Fiction, narrative non-fiction
Crime, thrillers, epic family sagas, book club literary fiction, memoir
Email sohoagencysubmissions@gmail.com with a covering letter, synopsis, and the first 3 chapters or first 30 pages. No postal submissions.
57+ United Kingdom science fiction literary agents whose current PairPi record says they are open to submissions. Each listing includes a source link and last-checked date.
57+ verified agents · 57 currently open
Fiction, narrative non-fiction
Crime, thrillers, epic family sagas, book club literary fiction, memoir
Email sohoagencysubmissions@gmail.com with a covering letter, synopsis, and the first 3 chapters or first 30 pages. No postal submissions.
Fiction and non-fiction
Commercial fiction with pace/plot/character and clear hook, crime/suspense/thrillers, high-concept speculative (not SFF-only shelf), social-mirror horror, uplifting commercial fiction with emotional heart, non-fiction: sports writing and narrative non-fiction exploring contemporary social issues
Online form - https://amheath.com or submissions
Commercial fiction, upmarket fiction, book club fiction, crime, thrillers, historical fiction, psychological suspense, women's fiction, speculative fiction, non-fiction, lifestyle, pop culture, humour
Commercial and upmarket fiction: book club/accessibly literary, crime/thrillers, upmarket historical, psychological suspense, women's fiction, speculative/high-concept, lightly magical edge. Non-fiction: innovative lifestyle, pop culture, unique personal stories, humour
Email jemimasubmissions@davidhigham.co.uk with your name and title in the subject line, and attach a cover letter, synopsis, and the first three chapters.
Fiction, children's, non-fiction
Literary and genre fiction (incl historical, horror, speculative), multi-generational, high-concept book club, domestic dramas, crime/thrillers with a twist, non-fiction including history/true crime/current affairs/travel/food/psychology/feminism/memoir, children's high-concept with humour/heart
Email veroniquemanuscripts@davidhigham.co.uk with a covering letter, a 1-2 page synopsis, and the first 3 chapters.
Fiction, literary memoir, narrative nonfiction
Actively seeking wide-ranging fiction: excellent writing, compelling plots, diverse/unexpected voices, engrossing reads, especially literary/commercial crossover, romantasy, psychological thrillers/suspense, family dramas, savvy love stories, ambitious crime/thriller, smart historical/speculative/magical realism. Not looking for children's/YA/MG, short story collections, poetry or drama, no straight sci-fi or high fantasy that is not romantasy
Email nelle@rmliterary.co.uk with a one-page outline, the first 3 chapters or 50 pages, and a covering letter.
Genre fiction, ya, translation rights
Genre fiction (SFF/speculative/crime/horror) and YA, atmospheric settings, big hooks, snappy dialogue, gothic romantasy, teen slasher/YA horror, dark academia
Email - sandra@marjacq.com
Children's fiction and non-fiction (to ya or crossover)
Ambitious storytelling, bold structure/voice, fresh takes on genre, author/illustrators, underrepresented/marginalised voices, high-concept contemporary YA romance, horror/thrillers, hooky YA fantasy/speculative, hilarious MG, screen potential
Email - rachelsubmissions@theblairpartnership.com
Nonfiction, literary fiction, science fiction, fantasy
Nonfiction that illuminates the past and present across arts, pop culture, education, politics, sociology, and technology, with a vision toward more just and equitable futures; also select genre fiction with literary merit, particularly science fiction and fantasy stories that explore new worlds while revealing something essential about our own.
Submit through Aevitas Creative Management's contact and submissions form.
Fiction and non-fiction
Fiction: book club, psychological suspense, crime, speculative, historical, commercial and upmarket women's with unique hook/voice/characters. Non-fiction: history (with platform) and memoir
Email - kate@khla.co.uk
Adult fiction, upper na or crossover fantasy, crossover sci-fi, crossover dystopian, crossover steampunk, crossover post-apocalyptic
Adult fiction of all genres and upper NA/Crossover (16+) fantasy (including urban), SF, dystopian, steampunk, and post-apocalyptic fiction. Crossover fiction in these genres is accepted by Laura only.
