UK Literary Fiction Literary Agents Open to Submissions

Nonfiction, literary fiction, science fiction, fantasy

Nonfiction that illuminates the past and present across arts, pop culture, education, politics, sociology, and technology, with a vision toward more just and equitable futures; also select genre fiction with literary merit, particularly science fiction and fantasy stories that explore new worlds while revealing something essential about our own.

Submit through Aevitas Creative Management's contact and submissions form.

Literary fiction, contemporary fiction, upmarket fiction, book club fiction, fantasy, horror, young adult, crossover

Wants: Query letter, synopsis, first three chapters

Clara Foster wants intelligent, original fiction with deep emotion, strong line-level writing, and voice-led characters. She is looking for adult literary contemporary fiction with a strong female focus, upmarket and book club novels that are cleverly conceived, beautifully written, and accessible, fantasy and horror that explore the real world or the self, historical romantasy, urban fantasy, academic settings, body horror, lightly speculative fiction, and YA/crossover stories that are political while providing a strong story. She is not a likely fit for commercial women's fiction, science fiction, World War II or Holocaust stories, or narratives driven primarily by sexual assault, eating disorders, a great lie, or death of a child. She is not accepting nonfiction except by referral.

Submit via Clara Foster's official QueryTracker link from her submissions page. Send a query letter, synopsis, and first three chapters. All queries will receive a response.

Literary fiction, speculative fiction, gothic fiction, thriller, psychological horror, noir, non-fiction, history, popular science, political writing, investigative journalism, cultural criticism, memoir, biography, nature, food

Provocative, morally ambiguous fiction charged with darkness and desire — exploring themes of shame, obsession, and power — often blending literary fiction with thriller, noir, or psychological horror. Speculative and gothic novels haunted by grief, repressed desire, climate, technological dread, colonialism, or history. Voice-driven, humorous fiction with emotional heft, including messy family dramas, campy queer tragedies, and rural romances with a self-aware take on identity and community. In non-fiction, academics and journalists writing on history, popular science, politics, investigative journalism, cultural criticism, memoir, biography, nature, and food — particularly writers who can marry vivid narrative with deep research. Also political and cultural commentary, mind-bending science writing, narrative biography, landscape and history memoir, insider accounts, and obsessive literary true crime.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email and submission materials as Word Document attachments. Include Imogen Morrell's name in the subject line. Fiction: first three chapters or around fifty pages, plus a one-to-two page synopsis that reveals the ending. Non-fiction: three sample chapters or around fifty pages, plus a proposed chapter summary or synopsis — a completed manuscript is not required. No postal submissions accepted. AI-generated or AI-edited submissions will not be considered.

Fiction, nonfiction, commercial fiction, literary fiction, international authors

Wants: Cover letter, synopsis, first three chapters, proposal

Carole Delmon is listed on the official Susanna Lea Associates Paris team page. The Paris office says its taste is eclectic and that it is interested in works of both fiction and nonfiction, commercial and literary, with projects that have international potential beyond the French market.

For submissions in France, email paris@susannalea.com. SLA asks for a concise and thoughtful cover letter, a brief synopsis, and either the first three chapters or a detailed proposal. Do not submit to more than one SLA office, and do not send post or fax queries.

Fiction and narrative non-fiction

Fiction: literary and genre including historical/speculative/crime/romance, distinctive voice/worldbuilding, moral dilemmas, families/relationships, darkness and humour. Non-fiction: history/memoir/current affairs/cultural criticism/popular science/travel/food, experts with surprising takes

Email anna@johnsonandalcock.co.uk with a short covering letter including a blurb and author info. For fiction, include a synopsis of no more than two pages and the opening 50 pages. For non-fiction, include a proposal with introduction, chapter breakdown, and sample material totalling around 50 pages. Attachments in Word .doc or .docx format, at least 1.5 line spaced, page-numbered, A4. Submit to one agent only, do not blind-copy.

