UK Literary Fiction Literary Agents Open to Submissions

Literary fiction, crime, thriller, narrative non-fiction, history, politics, culture, psychology, science, nature

Fiction: literary fiction (broadly including book-club) and crime and thriller, excited by risks with voice/form/storytelling, compulsive, ideaful, humane. Non-fiction: original thinkers/writers in history, politics, culture, psychology, science, nature/environment (not straightforward memoir or academic monographs)

Email - submissions@rebeccacarterliterary.com

Literary fiction, crime fiction, thriller, historical fiction, science fiction, fantasy, commercial fiction, book club fiction, upmarket fiction, history, sport, popular science

Entertaining and diverse fiction with well-told stories, big ideas, emotional hooks and gripping plots. In commercial fiction, particularly interested in crime, thriller, book group and upmarket titles, as well as historical fiction, science fiction and fantasy. In non-fiction, looks for expertise, fresh ideas and genuine passion for the subject, working across history, sport and popular science.

Direct queries about submissions to Isobel@rcwlitagency.com.

Literary fiction, commercial fiction, illustrated non-fiction, serious non-fiction

Novels across the literary-commercial scale and non-fiction from highly illustrated to serious non-fiction, with diversity within the list as an ever-present priority. Does not represent scriptwriting, high fantasy, or, in non-fiction, business, self-help or parenting books. Represents poetry and children's books (including MG and YA) only where she already represents the author.

Email submissions@philippasitters.co.uk with a cover letter in the email body. For fiction, attach the first 30 pages (double spaced) and a 1-2 page synopsis (single spaced) as Word documents or PDFs. For non-fiction, attach a proposal with a detailed chapter outline and up to three sample chapters (double spaced), information on target market and comparable titles is helpful but not required.

Literary fiction, non-fiction, estates

Wants: Synopsis, three chapters, covering letter

Nemonie Craven Roderick is a director of Jonathan Clowes Ltd. Her clients include the Estate of Doris Lessing, the Estate of Elizabeth Jane Howard, the Estate of David Nobbs, Maureen Duffy, Miles Gibson, Simon Critchley, Toby Vieira, Delyth Badder, David Llewellyn, and Gruff Rhys.

Email - nemonie@jonathanclowes.co.uk

Fiction, children's books, nonfiction, thriller, suspense, historical fiction, literary fiction, book club fiction, young adult, middle grade, romantasy, memoir, cookery, lifestyle, narrative nonfiction

Wants: Covering letter, synopsis, first three chapters, first fifty pages, outline, sample chapter, bio

Hellie Ogden is co-head of WME UK Books and represents fiction, children's books, and nonfiction. She is actively taking on new clients and wants bold storytelling, moving prose, vivid thought-provoking characters, standout debut work, high-concept thrillers and suspense with fresh hooks and daring twists, historical fiction with original courageous ideas, page-turning literary fiction about millennial experience, nostalgia, sexuality and family complexities, upmarket book club fiction with commercial hooks, female-led mysteries, emotionally deep fiction, YA with big heart and voice, romantasy, middle grade adventure with magic, memoir, standout cookery, lifestyle writers, moving narrative nonfiction, and work with social following and cross-media potential.

Submit through Hellie Ogden's official WME profile or query button. Include the author full name and work title in the email subject line. Fiction submissions should include a covering letter, synopsis, and either the first three chapters or first fifty pages. Nonfiction submissions should include a covering letter, full chapter outline, and if possible a sample chapter. Include a bio with all submissions. Query one WME agent at a time.

Commercial fiction, literary fiction, commercial non-fiction, children's fiction, ya

Wants: Agency is building its list and welcomes unsolicited submissions (see remit on site)

Commercial and literary fiction across all genres, commercial non-fiction, and children's and young adult fiction, with a particular interest in projects with book-to-screen adaptation potential

Email info@whisperingbuffalo.com marked for the attention of the Submissions Department. For fiction include a brief biography, one-page synopsis, and first three chapters (double-spaced) as a Word document attachment. For non-fiction include a proposal and sample chapter.

