United Kingdom Literary Agents Open to Submissions

Commercial fiction, literary fiction, commercial non-fiction, children's fiction, ya

Wants: Agency is building its list and welcomes unsolicited submissions (see remit on site)

Commercial and literary fiction across all genres, commercial non-fiction, and children's and young adult fiction, with a particular interest in projects with book-to-screen adaptation potential

Email info@whisperingbuffalo.com marked for the attention of the Submissions Department. For fiction include a brief biography, one-page synopsis, and first three chapters (double-spaced) as a Word document attachment. For non-fiction include a proposal and sample chapter.

Fiction and non-fiction

Prioritising MG/YA and new adult/adult commercial fiction, romance including romcom/dark/epic, romantasy, YA contemporary with humour/romance, YA thrillers/horror, MG funny contemporary

Email - submissions@watsonlittle.com

Fiction and non-fiction

Non-fiction: history, popular science, social issues, nature, money/life management, music, sport, film, technology, memoir, true crime, experts with wide appeal. Fiction: literary and well-written commercial, boundary-pushing style with emotional heart and plot, upmarket with satisfying arc, historical or contemporary, genre-mixing

Email submissions@watsonlittle.com with a cover letter in the body of the email, a synopsis, and approximately 10,000 words from the beginning of the manuscript for fiction, or a proposal including a sample chapter and chapter summaries for non-fiction. Address one agent only. No AI-originated or AI-edited material.

Literary fiction, upmarket fiction, non-fiction

Literary and upmarket fiction and non-fiction (incl lifestyle/wellbeing), stand-out stories with strong leading idea and emotional depth, humour/charm. Currently not looking for crime fiction

Email submissions@watsonlittle.com with a cover letter in the body of the email, a synopsis, and approximately 10,000 words from the beginning of the manuscript as a Word document. For non-fiction, send a proposal as a single document including a sample chapter and chapter list with summaries.

Horror, romance, romantasy, crime thriller, fantasy

Kirsten represents horror, romance, romantasy, crime thrillers, and fantasy. She is particularly interested in Scottish voices (especially from the North East of Scotland), water horror inspired by the sea or Scottish landscape, workplace horror, young and contemporary romance, romantasy that expands beyond the typical elves-and-fae mold, well-written crime thrillers (especially involving terrorism or serial killers and fake true crime), and Studio Ghibli-esque fantasy with luscious landscapes and powerful stories. She is also eager to hear from fanfiction writers with an existing fanbase.

Submit queries only via Query Tracker when Kirsten is open for submissions. Submissions sent via email will not be considered.

Adult fiction, adult non-fiction

Adult fiction (excluding romance, historical fiction, science fiction and fantasy) and adult non-fiction, primarily memoir and narrative non-fiction, no children's/YA, no poetry/short stories/screenplays, no previously published (incl self-published), English language only, authors must be based in Ireland/Great Britain/US/Canada

Email a cover letter, a 1-2 page synopsis, and a brief biography for fiction (novel must be complete). For non-fiction, email a cover letter, a detailed proposal, and a brief biography. Send to submissions@thefeldsteinagency.co.uk

Fiction and non-fiction

Adult fiction (excluding romance, historical fiction, and science fiction/fantasy) and adult non-fiction, primarily memoir and narrative non-fiction

Email a cover letter, a 1-2 page synopsis (fiction) or detailed proposal (non-fiction), and a brief biography to submissions@thefeldsteinagency.co.uk. Novels must be completed prior to submission. English language only, authors must be based in Ireland, Great Britain, the US, or Canada.

Fiction, non-fiction, literary estates

Non-fiction: history, current affairs, biography, geopolitics, intelligence studies, history of war. Fiction: international thrillers and espionage

Email submissions@nurnberg.co.uk with a covering letter in the body of the email, a one-page synopsis and first three chapters or 50 pages as attachments (for non-fiction: an overview, chapter outlines, and three sample chapters). Address the email for the attention of Michael Dean in the subject line.

Fiction, narrative non-fiction

Crime, thrillers, epic family sagas, book club literary fiction, memoir

Email sohoagencysubmissions@gmail.com with a covering letter, synopsis, and the first 3 chapters or first 30 pages. No postal submissions.

Fiction and narrative non-fiction

Commercial genre fiction (romcom, crime, thrillers), accessible literary/reading group, narrative non-fiction (often by women), emotional family drama, multigenerational stories, female-led crime, social-issue thrillers

Email - sohoagencysubmissions@gmail.com

Fiction and non-fiction, audio rights, some playwrights

Children's fiction, historical fiction, mystery and supernatural horror; particularly slick and humorous middle grade fiction and STEM titles for children

Email - submissions@mbalit.co.uk (FAO Sophie Gorell Barnes)

Fiction and non-fiction

Commercial fiction with pace/plot/character and clear hook, crime/suspense/thrillers, high-concept speculative (not SFF-only shelf), social-mirror horror, uplifting commercial fiction with emotional heart, non-fiction: sports writing and narrative non-fiction exploring contemporary social issues

Online form - https://amheath.com or submissions

Adult fiction, non-fiction, ya, middle grade, children's, illustrators

See individual agent pages (JVNLA covers many genres incl fiction/non-fiction/cookbooks/children's)

Read each agent's individual submission guidelines on the agency website, choose the agent that best fits your project, and email that one agent only. Include a brief description of your work and a short author bio. Do not send queries by post. AI-generated queries or manuscripts are not accepted.

Fiction and non-fiction

Literary and upmarket fiction, literary thrillers, smart women's fiction. Non-fiction on serious subjects in innovative ways (history, science, memoir, cookery, cultural criticism, social issues, psychology)

Email imogen@marjacq.com

Fiction and non-fiction

Wants: Agency focus on authors with international appeal; sells rights worldwide; represents authors writing in various languages.

Authors with international appeal, writing in various languages, whose work has the potential to sell rights worldwide

Send a synopsis and three sample chapters to submissions@thesusijnagency.com or by post to The Susijn Agency Ltd, 820 Harrow Road, London NW10 5JU, UK. Include an email address for their response. If you want your material returned, include a stamped self-addressed envelope.

Children's authors and illustrators

Children's/YA book projects (UK and Ireland only)

Email submissions@alicewilliamsliterary.co.uk with a covering email briefly introducing the submission (genre, age, word count) and a little about yourself. Fiction: pitch in the body of the email, attach the full manuscript as a Word doc (double line spacing) and a one-side A4 synopsis. Picture book texts: attach two or three texts as separate Word documents. Non-fiction: provide an overview of concept, length, structure, readership, and sample spreads or chapters. Illustrators: include a portfolio link and optionally a low-res PDF dummy. Do not use AI-generated text or illustrations in your submission.

Fiction and non-fiction

Upmarket commercial to literary fiction, distinctive voice/character-driven with strong hook/unusual perspective, multigenerational novels, gripping love stories, funny fiction, feminist/revisionary, experimental/form. Non-fiction: memoir and narrative, history, food writing/food system, nature/planet, popular science, genre-melding cultural writing

Email submissions@janklow.co.uk with your full name, the title of your work, and Claire Paterson Conrad's name in the subject line. For fiction: include a covering letter (in the email body), synopsis, and the first three chapters or first fifty pages as attachments. For non-fiction: include a covering letter, a full chapter-by-chapter outline, and a sample chapter. All documents should be double-spaced, size 12, in a reasonable font, and submitted as Word or PDF attachments — no external links. Responses are sent within 8 weeks if the agency wishes to read more.

Commercial fiction, commercial non-fiction, food writing, cookery, memoir, biography, true crime, lifestyle, health, parenting

Wants: Commercial non-fiction and fiction, with focus on health and cookery (agency focus). submissions start with a brief email explaining book and target audience; no attachments.

Commercial non-fiction, food writing and cookery, memoir, biography, true crime, lifestyle, health, parenting, and commercial fiction

Brief email explaining book and target audience, no attachments initially

Fiction

Commercial and literary fiction. Not: children's fiction, poetry, short stories, fantasy, science fiction, or horror

Email first three chapters, a synopsis of approximately one page, and a cover letter including your phone number, address, and any relevant personal information to teresachris@litagency.co.uk

Fiction and non-fiction

Literary and commercial fiction and non-fiction (good writing, great literature)

Submit via the RCW submissions page at https://rcwlitagency.com or submissions or with a cover letter, synopsis, and first 3 chapters or 50 pages for fiction, or a proposal of up to 20 pages for non-fiction. Submit to one agent or assistant only.

Children's and ya

Children's picture book texts, junior novels, YA (incl thrillers/romance), verse, children's non-fiction concepts, broad/non-prescriptive

Online form - https://amheath.com or submissions

Fiction and non-fiction

Great storytelling, great writing, great history, fiction and non-fiction

Submit via the agency's online form at https://amheath.com or submissions, including a cover letter of up to 500 words, a synopsis of up to 1500 words, and the first 10,000 words of your manuscript pasted into the form.

Literary fiction, narrative non-fiction, thrillers, mysteries

Literary fiction, narrative non-fiction (current affairs etc), and high-quality thrillers and mysteries

Email submissions directly to amd@theampersandagency.co.uk

Non-fiction writers and presenters

Bold voices from untraditional spaces, broad non-fiction with particular interest in politics, parenting, activism and memoir; clients across media including writing, broadcasting, live events and commercial opportunities

Email - nlucas@unitedagents.co.uk

Non-fiction

Cookery, health, wellness, psychology, history, memoir, biography, current affairs, topical non-fiction

Online form - https://www.aevitascreative.com or contact

Fiction and narrative non-fiction

Wants: Cover letter, synopsis, first three chapters or detailed proposal

Remarkable writing, fresh voices, and underrepresented perspectives across a range of fiction and non-fiction genres.

Email a concise cover letter including contact details and relevant background, a brief synopsis, and either the first three chapters or a detailed proposal to london@susannalea.com. Do not submit to more than one office.

Adult fiction, non-fiction, ya, middle grade, children's

Jennifer Weltz has sold books domestically, internationally, and for film for over three decades. She takes on an author's career rather than just a single project, serving as business manager, confidant, task master, preliminary editor, and matchmaker. She is very careful and selective about signing on new authors.

Please only submit your query to one agent at the agency. Your query should include a brief description of your work and a short author bio.

Commercial fiction, upmarket fiction, book club fiction, crime, thrillers, historical fiction, psychological suspense, women's fiction, speculative fiction, non-fiction, lifestyle, pop culture, humour

Commercial and upmarket fiction: book club/accessibly literary, crime/thrillers, upmarket historical, psychological suspense, women's fiction, speculative/high-concept, lightly magical edge. Non-fiction: innovative lifestyle, pop culture, unique personal stories, humour

Email jemimasubmissions@davidhigham.co.uk with your name and title in the subject line, and attach a cover letter, synopsis, and the first three chapters.

Fiction, non-fiction

Jon Curzon represents literary fiction and non-fiction titles that start conversations and spark ideas. He is drawn to debut fiction, memoir, nature writing, science, history, and biography. His emphasis is always towards writers whose work is intelligent and original.

Email a query letter, synopsis, and first three chapters to submissions@artellusltd.co.uk. Postal submissions are not accepted.

Non-fiction, film and tv scripts

Wants: Non-fiction on many subjects (site highlights sport; show business; music industry; politics). not prose fiction/poetry/children's (unless existing clients).