Email - submissions@liverpool-literary.agency
Fiction and narrative non-fiction
Fiction: literary and genre including historical/speculative/crime/romance, distinctive voice/worldbuilding, moral dilemmas, families/relationships, darkness and humour. Non-fiction: history/memoir/current affairs/cultural criticism/popular science/travel/food, experts with surprising takes
Email anna@johnsonandalcock.co.uk with a short covering letter including a blurb and author info. For fiction, include a synopsis of no more than two pages and the opening 50 pages. For non-fiction, include a proposal with introduction, chapter breakdown, and sample material totalling around 50 pages. Attachments in Word .doc or .docx format, at least 1.5 line spaced, page-numbered, A4. Submit to one agent only, do not blind-copy.
Science fiction (primarily)
Speculative/SF with social commentary, dystopia/utopia, apocalypse, AI/other intelligences, first contact, big ideas, literary-leaning
QueryManager - https://querymanager.com or jackmozley
Fiction and non-fiction, journalism or serialisation
Literary/book club/upmarket commercial fiction, historical and women's fiction, open to speculative and romance crossovers, non-fiction that surprises/challenges, cookery/food writing, feminist narratives, underrepresented voices. Not seeking children's/YA, crime, thriller or horror
Email one agent or assistant only, include a cover letter, full synopsis, and first 3 chapters or approximately 50 pages for fiction, or a detailed proposal for non-fiction. Find contact details at https://petersfraserdunlop.com or our-team/
Fiction
Character-driven speculative fiction, female-led literary and crossover, book club fiction, contemporary rom-coms, sweeping love stories (historical/contemporary), crime and psychological thrillers, female-led fantasy, romantasy, retellings. Not: children/YA, police procedurals, cosy crime, epic sci-fi, poetry, plays, screenplays, any non-fiction
Elena is currently open for submissions. Send your cover letter, one-page synopsis, and first three chapters as attachments, not in the body of the email. Submit to submission@dhhliteraryagency.com. Only submit to one agent at DHH Literary Agency
Non-fiction, book club fiction, fantasy, historical fiction, speculative fiction, crime fiction
Non-fiction across a broad range of subjects, particularly from authors who are authoritative and accessible, including activists, psychologists, creatives and thought leaders. Also growing a fiction list focused on book club, fantasy, historical, speculative and crime fiction. Actively champions marginalised and underrepresented voices.
For non-fiction, email nonfiction@grahammawchristie.com with a one-page topic summary, detailed chapter-by-chapter outline, author credentials, online profiles, market overview, promotional plan, and 1-2 sample chapters. For fiction, email fiction@grahammawchristie.com with a completed manuscript, including genre in the subject line, a one-to-two line elevator pitch, a 500-800 word synopsis (including spoilers), up to five comparative titles, author bio, promotional notes, and the first three chapters or approximately 10,000 words. Attach documents in Word, Pages or PDF format. Do not submit directly to individual agents. No postal submissions accepted.
Historical fiction, crime, thrillers, book club fiction, science fiction, fantasy, children's
Historical fiction, crime/thrillers, book club, science fiction and fantasy (actively building list)
Email julieacrisp@gmail.com. The contact page also hosts a form and notes responses within one week.
Fiction, non-fiction, poetry
Fiction: love/loyalty/relationships, family drama/secrets, moral dilemmas, thrillers including legal, dystopian/speculative with mainstream crossover appeal. Non-fiction: original thinkers, personal growth, philosophy/insight
Email submissions@janklow.co.uk with your name, the title of your work, and the name of the agent in the subject line. Include a covering letter in the body of the email. For fiction, attach a synopsis and first three chapters or first 50 pages. For non-fiction, attach a full chapter outline and a sample chapter if possible. For poetry, attach a short pitch and 3-5 sample poems. Attachments should be in Word or PDF format.
Fiction (primarily)
Commercial and book club fiction with a strong hook, genre-crossing, dystopia, elevated sci-fi, big love stories, domestic suspense, horror (incl social commentary)
Email submissions@janklow.co.uk with your full name, the title of your work, and Hayley Steed's name in the subject line. Include a covering letter in the body of the email. Attach a synopsis and either the first three chapters or the first fifty pages (Word or PDF). All documents should be double-spaced, size 12, in a reasonable font. Do not include external links, attach all materials directly.
