UK Narrative Non-Fiction Literary Agents Open to Submissions

Narrative non-fiction, literary fiction

Narrative non-fiction with strong writing (science/nature/landscape/anthropology/history/politics/philosophy/gender/health/myth, environmentally aware). Internationally relevant literary fiction, character-led, warm/life-affirming or dark, lasting impression

Email jessicawoollard@davidhigham.co.uk and esmebright@davidhigham.co.uk — submissions should be sent to both the agent and her assistant Esme Bright

Fiction and non-fiction

Thrillers, commercial fiction, historical and literary fiction, narrative non-fiction (history, natural history, politics, military)

Email - philip@marjacq.com

Fiction, non-fiction, ya

Character-driven, high-concept fiction with commercial hook, genre esp fantasy/horror, high-concept thrillers, voice-led contemporary, sweeping historical, romance/romcom, select narrative non-fiction (memoir/history/nature/science)

Email maria@greyhoundliterary.co.uk with a cover letter and pitch in the body of the email. For fiction, attach the first three chapters and a synopsis. For non-fiction, attach a proposal and sample writing.

Literary fiction, upmarket fiction, personal development, narrative non-fiction, memoir

Literary and upmarket fiction, and in non-fiction expert voices in personal development, narrative non-fiction, emotive memoir, and books that engage with politics, culture and the status quo with intellectual depth. Passionate about bringing undiscovered ideas and fresh conversations to the mainstream.

Email a synopsis and sample material to hello@bergstromstudio.co.uk

Literary fiction, commercial fiction, literary non-fiction, commercial non-fiction, ya, children's books, biography, memoir, history, popular culture, humour

Quality women's fiction including romantasy and love stories, smart contemporary thrillers with a difference, a great northern novel set in the north east or midlands, biography, memoir, history, popular culture, humour

Email synopsis and three sample chapters as a Word attachment, plus author biography, to info@sarah-such.com. No unsolicited manuscripts or telephone enquiries.

Fiction and non-fiction, literary estates

Broad/omnivorous tastes, excited by new literary voices, sprawling literary fiction, ambitious/speculative, would like a well-characterised, genuinely thrilling thriller, narrative non-fiction that reads like fiction, food writing, fresh takes on cookery

Online form - https://amheath.com or submissions

Crime fiction, thriller, mystery, psychological thriller, supernatural suspense, ghost stories, romantic suspense, historical fiction, women's fiction, middle grade, ya, horror, non-fiction, self-help, narrative non-fiction, memoir

Crime fiction encompassing thriller, mystery, and psychological thriller; supernatural suspense; ghost stories; romantic suspense; historical fiction; women's fiction; children's fiction at middle grade and YA level; horror; and non-fiction including topical, accessible works such as self-help, narrative non-fiction, and memoir. Does not represent science fiction, fantasy, short stories, poetry collections, erotica, or picture books.

Submit by email only. Fiction submissions should include a cover letter in the body of the email, a short bio, a synopsis, and three sample chapters as separate attachments. Non-fiction submissions should include a cover letter in the body of the email, a short bio, a proposal with chapter breakdown, and three sample chapters as separate attachments. Use the submissions page at https://shesto-literary.com or submissions or to send your materials.

Commercial fiction, women's fiction, romance, romantasy, narrative non-fiction

Love stories with a cool edge — rom-coms, sweeping romances, and stories where friendship is as central as romance. Open to all kinds of love stories including romantasy with strong world-building, star-crossed lovers, and opposites-attract dynamics. Characters who are coming into their own, discovering something new about themselves, who pull at your heartstrings and bring joy. Strong women's fiction where characters navigate the complexities of relationships and the non-linearity of life. Fiction that is transporting and atmospheric in the vein of Lucinda Riley and Kristin Hannah, and upmarket commercial fiction tackling universal themes of love, loss, friendship, and family. Also interested in stories that explore recent history or illuminate the world through fiction, research, or reportage.

Email submissions@greeneheaton.co.uk with your covering letter in the body of the email. Include Kate Rizzo's name in the subject line. Attach the first three chapters or around fifty pages plus a one-to-two page synopsis as Word documents (not PDFs). The synopsis should reveal the ending. Do not submit until the full manuscript is complete.

Non-fiction

History, politics, psychology, current affairs, natural world, expert-led books that change how we think, memoir (unique perspective), narrative non-fiction

Email a cover letter, one-page synopsis, and the first three chapters or 50 pages (or a proposal and sample chapters for non-fiction) to submissions@nurnberg.co.uk, addressed FAO Charlotte Merritt.

Fiction, literary non-fiction, memoir, biography, nature, history

Small list: fiction and literary non-fiction, memoir, biography, nature, history

Email - submissions@nurnberg.co.uk

Non-fiction

History, current affairs/politics/economics, biography and memoir, narrative/literary non-fiction, sport/adventure, pop culture/film/music, popular science/psychology, ideas ('smart thinking'), narrative-led business

Email - andrewgordon@davidhigham.co.uk

Fiction and narrative non-fiction

Commercial and literary fiction (excluding SFF), narrative non-fiction; currently seeking voicy character-driven book club fiction, fresh crime, upmarket horror, and accessible eye-opening non-fiction

Email - mhoskins@unitedagents.co.uk

Fiction, narrative non-fiction

Thrillers, mystery, suspense, knotty relationship and family novels, big-ideas non-fiction, memoir, pop science, food writing. Not children's or YA.