Non-fiction on practically any subject, with particular interest in politics, sport, show business and the music industry, but not educational textbooks. Film and TV scripts on any subject may be submitted to film and TV associate Seb Flatau

Email a book proposal to guy@futermanrose.co.uk including a chapter breakdown, two or three sample chapters, and relevant biographical detail. Double-space the manuscript and use a standard font such as Times New Roman or Courier New. Acceptable file formats are .doc, .docx, .odt, .rtf, .txt and .pdf.

Adult fiction, non-fiction, ya, middle grade

Alice Tasman represents a diverse range of writers with an emphasis on fiction. She is drawn to distinctive voices and unique perspectives, and she particularly enjoys discovering debut writers. She is dedicated to nurturing and developing her clients' careers over the long term.

Submit a query to one agent only at the agency. Your query should include a brief description of your work and a short author bio. Find Alice Tasman's specific submission instructions by clicking her name on the submissions page at https://www.jvnla.com or submissions. The agency does not accept queries by regular mail or AI-generated queries or manuscripts.

Children's books

See agent wishlist / agency guidelines; actively seeking new clients (per submissions page)

Submit via QueryManager at https://querymanager.com or query or 2304

Screenwriters (tv or film) only

Screenwriters exclusively, with a focus on film, television, and animation. New and original writing voices, building long-term careers with producers and production companies in the UK, Europe, and the US.

Email - info@vhassociates.co.uk

Fiction and non-fiction

Most genres/categories for adults and younger readers (excludes plays, screenplays, poetry, 'self-help' non-fiction, picture books)

Email a brief outline and the opening three chapters (around 10,000 words) to mail@antonyharwood.com. Fiction writers who are unpublished should only submit once their manuscript is complete.

Literary fiction, commercial fiction, graphic novels, general non-fiction

Original page-turning adult fiction and non-fiction across genres (agency notes it does not currently represent Children's/YA or Science Fiction/Fantasy)

Email representme@rockingchairbooks.com with a whole manuscript or just a few chapters. A covering letter is welcome but not essential — the agency typically reads the work first.

Middle grade, ya, adult fiction

MG adventures (fresh), funny MG with series potential, contemporary and mythology for MG, YA romance with strong hook. Adult: women's fiction, dark psychological thrillers, contemporary funny romantic adventure

Email - jo@antonyharwood.com

Fiction, children's, non-fiction

Literary and genre fiction (incl historical, horror, speculative), multi-generational, high-concept book club, domestic dramas, crime/thrillers with a twist, non-fiction including history/true crime/current affairs/travel/food/psychology/feminism/memoir, children's high-concept with humour/heart

Email veroniquemanuscripts@davidhigham.co.uk with a covering letter, a 1-2 page synopsis, and the first 3 chapters.

Literary fiction

Email submissions@paperliterary.com with the agent's name, manuscript title, and your full name in the subject line. Include your query letter in the body of the email, and attach a one-page synopsis and the first three chapters (approximately 10,000 words) as Word documents. Address the email to Catherine Cho specifically.

Film scripts, television scripts

Scripts for film and television across numerous genres, with a particular affinity for character-driven work grounded in human connection. Takes a collaborative approach to script development, helping writers bring projects into commercial shape.

Email Seb directly at seb@futermanrose.co.uk

Fiction, non-fiction

Developing new writers in fiction and non-fiction

Email submissions@barbaralevyagency.com with a brief biography and career background, a synopsis, and the first three chapters (approximately 50 pages), double spaced with numbered pages. Postal submissions are also accepted at Barbara Levy Literary Agency, 64 Greenhill, Hampstead High Street, London NW3 5TZ. Note whether you are submitting simultaneously to other agents. Include an email address or stamped addressed envelope if you want materials returned.

Fiction, literary memoir, narrative nonfiction

Actively seeking wide-ranging fiction: excellent writing, compelling plots, diverse/unexpected voices, engrossing reads, especially literary/commercial crossover, romantasy, psychological thrillers/suspense, family dramas, savvy love stories, ambitious crime/thriller, smart historical/speculative/magical realism. Not looking for children's/YA/MG, short story collections, poetry or drama, no straight sci-fi or high fantasy that is not romantasy

Email nelle@rmliterary.co.uk with a one-page outline, the first 3 chapters or 50 pages, and a covering letter.

Non-fiction and children's fiction

History, philosophy, biography, outstanding nature writing with compelling memoir, experts overturning received wisdom

Online portal - https://felicitybryan.com or submissions or submit-your-work/

Authors and author-illustrators (children's)

Wants: Represents a small list of acclaimed authors and author-illustrators; see agency author list. initial enquiry triggers auto-responder with current guidelines and the submission address.

Authors and author-illustrators producing children's books, both unpublished and established writers seeking representation

Email enquiries@eddisonpearson.com with a brief enquiry. An auto-responder will reply with the current submission address and guidelines. Send your submission to that address, you should receive an acknowledgement within 24 hours. If not, call the agency directly.

Email the appropriate regional office with a concise cover letter (including contact details and relevant background), a brief synopsis, and either the first three chapters or a detailed proposal. Do not submit to more than one office. Paris: paris@susannalea.com, New York: ny@susannalea.com, London: london@susannalea.com. No postal or fax submissions accepted.

Fiction and narrative non-fiction

General fiction, book club, literary fiction, smart clean or lyrical prose, interesting form/structure, character-driven with unusual protagonists, stories exploring gender/race/class/sexuality, selective memoir/nature/social commentary

Email a concise cover letter with contact details and relevant background, a brief synopsis, and either the first three chapters or a detailed proposal to london@susannalea.com. Do not submit to more than one office.

Non-fiction

Commercial and upmarket non-fiction, psychology, popular science, wellbeing, narrative non-fiction, biography, food, sustainability, health, expert-led projects with international/screen potential

Email rachel@rmliterary.co.uk with as much detail about yourself and the project as possible, ideally including at least one sample chapter. No reply within one month means the project was not a fit.

Non-fiction and select fiction

Non-fiction: compelling narrative history, ideas books on urgent questions, absorbing biography and memoir, pop culture, humour, and entertainment. Fiction: memorable characters on gripping journeys, principally crime or literary-commercial crossover. Not considering children's, YA, sci-fi/fantasy, or screenplays

Send your work and a covering letter to wiseofficesubmissions@curtisbrown.co.uk. Gordon Wise and his team are taking on only a couple of fiction writers a year. They are not considering submissions for Children's, Young Adult, Science Fiction, Fantasy, or screenplays. If you have not heard back within four to six weeks, this means they are unable to offer representation.

Fantasy, romantasy, rom-coms, book club romance, female-focused psychological thrillers, historical fiction, commercial non-fiction

Dark fantasy, romantasy (commercial and upmarket), dark academia, political intrigue, genre-blending (horror/romance, fantasy/horror), psychological thrillers with a dark edge, unhinged female protagonists, stories from underrepresented backgrounds. Interested in previously self-published authors within these genres and fanfiction authors writing original fiction

Send your cover letter, synopsis, and first three chapters or 10,000 words for fiction, or a proposal for non-fiction, to ciara.finan@curtisbrown.co.uk. Due to the volume of submissions received, a response to every query is not guaranteed. Writers should keep the agent updated if they receive a full manuscript request or an offer of representation from another agent.

Literary fiction, commercial fiction, women's fiction, crime fiction, non-fiction

Well-written commercial and literary fiction (incl women's fiction, award-winning crime, upmarket), interested in dysfunctional families, outsiders, messiness, working-class/regional voices (Irish/Scottish), diverse perspectives. Non-fiction: housing, class, feminism, social change, globalisation, sexuality and similar areas

Email - submissions@ryeliterary.com

Fiction, non-fiction

Email silbersackqueries@thebentagency.com with a brief description of yourself and your book, including the project title in the subject line. Paste the first ten pages of your manuscript in the body of the email — no attachments. For picture books, include the complete text. If you do not receive a response within one month, treat it as a pass.

Fiction, nonfiction, ya, children's fiction

Young Adult fiction that pushes boundaries and literary fiction that resonates on a deeply emotional level, with universal themes, unexpected twists, and stories that linger long after the final page. Also interested in nonfiction and children's fiction, with a particular emphasis on narratives that surprise and move.

Unknown

Biography, history, military history, popular science, narrative history, humour, natural history, popular culture, memoir

Popular science with clear everyday relevance, narrative history, military history, humour, biography, popular culture, and natural history. Also memoirs by people whose lives have been well lived and who bring authentic experience to their writing.

Submit through the Aevitas Creative Management contact and submissions form available on their website. The form is shared across all agents, so writers should direct their query to Trevor Dolby specifically.

Non-fiction

Fresh expert perspectives on history, science, nature, politics, big ideas, smart thinking, economics, health and the arts, writers who can open readers' minds and reach a mainstream audience

Online form - https://amheath.com or submissions

Fiction and narrative non-fiction

Commercial and literary fiction (excluding SFF), narrative non-fiction; currently seeking voicy character-driven book club fiction, fresh crime, upmarket horror, and accessible eye-opening non-fiction

Email - mhoskins@unitedagents.co.uk

Book-club fiction, crime, thrillers, women's fiction, romance

Adult fiction across genres, with a particular interest in book-club reads, crime and thrillers, and women's fiction and romance of all kinds. Loves high-concept hooks, page-turning plots, and books that pose compelling questions. Does not want children's fiction, SFF, or short stories.

Email abigail@theampersandagency.co.uk with the first three chapters or approximately 50 pages, a brief synopsis, and some biographical details. Attach chapters and synopsis as Word documents — do not paste text into the email body and do not send PDFs. Do not send material via WeTransfer, Dropbox, or similar file-transfer services.

Fiction and select non-fiction

Commercial and book-club fiction, selective romance, thrillers/mystery, different-feeling historical fiction, selective YA, selective non-fiction (popular history/untaught areas, cultural deep-dives, narrative non-fiction). Not children's, not sci-fi, not grisly horror

Submit via the online form on Hannah Schofield's agent page at https://lbabooks.com or agents or hannah-schofield

Genre fiction, ya, translation rights

Genre fiction (SFF/speculative/crime/horror) and YA, atmospheric settings, big hooks, snappy dialogue, gothic romantasy, teen slasher/YA horror, dark academia

Email - sandra@marjacq.com

Fiction, non-fiction

Confident, immersive, ambitious, narrative-driven writing across fiction and non-fiction. In fiction, she is drawn to epic love stories, novels capturing specific moments in recent history, and tightly plotted narratives that use form to explore the extremes of human psychology and society. She loves love stories in particular — ones that balance emotional depth with humour. In non-fiction, she is seeking subject experts, journalists and memoirists who can write long-form literature, including captivating music writing and ground-shifting investigative journalism.

Email salma@greyhoundliterary.co.uk directly. For fiction, include a cover letter with pitch in the body of the email, and attach the first three chapters and a synopsis. For non-fiction, include a cover letter with pitch in the body of the email, and attach a proposal and sample writing. Submit to one Greyhound agent only. Do not send links to cloud storage services.

Fiction, narrative non-fiction

Thrillers, mystery, suspense, knotty relationship and family novels, big-ideas non-fiction, memoir, pop science, food writing. Not children's or YA.

Email emma.submissions@cwagency.co.uk with the first three chapters (or approximately 50 pages) and a synopsis for fiction, or a 30-page proposal for non-fiction, plus a covering letter. Attach files in .doc or .docx format. Do not submit to more than one agent.

Crime fiction, thriller, mystery, book club fiction

Adult commercial fiction paired with punchy concepts and irresistible voice. Particularly drawn to psychological thrillers where nothing is as it seems, groundbreaking mysteries that blur genres, and literary crime writing that crosses boundaries. Also actively looking for book club novels with exceptional writing that create emotional resonance, as well as imaginative cross-genre works that blend mystery with horror, romance, or other unexpected combinations.