Fiction and non-fiction

Accessible literary and book club fiction with strong voice, historical fiction (e.g., like Sarah Waters), subversive/funny non-fiction, art or food (fiction or non-fiction)

Email - sabhbh.curran@curtisbrown.co.uk

Literary and upmarket or book club fiction

Character-driven, emotionally resonant, culturally insightful literary/upmarket fiction, sweeping narratives, complex family dynamics, intergenerational sagas, sociopolitical/postcolonial/global themes, speculative or magical realism grounded in human experience, literary thrillers with psychological nuance

Online form - https://www.madeleinemilburn.co.uk or submissions/

Literary fiction, commercial fiction, crime, thrillers, historical fiction, children's, young adult, non-fiction

Literary and commercial fiction, crime, thrillers, and historical fiction. Particularly excited by debut authors and actively welcomes submissions of the highest standard. Not currently considering science fiction and fantasy.

Submit by email to sam@rcwlitagency.com. Due to the volume of submissions received, you should assume no response within eight weeks indicates a rejection.

Crime, thrillers, literary thriller, commercial thriller, fantasy, dystopian, literary speculative fiction, dark academia, horror, high-concept book club fiction

Wants: Cover letter, synopsis, first three chapters

Characters with dark pasts, tragic futures or buried trauma. Crime and thrillers across the literary and commercial spectrum, fantasy, dystopian fiction, literary speculative fiction, dark academia, horror, and high-concept book club fiction.

Email submissions@mushens-entertainment.com with the subject line 'Fiction Submission: TITLE OF YOUR WORK', addressed to Rachel Neely. Include a cover letter in the body of the email, a synopsis as an attachment, and a PDF or Word document of your first three chapters, first 10–15,000 words, or first 50 pages. Manuscript must be complete at time of submission.

Literary fiction, narrative non-fiction

Literary fiction and narrative non-fiction, award-winning food writers, academics, stylish prose, sly humour, complex characterisation, challenging ideas and identity

Email zross@unitedagents.co.uk with a one-line elevator pitch, two or three comparable books, and a back-cover blurb. Attach a one-page synopsis and the first three chapters (fiction), or a proposal with a twenty-page writing sample (non-fiction).

Fiction and non-fiction

Literary fiction, social history, travel and cookery

Email an enquiry, synopsis, and first three chapters to submissions@artellusltd.co.uk. Postal submissions are not accepted.

Fiction and non-fiction

Commercial/book club fiction (edging literary), thrillers with unusual location or speculative edge, historical with real figures, gothic/magical/haunted, speculative love stories, romcoms, fantasy with unique magic/folklore. Non-fiction from experts/creators including food writing, women's health, maternal/sport/mental health. Not sci-fi, erotica, graphic novels, children's/MG/YA, or poetry

Online form - https://www.greenstoneliterary.com or submissions

Literary fiction, commercial fiction, short story collections

Literary, book club, and commercial fiction, and short story collections.

Email: polly@georginacapel.com

Literary fiction, commercial fiction, romance, book club fiction, culture and society non-fiction, cookery

Literary and commercial fiction alongside romance novels with strong book club appeal. In non-fiction, writing that explores culture and modern society, as well as cookery in all its forms, from narrative food writing to practical cookbooks.

Submissions can be sent by email to honor@rcwlitagency.com.

Fiction and non-fiction

Literary and upmarket fiction, literary thrillers, smart women's fiction. Non-fiction on serious subjects in innovative ways (history, science, memoir, cookery, cultural criticism, social issues, psychology)

Email imogen@marjacq.com

Fiction and non-fiction

Literary and commercial fiction and non-fiction (good writing, great literature)

Submit via the RCW submissions page at https://rcwlitagency.com or submissions or with a cover letter, synopsis, and first 3 chapters or 50 pages for fiction, or a proposal of up to 20 pages for non-fiction. Submit to one agent or assistant only.

Literary fiction, narrative non-fiction, thrillers, mysteries

Literary fiction, narrative non-fiction (current affairs etc), and high-quality thrillers and mysteries

Email submissions directly to amd@theampersandagency.co.uk

Literary fiction, book club fiction, upmarket commercial fiction, narrative nonfiction, cookery, feminist fiction, feminist nonfiction

Wants: Literary/book club/upmarket commercial fiction; historical and women's fiction; open to speculative and romance crossovers; non-fiction that surprises/challenges; cookery/food writing; feminist narratives; underrepresented voices. not seeking children's/YA, crime, thriller or horror.