Fiction and non-fiction, children's
Projects with wide international appeal. Fiction: general, mystery, romance, suspense-thriller, fantasy/SF, own voices, children's. Non-fiction: biography, history, mind-body-spirit, health, lifestyle, science
Email - submissions@sheilland.co.uk
Literary fiction, crime fiction, thriller, historical fiction, science fiction, fantasy, commercial fiction, book club fiction, upmarket fiction, history, sport, popular science
Entertaining and diverse fiction with well-told stories, big ideas, emotional hooks and gripping plots. In commercial fiction, particularly interested in crime, thriller, book group and upmarket titles, as well as historical fiction, science fiction and fantasy. In non-fiction, looks for expertise, fresh ideas and genuine passion for the subject, working across history, sport and popular science.
Direct queries about submissions to Isobel@rcwlitagency.com.
Fiction and non-fiction
Commercial and book club fiction across genres, high-concept thrillers/suspense, atmospheric reads, women's fiction, uplifting speculative edge, female-led historical, romantic fiction, underrepresented voices
Submit by email via the PFD submissions page at https://petersfraserdunlop.com or submissions or books/. Include a cover letter, synopsis, and the first three chapters or approximately 50 pages for fiction, or a detailed proposal for non-fiction.
Literary fiction, upmarket commercial fiction, historical fiction, romantic comedy, gothic, horror, crime, psychological thriller, speculative fiction, ya, middle grade, memoir, narrative non-fiction, true crime
Literary and upmarket commercial fiction of all kinds, especially meditative or moving novels about modern life with warmth and heart alongside sharpness. Historical and period fiction that sheds light on untold stories, ambitious cross-centuries narratives, and historical mysteries. High-concept love stories and romantic comedies with depth. Gothic, horror, murder mysteries, ghost stories, psychological thrillers, speculative and magical realist fiction, and novels with a true-crime feel. A small list of YA and middle grade that feels current and contemporary with a real conversation at its core — not currently seeking fantasy or anything younger than middle grade. On the non-fiction side: memoirs of extraordinary people, narrative non-fiction on subjects the author is passionate about, books on mental health, untold stories across popular science, history and popular culture, and a brilliant true crime book. Particularly keen on LGBTQI+ stories and diverse voices from across the globe. Not currently looking for cookery, wellness, or lifestyle.
Email submissions@greeneheaton.co.uk with your covering letter in the body of the email. Include the agent's name in the subject line. Fiction: attach the first three chapters or around fifty pages plus a one-to-two page synopsis that reveals the ending, as Word documents. Non-fiction: attach three sample chapters or around fifty pages plus a chapter summary or synopsis, and explain why you are best placed to write the book and who the intended readership is. AI-generated or AI-edited content is not accepted. No postal submissions.
Fiction and non-fiction, literary estates
Broad/omnivorous tastes, excited by new literary voices, sprawling literary fiction, ambitious/speculative, would like a well-characterised, genuinely thrilling thriller, narrative non-fiction that reads like fiction, food writing, fresh takes on cookery
Online form - https://amheath.com or submissions
Speculative fiction, historical fiction, upmarket crime and thriller, memoir, narrative-led non-fiction, nature, food, sport, psychology, business, craft and design, social sciences, investigative journalism
Wants: Quality and commercial fiction and non-fiction (no children's). fiction: first 3 chapters/50pp and synopsis. non-fiction: pitch and sample chapter
In fiction, books combining compelling storytelling, engaging characters and strong plotting, especially novels of ambition and scope with big-hearted characters. Particularly interested in speculative fiction with a real-world edge or near-future settings. In non-fiction, broad tastes including memoir, narrative non-fiction with deep focus that expands outward to explain a culture or subculture, immersive journalism, and books where subject-matter expertise meets great writing. Does not represent children's books.