Literary fiction and non-fiction (international or translated)

Voice-led literary fiction and non-fiction that cross borders, plays with form/genre, open to submissions in all languages

Synopsis and bio in English preferred

Fiction and non-fiction, literary estates

Broad/omnivorous tastes, excited by new literary voices, sprawling literary fiction, ambitious/speculative, would like a well-characterised, genuinely thrilling thriller, narrative non-fiction that reads like fiction, food writing, fresh takes on cookery

Online form - https://amheath.com or submissions

Literary fiction, crime, thriller, narrative non-fiction, history, politics, culture, psychology, science, nature

Fiction: literary fiction (broadly including book-club) and crime and thriller, excited by risks with voice/form/storytelling, compulsive, ideaful, humane. Non-fiction: original thinkers/writers in history, politics, culture, psychology, science, nature/environment (not straightforward memoir or academic monographs)

Email - submissions@rebeccacarterliterary.com

Literary fiction, upmarket fiction, book club fiction, narrative memoir, family saga, high society fiction, speculative fiction, magical realism, contemporary fiction, upmarket suspense, psychological thriller, postcolonial fiction, translated fiction, classical retellings

Wants: Cover letter, synopsis, first three chapters, first ten thousand words, proposal, writing sample

Rachel Yeoh is a literary agent building a list in literary, upmarket, and book club fiction, as well as select narrative nonfiction. She is actively looking for literary, upmarket, book club, global stories, human experience, social critique, class conflict, speculative fiction, family sagas, contemporary fiction, upmarket suspense, psychological thriller, postcolonial literature, translated fiction, classical retellings, and narrative memoir.

Submit through the relevant Madeleine Milburn online form and select Rachel Yeoh where available. Adult fiction submissions require a cover letter pasted into the form and one attachment containing a one-page synopsis plus the first three chapters or first 10,000 words. Nonfiction submissions require a cover letter and one document containing a 5,000 to 10,000 word sample and proposal. Do not submit by post or directly to email addresses.

Fiction, children's books, nonfiction, thriller, suspense, historical fiction, literary fiction, book club fiction, young adult, middle grade, romantasy, memoir, cookery, lifestyle, narrative nonfiction

Wants: Covering letter, synopsis, first three chapters, first fifty pages, outline, sample chapter, bio

Hellie Ogden is co-head of WME UK Books and represents fiction, children's books, and nonfiction. She is actively taking on new clients and wants bold storytelling, moving prose, vivid thought-provoking characters, standout debut work, high-concept thrillers and suspense with fresh hooks and daring twists, historical fiction with original courageous ideas, page-turning literary fiction about millennial experience, nostalgia, sexuality and family complexities, upmarket book club fiction with commercial hooks, female-led mysteries, emotionally deep fiction, YA with big heart and voice, romantasy, middle grade adventure with magic, memoir, standout cookery, lifestyle writers, moving narrative nonfiction, and work with social following and cross-media potential.

Submit through Hellie Ogden's official WME profile or query button. Include the author full name and work title in the email subject line. Fiction submissions should include a covering letter, synopsis, and either the first three chapters or first fifty pages. Nonfiction submissions should include a covering letter, full chapter outline, and if possible a sample chapter. Include a bio with all submissions. Query one WME agent at a time.

Literary fiction, crime fiction, thriller, historical fiction, science fiction, fantasy, commercial fiction, book club fiction, upmarket fiction, history, sport, popular science

Entertaining and diverse fiction with well-told stories, big ideas, emotional hooks and gripping plots. In commercial fiction, particularly interested in crime, thriller, book group and upmarket titles, as well as historical fiction, science fiction and fantasy. In non-fiction, looks for expertise, fresh ideas and genuine passion for the subject, working across history, sport and popular science.

Direct queries about submissions to Isobel@rcwlitagency.com.

Fiction and non-fiction

Accessible literary and book club fiction with strong voice, historical fiction (e.g., like Sarah Waters), subversive/funny non-fiction, art or food (fiction or non-fiction)

Email - sabhbh.curran@curtisbrown.co.uk

Literary fiction, historical fiction, psychological suspense, crime, thrillers, non-fiction

Multi-generational domestic novels that follow characters over a significant time frame, particularly those exploring the intricacies of female familial relationships. Pre-twentieth century historical fiction. Big, pacy standalone crime and thriller novels, preferably with surprising twists. Non-fiction with an element of mystery and discovery, especially books that challenge readers to re-examine previously held conceptions of history.

Email submissions@hardmanswainson.com naming Lucy Malone in your cover email. For fiction, attach a one-page synopsis and the full manuscript. For non-fiction, include a covering email outlining the book, why it has a place on the bookshelf, and why you are qualified to write it, along with a proposal and a sample chapter or the whole work if completed. Submit to one agent only, do not email individual agent addresses.

