UK Literary Fiction Literary Agents Open to Submissions

Commercial fiction, literary fiction, romance, crime, thriller, historical fiction, narrative non-fiction, true crime, cookery and food writing

Wants: Commercial to accessible literary fiction; plot-driven stories exploring big emotions; romance; family/friendship sagas; twisty crime/thrillers; grounded dystopian; narrative-led non-fiction (true crime/untold histories etc.)

Plot-driven fiction from commercial to the accessible end of the literary spectrum, including romance and rom-coms (particularly with queer love or interesting backdrops), sweeping family and friendship sagas, unputdownable crime and thriller standalones, upmarket psychological crime, contemporary and historical fiction (especially based on real events, with gothic elements, or focusing on underrepresented lives), narrative non-fiction that reads like fiction, literary true crime, untold histories, accessible books on complex topics, and cookery and food writing with uncomplicated recipes. Keen to hear from authors whose voices are underrepresented in publishing. Not currently taking YA, children's, poetry, fantasy, romantasy, science fiction, diet, or business projects.

Email sian@blakefriedmann.co.uk

Narrative non-fiction, literary fiction

Narrative non-fiction with strong writing (science/nature/landscape/anthropology/history/politics/philosophy/gender/health/myth, environmentally aware). Internationally relevant literary fiction, character-led, warm/life-affirming or dark, lasting impression

Email jessicawoollard@davidhigham.co.uk and esmebright@davidhigham.co.uk — submissions should be sent to both the agent and her assistant Esme Bright

Literary fiction, upmarket fiction, historical fiction, literary thrillers, crime, gothic horror, speculative fiction, non-fiction, graphic novels

Literary and upmarket fiction/non-fiction, genre-bending/speculative-adjacent literary, literary historical, family novels, literary thrillers/crime, gothic horror edges, non-fiction art/music/aging/neurodiversity/psychotherapy/sport/science, graphic novels

Submit by email following DHA's submissions guidelines at https://davidhigham.co.uk or submissions/

Literary fiction, upmarket fiction, speculative fiction, horror, magical realism, mythology reimaginings, fairy tale reimaginings, folklore reimaginings, cultural criticism, narrative nonfiction, nonfiction, cookbooks, food writing, short story collections, novellas

Wants: Cover letter, synopsis, first three chapters

Literary and upmarket fiction, speculative fiction, horror, magical realism, and reimaginings of myths, fairy tales, and folklore. Also cultural criticism, narrative nonfiction, big-idea nonfiction, and select cookbooks and food writing. Maria is the only agent at the agency who accepts novellas and short story collections.

Email submissions@mushens-entertainment.com with your submission addressed to Maria. For fiction, include a clear subject line (e.g. Fiction Submission: TITLE), a cover letter in the body of the email, an attached synopsis, and a PDF or Word document containing either the first three chapters, the first 10,000–15,000 words, or the first 50 pages. For non-fiction, include a proposal or the first 10,000–15,000 words of a completed manuscript. For short story collections (40,000–75,000 words total), include a synopsis and the full collection. For novellas (17,000–40,000 words), include a synopsis. Do not use AI to write or edit any part of your submission. Notify the agency if another agent requests your full manuscript or offers representation.

Fiction and narrative non-fiction

Fiction (adult and YA), literary and commercial, narrative non-fiction; strong voices and stories with narrative drive. Not: children's, genre sci-fi/fantasy, poetry, scripts

Email a short covering letter, a one or two page synopsis, and the first three chapters of your completed manuscript to info@christinegreen.co.uk. Exclusive submissions preferred, if submitting to multiple agents and you receive an offer before hearing back, notify them promptly.

Fiction, non-fiction

Fiction: crime/thrillers across commercial-literary, atmospheric/setting-as-character, accessible speculative, ghost stories, folk horror, originality and distinctive voice, humour threaded. Non-fiction: narrative history/prehistory, memoir, nature/landscape, folklore

Email submissions@hardmanswainson.com. For fiction, attach a one-page synopsis and the full manuscript. For non-fiction, attach a proposal and a sample chapter (or the full work if completed). Name your chosen agent in the cover email. Submit to one agent only, do not email individual agent addresses.