Fiction: first 3 chapters or 50 pages and synopsis. Non-fiction: pitch and sample chapter
Crime, thrillers, literary thriller, commercial thriller, fantasy, dystopian, literary speculative fiction, dark academia, horror, high-concept book club fiction
Wants: Cover letter, synopsis, first three chapters
Characters with dark pasts, tragic futures or buried trauma. Crime and thrillers across the literary and commercial spectrum, fantasy, dystopian fiction, literary speculative fiction, dark academia, horror, and high-concept book club fiction.
Email submissions@mushens-entertainment.com with the subject line 'Fiction Submission: TITLE OF YOUR WORK', addressed to Rachel Neely. Include a cover letter in the body of the email, a synopsis as an attachment, and a PDF or Word document of your first three chapters, first 10–15,000 words, or first 50 pages. Manuscript must be complete at time of submission.
Adult science fiction, adult fantasy, adult horror
Wants: First six chapters, genre comparisons, project paragraph
John Jarrold acts as a literary agent for over forty authors. The agency specialises in representing science fiction, fantasy, and horror novelists for the adult market. It is not taking on clients in other fiction or nonfiction areas, YA, children's fiction, or screenwriting.
Email the first six chapters as a Word document attachment using the address shown on the official John Jarrold site. Include one paragraph about the work and comparisons with two or three recently successful authors in the same genre. The agency charges no reading fee and is always open for submissions. Follow up by email if the submission is not dealt with in two weeks.
Literary fiction, upmarket fiction, book club fiction, narrative memoir, family saga, high society fiction, speculative fiction, magical realism, contemporary fiction, upmarket suspense, psychological thriller, postcolonial fiction, translated fiction, classical retellings
Wants: Cover letter, synopsis, first three chapters, first ten thousand words, proposal, writing sample
Rachel Yeoh is a literary agent building a list in literary, upmarket, and book club fiction, as well as select narrative nonfiction. She is actively looking for literary, upmarket, book club, global stories, human experience, social critique, class conflict, speculative fiction, family sagas, contemporary fiction, upmarket suspense, psychological thriller, postcolonial literature, translated fiction, classical retellings, and narrative memoir.
Submit through the relevant Madeleine Milburn online form and select Rachel Yeoh where available. Adult fiction submissions require a cover letter pasted into the form and one attachment containing a one-page synopsis plus the first three chapters or first 10,000 words. Nonfiction submissions require a cover letter and one document containing a 5,000 to 10,000 word sample and proposal. Do not submit by post or directly to email addresses.
Literary fiction, speculative fiction, gothic fiction, thriller, psychological horror, noir, non-fiction, history, popular science, political writing, investigative journalism, cultural criticism, memoir, biography, nature, food
Provocative, morally ambiguous fiction charged with darkness and desire — exploring themes of shame, obsession, and power — often blending literary fiction with thriller, noir, or psychological horror. Speculative and gothic novels haunted by grief, repressed desire, climate, technological dread, colonialism, or history. Voice-driven, humorous fiction with emotional heft, including messy family dramas, campy queer tragedies, and rural romances with a self-aware take on identity and community. In non-fiction, academics and journalists writing on history, popular science, politics, investigative journalism, cultural criticism, memoir, biography, nature, and food — particularly writers who can marry vivid narrative with deep research. Also political and cultural commentary, mind-bending science writing, narrative biography, landscape and history memoir, insider accounts, and obsessive literary true crime.
Email submissions@greeneheaton.co.uk with your covering letter in the body of the email and submission materials as Word Document attachments. Include Imogen Morrell's name in the subject line. Fiction: first three chapters or around fifty pages, plus a one-to-two page synopsis that reveals the ending. Non-fiction: three sample chapters or around fifty pages, plus a proposed chapter summary or synopsis — a completed manuscript is not required. No postal submissions accepted. AI-generated or AI-edited submissions will not be considered.