Fiction and non-fiction

Literary/book club/romantic fiction, character-led "gentler" crime in communities, non-fiction including relationships, pop culture, social history, food, some cookery/illustrated. Not currently considering memoir

Email juliet@blakefriedmann.co.uk with your cover letter as the body of the email. Attach a full synopsis of 250-300 words and the first three chapters or first 10,000 words as Word documents (.doc or .docx). Name each attachment with the book title and your name. Include your title and name in the subject line. Do not send PDFs or external links.

Literary fiction, commercial fiction, crime, thrillers, historical fiction, children's, young adult, non-fiction

Literary and commercial fiction, crime, thrillers, and historical fiction. Particularly excited by debut authors and actively welcomes submissions of the highest standard. Not currently considering science fiction and fantasy.

Submit by email to sam@rcwlitagency.com. Due to the volume of submissions received, you should assume no response within eight weeks indicates a rejection.

Crime, thrillers, literary thriller, commercial thriller, fantasy, dystopian, literary speculative fiction, dark academia, horror, high-concept book club fiction

Wants: Cover letter, synopsis, first three chapters

Characters with dark pasts, tragic futures or buried trauma. Crime and thrillers across the literary and commercial spectrum, fantasy, dystopian fiction, literary speculative fiction, dark academia, horror, and high-concept book club fiction.

Email submissions@mushens-entertainment.com with the subject line 'Fiction Submission: TITLE OF YOUR WORK', addressed to Rachel Neely. Include a cover letter in the body of the email, a synopsis as an attachment, and a PDF or Word document of your first three chapters, first 10–15,000 words, or first 50 pages. Manuscript must be complete at time of submission.

Literary fiction, thriller, non-fiction, cultural commentary, history, science, politics, psychoanalysis, poetry

Wants: Cover letter, biographical note, first three chapters (fiction) or proposal (non-fiction)

Extraordinary and precisely crafted literary fiction in the vein of Anita Brookner, Jenny Offill, and Gwendoline Riley—work that transforms everyday experience into elegant prose. She is also drawn to literary fiction that plays with genre, including political and erotic thrillers with astute characterization and propulsive pacing, as well as narratives exploring obsession, infatuation, longing, and belonging. In contemporary prose, she looks for playful, innovative writing with sharp observation and wit—novels that assess humanity with shrewdness, clarity, and humour. For non-fiction: stylish writing and fresh perspectives on history, science, politics, and cultural commentary from experts, academics, journalists, and critics writing for trade audiences, as well as experimental, genre-defying work and thought-provoking writing on psychoanalysis and therapy.

Send a brief cover letter along with a biographical note and either the first three chapters of your work (if fiction) or a proposal (if non-fiction) to kat@lexingtonliterary.co.uk.

Literary fiction, commercial fiction, short story collections

Literary, book club, and commercial fiction, and short story collections.

Email: polly@georginacapel.com

Fiction and non-fiction

Literary fiction, social history, travel and cookery

Email an enquiry, synopsis, and first three chapters to submissions@artellusltd.co.uk. Postal submissions are not accepted.

Adult fiction and select non-fiction

Horror (literary to commercial, gothic, dark academia), literary/book-club, high-concept/time-slip, romcom/cozy romance, cosy fantasy, dystopian, non-fiction from experts (nature/climate/psychology/self-help/health/neurodiversity/science etc.)

Online form - https://hs-la.com or submissions/

Literary fiction, narrative nonfiction, current affairs, politics, pop culture, popular science, history, journalism, memoir, biography

David Kuhn is co-CEO of Aevitas Creative Management. His official Aevitas profile says he represents literary fiction, narrative nonfiction, current affairs, politics, pop culture, popular science, history, journalism, memoir, and biography.

Submit through the official Aevitas contact or submissions page if David Kuhn is available in the agent dropdown. Aevitas asks writers to include a query letter and, for nonfiction, a proposal if available, for fiction, include sample pages as directed by the form. Do not send unsolicited material outside the official route.

