to the accessible end of the literary spectrum, including romance and rom-coms (particularly with queer love or interesting backdrops), sweeping family and friendship sagas, unputdownable crime and thriller standalones, upmarket psychological crime, contemporary and historical fiction (especially based on real events, with gothic elements, or focusing on underrepresented lives), narrative non-fiction that reads like fiction, literary true crime, untold histories, accessible books on complex topics, and cookery and food writing with uncomplicated recipes. Keen to hear from authors whose voices are underrepresented in publishing. Not currently taking YA, children's, poetry, fantasy, romantasy, science fiction, diet, or business projects.

Email sian@blakefriedmann.co.uk

Literary fiction, book club fiction, memoir, narrative non-fiction

Distinctive voices, strong writing, literary-to-commercial sweet spot, short powerful novels, ambitious intergenerational stories, gothic, historical, some fantasy, experts writing popular science/health/social history

Email a covering letter, a short synopsis, and the first three chapters (or up to 5,000 words) to submissions@lutyensrubinstein.co.uk. If you have a particular agent in mind, let the reader Susannah Godman know. No plays or scripts, do not post unsolicited manuscripts.

Literary fiction, upmarket commercial fiction, historical fiction, romantic comedy, gothic, horror, crime, psychological thriller, speculative fiction, ya, middle grade, memoir, narrative non-fiction, true crime

Literary and upmarket commercial fiction of all kinds, especially meditative or moving novels about modern life with warmth and heart alongside sharpness. Historical and period fiction that sheds light on untold stories, ambitious cross-centuries narratives, and historical mysteries. High-concept love stories and romantic comedies with depth. Gothic, horror, murder mysteries, ghost stories, psychological thrillers, speculative and magical realist fiction, and novels with a true-crime feel. A small list of YA and middle grade that feels current and contemporary with a real conversation at its core — not currently seeking fantasy or anything younger than middle grade. On the non-fiction side: memoirs of extraordinary people, narrative non-fiction on subjects the author is passionate about, books on mental health, untold stories across popular science, history and popular culture, and a brilliant true crime book. Particularly keen on LGBTQI+ stories and diverse voices from across the globe. Not currently looking for cookery, wellness, or lifestyle.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email. Include the agent's name in the subject line. Fiction: attach the first three chapters or around fifty pages plus a one-to-two page synopsis that reveals the ending, as Word documents. Non-fiction: attach three sample chapters or around fifty pages plus a chapter summary or synopsis, and explain why you are best placed to write the book and who the intended readership is. AI-generated or AI-edited content is not accepted. No postal submissions.

Literary fiction, narrative non-fiction

Unusual stories grounded in the real world but with strange and surreal elements, with a focus on human relationships, queer characters and alternative culture. Diverse and unexpected perspectives that offer new ways of seeing and have something urgent to say about the contemporary world. Particularly interested in debut writers.

Email submissions@rebeccacarterliterary.com with the subject line 'Submission: [your name] [TITLE OF SUBMISSION]'. Address the submission to Tilda (not both Tilda and Rebecca). Include a covering letter in the body of the email. For fiction, attach the first three chapters or up to 10,000 words plus a short synopsis. For non-fiction, attach a detailed proposal and, if possible, a sample chapter. Attach files as Word documents or PDFs, do not include external links. Typescript should be 1.5 or double spaced with page numbers. Files should be saved as '[your name] [TITLE OF SUBMISSION] [document type]'.

Fiction and narrative non-fiction

Fiction: literary and genre including historical/speculative/crime/romance, distinctive voice/worldbuilding, moral dilemmas, families/relationships, darkness and humour. Non-fiction: history/memoir/current affairs/cultural criticism/popular science/travel/food, experts with surprising takes

Email anna@johnsonandalcock.co.uk with a short covering letter including a blurb and author info. For fiction, include a synopsis of no more than two pages and the opening 50 pages. For non-fiction, include a proposal with introduction, chapter breakdown, and sample material totalling around 50 pages. Attachments in Word .doc or .docx format, at least 1.5 line spaced, page-numbered, A4. Submit to one agent only, do not blind-copy.