Laurie Robertson is an agent at Peters Fraser and Dunlop building a list of adult fiction and non-fiction. She is actively looking for literary, book club and upmarket commercial fiction with strong original voices, uplifting narratives, clever storytelling, strong emotional hooks and complex characters. On non-fiction she wants stories that surprise and challenge, narrative non-fiction that reads like fiction, and cookery from food writers who can transport the reader. She is always keen on feminist narratives across fiction and non-fiction and on voices from underrepresented backgrounds. She is not currently looking for children's or young adult, crime, thriller or horror.

Email one agent or assistant only, include a cover letter, full synopsis, and first 3 chapters or approximately 50 pages for fiction, or a detailed proposal for non-fiction. Find contact details at https://petersfraserdunlop.com or our-team/

Fiction and non-fiction

Fiction: literary and speculative (and overlap), all adult/YA fiction (not below YA). Non-fiction: untold/unknown stories, expert insights, narrative/serious non-fiction

Email - submissions@appletreeliterary.com

Literary fiction and non-fiction (international or translated)

Voice-led literary fiction and non-fiction that cross borders, plays with form/genre, open to submissions in all languages

Synopsis and bio in English preferred

Fiction and non-fiction

Adult crime, thrillers and suspense, contemporary romance, women's fiction (commercial/literary/historical/humour). Adult non-fiction: mental health advocates, adventurers, entertainers

Email - submission@bell-lomax.co.uk

Fiction and non-fiction

Romance, upmarket crime/thrillers, uncanny/eerie/weird literary, gothic/supernatural elements, voiced historical, memoir and narrative non-fiction, health/wellbeing proposals from experts

Email submissions@greeneheaton.co.uk with the full manuscript, synopsis, and a cover letter naming Judith Murray as the preferred agent in the subject line

Literary fiction, upmarket fiction, historical fiction, literary thrillers, crime, gothic horror, speculative fiction, non-fiction, graphic novels

Literary and upmarket fiction/non-fiction, genre-bending/speculative-adjacent literary, literary historical, family novels, literary thrillers/crime, gothic horror edges, non-fiction art/music/aging/neurodiversity/psychotherapy/sport/science, graphic novels

Submit by email following DHA's submissions guidelines at https://davidhigham.co.uk or submissions/

Historical thrillers, literary fiction, upmarket genre fiction, book club fiction, science writing, food writing, history, nature writing, music journalism, memoir, cultural criticism

Wants: Contemporary crime and thrillers; historical fiction (esp historical crime); books with a fresh angle/clear identity; non-fiction on any subject with a strong angle and page-turning storytelling

Contemporary crime and thrillers, historical fiction and historical crime, upmarket and literary fiction with a fresh or distinctive angle, voices from marginalised or underrepresented communities, and non-fiction on any subject where the author has found the right angle and can make the material a page-turning story

Email submissions@greeneheaton.co.uk with covering letter in the body of the email. Fiction: attach first three chapters or around fifty pages plus a one-to-two page synopsis that reveals the ending. Non-fiction: attach three sample chapters or around fifty pages plus a chapter breakdown or synopsis. Attach files as Word documents, not PDFs. Include preferred agent name in the subject line.

Literary fiction, upmarket fiction, book club fiction, narrative non-fiction, memoir, essay collections, food writing, cookbooks

Fiction and non-fiction from underrepresented voices. In fiction, drawn to literary, upmarket and book club novels exploring family and relationship dynamics, sexuality, identity, and vulnerability — particularly stories about polyamory and ethical non-monogamy, epic multi-generational narratives, intelligent romantic comedies, relationship drama, coming-of-age tales centred on girlhood, and intimate formally inventive prose. In non-fiction, interested in narrative, memoir and essay collections from experts, academics, critics and journalists writing about society and culture, especially writers seeking to reshape conversations in their field. Particularly keen to add cookbooks and food writing to her list. Does not represent children's, YA or fantasy.

Email submissions@watsonlittle.com with Ciara's name specified. Include a cover letter in the body of the email with genre, word count, one-line pitch and a brief author bio. For fiction, attach approximately 10,000 words from the beginning of the manuscript and a separate synopsis as Word documents. For non-fiction, attach a full proposal as a single Word document. Do not submit to more than one Watson, Little agent at once. No AI-generated material accepted.