Fiction and non-fiction

Commercial/book club fiction (edging literary), thrillers with unusual location or speculative edge, historical with real figures, gothic/magical/haunted, speculative love stories, romcoms, fantasy with unique magic/folklore. Non-fiction from experts/creators including food writing, women's health, maternal/sport/mental health. Not sci-fi, erotica, graphic novels, children's/MG/YA, or poetry

Online form - https://www.greenstoneliterary.com or submissions

Literary fiction, innovative fiction, humor, nonfiction, history, art, social commentary, political commentary, nature writing

Wants: Cover letter, writing sample, synopsis, proposal

Cora MacGregor is Associate Agent and Assistant to Patrick Walsh at PEW Literary. She is drawn to generically and formally innovative literary fiction that speaks to the present moment, or anything that makes her laugh. Her nonfiction interests are diverse and include history, art, social and political commentary, and nature writing.

Submit to PEW Literary by email at submissions@pewliterary.com or by post. Email submissions should be in Word or PDF format, 1.5 or double-spaced, with a cover letter. Fiction submissions should follow PEW's fiction guidelines, and nonfiction submissions should follow PEW's nonfiction guidelines. Do not send a stamped addressed envelope for postal submissions, include an email address for response.

Fiction, non-fiction, poetry

Story-led and character-driven novels, rich worldbuilding (realist/speculative, contemporary/historical). Non-fiction: history, politics, philosophy, psychology, true crime, narrative sports writing, literary biography, academics, journalists, critics

Email submissions@aitkenalexander.co.uk with the subject line marked FAO Emma Paterson. For fiction, attach the first three chapters or fifty pages plus a short synopsis as Word-compatible files. For narrative non-fiction, send a short overview and up to 10,000 words of sample writing, for subject-led non-fiction, send a proposal of approximately 5,000 words outlining the book and your credentials, plus at least 5,000 words of sample writing. Include a cover letter with a brief book description, any writing credits or relevant qualifications, and a short biographical note. Note whether you are submitting simultaneously to other agencies.

Fiction and non-fiction

Pacy romcoms, dark literary, historical forgotten perspectives, under-represented voices, non-fiction provoking discussion (memoir/polemic/recovered histories/culture studies/self-help)

Email af.submission@dhhliteraryagency.com with cover letter, one-page synopsis, and first three chapters for fiction. For non-fiction, send a proposal including an overview, author bio, chapter breakdown, sources, sample chapter, comparable titles, media links, and any praise.

Fiction and non-fiction

Fiction: literary and speculative (and overlap), all adult/YA fiction (not below YA). Non-fiction: untold/unknown stories, expert insights, narrative/serious non-fiction

Email - submissions@appletreeliterary.com

Literary fiction, upmarket fiction, book club fiction, narrative non-fiction, memoir, essay collections, food writing, cookbooks

Fiction and non-fiction from underrepresented voices. In fiction, drawn to literary, upmarket and book club novels exploring family and relationship dynamics, sexuality, identity, and vulnerability — particularly stories about polyamory and ethical non-monogamy, epic multi-generational narratives, intelligent romantic comedies, relationship drama, coming-of-age tales centred on girlhood, and intimate formally inventive prose. In non-fiction, interested in narrative, memoir and essay collections from experts, academics, critics and journalists writing about society and culture, especially writers seeking to reshape conversations in their field. Particularly keen to add cookbooks and food writing to her list. Does not represent children's, YA or fantasy.

Email submissions@watsonlittle.com with Ciara's name specified. Include a cover letter in the body of the email with genre, word count, one-line pitch and a brief author bio. For fiction, attach approximately 10,000 words from the beginning of the manuscript and a separate synopsis as Word documents. For non-fiction, attach a full proposal as a single Word document. Do not submit to more than one Watson, Little agent at once. No AI-generated material accepted.

Literary fiction, commercial fiction, romance, book club fiction, culture and society non-fiction, cookery

Literary and commercial fiction alongside romance novels with strong book club appeal. In non-fiction, writing that explores culture and modern society, as well as cookery in all its forms, from narrative food writing to practical cookbooks.

Submissions can be sent by email to honor@rcwlitagency.com.

Fiction, non-fiction

Speculative fiction, commercial fiction, literary fiction, crime and thriller, serious non-fiction (big ideas/subversive assumptions, serious histories, narrative non-fiction re contemporary events/issues)

Email alexander@greyhoundliterary.co.uk with a cover letter pitch in the body of the email. For fiction, attach the first three chapters and a synopsis. For non-fiction, attach a proposal and sample writing. Do not submit by post. Do not submit to more than one agent at the agency.