Fiction and non-fiction

Crime fiction, unputdownable literary and commercial fiction, non-fiction that makes you think/question the world

Email submissions@lutyensrubinstein.co.uk with a covering letter, a short synopsis, and the first three chapters or up to 5,000 words. If you have a particular agent in mind, note this for Susannah Godman. No scripts, no postal submissions.

Fiction and non-fiction

Non-fiction: narrative, political writing, popular science/psychology, history, big ideas, nature, travel, essays, memoir. Fiction: literary to book club, emotionally complex, families/friendship, vivid historical fiction

Online portal - https://felicitybryan.com or submissions or submit-your-work/

Literary fiction, commercial fiction, illustrated non-fiction, serious non-fiction

Novels across the literary-commercial scale and non-fiction from highly illustrated to serious non-fiction, with diversity within the list as an ever-present priority. Does not represent scriptwriting, high fantasy, or, in non-fiction, business, self-help or parenting books. Represents poetry and children's books (including MG and YA) only where she already represents the author.

Email submissions@philippasitters.co.uk with a cover letter in the email body. For fiction, attach the first 30 pages (double spaced) and a 1-2 page synopsis (single spaced) as Word documents or PDFs. For non-fiction, attach a proposal with a detailed chapter outline and up to three sample chapters (double spaced), information on target market and comparable titles is helpful but not required.

Fiction and non-fiction

Literary and commercial fiction, children's and YA, non-fiction including memoir/biography, cookery, gardening, humour, history, lifestyle, mind-body-spirit, politics, popular science, psychology, travel

Email - submissions@sheilland.co.uk

Narrative and commercial non-fiction, literary fiction

Strong new voices in non-fiction across musical, visual, dramatic, cultural and culinary arts, history, memoir, biography, essays and humour, select fiction and literary-quality short stories

Email - natalie@greyhoundliterary.co.uk

Children's and ya (and some adult)

Middle grade and YA fiction across genres (pref voice/character-driven, contemporary/realistic settings, magical realism, original psychological thrillers, atmospheric horror, light fantasy). Also open to original children/YA non-fiction, selectively adult literary projects

Submit by email via the PFD books submission page at https://petersfraserdunlop.com or submissions or books/, including a cover letter, synopsis, and the first three chapters or approximately 50 pages for fiction, or a detailed proposal for non-fiction.

Literary fiction, book club fiction, memoir, narrative non-fiction

Distinctive voices, strong writing, literary-to-commercial sweet spot, short powerful novels, ambitious intergenerational stories, gothic, historical, some fantasy, experts writing popular science/health/social history

Email a covering letter, a short synopsis, and the first three chapters (or up to 5,000 words) to submissions@lutyensrubinstein.co.uk. If you have a particular agent in mind, let the reader Susannah Godman know. No plays or scripts, do not post unsolicited manuscripts.

Fiction and non-fiction

Strong POVs (especially women), intelligent, witty, emotionally affecting literary/genre fiction and non-fiction, feminist/provocative voices, twists

Email - lizzymanuscripts@davidhigham.co.uk

Literary fiction, narrative non-fiction

Literary fiction and narrative non-fiction, award-winning food writers, academics, stylish prose, sly humour, complex characterisation, challenging ideas and identity

Email zross@unitedagents.co.uk with a one-line elevator pitch, two or three comparable books, and a back-cover blurb. Attach a one-page synopsis and the first three chapters (fiction), or a proposal with a twenty-page writing sample (non-fiction).

Commercial non-fiction, self-help, memoir, literary non-fiction

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Building a list of fiction and non-fiction authors with a particular focus on digital-first writers. Specialises in commercial, self-help and literary non-fiction across memoir, mindfulness, interior design and lifestyle. A committed advocate for emerging and diverse writers.