Literary fiction and narrative non-fiction

Literary fiction with distinctive/off-kilter voice, high-concept literary, realist novels exploring moral/philosophical/political questions, non-fiction bold voices, investigative/essayistic work, cultural histories, literary true crime

Email - seren@lexingtonliterary.co.uk

Literary fiction, crime, thriller, narrative non-fiction, history, politics, culture, psychology, science, nature

Fiction: literary fiction (broadly including book-club) and crime and thriller, excited by risks with voice/form/storytelling, compulsive, ideaful, humane. Non-fiction: original thinkers/writers in history, politics, culture, psychology, science, nature/environment (not straightforward memoir or academic monographs)

Email - submissions@rebeccacarterliterary.com

Non-fiction (primarily)

Narrative non-fiction, story-driven books that speak to a wider world

Email the agent directly using the email address found on her profile page at https://greyhoundliterary.co.uk or agents or dotti-irving. For non-fiction, include a cover letter in the body of the email with a brief pitch, and attach a proposal outlining the book and explaining why you are best-placed to write it, along with sample writing. Submit to one agent only.

Fiction and narrative non-fiction

Remarkable writing, fresh voices, underrepresented perspectives

Email - london@susannalea.com

Fiction and non-fiction, dramatic rights

Narrative non-fiction (memoir/travel/nature/science/human experience), multigenerational family stories, sweeping love stories, twisty thrillers, also food/lifestyle/personal development/pop science/sport/nature/memoir

Email - williamsoffice@sophiehicksagency.com

Non-fiction

Gripping narrative non-fiction, mind-expanding history, biography, memoir, current affairs, sport, popular culture and popular science

Online form - https://www.aevitascreative.com or contact

Book club, crime or thriller, upmarket, literary fiction, narrative non-fiction

Characters that linger, strong setting, book club, high-concept crime/thriller, upmarket/literary, narrative non-fiction with investigative/social commentary. Not children/YA, not SFF

Email - booksubmissions@42mp.com

Investigative journalism, memoir, evidence-based self-help, narrative nonfiction

Wants: Closed to new submissions

Caroline Marsiglia is an agent at Aevitas Creative Management. She is primarily interested in nonfiction, focusing on investigative journalism, memoir, evidence-based self-help, and narrative nonfiction. Across all genres, she is eager to work with authors dedicated to creating a more diverse and accessible literary landscape.

Caroline Marsiglia is currently closed to new submissions. Aevitas states that agents absent from its official submissions drop-down are closed, and Caroline is not currently listed. Do not submit by mail, telephone, or simultaneously to multiple Aevitas agents.

Fiction and non-fiction

Commercial fiction (upmarket women's, book club, romantic suspense, crime series, thrillers), non-fiction (business, feminism, health, cookery, environment, memoir, narrative non-fiction)

Email - sohoagencysubmissions@gmail.com

Crime, thriller, horror, romance, contemporary fiction, historical fiction, memoir, narrative non-fiction, cookbooks, food writing, lifestyle, wellbeing, investigative journalism, nature writing

Hannah represents quality commercial and upmarket fiction and non-fiction. In fiction, she is drawn to crime, thriller and horror novels with a confident voice and fresh approach, love stories ranging from smart romcoms to epic weepy narratives, and general contemporary fiction about complicated people and families—often with a mystery at its heart. She also takes on a small amount of historical fiction set in the 19th and 20th centuries. In non-fiction, she seeks lifestyle and wellbeing titles, narrative non-fiction such as memoir, nature writing and investigative journalism, cookbooks and food writing, and thought-provoking non-fiction across the arts and academia. She is not the right agent for sci-fi, fantasy, action, spy or military thrillers, children's and YA novels, scripts or poetry.

Hannah is currently closed to submissions.

Literary fiction, voice-driven memoir, narrative non-fiction

Literary fiction, voice-driven memoir, topical narrative non-fiction asking challenging questions. Currently not accepting unsolicited submissions

Email - esheinkman@pfd.co.uk

Literary fiction, reading group fiction, commercial fiction, narrative non-fiction, nature writing, memoir, politics, social issues

Fiction and non-fiction that stimulates debate, comments on the world around us, and evokes an emotional response; especially literary and reading group fiction and stories with commercial cross-over appeal; in non-fiction, most interested in narrative non-fiction, nature writing, memoir, politics, and social issues

For fiction, email a cover letter and the first three chapters to submissions@robertcaskie.com. For non-fiction, email a detailed outline, a sample chapter, and an introductory email to submissions@robertcaskie.com. Do not send children's, crime and thriller, YA, horror, or SF. Responses are only sent to those from whom more material is requested.

Narrative nonfiction, true crime, psychology, pop culture, technology, pop science, parenting, crime fiction, mystery

Victoria is most interested in expert-driven narrative nonfiction in the areas of true crime, psychology, pop culture, technology, and pop science. She is also looking for investigative deep dives, illuminating books about parenting (either prescriptive or narrative), and anything geared toward a millennial audience. While nonfiction makes up the bulk of her list, she is also willing to consider crime fiction or mysteries that involve a murder.