Fiction
Mystery, suspense, thrillers, crime, book club fiction, grounded speculative/high-concept (no high fantasy), stories with escapism, strong series characters, ensemble casts, nature-as-character settings
Online form - https://darleyanderson.com or submissions/
Fiction and non-fiction
Fiction: literary/upmarket with edge, romance (incl dark academia, paranormals, grounded romantasy), mysteries with fresh angle, some literary speculative (not hard SFF). Non-fiction: science/nature, art/culture, social issues/politics, love/relationships, illustrated non-fiction, food/drink
Email (to one agent) - dchandley@pfd.co.uk
Adult fiction and select non-fiction
Horror (literary to commercial, gothic, dark academia), literary/book-club, high-concept/time-slip, romcom/cozy romance, cosy fantasy, dystopian, non-fiction from experts (nature/climate/psychology/self-help/health/neurodiversity/science etc.)
Online form - https://hs-la.com or submissions/
Adult and ya science fiction, fantasy, horror, related genres, serious non-fiction (broad history)
Strong voices/atmosphere, genre with social criticism, not memoir/women's fiction/very spicy stories
Submit a query letter, synopsis, and first fifty pages via https://querytracker.net or query or fabienneschwizer/
Fiction and non-fiction
Commercial/book club fiction (edging literary), thrillers with unusual location or speculative edge, historical with real figures, gothic/magical/haunted, speculative love stories, romcoms, fantasy with unique magic/folklore. Non-fiction from experts/creators including food writing, women's health, maternal/sport/mental health. Not sci-fi, erotica, graphic novels, children's/MG/YA, or poetry
Online form - https://www.greenstoneliterary.com or submissions
Fantasy, speculative fiction, romantic fantasy, romantic fiction, general fiction, literary fiction, narrative non-fiction, memoir, cookery
Grounded fantasy with light magical elements edging toward speculative or dystopic, with exceptionally strong world-building. Romantic fantasy with compelling protagonists, particularly a queer male lead or a non-binary/gender-neutral vampire story. Romantic fiction with a strong USP, enemies-to-lovers dynamics, competitive settings, and crossover with horror or crime. General fiction exploring friendship over time, sibling relationships, ensemble casts, and modern loose retellings of classics or plays — especially an own-voices retelling of The Crucible from Abigail Williams' perspective. In non-fiction: narrative memoir with a fresh angle, pop and fan culture exploring why topics trend online, and cookbooks from authors with strong social media platforms.
Email submissions@greeneheaton.co.uk with your covering letter in the body of the email and attachments as Word Documents. Include Mia Dakin's name in the subject line. Fiction: first three chapters or around fifty pages plus a one-to-two page synopsis that reveals the ending. Non-fiction: three sample chapters or around fifty pages plus a proposed chapter summary, your reasons for writing the book, and your intended readership. AI-generated or AI-edited submissions are not accepted.
Literary fiction, speculative fiction, narrative nonfiction, subject-led nonfiction, poetry
Wants: Literary-spectrum fiction (incl speculative); narrative-forward nonfiction with original idea/voice; not currently taking on new poets
Literary novels that prioritise plot and find fun, surprising ways to explore ideas or a moment in time — entertaining, thought-provoking, and ideally moving. Open to work that plays with and elevates genre. In nonfiction, drawn to original ideas with unique, narrative-driven telling, whether from journalists, memoirists, thought leaders, academics, or cultural figures. Not currently taking on new poets.
Email submissions@aitkenalexander.co.uk with the agent's name in the subject line. For fiction, attach the first three chapters or fifty pages plus a short synopsis as Word-compatible files. For narrative nonfiction, attach a short overview and up to 10,000 words of sample writing. For subject-led nonfiction, attach a proposal of around 5,000 words and at least 5,000 words of sample writing. Include a cover letter with a book description, any writing credits or qualifications, and a brief bio. Do not submit directly to the agent's assistant.
Literary fiction, commercial fiction, book club fiction, contemporary fiction, commercial women's fiction, crime, mystery, thrillers, fantasy, genre romance, historical fiction, horror, ghost stories, sagas, science fiction, biography, memoir, cookery, gardening, gift books, humour, history, military history, lifestyle, mind-body-spirit, self-improvement, politics, popular science, psychology, travel, children's, ya
SF/fantasy, sweeping historical fiction, character-driven sci-fi, action/adventure, crime. Non-fiction: history, biography, music
Email submissions@sheilland.co.uk with a cover letter, a one-page synopsis (fiction) or brief outline (non-fiction), a short CV, and the first three chapters or around fifty pages. Submissions should be 1.5 line spaced with margins and page numbers, and must include a word count. Only one work at a time. No AI-generated content accepted.