Send your submission to EdSubmissions@theblairpartnership.com. Include your manuscript or sample pages along with a cover letter outlining your concept and voice.

Nonfiction, sport, memoir, autobiography, literary fiction

Sport and a broad range of nonfiction, including journalism, sports figures, actors, TV personalities, doctors, business figures, and military history. Also novelists, and memoir and autobiography from public figures with a distinctive story to tell.

Email submissions@mbalit.co.uk with first three chapters and synopsis as Word, PDF, or Final Draft attachments, covering letter in the email body, and the email marked for the attention of David Riding.

Fiction and non-fiction

Adult crime, thrillers and suspense, contemporary romance, women's fiction (commercial/literary/historical/humour). Adult non-fiction: mental health advocates, adventurers, entertainers

Email - submission@bell-lomax.co.uk

Fiction and non-fiction

Non-fiction: memoir/autobiography, subject-led expert non-fiction (economics, history, food, fashion, relationships), some thrillers/horror. Fiction: exceptional literary voices, ambitious storytelling, Irish writing, genre with depth

Submit via QueryManager. For non-fiction, prepare a proposal of up to 20 pages including an overview or hook (query letter), chapter outline (synopsis), one to two sample chapters as an attachment, and an author bio with platform. For fiction, prepare a cover letter with a short pitch and author bio, a one-page synopsis, and the first 1,200 words or first two chapters (whichever is shortest) as an attachment. Visit https://www.internationalcreative.agency or submissions to access the QueryManager link.

Commercial fiction, literary fiction, non-fiction

Commercial and literary fiction (saga, romance, historical, book club, uplit, quirky to experimental), narrative non-fiction and big ideas; keen on LGBTQ voices and stories. Currently seeking epic family sagas, compelling love stories, ENM/poly relationships, historical fiction, friendships and sisters, and form-playing literary fiction. No SFF, fantasy, horror, YA, children's, mind-body-spirit or cookery.

Email (to agent, copy assistant) - lmacdougall@unitedagents.co.uk (cc EHorn@unitedagents.co.uk)

Non-fiction (primarily)

Actively building list: researchers, journalists, historians, academics, nature and culture writers, experts seeking a mainstream audience, ideas that help readers see the world differently

Email - submissions@janklow.co.uk

Literary fiction, commercial fiction, crime, thrillers, historical fiction, children's, young adult, non-fiction

Literary and commercial fiction, crime, thrillers, and historical fiction. Particularly excited by debut authors and actively welcomes submissions of the highest standard. Not currently considering science fiction and fantasy.

Submit by email to sam@rcwlitagency.com. Due to the volume of submissions received, you should assume no response within eight weeks indicates a rejection.

Fiction and non-fiction

Commercial and upmarket fiction (book club, crime and thriller, historical, contemporary), commercial women's/romantic fiction, some lifestyle/personal development non-fiction

Email hattiesubmissions@theblairpartnership.com

Fiction, non-fiction

Mainly non-fiction, distinctive voice, fresh perspective, broad interests including history, popular science, politics, memoir, occasional off-the-wall novel

Email info@pewliterary.com

Non-fiction

Sport, current affairs, military history, history, biography, business and management, personal development, and other non-fiction

Email a description of the proposed book, a contents list, two or three chapters, and the author's credentials to info@robertdudleyagency.co.uk. Submissions should be in Word format rather than PDF.

Children's fiction and non-fiction (to ya or crossover)

Ambitious storytelling, bold structure/voice, fresh takes on genre, author/illustrators, underrepresented/marginalised voices, high-concept contemporary YA romance, horror/thrillers, hooky YA fantasy/speculative, hilarious MG, screen potential

Email - rachelsubmissions@theblairpartnership.com

Literary fiction, reading group fiction, commercial fiction, narrative non-fiction, nature writing, memoir, politics, social issues

Fiction and non-fiction that stimulates debate, comments on the world around us, and evokes an emotional response; especially literary and reading group fiction and stories with commercial cross-over appeal; in non-fiction, most interested in narrative non-fiction, nature writing, memoir, politics, and social issues

For fiction, email a cover letter and the first three chapters to submissions@robertcaskie.com. For non-fiction, email a detailed outline, a sample chapter, and an introductory email to submissions@robertcaskie.com. Do not send children's, crime and thriller, YA, horror, or SF. Responses are only sent to those from whom more material is requested.

Children's fiction

Children's fiction from emerging readers to YA/crossover (not picture books)

Email the full manuscript as a Word document, a one-page synopsis, and a covering email to submissions@skylark-literary.com. Submissions by email only.

Children's fiction

Children's fiction from emerging readers to YA/crossover. Not picture books

Email - submissions@skylark-literary.com

Nonfiction, literary fiction, science fiction, fantasy

Nonfiction that illuminates the past and present across arts, pop culture, education, politics, sociology, and technology, with a vision toward more just and equitable futures; also select genre fiction with literary merit, particularly science fiction and fantasy stories that explore new worlds while revealing something essential about our own.

Submit through Aevitas Creative Management's contact and submissions form.

Commercial fiction, crime, thriller, suspense, bookclub fiction, historical fiction, romance, non-fiction

Commercial fiction across crime, thriller, suspense, bookclub, historical, and romance, as well as select non-fiction. Wants books that entertain from first page to last — the kind you can't wait to talk to someone about, like a new film or a must-watch series.

Submit via the online submissions form at https://www.greenstoneliterary.com or submissions. Attach a query letter (including short author bio, elevator pitch, blurb, comparative titles, and any relevant information), a detailed synopsis with spoilers, and the opening three chapters or 50 pages of your manuscript, whichever is longer. Do not submit by email.

Fiction and non-fiction

Fiction: book club, psychological suspense, crime, speculative, historical, commercial and upmarket women's with unique hook/voice/characters. Non-fiction: history (with platform) and memoir

Email - kate@khla.co.uk

Women's fiction, crime, thrillers, new nature writing

Well-written, engrossing fiction with a compelling plot, characters worth caring about, and an intriguing or attractive world. Particularly interested in women's fiction, contemporary or historical, as well as crime and thrillers. Also actively seeking new nature writing as a personal enthusiasm.

Email anne@khla.co.uk. The agency accepts submissions by email only.

Fiction, non-fiction, children's books

Wants: Committed" fiction and non-fiction; representation includes publishing and translation rights focus (per site).

Committed fiction and non-fiction infused with social justice values, including feminism, antiracism, fatphobia, LGBTphobia, ableism, mental health awareness, and ecology. Also open to children's books that reflect these themes.

Email Julie Finidori via the contact page at https://www.jf-agency.com or contact. Include a partial or complete manuscript along with a detailed project presentation and biographical information in your first message.

Fiction and non-fiction

Fiction: literary prize-winners to upmarket reading group, well-written crime, ambitious/surprising, messy family stories, longing/relationships. Non-fiction: art, culture, music, food, nature, mental health

Submit via the online portal at https://felicitybryan.com or submissions or submit-your-work/ — upload a synopsis or proposal and the first 3–4 chapters.

Adult fiction, upper na or crossover fantasy, crossover sci-fi, crossover dystopian, crossover steampunk, crossover post-apocalyptic

Adult fiction of all genres and upper NA/Crossover (16+) fantasy (including urban), SF, dystopian, steampunk, and post-apocalyptic fiction. Crossover fiction in these genres is accepted by Laura only.

Email - submissions@liverpool-literary.agency

Fiction and narrative non-fiction

Fiction: literary and genre including historical/speculative/crime/romance, distinctive voice/worldbuilding, moral dilemmas, families/relationships, darkness and humour. Non-fiction: history/memoir/current affairs/cultural criticism/popular science/travel/food, experts with surprising takes

Email anna@johnsonandalcock.co.uk with a short covering letter including a blurb and author info. For fiction, include a synopsis of no more than two pages and the opening 50 pages. For non-fiction, include a proposal with introduction, chapter breakdown, and sample material totalling around 50 pages. Attachments in Word .doc or .docx format, at least 1.5 line spaced, page-numbered, A4. Submit to one agent only, do not blind-copy.

Children's authors and illustrators

Children's fiction and non-fiction across all ages, with a particular love for picture books, and authors and illustrators across fiction and non-fiction for all ages

Email penny@holroydecartey.com with a cover letter. Authors: attach synopsis and full manuscript as separate Word files labelled with title and author name, picture book authors may send up to three finished texts, non-fiction authors should include a CV, three-page proposal, and market analysis. Illustrators: send a portfolio of around 12 images as JPEG or PDF, maximum 5MB, do not send links to websites or file transfer services. Submit to either Claire or Penny, not both.

Crime fiction, thriller, mystery, psychological thriller, supernatural suspense, ghost stories, romantic suspense, historical fiction, women's fiction, middle grade, ya, horror, non-fiction, self-help, narrative non-fiction, memoir

Crime fiction encompassing thriller, mystery, and psychological thriller; supernatural suspense; ghost stories; romantic suspense; historical fiction; women's fiction; children's fiction at middle grade and YA level; horror; and non-fiction including topical, accessible works such as self-help, narrative non-fiction, and memoir. Does not represent science fiction, fantasy, short stories, poetry collections, erotica, or picture books.

Submit by email only. Fiction submissions should include a cover letter in the body of the email, a short bio, a synopsis, and three sample chapters as separate attachments. Non-fiction submissions should include a cover letter in the body of the email, a short bio, a proposal with chapter breakdown, and three sample chapters as separate attachments. Use the submissions page at https://shesto-literary.com or submissions or to send your materials.

Science fiction (primarily)

Speculative/SF with social commentary, dystopia/utopia, apocalypse, AI/other intelligences, first contact, big ideas, literary-leaning

QueryManager - https://querymanager.com or jackmozley

Fiction, non-fiction, cross-media rights

Previously published authors seeking to upgrade their representation, self-published authors interested in foreign rights, film, television, and other media deals, and celebrities, whistleblowers, or individuals with unique life stories requiring cross-media expertise. Aspiring unpublished authors are directed to Litopia Writers' Colony rather than through a traditional submission process.

Contact form - https://redhammer.info or contact/

Picture books, novelty, pre-school, middle grade, narrative non-fiction, general non-fiction, gift, comics, graphic novels, activity books

Exceptional children's book creators, with a particular interest in inventive approaches to familiar themes, passion projects from diverse and exceptional new talents, and innovative formats that push the boundaries of children's publishing. Books that spark curiosity and wonder, especially visually extraordinary objects that reward repeated reading.

Review David Higham's submission guidelines before submitting. Send your work by email to isobelsubmissions@davidhigham.co.uk. If you do not receive a response within twelve weeks, the agent will not be pursuing your work.

Commercial fiction, romance, saga, crime, thriller, book club fiction, children's fiction, ya, non-fiction, business, finance, self-help, wellbeing, lifestyle, cookery

Commercial fiction (romance/saga, crime/thriller, book club), children's novels 9+ to YA, non-fiction including business/finance, self-help/wellbeing, lifestyle/cookery. Not sci-fi, short stories, or poetry

Email submissions@susanyearwoodagency.com with your name and title or genre in the subject line (e.g. Joe Bloggs, The Title, Book Club fiction). Attach the first 30 pages and a separately titled synopsis or outline. Include a cover email with a pitch sentence, a brief description of the submission, comparative authors published in the last three years, your writing background, and a paragraph on why you wrote the book. Attachments should be Word or PDF, 1.5 or double-spaced, with page numbers. Let the agent know if you are also submitting to other agents.