Email - hello@bergstromstudio.co.uk

Fiction, literary non-fiction, memoir, biography, nature, history

Small list: fiction and literary non-fiction, memoir, biography, nature, history

Email - submissions@nurnberg.co.uk

Non-fiction

History, current affairs/politics/economics, biography and memoir, narrative/literary non-fiction, sport/adventure, pop culture/film/music, popular science/psychology, ideas ('smart thinking'), narrative-led business

Email - andrewgordon@davidhigham.co.uk

Literary fiction, non-fiction

Wants: Literary fiction and non-fiction; does not represent science fiction or fantasy (per agent page)

Represents literary fiction and non-fiction. Clients include Sarah Bakewell, Heston Blumenthal, Frank Cottrell Boyce and A.S. Byatt. Also represents the literary estates of Angela Carter, Alasdair Gray and Nancy Mitford.

Email phoebe@rcwlitagency.com

Fiction, non-fiction, literary fiction, commercial fiction

Wants: Strong commercial genre fiction (noir-ish thrillers/spy/gritty crime; also saga/romance/romcom) and surprising reading-group fiction; non-fiction with strong narrative voice in memoir/history and big ideas/smart thinking

Wide range of fiction and non-fiction, literary and commercial. Has a taste for the unlikely, likes to be surprised and transported. In fiction, loves stories that take him somewhere strange and wonderful. For non-fiction, loves books that reveal something new or inspire readers to imagine the world differently.

Email - submissions@sheilland.co.uk

Fiction and non-fiction

Fiction: literary and speculative (and overlap), all adult/YA fiction (not below YA). Non-fiction: untold/unknown stories, expert insights, narrative/serious non-fiction

Email - submissions@appletreeliterary.com

Literary and general fiction, non-fiction, poetry (select)

Original, distinctive voices, literary and general fiction including short stories, non-fiction with persuasive perspectives and interplay between personal/political (power, class, culture), literary memoir/auto-fiction borderlands, selective cookery/food writing and cookbooks

Email - nicolasubmissions@davidhigham.co.uk

Literary fiction and narrative non-fiction

Literary fiction with distinctive/off-kilter voice, high-concept literary, realist novels exploring moral/philosophical/political questions, non-fiction bold voices, investigative/essayistic work, cultural histories, literary true crime

Email - seren@lexingtonliterary.co.uk

Literary fiction, non-fiction, estates

Wants: Synopsis, three chapters, covering letter

Nemonie Craven Roderick is a director of Jonathan Clowes Ltd. Her clients include the Estate of Doris Lessing, the Estate of Elizabeth Jane Howard, the Estate of David Nobbs, Maureen Duffy, Miles Gibson, Simon Critchley, Toby Vieira, Delyth Badder, David Llewellyn, and Gruff Rhys.

Email - nemonie@jonathanclowes.co.uk

Commercial fiction, literary fiction, commercial non-fiction, children's fiction, ya

Wants: Agency is building its list and welcomes unsolicited submissions (see remit on site)

Commercial and literary fiction across all genres, commercial non-fiction, and children's and young adult fiction, with a particular interest in projects with book-to-screen adaptation potential

Email info@whisperingbuffalo.com marked for the attention of the Submissions Department. For fiction include a brief biography, one-page synopsis, and first three chapters (double-spaced) as a Word document attachment. For non-fiction include a proposal and sample chapter.

Fiction and non-fiction

Non-fiction: history, popular science, social issues, nature, money/life management, music, sport, film, technology, memoir, true crime, experts with wide appeal. Fiction: literary and well-written commercial, boundary-pushing style with emotional heart and plot, upmarket with satisfying arc, historical or contemporary, genre-mixing

Email submissions@watsonlittle.com with a cover letter in the body of the email, a synopsis, and approximately 10,000 words from the beginning of the manuscript for fiction, or a proposal including a sample chapter and chapter summaries for non-fiction. Address one agent only. No AI-originated or AI-edited material.