Fiction, non-fiction, poetry
Story-led and character-driven novels, rich worldbuilding (realist/speculative, contemporary/historical). Non-fiction: history, politics, philosophy, psychology, true crime, narrative sports writing, literary biography, academics, journalists, critics
Email submissions@aitkenalexander.co.uk with the subject line marked FAO Emma Paterson. For fiction, attach the first three chapters or fifty pages plus a short synopsis as Word-compatible files. For narrative non-fiction, send a short overview and up to 10,000 words of sample writing, for subject-led non-fiction, send a proposal of approximately 5,000 words outlining the book and your credentials, plus at least 5,000 words of sample writing. Include a cover letter with a brief book description, any writing credits or relevant qualifications, and a short biographical note. Note whether you are submitting simultaneously to other agencies.
Fiction, non-fiction
Speculative fiction, commercial fiction, literary fiction, crime and thriller, serious non-fiction (big ideas/subversive assumptions, serious histories, narrative non-fiction re contemporary events/issues)
Email alexander@greyhoundliterary.co.uk with a cover letter pitch in the body of the email. For fiction, attach the first three chapters and a synopsis. For non-fiction, attach a proposal and sample writing. Do not submit by post. Do not submit to more than one agent at the agency.
Literary fiction, upmarket fiction, historical fiction, literary thrillers, crime, gothic horror, speculative fiction, non-fiction, graphic novels
Literary and upmarket fiction/non-fiction, genre-bending/speculative-adjacent literary, literary historical, family novels, literary thrillers/crime, gothic horror edges, non-fiction art/music/aging/neurodiversity/psychotherapy/sport/science, graphic novels
Submit by email following DHA's submissions guidelines at https://davidhigham.co.uk or submissions/
Literary fiction, upmarket fiction, speculative fiction, horror, magical realism, mythology reimaginings, fairy tale reimaginings, folklore reimaginings, cultural criticism, narrative nonfiction, nonfiction, cookbooks, food writing, short story collections, novellas
Wants: Cover letter, synopsis, first three chapters
Literary and upmarket fiction, speculative fiction, horror, magical realism, and reimaginings of myths, fairy tales, and folklore. Also cultural criticism, narrative nonfiction, big-idea nonfiction, and select cookbooks and food writing. Maria is the only agent at the agency who accepts novellas and short story collections.
Email submissions@mushens-entertainment.com with your submission addressed to Maria. For fiction, include a clear subject line (e.g. Fiction Submission: TITLE), a cover letter in the body of the email, an attached synopsis, and a PDF or Word document containing either the first three chapters, the first 10,000–15,000 words, or the first 50 pages. For non-fiction, include a proposal or the first 10,000–15,000 words of a completed manuscript. For short story collections (40,000–75,000 words total), include a synopsis and the full collection. For novellas (17,000–40,000 words), include a synopsis. Do not use AI to write or edit any part of your submission. Notify the agency if another agent requests your full manuscript or offers representation.
Children's fiction, ya, adult fiction, non-fiction
Eclectic, currently: upmarket contemporary, friendships, thoughtful sci-fi/fantasy, sweeping love stories, darkly magical, humorous, memoir/essays (occasional). Avoids gritty/harrowing crime, no picture books or poetry
Email the first three chapters, a 1-2 page synopsis including the full plot outline and ending, and a covering letter (Word format preferred) to submissions.bryony@bryonywoods.co.uk. The covering letter should describe the book, include a short author biography, and note any previous writing experience.
Drama, comedy-drama, thriller, science fiction, horror, genre mashups
Drama and comedy-drama with elevated storytelling, including thrillers, grounded science fiction, horror, and genre mashups. Series that explore social politics and human psychology while remaining highly entertaining with complex, well-rounded characters. A unique perspective and original voice are particularly valued.