Commercial non-fiction (sport, lifestyle, self-help, leadership)

Commercial non-fiction, especially sport, lifestyle, self-help and leadership.

Email admin@davidluxtonassociates.co.uk with an approximately 300-word synopsis, a note on who the book appeals to and why you are qualified to write it, a chapter breakdown, a sample chapter, and a short bio or credits.

Fiction, non-fiction, cookery, children's

Open to fiction, non-fiction, cookery and children's. Works with journalists, broadcasters, activists, artists, sportspeople, entrepreneurs and content creators.

Email submissions, rights enquiries, and author queries to oscar@oscarjansonsmith.com.

Literary fiction, commercial fiction, literary non-fiction, commercial non-fiction, ya, children's books, biography, memoir, history, popular culture, humour

Quality women's fiction including romantasy and love stories, smart contemporary thrillers with a difference, a great northern novel set in the north east or midlands, biography, memoir, history, popular culture, humour

Email synopsis and three sample chapters as a Word attachment, plus author biography, to info@sarah-such.com. No unsolicited manuscripts or telephone enquiries.

Fiction and non-fiction, journalism or serialisation

Literary/book club/upmarket commercial fiction, historical and women's fiction, open to speculative and romance crossovers, non-fiction that surprises/challenges, cookery/food writing, feminist narratives, underrepresented voices. Not seeking children's/YA, crime, thriller or horror

Email one agent or assistant only, include a cover letter, full synopsis, and first 3 chapters or approximately 50 pages for fiction, or a detailed proposal for non-fiction. Find contact details at https://petersfraserdunlop.com or our-team/

Email - submissions@lutyensrubinstein.co.uk

Fiction and non-fiction

International writers across fiction, non-fiction, film and periodicals

Email an enquiry, synopsis, and first three chapters to submissions@artellusltd.co.uk. Postal submissions are not accepted.

Non-fiction, art, photography, music, style

Wants: See agent profile / agency wishlists (c and w).

Non-fiction with a focus on art, photography, music, style, and the unusual or unexpected

Email carriek@cwagency.co.uk with your submission in .doc or .docx format. For non-fiction include a 30-page proposal covering the book's premise, your credentials, comparable titles, a sample chapter, and a chapter outline. Include a covering letter with background on the book and any writing credentials.

Fiction, non-fiction

Horror (especially folk/social/feminist/queer, not heavy body horror), crossover YA/NA fantasy with romance, paranormal romance/urban fantasy, narrative pop science (neuroscience) and smart-thinking, lesser-known female historical figures

Submit via QueryManager at https://www.perezliterary.com or submit or submit-to-kristina/

Fiction

Commercial/genre fiction: romance/romcom, adult and YA fantasy (romance/spice, trials), crime/thrillers/mysteries, hooky pitches and page-turning drama

Email - maddalenacavaciuti@davidhigham.co.uk

Fiction, non-fiction

Wants: Cover letter, first three chapters, synopsis

Adult and children's fiction, along with a small amount of non-fiction — above all, a great story with characters to care deeply about. Bold, distinctive voices, intriguing stories with a strong hook, and flawed characters with something to learn. Truly diverse characters and inclusive, body-positive, joyful representation, as well as big, mind-bending ideas and fresh combinations of genres. Particularly interested in Thrutopias, graphic novels, highly integrated illustrated middle grade or YA fiction, and funny fiction for children and young adults.

Submit via the online form at https://hs-la.com or submissions or during the open window (1st–7th of each month). Include a cover letter, the first three chapters of your manuscript, and a synopsis.

Non-fiction (primarily)

Narrative non-fiction, story-driven books that speak to a wider world

Email the agent directly using the email address found on her profile page at https://greyhoundliterary.co.uk or agents or dotti-irving. For non-fiction, include a cover letter in the body of the email with a brief pitch, and attach a proposal outlining the book and explaining why you are best-placed to write it, along with sample writing. Submit to one agent only.

Fiction

Character-driven speculative fiction, female-led literary and crossover, book club fiction, contemporary rom-coms, sweeping love stories (historical/contemporary), crime and psychological thrillers, female-led fantasy, romantasy, retellings. Not: children/YA, police procedurals, cosy crime, epic sci-fi, poetry, plays, screenplays, any non-fiction

Elena is currently open for submissions. Send your cover letter, one-page synopsis, and first three chapters as attachments, not in the body of the email. Submit to submission@dhhliteraryagency.com. Only submit to one agent at DHH Literary Agency

Writers, presenters and journalists (books and related rights)

Not poetry, plays, original screenplays, scripts, or children's picture books

Email submissions@barbaralevyagency.com or post to Barbara Levy Literary Agency, 64 Greenhill, Hampstead High Street, London NW3 5TZ. Include background and career information, a synopsis, and the first three chapters (approximately 50 pages), double spaced with numbered pages. Note if submitting simultaneously to other agents. Include an email address or stamped addressed envelope if you want materials returned.

Non-fiction, book club fiction, fantasy, historical fiction, speculative fiction, crime fiction

Non-fiction across a broad range of subjects, particularly from authors who are authoritative and accessible, including activists, psychologists, creatives and thought leaders. Also growing a fiction list focused on book club, fantasy, historical, speculative and crime fiction. Actively champions marginalised and underrepresented voices.

For non-fiction, email nonfiction@grahammawchristie.com with a one-page topic summary, detailed chapter-by-chapter outline, author credentials, online profiles, market overview, promotional plan, and 1-2 sample chapters. For fiction, email fiction@grahammawchristie.com with a completed manuscript, including genre in the subject line, a one-to-two line elevator pitch, a 500-800 word synopsis (including spoilers), up to five comparative titles, author bio, promotional notes, and the first three chapters or approximately 10,000 words. Attach documents in Word, Pages or PDF format. Do not submit directly to individual agents. No postal submissions accepted.

Non-fiction

Sport, celebrity biography, business and leadership, food-writing, nature-writing, lifestyle. Does not represent fiction, poetry, scripts, or screenplays

Email admin@davidluxtonassociates.co.uk with: a synopsis of around 300 words explaining the book and its audience and why you are qualified to write it, a chapter breakdown showing how you will approach the subject, a sample chapter of your choice, and a short biography including any previous writing credits.

Non-fiction, literary fiction

Email london@susannalea.com with a concise cover letter (including contact details and any relevant personal information), a brief synopsis, and either the first three chapters or a detailed proposal. Do not submit to more than one office. Poetry, plays, screenplays, academic texts, and illustrated works are not considered. Postal and fax submissions are not accepted.

Literary fiction, narrative non-fiction

Unusual stories grounded in the real world but with strange and surreal elements, with a focus on human relationships, queer characters and alternative culture. Diverse and unexpected perspectives that offer new ways of seeing and have something urgent to say about the contemporary world. Particularly interested in debut writers.

Email submissions@rebeccacarterliterary.com with the subject line 'Submission: [your name] [TITLE OF SUBMISSION]'. Address the submission to Tilda (not both Tilda and Rebecca). Include a covering letter in the body of the email. For fiction, attach the first three chapters or up to 10,000 words plus a short synopsis. For non-fiction, attach a detailed proposal and, if possible, a sample chapter. Attach files as Word documents or PDFs, do not include external links. Typescript should be 1.5 or double spaced with page numbers. Files should be saved as '[your name] [TITLE OF SUBMISSION] [document type]'.

Literary fiction, crime, thriller, narrative non-fiction, history, politics, culture, psychology, science, nature

Fiction: literary fiction (broadly including book-club) and crime and thriller, excited by risks with voice/form/storytelling, compulsive, ideaful, humane. Non-fiction: original thinkers/writers in history, politics, culture, psychology, science, nature/environment (not straightforward memoir or academic monographs)

Email - submissions@rebeccacarterliterary.com

Fiction and non-fiction

Refreshing narratives, intelligent fresh prose (often dark wit). Fiction: edgy/darkly humorous, gothic, offbeat family sagas, historical or contemporary. Non-fiction: new ideas/experts, memoir/narrative non-fiction, art history/dance, foodie innovators, social change

Email a covering letter, short synopsis, and first three chapters (or up to 5,000 words) to submissions@lutyensrubinstein.co.uk. If you have a particular agent in mind, let Susannah Godman know in your message.

Fiction and non-fiction

Fiction: literary, upmarket commercial, book club, historical, crime, thrillers (no sci-fi/fantasy/children's). Non-fiction: serious/pop science, psychology, feminism, big ideas/current affairs, health/body/mind, personal development, selective lifestyle, narrative/memoir

Email submissions@hardmanswainson.com. Name your chosen agent in the cover email. For fiction, attach a one-page synopsis and the full manuscript. For non-fiction, attach a proposal and a sample chapter, or the whole work if complete. Submit to one agent only.

Fiction, non-fiction, children's fiction 8 and

Distinctive fiction, non-fiction including memoir, history, narrative, biography, lifestyle, sports, self-help, humour, pop culture. Not horror, sci-fi, screenplays, or picture books

Email info@lisarichards.ie. For fiction, include the first three or four chapters, a covering letter, and an SAE if required. For non-fiction, send a detailed proposal, a sample chapter, and a cover letter.

Fiction and non-fiction

Fiction: literary/well-written including pacey thrillers. Non-fiction: accessible, estimable writing with commercial potential (journalists/experts/scholars/public figures, fascinating true stories)

Email - submissions@jonathanpegg.com

Memoir, geography, economics, politics, history, nature writing, biography, science, travel, literary fiction

Wants: Genres include memoir; geography; economics; politics; history; nature writing; biography; science; travel; and literary fiction.

Email james@jameslockhartagency.com with a covering letter in the body of the email and the first 30 pages attached as a Word doc or PDF.

Historical fiction, crime, thrillers, book club fiction, science fiction, fantasy, children's

Historical fiction, crime/thrillers, book club, science fiction and fantasy (actively building list)

Email julieacrisp@gmail.com. The contact page also hosts a form and notes responses within one week.

Fiction, non-fiction, poetry

Fiction: love/loyalty/relationships, family drama/secrets, moral dilemmas, thrillers including legal, dystopian/speculative with mainstream crossover appeal. Non-fiction: original thinkers, personal growth, philosophy/insight

Email submissions@janklow.co.uk with your name, the title of your work, and the name of the agent in the subject line. Include a covering letter in the body of the email. For fiction, attach a synopsis and first three chapters or first 50 pages. For non-fiction, attach a full chapter outline and a sample chapter if possible. For poetry, attach a short pitch and 3-5 sample poems. Attachments should be in Word or PDF format.

Fiction (primarily)

Commercial and book club fiction with a strong hook, genre-crossing, dystopia, elevated sci-fi, big love stories, domestic suspense, horror (incl social commentary)

Email submissions@janklow.co.uk with your full name, the title of your work, and Hayley Steed's name in the subject line. Include a covering letter in the body of the email. Attach a synopsis and either the first three chapters or the first fifty pages (Word or PDF). All documents should be double-spaced, size 12, in a reasonable font. Do not include external links, attach all materials directly.