Email your chosen agent using the address indicated on their page, or via QueryManager if listed. Include the title in the subject line. Paste the first ten pages of your manuscript in the body of the email — no attachments. For picture books, include the complete text, for illustrated work, include a link to your portfolio or two to three PDFs or JPEGs. Do not query multiple Bent Agency agents simultaneously.

Fiction, non-fiction and children's books

Children's books across all ages, narrative non-fiction, biography, sport, music, autobiography, crime fiction and 'weird and wonderful'. Not poetry, short stories/novellas, educational textbooks, or film/stage scripts

Synopsis and first 3 chapters (max 50 pages) and covering letter (Word or PDF). Picture books: up to 3 full texts plus sample illustrations. Do not submit to more than one BLM agent

Fiction and narrative non-fiction

Fantasy and romance, Irish fiction, crime/true crime with focus on victim/family impact, issues-led narrative non-fiction with personal story, psychology and therapy; with a particular draw to unique concepts, complex characters, and family dynamics

Jess Molloy is currently closed for submissions.

Literary fiction and narrative non-fiction

Literary fiction and narrative non-fiction with international potential and narrative drive, race/sexuality/identity, immigrant perspectives, strong essay writing/memoir. Not children's/YA/genre fiction

Submissions in any language with extensive synopsis and author bio in English

Literary fiction, crime, women's fiction, narrative non-fiction, children's, picture books, ya

Fiction: literary fiction, crime, women's fiction. Non-fiction: narrative. Children's: picture books to YA

Email submissions to submissions@jennybrownassociates.com for adult work (or directly to jenny@jennybrownassociates.com or lisa@jennybrownassociates.com), or to childrens@jennybrownassociates.com for children's submissions. Write a covering letter in the body of the email. Fiction: attach first three chapters (around 50 pages) and a synopsis in a single document. Non-fiction: attach a proposal and a couple of sample chapters. Picture books: send three complete stories. Illustrators: send samples and a link to your website. Attach text as .doc, .docx, or .pdf, illustrations as .jpeg, .gif, or .pdf. Number your pages.

Fiction, crime, thriller, narrative nonfiction, estates

Cara Jones is an agent at RCW Literary Agency. She handles most of the estates at RCW and is looking for exciting new voices in fiction, particularly crime and thrillers, and thought-provoking narrative nonfiction.

Cara Jones is currently closed to submissions according to her official RCW profile. Please check the official profile for updates before querying.

Literary fiction, commercial fiction, crime, thrillers, narrative nonfiction, nature writing, travel, history, anthropology, art, memoir, environment

Voice-driven fiction that introduces readers to different perspectives and singular narrators, beautifully written literary fiction with a strong sense of place, and commercial crime and thrillers that keep the reader on the edge of their seats. Narrative nonfiction that straddles genre, especially nature writing, travel, history, anthropology, art and the environment. Memoir and books by experts and specialists. Would love to find a compelling all-consuming love story, or a food writer of the calibre of Bill Buford or Anthony Bourdain. Does not represent children's, YA or fantasy fiction.

Submissions are currently closed until 1st April 2026. When open, submit by email to sophie.lambert@cwagency.co.uk.

Literary fiction, reading group fiction, memoir, pop culture, narrative non-fiction, essays

Romcoms/relationship dynamics, memoir with strong emotional response, nature and pop culture writing, occasional illustrated books (graphic novels/cookery/photo/gift)

Email queries@lewinsohnliterary.com with your submission. Fiction: include a covering letter, synopsis, and 50 pages (or nearest natural break) in Word format. Non-fiction: include a covering letter, an introduction to the project, a basic chapter breakdown, and a sample chapter, ideally in Word format (PDF accepted where highly illustrated).

Commercial fiction, contemporary fiction, reading group fiction, historical fiction, saga, police procedural, crime, thriller, psychological suspense, narrative non-fiction, cookery, health and wellbeing, parenting, nature, travel

Fiction across contemporary (funny/romantic/moving/high-concept), reading group, historical, saga, police procedural/crime/thriller/psychological suspense, character-led storytelling (incl unreliable narrators). Non-fiction: cookery, health/wellbeing, parenting, nature, travel, female focus, narrative non-fiction with humour and poignance

Submit via the online form at https://amheath.com or submissions — include a covering letter (max 500 words), a synopsis (max 1,500 words), and the first 10,000 words of your manuscript. Rebecca is currently on maternity leave, submit to a colleague instead. Email submissions@amheath.com only if another agent has requested the full manuscript, you have received an offer of representation, you have not heard back within 6 weeks, or you are submitting a cookery proposal or illustrated children's book.