Read the submissions guidelines first. Send your submission to cisubmissions@davidhigham.co.uk if you believe you are a good match. Allow up to six weeks for a response, if you do not hear back within that timeframe, assume your submission has been unsuccessful.
Speculative fiction (sff or fantasy or horror or romantasy etc.)
Speculative fiction broadly: epic/urban/historical fantasy, SF (space opera/near future), horror (folklore/gothic), weird/high-concept, action/adventure/espionage, underrepresented voices
Email submission@bell-lomax.co.uk with a short synopsis covering the entire plot, the first three chapters (no more than 50 pages, double spaced), and a covering letter including details of any previously published work. Do not address submissions to more than one agent.
Science fiction, fantasy, horror, crime, thriller, sport non-fiction
Commercial fiction, especially science fiction, fantasy, horror, crime and thrillers. Also looking for sport-related non-fiction and keen to see submissions from under-represented voices and LGBTQ writers.
Email jamie@theampersandagency.co.uk
Fantasy, speculative fiction, romantasy, ya, adult fiction, satire
Safae represents adult, YA, and crossover fiction with a focus on fantasy, speculative fiction, romantasy, and satire. She is drawn to dynamic, voice-driven narratives that carry a sense of urgency—stories that are emotionally impactful with a strong hook and smart-mouthed dialogue. She enjoys both dark, gritty narratives and quirky, offbeat stories, as well as fresh spins on familiar tropes such as enemies-to-lovers, fake relationships, and forbidden love. She also supports translators working from languages of the Global Majority. She is not looking for poetry, short story collections, novellas, picture books, middle grade fiction, or memoirs.
Email: safae@rcwlitagency.com
Sff, speculative fiction, horror, middle grade, ya, crossover fiction, graphic novels
Adult SFF, speculative fiction and horror, children's middle grade, YA and crossover fiction, and graphic novels across all age ranges. Actively seeks authors and author-illustrators from diverse and traditionally underrepresented backgrounds.
Email submissions directly to katie@theampersandagency.co.uk. Note: she does not represent children's picture books or short stories not fitting the above genres.
Children's and ya fiction, na or crossover, commercial women's fiction, narrative non-fiction
MG: voice-driven with heart/humour, contemporary or MG fantasy series. YA: friendships/firsts/feels, high-concept/speculative romance or thriller. NA and commercial women's: romance-forward with unusual circumstances, romcom (college/university), darkly comic new-parenthood, also speculative/historical romance. Romantasy: romance-forward, grounded magic, morally grey. Non-fiction: extraordinary challenges/adventures, experts in STEM/history/pop culture/mental health. Not sci-fi, crime fiction, picture books
Email submission@bell-lomax.co.uk with a covering letter in the email body, a short synopsis (including full plot details), and the first three chapters (no more than 50 pages, double spaced) as a Word document or PDF. Do not address the submission to more than one agent.
Fiction and non-fiction
Non-fiction across many areas (narrative, prescriptive, self-help, illustrated, cookery/history/philosophy/economics/memoir/tech/science/business/nature). Fiction: science fiction, horror, fantasy (incl upmarket body horror, book-club friendly SFF, time travel, inventive fantasy epic, underrepresented voices)
Email - sohoagencysubmissions@gmail.com
Literary fiction, narrative non-fiction, crime, sci-fi, poetry
Literary fiction, narrative non-fiction, well-crafted crime and sci-fi, building a curated list of poetry
Send a covering letter, a synopsis of approximately 500 words, and the first three chapters by post to Georgina Capel Associates Ltd, 29 Wardour Street, London W1D 6PS (mark envelope 'Submissions Department'), or by email to irene@georginacapel.com. Include your email address and or or telephone number. AI-generated content is not accepted.
Commercial fiction, literary fiction, romance, crime, thriller, historical fiction, narrative non-fiction, true crime, cookery and food writing
Wants: Commercial to accessible literary fiction; plot-driven stories exploring big emotions; romance; family/friendship sagas; twisty crime/thrillers; grounded dystopian; narrative-led non-fiction (true crime/untold histories etc.)