Non-fiction

Big ideas, popular psychology, contemporary issues, economics/business (not how-to), popular science, history, biography, literature/pop culture, investigative journalism, narrative non-fiction

Submit via the online form at https://felicitybryan.com or submissions or submit-your-work/

Fiction and non-fiction, children's

Projects with wide international appeal. Fiction: general, mystery, romance, suspense-thriller, fantasy/SF, own voices, children's. Non-fiction: biography, history, mind-body-spirit, health, lifestyle, science

Email - submissions@sheilland.co.uk

Commercial fiction, women's fiction, intelligent crime, thrillers, historical fiction, history, nature, science, self-development, biography, memoir, lifestyle, food

Quality commercial and popular literary fiction with emotional heft, original voices and broad appeal, including twisty thrillers, ghost stories, and epic romantic stories. For non-fiction, experts in their fields writing about history, nature, science, self-development, biography, memoir, original thinking, lifestyle and food — particularly books that educate and illuminate worlds readers don't know, strong women's voices, and food writers with fresh perspectives or a built community.

Email submissions@hhbagency.com with the genre in the subject line. Put your covering letter in the body of the email including a brief pitch, relevant background, and comparison titles. Attach the first three chapters or around 50 pages as a Word document, plus a synopsis. Fiction writers must have completed the manuscript before submitting. Non-fiction writers may submit before completion.

Fiction, non-fiction

Wants: All genres (agency-wide; see submissions page)

Fiction and non-fiction across all genres

Email an enquiry, synopsis, and first three chapters to submissions@artellusltd.co.uk. No postal submissions accepted.

Serious non-fiction

Serious/stimulating nonfiction across sciences, maths, natural history, philosophy, health/medicine, technology, history and more

Email a proposal and sample chapter to info@curiousmindsagency.com. See the FAQ page for guidance on putting together a proposal.

Fiction and non-fiction

Fiction: literary/upmarket with escapism and page-turning readability, big high-stakes love stories from original angles. Non-fiction: writers shifting public discourse, health, medicine, history, politics, biographies/memoirs, cookery, art, music, lifestyle with a strong angle

Email submissions@aitkenalexander.co.uk with subject line marked FAO Monica MacSwan. For fiction, attach the first three chapters or fifty pages plus a short synopsis. For narrative non-fiction, attach a short overview and up to 10,000 words of sample writing. For subject-led non-fiction, attach a proposal of approximately 5,000 words and no less than 5,000 words of sample writing. Include a cover letter with a brief description of the book, any writing credits or qualifications, and a short biographical note. All attachments should be Microsoft Word compatible.

Literary fiction, historical fiction, psychological suspense, crime, thrillers, non-fiction

Multi-generational domestic novels that follow characters over a significant time frame, particularly those exploring the intricacies of female familial relationships. Pre-twentieth century historical fiction. Big, pacy standalone crime and thriller novels, preferably with surprising twists. Non-fiction with an element of mystery and discovery, especially books that challenge readers to re-examine previously held conceptions of history.

Email submissions@hardmanswainson.com naming Lucy Malone in your cover email. For fiction, attach a one-page synopsis and the full manuscript. For non-fiction, include a covering email outlining the book, why it has a place on the bookshelf, and why you are qualified to write it, along with a proposal and a sample chapter or the whole work if completed. Submit to one agent only, do not email individual agent addresses.

Children's fiction, ya, middle grade, chapter books, graphic novels, cosy crime, crime fiction

Wants: See agent page for currently-open genres; query must match listed genres. does not represent picture books

Big-concept commercial series fiction for children and YA, with particular interest in middle grade across all subgenres — mystery, fantasy, historical, funny, adventure, verse, illustrated, animal perspectives — especially with a strong voice or hook. Chapter books with series potential for ages 7 and up, and graphic novels across all children's and YA age ranges. In YA, contemporary novels including rom-coms with a hook, high-concept stories with strong friendships or sibling relationships, mysteries, thrillers, and light speculative fiction; will consider historical YA with action. For adult, only open to cosy crime, smart contemporary crime with humour, crime with a fantasy twist, and crime with a sci-fi element — nothing dark or gritty, no child death or gratuitous violence. Not open to picture books, YA fantasy, contemporary adult fiction, adult non-fiction, literary novels, romance, or poetry.

Email gemmaqueries@gemmacooperliterary.com with the book title, a short pitch, a brief author bio, and the first ten pages pasted into the body of the email — no attachments. Graphic novel or illustrated non-fiction submissions may include a link to a website or social media where work is shared, or attach up to five low-res images. Emails sent to info@gemmacooperliterary.com will be deleted unread.

Literary fiction, crime fiction, thriller, historical fiction, science fiction, fantasy, commercial fiction, book club fiction, upmarket fiction, history, sport, popular science

Entertaining and diverse fiction with well-told stories, big ideas, emotional hooks and gripping plots. In commercial fiction, particularly interested in crime, thriller, book group and upmarket titles, as well as historical fiction, science fiction and fantasy. In non-fiction, looks for expertise, fresh ideas and genuine passion for the subject, working across history, sport and popular science.

Direct queries about submissions to Isobel@rcwlitagency.com.

Fiction and non-fiction

Commercial and book club fiction across genres, high-concept thrillers/suspense, atmospheric reads, women's fiction, uplifting speculative edge, female-led historical, romantic fiction, underrepresented voices

Submit by email via the PFD submissions page at https://petersfraserdunlop.com or submissions or books/. Include a cover letter, synopsis, and the first three chapters or approximately 50 pages for fiction, or a detailed proposal for non-fiction.

Children's writers and illustrators (agent)

Strong, sharp storytelling with humour and adventure, not currently accepting picture book texts

Email

Literary fiction, upmarket commercial fiction, historical fiction, romantic comedy, gothic, horror, crime, psychological thriller, speculative fiction, ya, middle grade, memoir, narrative non-fiction, true crime

Literary and upmarket commercial fiction of all kinds, especially meditative or moving novels about modern life with warmth and heart alongside sharpness. Historical and period fiction that sheds light on untold stories, ambitious cross-centuries narratives, and historical mysteries. High-concept love stories and romantic comedies with depth. Gothic, horror, murder mysteries, ghost stories, psychological thrillers, speculative and magical realist fiction, and novels with a true-crime feel. A small list of YA and middle grade that feels current and contemporary with a real conversation at its core — not currently seeking fantasy or anything younger than middle grade. On the non-fiction side: memoirs of extraordinary people, narrative non-fiction on subjects the author is passionate about, books on mental health, untold stories across popular science, history and popular culture, and a brilliant true crime book. Particularly keen on LGBTQI+ stories and diverse voices from across the globe. Not currently looking for cookery, wellness, or lifestyle.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email. Include the agent's name in the subject line. Fiction: attach the first three chapters or around fifty pages plus a one-to-two page synopsis that reveals the ending, as Word documents. Non-fiction: attach three sample chapters or around fifty pages plus a chapter summary or synopsis, and explain why you are best placed to write the book and who the intended readership is. AI-generated or AI-edited content is not accepted. No postal submissions.

Literary fiction, upmarket fiction, personal development, narrative non-fiction, memoir

Literary and upmarket fiction, and in non-fiction expert voices in personal development, narrative non-fiction, emotive memoir, and books that engage with politics, culture and the status quo with intellectual depth. Passionate about bringing undiscovered ideas and fresh conversations to the mainstream.

Email a synopsis and sample material to hello@bergstromstudio.co.uk

Fiction and non-fiction, literary estates

Broad/omnivorous tastes, excited by new literary voices, sprawling literary fiction, ambitious/speculative, would like a well-characterised, genuinely thrilling thriller, narrative non-fiction that reads like fiction, food writing, fresh takes on cookery

Online form - https://amheath.com or submissions

Fiction, non-fiction, children's

Fiction, non-fiction and children's (excluding picture books and ghostwritten non-fiction)

For fiction: email a covering letter with word count and one Word attachment containing your first three chapters (double line spaced) and a one-page synopsis to fiction@evewhite.co.uk. For non-fiction: email a covering letter with word count, a full book proposal with sample writing, and your CV to nonfiction@evewhite.co.uk. For children's fiction or non-fiction: follow the same format as adult fiction or non-fiction respectively and send to childrens@evewhite.co.uk.

Speculative fiction, historical fiction, upmarket crime and thriller, memoir, narrative-led non-fiction, nature, food, sport, psychology, business, craft and design, social sciences, investigative journalism

Wants: Quality and commercial fiction and non-fiction (no children's). fiction: first 3 chapters/50pp and synopsis. non-fiction: pitch and sample chapter

In fiction, books combining compelling storytelling, engaging characters and strong plotting, especially novels of ambition and scope with big-hearted characters. Particularly interested in speculative fiction with a real-world edge or near-future settings. In non-fiction, broad tastes including memoir, narrative non-fiction with deep focus that expands outward to explain a culture or subculture, immersive journalism, and books where subject-matter expertise meets great writing. Does not represent children's books.

Fiction: first 3 chapters or 50 pages and synopsis. Non-fiction: pitch and sample chapter

Crime, thrillers, literary thriller, commercial thriller, fantasy, dystopian, literary speculative fiction, dark academia, horror, high-concept book club fiction

Wants: Cover letter, synopsis, first three chapters

Characters with dark pasts, tragic futures or buried trauma. Crime and thrillers across the literary and commercial spectrum, fantasy, dystopian fiction, literary speculative fiction, dark academia, horror, and high-concept book club fiction.

Email submissions@mushens-entertainment.com with the subject line 'Fiction Submission: TITLE OF YOUR WORK', addressed to Rachel Neely. Include a cover letter in the body of the email, a synopsis as an attachment, and a PDF or Word document of your first three chapters, first 10–15,000 words, or first 50 pages. Manuscript must be complete at time of submission.

Fiction and non-fiction

Commercial women's fiction with strong hook/twisty plots/emotion/drama, eclectic list. Agency also considers crime/mystery/suspense/thrillers, horror, historical, commercial and literary, non-fiction including politics/current affairs, environment, lifestyle, popular science, self-help/how-to, true crime

Email submissions@cmm.agency with a one-paragraph author biography, a one-paragraph blurb or hook including genre and audience, a short synopsis covering plot, setting, theme and characters, and the first three chapters as an attachment. Manuscript must be double or 1.5 line-spaced, with wide margins, in a font no smaller than 12-point (preferably Times New Roman), fully page-numbered, with your name, address, contact number and email on the first page.

Fiction and non-fiction

Literary/book club/romantic fiction, character-led "gentler" crime in communities, non-fiction including relationships, pop culture, social history, food, some cookery/illustrated. Not currently considering memoir

Email juliet@blakefriedmann.co.uk with your cover letter as the body of the email. Attach a full synopsis of 250-300 words and the first three chapters or first 10,000 words as Word documents (.doc or .docx). Name each attachment with the book title and your name. Include your title and name in the subject line. Do not send PDFs or external links.

Commercial women's fiction, psychological thrillers, popular science, true crime

Fresh commercial women's fiction with big hooks/diverse characters, pacy psychological thrillers, cutting-edge non-fiction (popular science to true crime)

Email submissions@cmm.agency with: a one-paragraph author biography (including whether the manuscript has been sent to other agents or publishers), a one-paragraph blurb with hook, genre and audience, a short synopsis covering plot, setting, theme and characters, and the first three chapters as an attachment. The manuscript must be double or 1.5 line-spaced, with wide margins, in at least 12-point font (preferably Times New Roman), fully paginated, and with name, address, contact number and email on the first page.

Fiction and non-fiction

Contemporary, historical and literary fiction, crime and thrillers, memoir, biography, narrative history

Email isobel@blakefriedmann.co.uk with a cover letter in the body of the email. Attach a synopsis of 250-300 words and the first three chapters or first 10,000 words as Word documents (.doc or .docx). Include the book title and your name in the subject line. For non-fiction, attach a synopsis of up to 500 words, a chapter plan, and two sample chapters.