Literary fiction, upmarket fiction, non-fiction

Literary and upmarket fiction and non-fiction (incl lifestyle/wellbeing), stand-out stories with strong leading idea and emotional depth, humour/charm. Currently not looking for crime fiction

Email submissions@watsonlittle.com with a cover letter in the body of the email, a synopsis, and approximately 10,000 words from the beginning of the manuscript as a Word document. For non-fiction, send a proposal as a single document including a sample chapter and chapter list with summaries.

Literary fiction

See source page for more info

Email submissions@paperliterary.com with the agent's name, manuscript title, and your full name in the subject line. Include your query letter in the body of the email, and attach a one-page synopsis and the first three chapters (approximately 10,000 words) as Word documents. Address the email to Catherine Cho specifically.

Fiction, literary memoir, narrative nonfiction

Actively seeking wide-ranging fiction: excellent writing, compelling plots, diverse/unexpected voices, engrossing reads, especially literary/commercial crossover, romantasy, psychological thrillers/suspense, family dramas, savvy love stories, ambitious crime/thriller, smart historical/speculative/magical realism. Not looking for children's/YA/MG, short story collections, poetry or drama, no straight sci-fi or high fantasy that is not romantasy

Email nelle@rmliterary.co.uk with a one-page outline, the first 3 chapters or 50 pages, and a covering letter.

Fiction and narrative non-fiction

General fiction, book club, literary fiction, smart clean or lyrical prose, interesting form/structure, character-driven with unusual protagonists, stories exploring gender/race/class/sexuality, selective memoir/nature/social commentary

Email a concise cover letter with contact details and relevant background, a brief synopsis, and either the first three chapters or a detailed proposal to london@susannalea.com. Do not submit to more than one office.

Non-fiction and select fiction

Non-fiction: compelling narrative history, ideas books on urgent questions, absorbing biography and memoir, pop culture, humour, and entertainment. Fiction: memorable characters on gripping journeys, principally crime or literary-commercial crossover. Not considering children's, YA, sci-fi/fantasy, or screenplays

Send your work and a covering letter to wiseofficesubmissions@curtisbrown.co.uk. Gordon Wise and his team are taking on only a couple of fiction writers a year. They are not considering submissions for Children's, Young Adult, Science Fiction, Fantasy, or screenplays. If you have not heard back within four to six weeks, this means they are unable to offer representation.

Literary fiction, commercial fiction, women's fiction, crime fiction, non-fiction

Well-written commercial and literary fiction (incl women's fiction, award-winning crime, upmarket), interested in dysfunctional families, outsiders, messiness, working-class/regional voices (Irish/Scottish), diverse perspectives. Non-fiction: housing, class, feminism, social change, globalisation, sexuality and similar areas

Email - submissions@ryeliterary.com

Fiction and non-fiction

Adult crime, thrillers and suspense, contemporary romance, women's fiction (commercial/literary/historical/humour). Adult non-fiction: mental health advocates, adventurers, entertainers

Email - submission@bell-lomax.co.uk

Fiction and non-fiction

Fiction: literary/well-written including pacey thrillers. Non-fiction: accessible, estimable writing with commercial potential (journalists/experts/scholars/public figures, fascinating true stories)

Email - submissions@jonathanpegg.com

Memoir, geography, economics, politics, history, nature writing, biography, science, travel, literary fiction

Wants: Genres include memoir; geography; economics; politics; history; nature writing; biography; science; travel; and literary fiction.

See source page for more info

Email james@jameslockhartagency.com with a covering letter in the body of the email and the first 30 pages attached as a Word doc or PDF.

Fiction and non-fiction

Fiction: literary/upmarket with edge, romance (incl dark academia, paranormals, grounded romantasy), mysteries with fresh angle, some literary speculative (not hard SFF). Non-fiction: science/nature, art/culture, social issues/politics, love/relationships, illustrated non-fiction, food/drink

Email (to one agent) - dchandley@pfd.co.uk