Plot-driven fiction from commercial to the accessible end of the literary spectrum, including romance and rom-coms (particularly with queer love or interesting backdrops), sweeping family and friendship sagas, unputdownable crime and thriller standalones, upmarket psychological crime, contemporary and historical fiction (especially based on real events, with gothic elements, or focusing on underrepresented lives), narrative non-fiction that reads like fiction, literary true crime, untold histories, accessible books on complex topics, and cookery and food writing with uncomplicated recipes. Keen to hear from authors whose voices are underrepresented in publishing. Not currently taking YA, children's, poetry, fantasy, romantasy, science fiction, diet, or business projects.
Email sian@blakefriedmann.co.uk
Literary and upmarket or book club fiction
Character-driven, emotionally resonant, culturally insightful literary/upmarket fiction, sweeping narratives, complex family dynamics, intergenerational sagas, sociopolitical/postcolonial/global themes, speculative or magical realism grounded in human experience, literary thrillers with psychological nuance
Online form - https://www.madeleinemilburn.co.uk or submissions/
Mystery, romantic suspense, psychological suspense, speculative, crime, thriller, horror, book club
Wants: Cover letter, synopsis, first 3 chapters or 50 pages
Jade represents adult commercial fiction, especially thriller, suspense, horror, book club fiction, romantic suspense and speculative fiction with a darker edge.
Submit via the Darley Anderson online submissions portal. Include a cover letter, one-page synopsis, and the first three chapters or first 50 pages or 10,000 words.
Talking point, uplifting, speculative, historical, women's fiction, saga, book club
Wants: Cover letter, synopsis, first 3 chapters or 50 pages
Sarah is building a list of bold, voice-driven book club, women's fiction, historical fiction, reading group fiction and commercially accessible stories with emotional depth.
Submit via the Darley Anderson online submissions portal. Include a cover letter, one-page synopsis, and the first three chapters or first 50 pages or 10,000 words.
Fiction, non-fiction
Fiction: crime/thrillers across commercial-literary, atmospheric/setting-as-character, accessible speculative, ghost stories, folk horror, originality and distinctive voice, humour threaded. Non-fiction: narrative history/prehistory, memoir, nature/landscape, folklore
Email submissions@hardmanswainson.com. For fiction, attach a one-page synopsis and the full manuscript. For non-fiction, attach a proposal and a sample chapter (or the full work if completed). Name your chosen agent in the cover email. Submit to one agent only, do not email individual agent addresses.
Literary fiction, commercial fiction, crime, sci-fi, short story collections, poetry, narrative non-fiction, history, travel, food, nature writing, investigative journalism, popular science, popular psychology, children's, ya
Wants: Cover letter and ~500-word synopsis and first 3 chapters; include contact details
Literary, book club, and commercial fiction including thrillers and YA; short story collections and poetry; narrative non-fiction with strong style; well-crafted crime and sci-fi; history, politics, science, psychology, true crime, travel, food, nature writing, investigative journalism, and popular psychology. Writers for children and young adults are also welcome.
Submit by email or post. The postal address is 29 Wardour Street, London W1D 6PS. For email, visit georginacapel.com or contact to find the address.
Fiction and non-fiction
Fiction: literary and speculative (and overlap), all adult/YA fiction (not below YA). Non-fiction: untold/unknown stories, expert insights, narrative/serious non-fiction
Email - submissions@appletreeliterary.com
DunnFogg
Reading group fiction, women's fiction, speculative fiction, memoir, narrative-led non-fiction, nature writing, media tie-in, pop-science, big ideas
Wants: Quality and commercial fiction and non-fiction (no children's books)
Fiction with original, well-drawn characters, unusual plots, and writing that extends the margins of genre expectations; novels with unique voices and subtle humour that feel different and unexpected. Non-fiction where an expert voice is married to a new, exciting idea that offers the reader some form of utility; also memoir, narrative-led non-fiction, nature writing, media tie-in projects, pop-science, and big ideas. Does not represent children's books.
Online form - https://dunnfogg.co.uk or submissions/
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