Fiction, non-fiction and children's books

Children's books across all ages, narrative non-fiction, biography, sport, music, autobiography, crime fiction and 'weird and wonderful'. Not poetry, short stories/novellas, educational textbooks, or film/stage scripts

Synopsis and first 3 chapters (max 50 pages) and covering letter (Word or PDF). Picture books: up to 3 full texts plus sample illustrations. Do not submit to more than one BLM agent

Children's fiction, children's nonfiction, young adult, middle grade, picture books, illustrators

Wants: Covering letter, brief pitch, first three chapters, synopsis, complete picture book text, illustration samples

Becky Bagnell founded Lindsay Literary Agency. The agency specialises in writing for children, from picture books to Young Adult fiction and nonfiction for young people. It is currently open to submissions, particularly from diverse or underrepresented authors. It is full for picture book scripts, but actively looking for YA in any genre, middle grade with a strong concept or hook, epic middle-grade fantasy, younger 5-7 stories around 5,000 words, voice-led YA, high-concept YA, contemporary love stories, and romantasy.

Email info@lindsayliteraryagency.co.uk. For novels, attach the first three chapters and a single-page synopsis as two separate double-spaced Word documents, and put a covering letter in the email body with brief author information and a 2-3 sentence pitch. Picture book submissions should include a covering letter and complete story in Word format, illustrators should send small PDF samples and a link to online work. Postal submissions are not accepted.

Fiction, nonfiction, commercial fiction, literary fiction, international authors

Wants: Cover letter, synopsis, first three chapters, proposal

Carole Delmon is listed on the official Susanna Lea Associates Paris team page. The Paris office says its taste is eclectic and that it is interested in works of both fiction and nonfiction, commercial and literary, with projects that have international potential beyond the French market.

For submissions in France, email paris@susannalea.com. SLA asks for a concise and thoughtful cover letter, a brief synopsis, and either the first three chapters or a detailed proposal. Do not submit to more than one SLA office, and do not send post or fax queries.

Literary fiction, contemporary fiction, upmarket fiction, book club fiction, fantasy, horror, young adult, crossover

Wants: Query letter, synopsis, first three chapters

Clara Foster wants intelligent, original fiction with deep emotion, strong line-level writing, and voice-led characters. She is looking for adult literary contemporary fiction with a strong female focus, upmarket and book club novels that are cleverly conceived, beautifully written, and accessible, fantasy and horror that explore the real world or the self, historical romantasy, urban fantasy, academic settings, body horror, lightly speculative fiction, and YA/crossover stories that are political while providing a strong story. She is not a likely fit for commercial women's fiction, science fiction, World War II or Holocaust stories, or narratives driven primarily by sexual assault, eating disorders, a great lie, or death of a child. She is not accepting nonfiction except by referral.

Submit via Clara Foster's official QueryTracker link from her submissions page. Send a query letter, synopsis, and first three chapters. All queries will receive a response.

Fiction, nonfiction, fiction plus, diverse voices

Wants: Covering letter, synopsis, first chapter, first twenty pages, proposal, CV

Dorie Simmonds is looking for talented authors with unique voices, compelling stories, market potential, polished manuscripts, collaborative commitment, and platform potential. She represents fiction and nonfiction and is especially interested in Fiction Plus: stories set in a time and place where readers learn about life, people, culture, art, history, or another part of the world while following a compelling narrative. The agency aims to foster global connections and promote diverse voices.

Email submissions to info@doriesimmonds.com. For fiction, send the first chapter or first twenty pages, whichever is less, plus a full synopsis and covering letter with a brief writing-career CV if appropriate. For nonfiction, send a detailed proposal with the covering letter and CV. Do not submit a full manuscript unless requested, and say whether the project is under consideration elsewhere.

Fiction, children's books, nonfiction, thriller, suspense, historical fiction, literary fiction, book club fiction, young adult, middle grade, romantasy, memoir, cookery, lifestyle, narrative nonfiction

Wants: Covering letter, synopsis, first three chapters, first fifty pages, outline, sample chapter, bio

Hellie Ogden is co-head of WME UK Books and represents fiction, children's books, and nonfiction. She is actively taking on new clients and wants bold storytelling, moving prose, vivid thought-provoking characters, standout debut work, high-concept thrillers and suspense with fresh hooks and daring twists, historical fiction with original courageous ideas, page-turning literary fiction about millennial experience, nostalgia, sexuality and family complexities, upmarket book club fiction with commercial hooks, female-led mysteries, emotionally deep fiction, YA with big heart and voice, romantasy, middle grade adventure with magic, memoir, standout cookery, lifestyle writers, moving narrative nonfiction, and work with social following and cross-media potential.

Submit through Hellie Ogden's official WME profile or query button. Include the author full name and work title in the email subject line. Fiction submissions should include a covering letter, synopsis, and either the first three chapters or first fifty pages. Nonfiction submissions should include a covering letter, full chapter outline, and if possible a sample chapter. Include a bio with all submissions. Query one WME agent at a time.

Nonfiction, illustrated books, fashion, biography, autobiography, crafts, health, cookery, children's picture books, history, natural history, popular culture, true crime, select fiction, illustrators

Wants: Publishing history, CV, synopsis, three sample chapters

Isabel Atherton is an experienced literary agent and founder of Creative Authors. The agency represents commercially strong titles in fashion, biography especially music, autobiography, crafts, health, cookery, children's picture books, history, natural history, popular culture, true crime, select fiction, and illustrators. Creative Authors is not currently looking for new fiction clients but is considering well-crafted nonfiction and illustrated books. It is not looking for fantasy, science fiction, poetry, short stories, plays, scripts, or fiction at present.

Submit through the Creative Authors Join Us form with publishing history and CV, synopsis, and three sample chapters. Creative Authors does not accept paper submissions, does not charge a reading fee, and asks writers not to telephone about unsolicited submissions.

Young adult, new adult, contemporary romance, romantasy, fantasy, paranormal romance

Wants: Query letter, first ten pages

Isabel Lineberry is Junior Agent and Rights Administrator at Perez Literary & Entertainment and is building a client list focused on YA, New Adult, and romance. She represents YA and New Adult and is particularly interested in contemporary romance, romantasy, fantasy, paranormal romance, queer and underrepresented voices, strong character and voice, romantic tension, charming villains, banter, morally grey characters, kick-ass heroines, believable worldbuilding, fairytale retellings, dark fantasy, alternate histories, historical fantasy, and occasional steampunk or dystopia. She is not interested in cheating storylines, accidental pregnancy, step-sibling romance, unnecessary miscommunication tropes, or Tolkien-esque hard worldbuilding with 100k+ quests.

Submit only through QueryManager at http:// queryManager.com or IsabelLineberry. PLE asks for a query letter and the first ten pages of a novel or the first ten pages of a nonfiction sample chapter. Submissions received by email or other methods will not be considered or read. Do not send an exclusive query.

Adult science fiction, adult fantasy, adult horror

Wants: First six chapters, genre comparisons, project paragraph

John Jarrold acts as a literary agent for over forty authors. The agency specialises in representing science fiction, fantasy, and horror novelists for the adult market. It is not taking on clients in other fiction or nonfiction areas, YA, children's fiction, or screenwriting.

Email the first six chapters as a Word document attachment using the address shown on the official John Jarrold site. Include one paragraph about the work and comparisons with two or three recently successful authors in the same genre. The agency charges no reading fee and is always open for submissions. Follow up by email if the submission is not dealt with in two weeks.

Nonfiction, lifestyle, current affairs, health, sport, true crime, family issues, crime, thriller, book club fiction, historical fiction, romance

Wants: Synopsis, first three chapters, covering letter, detailed outline, sample material

Katie Fulford is looking for authors in both nonfiction and fiction. In nonfiction she wants experts and journalists with something new to say, especially in lifestyle, current affairs, health, sport, smart true crime, and books about female and family issues that put women at the heart of things. In fiction she wants high-concept and hooky crime and thriller, commercial locked-room thrillers, emotional uplit, book club books with big issues, memorable characters and immersive settings, historical fiction about forgotten real people or people connected to more famous figures, and romance. She does not want fantasy, science fiction, children's fiction, or picture books.

Email submissions@belllomaxmoreton.co.uk. For fiction, children's and young adult fiction, or narrative nonfiction, send a short synopsis including the full plot for fiction, the first three chapters or no more than 50 pages double spaced, and a covering letter with any previous publications. For illustrated nonfiction send a detailed outline, sample material if available, and previous publication information. Query one Bell Lomax Moreton agent at a time.

Children's books, narrative nonfiction, biography, sport, music, autobiography, crime fiction, weird fiction

Wants: Synopsis, first three chapters, covering letter, detailed outline, sample material

Paul Moreton is Managing Director of Bell Lomax Moreton. He is interested in children's books across all age ranges, narrative nonfiction, biography, sport, music, autobiography, crime fiction, and anything a bit weird and wonderful.

Email submissions@belllomaxmoreton.co.uk. For fiction, children's and young adult fiction, or narrative nonfiction, send a short synopsis including the full plot for fiction, the first three chapters or no more than 50 pages double spaced, and a covering letter with any previous publications. For illustrated nonfiction send a detailed outline, sample material if available, and previous publication information. Query one Bell Lomax Moreton agent at a time.

Literary fiction, upmarket fiction, book club fiction, narrative memoir, family saga, high society fiction, speculative fiction, magical realism, contemporary fiction, upmarket suspense, psychological thriller, postcolonial fiction, translated fiction, classical retellings

Wants: Cover letter, synopsis, first three chapters, first ten thousand words, proposal, writing sample

Rachel Yeoh is a literary agent building a list in literary, upmarket, and book club fiction, as well as select narrative nonfiction. She is actively looking for literary, upmarket, book club, global stories, human experience, social critique, class conflict, speculative fiction, family sagas, contemporary fiction, upmarket suspense, psychological thriller, postcolonial literature, translated fiction, classical retellings, and narrative memoir.

Submit through the relevant Madeleine Milburn online form and select Rachel Yeoh where available. Adult fiction submissions require a cover letter pasted into the form and one attachment containing a one-page synopsis plus the first three chapters or first 10,000 words. Nonfiction submissions require a cover letter and one document containing a 5,000 to 10,000 word sample and proposal. Do not submit by post or directly to email addresses.

Fiction, non-fiction

All genres with 'wow' factor, voice-driven/emotional, currently seeking an exquisitely written love story, not accepting children's/YA at present

Email submissions@mariannegunnoconnor.com with your name and book title in the subject line. For fiction, include a brief bio, three chapters or fifty pages if chapters are short, a synopsis, and a one-line summary. For non-fiction, send a full proposal and a sample chapter. Simultaneous submissions are acceptable but notify the agency if you receive interest elsewhere.

Literary fiction, speculative fiction, gothic fiction, thriller, psychological horror, noir, non-fiction, history, popular science, political writing, investigative journalism, cultural criticism, memoir, biography, nature, food

Provocative, morally ambiguous fiction charged with darkness and desire — exploring themes of shame, obsession, and power — often blending literary fiction with thriller, noir, or psychological horror. Speculative and gothic novels haunted by grief, repressed desire, climate, technological dread, colonialism, or history. Voice-driven, humorous fiction with emotional heft, including messy family dramas, campy queer tragedies, and rural romances with a self-aware take on identity and community. In non-fiction, academics and journalists writing on history, popular science, politics, investigative journalism, cultural criticism, memoir, biography, nature, and food — particularly writers who can marry vivid narrative with deep research. Also political and cultural commentary, mind-bending science writing, narrative biography, landscape and history memoir, insider accounts, and obsessive literary true crime.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email and submission materials as Word Document attachments. Include Imogen Morrell's name in the subject line. Fiction: first three chapters or around fifty pages, plus a one-to-two page synopsis that reveals the ending. Non-fiction: three sample chapters or around fifty pages, plus a proposed chapter summary or synopsis — a completed manuscript is not required. No postal submissions accepted. AI-generated or AI-edited submissions will not be considered.