Narrative non-fiction, literary fiction

Narrative non-fiction with strong writing (science/nature/landscape/anthropology/history/politics/philosophy/gender/health/myth, environmentally aware). Internationally relevant literary fiction, character-led, warm/life-affirming or dark, lasting impression

Email jessicawoollard@davidhigham.co.uk and esmebright@davidhigham.co.uk — submissions should be sent to both the agent and her assistant Esme Bright

Fiction and non-fiction

Contemporary, historical and literary fiction, crime and thrillers, memoir, biography, narrative history

Email isobel@blakefriedmann.co.uk with a cover letter in the body of the email. Attach a synopsis of 250-300 words and the first three chapters or first 10,000 words as Word documents (.doc or .docx). Include the book title and your name in the subject line. For non-fiction, attach a synopsis of up to 500 words, a chapter plan, and two sample chapters.

Commercial fiction, upmarket fiction, book club fiction, crime, thrillers, historical fiction, psychological suspense, women's fiction, speculative fiction, non-fiction, lifestyle, pop culture, humour

Commercial and upmarket fiction: book club/accessibly literary, crime/thrillers, upmarket historical, psychological suspense, women's fiction, speculative/high-concept, lightly magical edge. Non-fiction: innovative lifestyle, pop culture, unique personal stories, humour

Email jemimasubmissions@davidhigham.co.uk with your name and title in the subject line, and attach a cover letter, synopsis, and the first three chapters.

Literary fiction, historical fiction, science fiction, fantasy

One-Page Outline, First Three Chapters, First Fifty Pages, Author Bio

Email submissions@miccheetham.co.uk with a one-page outline, either the first three chapters or first fifty pages, and a brief author bio. Word attachments are preferred and should be double spaced.

Non-fiction and select fiction

Non-fiction: compelling narrative history, ideas books on urgent questions, absorbing biography and memoir, pop culture, humour, and entertainment. Fiction: memorable characters on gripping journeys, principally crime or literary-commercial crossover. Not considering children's, YA, sci-fi/fantasy, or screenplays

Send your work and a covering letter to wiseofficesubmissions@curtisbrown.co.uk. Gordon Wise and his team are taking on only a couple of fiction writers a year. They are not considering submissions for Children's, Young Adult, Science Fiction, Fantasy, or screenplays. If you have not heard back within four to six weeks, this means they are unable to offer representation.

Literary fiction, commercial fiction, women's fiction, crime fiction, non-fiction

Well-written commercial and literary fiction (incl women's fiction, award-winning crime, upmarket), interested in dysfunctional families, outsiders, messiness, working-class/regional voices (Irish/Scottish), diverse perspectives. Non-fiction: housing, class, feminism, social change, globalisation, sexuality and similar areas

Email - submissions@ryeliterary.com

Adult fiction and select non-fiction

Horror (literary to commercial, gothic, dark academia), literary/book-club, high-concept/time-slip, romcom/cozy romance, cosy fantasy, dystopian, non-fiction from experts (nature/climate/psychology/self-help/health/neurodiversity/science etc.)

Online form - https://hs-la.com or submissions/

Fiction and non-fiction

Non-fiction: history, popular science, social issues, nature, money/life management, music, sport, film, technology, memoir, true crime, experts with wide appeal. Fiction: literary and well-written commercial, boundary-pushing style with emotional heart and plot, upmarket with satisfying arc, historical or contemporary, genre-mixing

Email submissions@watsonlittle.com with a cover letter in the body of the email, a synopsis, and approximately 10,000 words from the beginning of the manuscript for fiction, or a proposal including a sample chapter and chapter summaries for non-fiction. Address one agent only. No AI-originated or AI-edited material.

Literary fiction, upmarket fiction, non-fiction

Literary and upmarket fiction and non-fiction (incl lifestyle/wellbeing), stand-out stories with strong leading idea and emotional depth, humour/charm. Currently not looking for crime fiction

Email submissions@watsonlittle.com with a cover letter in the body of the email, a synopsis, and approximately 10,000 words from the beginning of the manuscript as a Word document. For non-fiction, send a proposal as a single document including a sample chapter and chapter list with summaries.

Fiction, children's, non-fiction

Literary and genre fiction (incl historical, horror, speculative), multi-generational, high-concept book club, domestic dramas, crime/thrillers with a twist, non-fiction including history/true crime/current affairs/travel/food/psychology/feminism/memoir, children's high-concept with humour/heart

Email veroniquemanuscripts@davidhigham.co.uk with a covering letter, a 1-2 page synopsis, and the first 3 chapters.