Literary fiction, general fiction, epic fantasy, history, memoir, reportage, narrative nonfiction, art, music, nature writing

Beautiful, ambitious, and unusual literary fiction, epic fantasy, and upmarket general fiction that is emotionally engaging and compulsively readable. In nonfiction, interested in history, memoir, reportage, and big ideas, as well as writing on art, music, literature, and nature.

Submit via the button on John Ash's agent profile page at https://www.caa.com or entertainmenttalent or books or agent or john-ash/. For fiction, include a cover letter, synopsis, and the first three chapters or opening 50 pages. For nonfiction, include a cover letter and proposal.

Narrative non-fiction, literary fiction

Narrative non-fiction with strong writing (science/nature/landscape/anthropology/history/politics/philosophy/gender/health/myth, environmentally aware). Internationally relevant literary fiction, character-led, warm/life-affirming or dark, lasting impression

Email jessicawoollard@davidhigham.co.uk and esmebright@davidhigham.co.uk — submissions should be sent to both the agent and her assistant Esme Bright

Reading group fiction, crime, thriller, psychological fiction, literary fiction, fantasy, historical fiction

Wants: Covering letter, synopsis, first three chapters, first 10, 000-15, 000 words, first fifty pages

Reading group fiction, crime and thriller, psychological novels, high-concept hooks, novels that feel ambitious and international, page-turners with a lot of twists and turns

Email submissions@mushens-entertainment.com with a clear subject line (e.g. Fiction Submission: TITLE), the cover letter in the body of the email, a synopsis as an attachment, and a PDF or Word document containing either the first three chapters, the first 10,000 to 15,000 words, or the first 50 pages. Address the email to Juliet.

Literary fiction, historical fiction, science fiction, fantasy

One-Page Outline, First Three Chapters, First Fifty Pages, Author Bio

Email submissions@miccheetham.co.uk with a one-page outline, either the first three chapters or first fifty pages, and a brief author bio. Word attachments are preferred and should be double spaced.

Literary fiction, upmarket fiction, speculative fiction, horror, magical realism, mythology reimaginings, fairy tale reimaginings, folklore reimaginings, cultural criticism, narrative nonfiction, nonfiction, cookbooks, food writing, short story collections, novellas

Wants: Cover letter, synopsis, first three chapters

Literary and upmarket fiction, speculative fiction, horror, magical realism, and reimaginings of myths, fairy tales, and folklore. Also cultural criticism, narrative nonfiction, big-idea nonfiction, and select cookbooks and food writing. Maria is the only agent at the agency who accepts novellas and short story collections.

Email submissions@mushens-entertainment.com with your submission addressed to Maria. For fiction, include a clear subject line (e.g. Fiction Submission: TITLE), a cover letter in the body of the email, an attached synopsis, and a PDF or Word document containing either the first three chapters, the first 10,000–15,000 words, or the first 50 pages. For non-fiction, include a proposal or the first 10,000–15,000 words of a completed manuscript. For short story collections (40,000–75,000 words total), include a synopsis and the full collection. For novellas (17,000–40,000 words), include a synopsis. Do not use AI to write or edit any part of your submission. Notify the agency if another agent requests your full manuscript or offers representation.

Non-fiction and select fiction

Non-fiction: compelling narrative history, ideas books on urgent questions, absorbing biography and memoir, pop culture, humour, and entertainment. Fiction: memorable characters on gripping journeys, principally crime or literary-commercial crossover. Not considering children's, YA, sci-fi/fantasy, or screenplays

Send your work and a covering letter to wiseofficesubmissions@curtisbrown.co.uk. Gordon Wise and his team are taking on only a couple of fiction writers a year. They are not considering submissions for Children's, Young Adult, Science Fiction, Fantasy, or screenplays. If you have not heard back within four to six weeks, this means they are unable to offer representation.

Literary fiction, commercial fiction, women's fiction, crime fiction, non-fiction

Well-written commercial and literary fiction (incl women's fiction, award-winning crime, upmarket), interested in dysfunctional families, outsiders, messiness, working-class/regional voices (Irish/Scottish), diverse perspectives. Non-fiction: housing, class, feminism, social change, globalisation, sexuality and similar areas

Email - submissions@ryeliterary.com