Fiction, non-fiction, ya, children's

Big, expansive, emotionally powerful 'game-changing' stories, commercial fiction and non-fiction and children's titles (priority focus on under-represented groups and lower socio-economic backgrounds), stories with cross-media potential

Email a covering letter, synopsis, and first three chapters to originatesubmissions@originateliterary.co.uk. For illustrated fiction or non-fiction, include sample spreads instead of chapters. A completed manuscript is not required for fiction queries.

Fiction, non-fiction

Quality commercial fiction with strong characterisation, convincing dialogue, and ambitious storytelling — ideally from authors whose voices and ideas could work across a series or multiple standalones. In non-fiction, the definitive book in its subject area, the title that will become core stock in bookshops, sell on for years, and be the benchmark against which others are measured. Also eager to work with expert or science writers who use their expertise, life experience, or academic standing to explain or solve problems for readers.

Email - submissions@mavenliterary.com

Fiction and non-fiction

Crime, thriller, general fiction, literary fiction, non-fiction proposals (case-by-case)

Email - bill@billgoodall.co.uk

Fiction and non-fiction

Adult fiction and non-fiction (agency represents adult and children's, not picture books or scripts)

Email - submissions@nurnberg.co.uk

Fiction, children's fiction, children's non-fiction

Smart romance with an edge, fresh and page-turning crime fiction, horror and literary horror with a contemporary resonance, and literary fiction that is funny and moving with a brand new hook. In children's books, a funny and engaging author-illustrator with a fresh series for young readers (5+), middle grade fiction with strong world-building and characters we haven't seen before, grounded YA fantasy, high-concept YA contemporary, and books about unusual relationships. In children's non-fiction, books that tackle curriculum subjects in a new and engaging way, and real-life stories for middle grade and YA readers. No longer accepting picture books.

Email submissions@colwillandpeddle.com with subject line 'Fiction or Children's Submission' (delete as applicable). Include a cover letter, a one-page synopsis, and the first chapter of your work.

Literary fiction, innovative fiction, humor, nonfiction, history, art, social commentary, political commentary, nature writing

Wants: Cover letter, writing sample, synopsis, proposal

Cora MacGregor is Associate Agent and Assistant to Patrick Walsh at PEW Literary. She is drawn to generically and formally innovative literary fiction that speaks to the present moment, or anything that makes her laugh. Her nonfiction interests are diverse and include history, art, social and political commentary, and nature writing.

Submit to PEW Literary by email at submissions@pewliterary.com or by post. Email submissions should be in Word or PDF format, 1.5 or double-spaced, with a cover letter. Fiction submissions should follow PEW's fiction guidelines, and nonfiction submissions should follow PEW's nonfiction guidelines. Do not send a stamped addressed envelope for postal submissions, include an email address for response.

Fiction, nonfiction, migration, belonging, home, music, ethnomusicology, culture, community

Wants: Cover letter, synopsis, writing sample, proposal

Sidney Jones is Assistant Literary Agent at International Creative Agency. Her official profile emphasizes an international perspective and interest in migration, belonging, how we narrate ideas of home, ethnomusicology, sonic resistance, and how sound and storytelling create community and collective memory.

Submit through ICA's QueryManager-based submissions page and choose the agent whose list fits the work. For nonfiction, prepare a proposal of up to 20 pages with overview or hook, chapter outline, one to two sample chapters, and author bio or platform. For fiction, prepare a cover letter, one-page synopsis, and the first 1200 words or first two chapters, whichever is shortest. Submit to one ICA agent at a time.

Fiction and non-fiction

Fiction and non-fiction, exceptionally high standard

Post (paper submissions only) - https://www.cdla.co.uk or submissions

Fiction

Mystery, suspense, thrillers, crime, book club fiction, grounded speculative/high-concept (no high fantasy), stories with escapism, strong series characters, ensemble casts, nature-as-character settings

Online form - https://darleyanderson.com or submissions/

Fiction and non-fiction

Fiction: literary/upmarket with edge, romance (incl dark academia, paranormals, grounded romantasy), mysteries with fresh angle, some literary speculative (not hard SFF). Non-fiction: science/nature, art/culture, social issues/politics, love/relationships, illustrated non-fiction, food/drink

Email (to one agent) - dchandley@pfd.co.uk

Fiction (and adult graphic novels)

Strong hook/high concept and unforgettable characters, underrepresented voices. Genres include contemporary/book club fiction, women's fiction, romance/romcom, accessible fantasy, historical fiction with a fresh perspective, and adult graphic novels

Online form - https://darleyanderson.com or submissions/

Non-fiction and select fiction

Practical, accessible non-fiction told with an engaging voice, memoir, stories of extraordinary lives and remarkable careers, unusual approaches to life writing. Also works editorially with debut fiction authors

Submissions should be sent by email to lucy.morris@curtisbrown.co.uk.

Fiction, non-fiction, memoirs, popular science, historical fiction, crime, thrillers

Annabel White is a rights agent building a list of East Asian authors in translation, with a strong focus on Japanese literature. She works with agencies and publishers in Japan to place titles with English-language publishers in the UK, US, and internationally. Her interests span fiction and non-fiction, and her current authors include novelists, memoirists, and food writers.

Send a submission package to london@susannalea.com. See the submissions page for more details on how to submit to the London office.

Fiction and non-fiction

Story-led commercial/literary: romantic or suspense fiction, compelling memoir, iconic history, edgy humour, 'gleam in the author's eye'

Email - sohoagencysubmissions@gmail.com

Literary fiction, narrative non-fiction, poetry

Literary fiction with clarity, energy and intention, ambitious structure/craft, tactile/idiosyncratic sentences, strange/spooked books, big family novels and love stories, literary genre-bending. Non-fiction: literary biography, social/cultural/oral history, creative scholarship, memoir/essay, interests include art, design, psychoanalysis, food, women's lives

Email submissions@aitkenalexander.co.uk with subject line marked FAO Harriet Moore. Include a cover letter with a short book description, any writing credits or qualifications, and a brief bio. For fiction, attach the first three chapters or 50 pages plus a short synopsis. For narrative non-fiction, attach a short overview and up to 10,000 words of sample writing. For subject-led non-fiction, attach a proposal of approximately 5,000 words and at least 5,000 words of sample writing. Attachments should be Microsoft Word compatible. Submit to one agent only, no postal submissions. If you have not heard back within three months, treat this as a pass.

Fiction, non-fiction, ya

Character-driven, high-concept fiction with commercial hook, genre esp fantasy/horror, high-concept thrillers, voice-led contemporary, sweeping historical, romance/romcom, select narrative non-fiction (memoir/history/nature/science)

Email maria@greyhoundliterary.co.uk with a cover letter and pitch in the body of the email. For fiction, attach the first three chapters and a synopsis. For non-fiction, attach a proposal and sample writing.

Fiction and non-fiction

Fiction: book club/literary, character- and voice-driven crime/thriller/suspense, dark/gothic/uncanny, love stories, family sagas, historical from a slant, Highsmithian thrillers. Non-fiction: accessible social/cultural history, biography/memoir, reportage, popular science, nature, arts, food/cookery, experts, journalists, lived experience

Email charlotte@johnsonandalcock.co.uk with a short covering letter (including a book blurb and brief author bio), a synopsis of no more than two pages, and the opening 50 pages of the manuscript (fiction), or a book proposal of approximately 50 pages (non-fiction). Submissions must be in Word Doc format, at least 1.5 line spaced, page-numbered, on A4. Submit to one agent only, do not blind-copy. Attachments must be under 5MB.

Commercial fiction, women's fiction, romance, romantasy, narrative non-fiction

Love stories with a cool edge — rom-coms, sweeping romances, and stories where friendship is as central as romance. Open to all kinds of love stories including romantasy with strong world-building, star-crossed lovers, and opposites-attract dynamics. Characters who are coming into their own, discovering something new about themselves, who pull at your heartstrings and bring joy. Strong women's fiction where characters navigate the complexities of relationships and the non-linearity of life. Fiction that is transporting and atmospheric in the vein of Lucinda Riley and Kristin Hannah, and upmarket commercial fiction tackling universal themes of love, loss, friendship, and family. Also interested in stories that explore recent history or illuminate the world through fiction, research, or reportage.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email. Include Kate Rizzo's name in the subject line. Attach the first three chapters or around fifty pages plus a one-to-two page synopsis as Word documents (not PDFs). The synopsis should reveal the ending. Do not submit until the full manuscript is complete.

Literary fiction, thriller, non-fiction, cultural commentary, history, science, politics, psychoanalysis, poetry

Wants: Cover letter, biographical note, first three chapters (fiction) or proposal (non-fiction)

Extraordinary and precisely crafted literary fiction in the vein of Anita Brookner, Jenny Offill, and Gwendoline Riley—work that transforms everyday experience into elegant prose. She is also drawn to literary fiction that plays with genre, including political and erotic thrillers with astute characterization and propulsive pacing, as well as narratives exploring obsession, infatuation, longing, and belonging. In contemporary prose, she looks for playful, innovative writing with sharp observation and wit—novels that assess humanity with shrewdness, clarity, and humour. For non-fiction: stylish writing and fresh perspectives on history, science, politics, and cultural commentary from experts, academics, journalists, and critics writing for trade audiences, as well as experimental, genre-defying work and thought-provoking writing on psychoanalysis and therapy.

Send a brief cover letter along with a biographical note and either the first three chapters of your work (if fiction) or a proposal (if non-fiction) to kat@lexingtonliterary.co.uk.

Non-fiction

Non-fiction of all kinds, including memoir. Does not represent poetry, screenplays, scripts, or work written or enhanced by AI. Does not typically represent writers based outside the UK.

Email submissions@colwillandpeddle.com with the subject line 'Non-fiction Submission'. Include a brief pitch of around 300 words in the body of the email. Attach a single Word document (.doc/.docx) containing a cover letter and a proposal that covers: what the book is about and why it is important and original, a brief biography explaining why you are the right person to write this book, competing or similar titles, a chapter or sample of at least 10,000 words, and a chapter outline. Full manuscripts are accepted, particularly for memoirs.

Adult fiction and select non-fiction

Horror (literary to commercial, gothic, dark academia), literary/book-club, high-concept/time-slip, romcom/cozy romance, cosy fantasy, dystopian, non-fiction from experts (nature/climate/psychology/self-help/health/neurodiversity/science etc.)

Online form - https://hs-la.com or submissions/

Adult and ya science fiction, fantasy, horror, related genres, serious non-fiction (broad history)

Strong voices/atmosphere, genre with social criticism, not memoir/women's fiction/very spicy stories

Submit a query letter, synopsis, and first fifty pages via https://querytracker.net or query or fabienneschwizer/

Fiction and non-fiction

Pacy romcoms, dark literary, historical forgotten perspectives, under-represented voices, non-fiction provoking discussion (memoir/polemic/recovered histories/culture studies/self-help)

Email af.submission@dhhliteraryagency.com with cover letter, one-page synopsis, and first three chapters for fiction. For non-fiction, send a proposal including an overview, author bio, chapter breakdown, sources, sample chapter, comparable titles, media links, and any praise.