Email emma.submissions@cwagency.co.uk with the first three chapters (or approximately 50 pages) and a synopsis for fiction, or a 30-page proposal for non-fiction, plus a covering letter. Attach files in .doc or .docx format. Do not submit to more than one agent.

Children's (mg or ya or crossover), adult commercial fiction, narrative non-fiction

Genre fiction and crossover children's, boy-led MG, teen fiction, graphic novel/illustrated MG or younger YA, quirky fantasy, dark/off-beat romantic comedy, domestic noir, cultural history/narrative non-fiction with strong voice

Email submissions@nurnberg.co.uk with a cover letter in the body of the email, a one-page synopsis and first three chapters or up to 50 pages as attachments. Mark the subject line FAO Gyamfia Osei. For non-fiction, send an overview, chapter outlines, and three sample chapters.

Non-fiction

Big ideas, popular psychology, contemporary issues, economics/business (not how-to), popular science, history, biography, literature/pop culture, investigative journalism, narrative non-fiction

Submit via the online form at https://felicitybryan.com or submissions or submit-your-work/

Literary fiction, narrative nonfiction, current affairs, politics, pop culture, popular science, history, journalism, memoir, biography

David Kuhn is co-CEO of Aevitas Creative Management. His official Aevitas profile says he represents literary fiction, narrative nonfiction, current affairs, politics, pop culture, popular science, history, journalism, memoir, and biography.

Submit through the official Aevitas contact or submissions page if David Kuhn is available in the agent dropdown. Aevitas asks writers to include a query letter and, for nonfiction, a proposal if available, for fiction, include sample pages as directed by the form. Do not send unsolicited material outside the official route.

Literary fiction, commercial fiction, crime, sci-fi, short story collections, poetry, narrative non-fiction, history, travel, food, nature writing, investigative journalism, popular science, popular psychology, children's, ya

Wants: Cover letter and ~500-word synopsis and first 3 chapters; include contact details

Literary, book club, and commercial fiction including thrillers and YA; short story collections and poetry; narrative non-fiction with strong style; well-crafted crime and sci-fi; history, politics, science, psychology, true crime, travel, food, nature writing, investigative journalism, and popular psychology. Writers for children and young adults are also welcome.

Submit by email or post. The postal address is 29 Wardour Street, London W1D 6PS. For email, visit georginacapel.com or contact to find the address.

Literary fiction, narrative non-fiction, crime, sci-fi, poetry

Literary fiction, narrative non-fiction, well-crafted crime and sci-fi, building a curated list of poetry

Send a covering letter, a synopsis of approximately 500 words, and the first three chapters by post to Georgina Capel Associates Ltd, 29 Wardour Street, London W1D 6PS (mark envelope 'Submissions Department'), or by email to irene@georginacapel.com. Include your email address and or or telephone number. AI-generated content is not accepted.

Literary fiction, speculative fiction, narrative nonfiction, subject-led nonfiction, poetry

Wants: Literary-spectrum fiction (incl speculative); narrative-forward nonfiction with original idea/voice; not currently taking on new poets

Literary novels that prioritise plot and find fun, surprising ways to explore ideas or a moment in time — entertaining, thought-provoking, and ideally moving. Open to work that plays with and elevates genre. In nonfiction, drawn to original ideas with unique, narrative-driven telling, whether from journalists, memoirists, thought leaders, academics, or cultural figures. Not currently taking on new poets.

Email submissions@aitkenalexander.co.uk with the agent's name in the subject line. For fiction, attach the first three chapters or fifty pages plus a short synopsis as Word-compatible files. For narrative nonfiction, attach a short overview and up to 10,000 words of sample writing. For subject-led nonfiction, attach a proposal of around 5,000 words and at least 5,000 words of sample writing. Include a cover letter with a book description, any writing credits or qualifications, and a brief bio. Do not submit directly to the agent's assistant.

Literary fiction, narrative non-fiction, poetry

Literary fiction with clarity, energy and intention, ambitious structure/craft, tactile/idiosyncratic sentences, strange/spooked books, big family novels and love stories, literary genre-bending. Non-fiction: literary biography, social/cultural/oral history, creative scholarship, memoir/essay, interests include art, design, psychoanalysis, food, women's lives

Email submissions@aitkenalexander.co.uk with subject line marked FAO Harriet Moore. Include a cover letter with a short book description, any writing credits or qualifications, and a brief bio. For fiction, attach the first three chapters or 50 pages plus a short synopsis. For narrative non-fiction, attach a short overview and up to 10,000 words of sample writing. For subject-led non-fiction, attach a proposal of approximately 5,000 words and at least 5,000 words of sample writing. Attachments should be Microsoft Word compatible. Submit to one agent only, no postal submissions. If you have not heard back within three months, treat this as a pass.

Literary fiction and narrative non-fiction

Fiction: stunning sentences, convincing narratives, on-the-page magic. Non-fiction: narrative, personal accounts with political context, transporting/teaching. Original voices and captivating storytelling

Email submissions@aitkenalexander.co.uk with the subject line marked FAO Lisa Baker. For fiction, attach the first three chapters or up to fifty pages plus a short synopsis as Word-compatible files. For narrative non-fiction, include a short overview and up to 10,000 words of sample writing, for subject-led non-fiction, a proposal of approximately 5,000 words and at least 5,000 words of sample writing. Include a cover letter with a brief book description, any writing credits or qualifications, and a short biographical note. Submit to one agent only, do not contact agents' assistants directly.