Writers, presenters and journalists (books and related rights)

Wants: Background/career info and synopsis and first 3 chapters (~50 pages). not poetry, plays, original screenplays, scripts, or children's picture books.

Books and related rights for writers, presenters and journalists, including TV and radio representation. Does not represent poetry, plays, original screenplays, scripts, or picture books for children.

Email submissions@barbaralevyagency.com (or post to Barbara Levy Literary Agency, 64 Greenhill, Hampstead High Street, London NW3 5TZ) with background information and career history, a synopsis, and the first three chapters (approximately 50 pages), double spaced with numbered pages. For TV and radio representation, send details of your experience or expertise. Note if submitting simultaneously to other agents. Include an email address or stamped addressed envelope if you want material returned.

Fiction and non-fiction

Commercial/book club fiction (edging literary), thrillers with unusual location or speculative edge, historical with real figures, gothic/magical/haunted, speculative love stories, romcoms, fantasy with unique magic/folklore. Non-fiction from experts/creators including food writing, women's health, maternal/sport/mental health. Not sci-fi, erotica, graphic novels, children's/MG/YA, or poetry

Online form - https://www.greenstoneliterary.com or submissions

Literary fiction, narrative nonfiction, current affairs, politics, pop culture, popular science, history, journalism, memoir, biography

David Kuhn is co-CEO of Aevitas Creative Management. His official Aevitas profile says he represents literary fiction, narrative nonfiction, current affairs, politics, pop culture, popular science, history, journalism, memoir, and biography.

Submit through the official Aevitas contact or submissions page if David Kuhn is available in the agent dropdown. Aevitas asks writers to include a query letter and, for nonfiction, a proposal if available, for fiction, include sample pages as directed by the form. Do not send unsolicited material outside the official route.

Fiction and non-fiction

High-concept, character/plot-driven thrillers, crime series, book club love stories, contemporary romcoms (diverse/own voices), sweeping book-club historical, true crime (no child-related), narrative non-fiction (science/environment/psychology/nature/wellbeing/memoir), self-development for women

Email - amandasubmissions@lbabooks.com

Fantasy, speculative fiction, romantic fantasy, romantic fiction, general fiction, literary fiction, narrative non-fiction, memoir, cookery

Grounded fantasy with light magical elements edging toward speculative or dystopic, with exceptionally strong world-building. Romantic fantasy with compelling protagonists, particularly a queer male lead or a non-binary/gender-neutral vampire story. Romantic fiction with a strong USP, enemies-to-lovers dynamics, competitive settings, and crossover with horror or crime. General fiction exploring friendship over time, sibling relationships, ensemble casts, and modern loose retellings of classics or plays — especially an own-voices retelling of The Crucible from Abigail Williams' perspective. In non-fiction: narrative memoir with a fresh angle, pop and fan culture exploring why topics trend online, and cookbooks from authors with strong social media platforms.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email and attachments as Word Documents. Include Mia Dakin's name in the subject line. Fiction: first three chapters or around fifty pages plus a one-to-two page synopsis that reveals the ending. Non-fiction: three sample chapters or around fifty pages plus a proposed chapter summary, your reasons for writing the book, and your intended readership. AI-generated or AI-edited submissions are not accepted.

Email a concise cover letter (including contact details and relevant background), a brief synopsis, and either the first three chapters or a detailed proposal. French-language submissions go to paris@susannalea.com, UK, ANZ and Commonwealth submissions to london@susannalea.com, North American submissions to ny@susannalea.com. Do not submit to more than one office.

Literary fiction, speculative fiction, narrative nonfiction, subject-led nonfiction, poetry

Wants: Literary-spectrum fiction (incl speculative); narrative-forward nonfiction with original idea/voice; not currently taking on new poets

Literary novels that prioritise plot and find fun, surprising ways to explore ideas or a moment in time — entertaining, thought-provoking, and ideally moving. Open to work that plays with and elevates genre. In nonfiction, drawn to original ideas with unique, narrative-driven telling, whether from journalists, memoirists, thought leaders, academics, or cultural figures. Not currently taking on new poets.

Email submissions@aitkenalexander.co.uk with the agent's name in the subject line. For fiction, attach the first three chapters or fifty pages plus a short synopsis as Word-compatible files. For narrative nonfiction, attach a short overview and up to 10,000 words of sample writing. For subject-led nonfiction, attach a proposal of around 5,000 words and at least 5,000 words of sample writing. Include a cover letter with a book description, any writing credits or qualifications, and a brief bio. Do not submit directly to the agent's assistant.

Literary fiction, commercial fiction, book club fiction, contemporary fiction, commercial women's fiction, crime, mystery, thrillers, fantasy, genre romance, historical fiction, horror, ghost stories, sagas, science fiction, biography, memoir, cookery, gardening, gift books, humour, history, military history, lifestyle, mind-body-spirit, self-improvement, politics, popular science, psychology, travel, children's, ya

SF/fantasy, sweeping historical fiction, character-driven sci-fi, action/adventure, crime. Non-fiction: history, biography, music

Email submissions@sheilland.co.uk with a cover letter, a one-page synopsis (fiction) or brief outline (non-fiction), a short CV, and the first three chapters or around fifty pages. Submissions should be 1.5 line spaced with margins and page numbers, and must include a word count. Only one work at a time. No AI-generated content accepted.

Children's fiction, ya, children's non-fiction, picture books, illustration

Wants: Children's and YA writing/illustration; high-quality work with fresh approaches to storytelling/illustration

High-quality writing and illustration that takes a fresh or different approach to storytelling or illustration; the agency does not publish a detailed wishlist because they often do not know what they want until they see it

Email submissions@springliterary.com with a covering email explaining who you are and why you are getting in touch. Fiction: one-page synopsis and 5,000–10,000 word sample chapters in Word (no full manuscript). Non-fiction: synopsis, rationale for writing it, and three sample sections or chapters, optional short CV. Picture books: up to four full texts. Illustrators: portfolio of up to 10 images as PDFs or JPGs, keeping file sizes small.

Fiction, non-fiction, children's, ya

New adult voices in most genres (except women's fiction), domestic thrillers, clever drama with a twist, accessible non-fiction, children's 9+ and YA

Email hicksoffice@sophiehicksagency.com with covering letter in the body of the email and sample pages attached as a Word or PDF document. Fiction: synopsis and first three chapters or approximately 50 pages. Non-fiction: detailed outline and at least one sample chapter.

Humorous fiction, action fiction, commercial fiction

Books with humour, particularly when it is edgy, smart, and driven by characters' own actions, flaws, and foibles. Strong-voiced action stories that create genuine connection with a character before placing them in peril, with premises that explore "what if" scenarios to their extremes. Narratives that deliver surprises in a satisfying, inevitable way.

Other submissions

Fiction, non-fiction, poetry

Story-led and character-driven novels, rich worldbuilding (realist/speculative, contemporary/historical). Non-fiction: history, politics, philosophy, psychology, true crime, narrative sports writing, literary biography, academics, journalists, critics

Email submissions@aitkenalexander.co.uk with the subject line marked FAO Emma Paterson. For fiction, attach the first three chapters or fifty pages plus a short synopsis as Word-compatible files. For narrative non-fiction, send a short overview and up to 10,000 words of sample writing, for subject-led non-fiction, send a proposal of approximately 5,000 words outlining the book and your credentials, plus at least 5,000 words of sample writing. Include a cover letter with a brief book description, any writing credits or relevant qualifications, and a short biographical note. Note whether you are submitting simultaneously to other agencies.

Adult and children's, picture books, illustrators

Adult and children's chapter books, picture books (text only), illustration

Chapter books: synopsis and first chapter (if under 3 chapters, send whole manuscript). Picture books: text only. Illustrators: samples

Fiction, non-fiction

Speculative fiction, commercial fiction, literary fiction, crime and thriller, serious non-fiction (big ideas/subversive assumptions, serious histories, narrative non-fiction re contemporary events/issues)

Email alexander@greyhoundliterary.co.uk with a cover letter pitch in the body of the email. For fiction, attach the first three chapters and a synopsis. For non-fiction, attach a proposal and sample writing. Do not submit by post. Do not submit to more than one agent at the agency.

Literary fiction, general fiction, epic fantasy, history, memoir, reportage, narrative nonfiction, art, music, nature writing

Beautiful, ambitious, and unusual literary fiction, epic fantasy, and upmarket general fiction that is emotionally engaging and compulsively readable. In nonfiction, interested in history, memoir, reportage, and big ideas, as well as writing on art, music, literature, and nature.

Submit via the button on John Ash's agent profile page at https://www.caa.com or entertainmenttalent or books or agent or john-ash/. For fiction, include a cover letter, synopsis, and the first three chapters or opening 50 pages. For nonfiction, include a cover letter and proposal.

Literary fiction, commercial fiction, romance, book club fiction, culture and society non-fiction, cookery

Literary and commercial fiction alongside romance novels with strong book club appeal. In non-fiction, writing that explores culture and modern society, as well as cookery in all its forms, from narrative food writing to practical cookbooks.

Submissions can be sent by email to honor@rcwlitagency.com.

Literary fiction, upmarket fiction, book club fiction, narrative non-fiction, memoir, essay collections, food writing, cookbooks

Fiction and non-fiction from underrepresented voices. In fiction, drawn to literary, upmarket and book club novels exploring family and relationship dynamics, sexuality, identity, and vulnerability — particularly stories about polyamory and ethical non-monogamy, epic multi-generational narratives, intelligent romantic comedies, relationship drama, coming-of-age tales centred on girlhood, and intimate formally inventive prose. In non-fiction, interested in narrative, memoir and essay collections from experts, academics, critics and journalists writing about society and culture, especially writers seeking to reshape conversations in their field. Particularly keen to add cookbooks and food writing to her list. Does not represent children's, YA or fantasy.

Email submissions@watsonlittle.com with Ciara's name specified. Include a cover letter in the body of the email with genre, word count, one-line pitch and a brief author bio. For fiction, attach approximately 10,000 words from the beginning of the manuscript and a separate synopsis as Word documents. For non-fiction, attach a full proposal as a single Word document. Do not submit to more than one Watson, Little agent at once. No AI-generated material accepted.

Fiction and non-fiction

High-quality adult non-fiction and fiction, YA for young teens. Non-fiction: natural history, memoir, biography, history, cookery, current affairs, humour, lifestyle

Send an initial letter to Barn Cottage, Veryan, Truro, Cornwall TR2 5QA with a short description of your book or idea. The agency prefers postal submissions due to high email volume.

Non-fiction, literary fiction, memoir, cookery, biography, thriller

Wants: Non-fiction that informs understanding of world/society; life writing; topical/essayistic; cookery/food; experts writing accessibly. fiction: 'what if' novels; incisive/witty; moral dilemmas; fun romantic reads. not children/YA; not historical fiction; not adult sf/fantasy

Building a list with a particular focus on perspectives that have been historically excluded from the mainstream. Interested in cookery, literary memoir, historical biography, zeitgeisty fiction and thrillers.

Email submissions@nurnberg.co.uk with a covering letter in the body of the email, a one-page synopsis and first three chapters or 50 pages as attachments. Address the email FAO Silé Edwards and make this clear in the subject line. For non-fiction, send an overview, chapter outlines and three sample chapters instead.